‘my starting point comes from film studies’

– B. Tschumi
Bolshevik, 1920
Boris Kustodiev
October: Ten Days That Shook the World, 1928
Sergei Eisenstein
Intolerance, 1916
DW Griffiths
Kuleshov Effect
Talks about Cutting, the Kuleshov Effect
Alfred Hitchcock
Sergei Eisenstein
1898-1948
Vsevolod Meyerhold Exercises
Scene from Nikoläi Gogol's Le révizor
directed by Vsevolod Meyerhold, 1928
 Vsevolod Meyerhold
Theater and Biomechanics
In 1922, Meyerhold staged his first Constructivist performance The Magnanimous Cuckold by the Belgian
playwright Fernand Crommelynk.
Lyubov Popova's three-dimensional, bare-wood set stood alone on an otherwise bare stage.
 Sergei Eisenstein
Montage Film Stills
MONTAGE:
noun
the technique of selecting, editing, and piecing together
separate sections of film to form a continuous whole.
montage was a useful device for overcoming the drawbacks of
silent film.

the technique of producing a new composite whole from

fragments of pictures, text, or music.
the art of montage in theatre and film.
 ‘The strength of montage lies in the fact that it
involves the spectator’s emotions and reason. The
spectator is forced to follow the same creative path
that the authors followed when creating the image.
The spectator does not only see the depicted elements
of the work; he also experiences the dynamic process
of the emergence and formation of the image . . . .’
– Sergei Eisenstein
Part 1, People and Worms, Battleship Potemkin, 1925
Sergei Eisenstein
Part 2, Drama on the Deck, Battleship Potemkin, 1925
Sergei Eisenstein
Part 3, The Dead Man Calls Out, Battleship Potemkin, 1925
Sergei Eisenstein
Part 4, The Odessa Steps, Battleship Potemkin, 1925
Sergei Eisenstein
Part 5, One Against All, Battleship Potemkin, 1925
Sergei Eisenstein
Breathless, Jump Cut Example, 1960
Jean-Luc Godard
Jump Cut Example
‘looking at the Transcripts also means constructing them’
– B. Tschumi
Advertisements of Architecture, 1976-78
Bernard Tschumi
‘There is no architecture without action, without movement’
– Tschumi
Advertisements of Architecture, 1976-78
Bernard Tschumi
Advertisements of Architecture, 1976-78
Bernard Tschumi
METRIC MONTAGE: October: Ten Days That Shook the World, 1928
Sergei Eisenstein
A first draft of Finnegan’s Wake
James Joyce
Excerpt from Finnegan’s Wake, Joyce’s Garden, 1976-77
Bernard Tschumi
London Ordinance Map with Points, Joyce’s Garden, 1976-77
Bernard Tschumi
NOTATION for the film ALEXANDRE NEVASKI, 1938
Sergei Eisenstein
Homage to Eisenstein, Joyce’s Garden, 1976-77
Bernard Tschumi
Sequences drawn on film slides, Joyce’s Garden, 1976-77
Bernard Tschumi
Architectural Designs, Joyce’s Garden, 1976-77
Bernard Tschumi
Located Sites for student projects, Joyce’s Garden, 1976-77
Bernard Tschumi
RHYTHMIC MONTAGE: The Odessa Steps, Battleship Potemkin, 1925
Sergei Eisenstein
Screenplays, 1976-78
Bernard Tschumi
Screenplays, 1976-78
Bernard Tschumi
Screenplays, 1976-78
Bernard Tschumi
TONAL MONTAGE: One Against All, Battleship Potemkin, 1925
Sergei Eisenstein
Sequential House, 1981
Bernard Tschumi
Sequential House, 1981
Bernard Tschumi
Sequential House, 1981
Bernard Tschumi
The Manhattan Transcripts 3
Bernard Tschumi
Sequential Tower, 1980
Bernard Tschumi
OVERTONAL MONTAGE: Strike, 1925
Sergei Eisenstein
The Manhattan Transcripts
Bernard Tschumi
The Manhattan Transcripts 1 – The Park
Bernard Tschumi
The Manhattan Transcripts 1 – The Park
Bernard Tschumi
The Manhattan Transcripts 1 – The Park
Bernard Tschumi
The Manhattan Transcripts 2 – The Street
Bernard Tschumi
The Manhattan Transcripts 2 – The Street
Bernard Tschumi
The Manhattan Transcripts 2 – The Street
Bernard Tschumi
The Manhattan Transcripts 3 – The Tower
Bernard Tschumi
The Manhattan Transcripts 3 – The Tower
Bernard Tschumi
The Manhattan Transcripts 3 – The Tower
Bernard Tschumi
The Manhattan Transcripts 3 – The Tower
Bernard Tschumi
The Manhattan Transcripts 4 – The Block
Bernard Tschumi
The Manhattan Transcripts – Photography
Bernard Tschumi
The Manhattan Transcripts 4 – The Block
Bernard Tschumi
The Manhattan Transcripts 4 – The Block
Bernard Tschumi
The Manhattan Transcripts 4 – The Block
Bernard Tschumi
The Manhattan Transcripts 4 – The Block
Bernard Tschumi
‘If the programs used for the Manhattan Transcripts
are of the most extreme nature it is to unlearn the
fact that perhaps all architecture, rather than being
about functional standards, is about love and death’
– B. Tschumi
INTELLECTUAL MONTAGE: Drama on the Deck, Battleship Potemkin, 1925
Sergei Eisenstein
INTELLECTUAL MONTAGE: The Odessa Steps, Battleship Potemkin, 1925
Sergei Eisenstein
The Odessa Steps, Battleship Potemkin, 1925
Sergei Eisenstein
Fireworks, 1974 and 1992
Bernard Tschumi
Fireworks, 1974 and 1992
Bernard Tschumi
Fireworks, 1974 and 1992
Bernard Tschumi
Fireworks, 1974 and 1992
Bernard Tschumi
Fireworks, 1974 and 1992
Bernard Tschumi
Fireworks, 1974 and 1992
Bernard Tschumi
Fireworks, 1974 and 1992
Bernard Tschumi