As I've aged, I've become kinder to myself, and less
too many dear friends leave this world, too soon; be aging. Whose business is it, if I choose to read, dance with myself to those wonderful tunes of the 5 lost love, I will. I will walk the beach, in a swim waves, with abandon, if I choose to, despite the pity am sometimes forgetful. But there again, some of li important things. Sure, over the years, my hea lose a loved one, or when a child suffers, or even wh hearts are what give us strength, and understanding sterile, and will never know the joy of being imperfe hair turning gray, and to have my youthful laughs b have never laughed, and so many have died before be positive. You care less about what other people t right to be wrong. So, to answer your question, become. I am not going to live forever, but while I a been, or worrying about what will be. And I shall ea
---- Dylan's song revolves around the mishaps of a Mr. Jones, w asks, the less the world makes sense to him. Critic Andy Gi sneering, dressing-down of a hapless bourgeois intruder int
In March 1986, Dylan told his audience in Japan: "This is a
all the time. You just get tired of that every once in a while. speaks for itself, right? So, every once in a while you got to my response to something that happened over in England. be people around still like that. So I still sing it. It's called 'Ba There has been speculation whether Mr. Jones was based in a Rolling Stone article, describing how he had attempted his entourage later chanced on the hapless reporter in the h down, Mr. Jones?"[10] When Bill Flanagan asked Dylan, in replied: "There were a lot of Mister Joneses at that time. Ob write that particular song. It was like, 'Oh man, here's the th In the John Lennon-penned Beatles song "Yer Blues", Lenn Dylan's Mr. Jones". Dylan critic Mike Marqusee writes that "Ballad of a Thin Man scathing take on "the media, its interest in and inability to co anthem of an in-group, "disgusted by the old, excited by the its central refrain "Something is happening here/ But you do the burgeoning counterculture.[12] Dylan biographer Rober Dylan's greatest archetypes", characterizing him as "a Philis but not very smart about the things that count."[13] Critic Andy Gill refers to "a fascinating, albeit slightly tenuou this interpretation is based upon "the cumulative inference o "hands you a bone", "contacts among the lumberjacks", "sw back, thanks for the loan'", "one-eyed midget" and "give me appeared on internet sites devoted to Dylan's work, and wri Dylan’s intention with the song"; he adds that the song "con understand."[6]