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Overall: A-B -A (ternary / “sch erzo an d trio”) form , with A section in sonata form
A Section (Scherzo)
Exposition
0:00 Introduction (with metric “fake out”) {mm . 1-8}
0:05 (1:17) A. Theme 1 (d minor) presented as a five-voice fugal exposition (“polyphonic”); entrances every 4 beats {mm. 9-56}
1:05 (2:17 ) k.t. Cadential matter, with statement of opening motive {mm. 127-138}
1:13 (2:25) End of Exposition (pianissimo) {mm. 139-150} (Repeat of Exposition starts at 1:17, see above)
Development
2:29 (4:37) Picks up on end of Exposition; sequencing motive (to e minor), crescendo, to a fermata {mm . 151-176}
2:45 (4:47) Imitation with Theme 1 (new metric grouping of 3); starts in woodwinds w/ strings pizzicato accomp. {mm.177-194}
2:54 (4:57) Timpani interru ption (to F m ajor); 4 times on 1st in groups of 3 , but 5 th time is late (an other “fake out”!) {mm. 195-209}
3:02 (5:05) Theme is passed back and forth (in groups of 3), starting with strings {mm. 210-224}, then crescendo {mm. 225-233}....
3:13 (5:16) .... to a return to groups of 2 (=4, but it’s hard to hear), which is the transition into the Recapitulation {mm. 234-271}
Recapitulation
3:31 (5:35) A. Theme 1 (d m inor, fortissimo) {mm. 272-295} (N.B. crescendo on opening mo tive in the few seconds before 3:31/5:35)
3:44 (5:47) tr. Transition to Theme 2 (unstable harmony but not modulating) {mm. 296-329}
4:01 (6:04) B. Theme 2 (pedal point in D major then d minor) {mm. 330-363}
4:30 End of Recapitulation (first time, repeat development; second time, continue to Coda) {mm . 388a.-399a}
B Section (“Trio”)
6:50 Main them e (legato w ood wind s with staccato b assoo n underneath) is stated tw ice {m m.41 6-423 a, repeat}
7:13 (8:04) Main theme elaborated (horns and strings, then oboe and bassoons) {mm.438-474}
7:40 (8:29) Main theme (flute and violins; staccato accompaniment in bassoons and lower strings) {mm . 475-491a}
(Return to Secondary theme {mm.422b} at 7:51 to repeat,)
(8:41) Main them e; ped al po int on D ; parts juggle d (m elod y in violas, cellos, clarinets, and accompaniment in flutes, oboes,
basso ons); then slowing to cadence and finally moving into the A section via “Introduction” material {mm . 491b-530}