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  • Easy Canon in D

    Transféré par

    Emerson Biclar Golipardo
    377 vues5 pages
    The document contains sheet music for Johann Pachelbel's Canon in D arranged for rondalla, a Philippine folk music ensemble. It lists the musical parts for various string instruments, including bandurria, octavina, guitar, and double bass. The sheet music contains musical notation symbols indicating the notes, rhythms, and structure of the piece to be played by each instrument.

    Description originale:

    Canon in D easy

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    The document contains sheet music for Johann Pachelbel's Canon in D arranged for rondalla, a Philippine folk music ensemble. It lists the musical parts for various string instruments, including bandurria, octavina, guitar, and double bass. The sheet music contains musical notation symbols indicating the notes, rhythms, and structure of the piece to be played by each instrument.

    Droits d'auteur :

    © All Rights Reserved
    Téléchargez comme PDF, TXT ou lisez en ligne sur Scribd
    Signaler comme contenu inapproprié
    377 vues5 pages

    Easy Canon in D

    Transféré par

    Emerson Biclar Golipardo
    The document contains sheet music for Johann Pachelbel's Canon in D arranged for rondalla, a Philippine folk music ensemble. It lists the musical parts for various string instruments, including bandurria, octavina, guitar, and double bass. The sheet music contains musical notation symbols indicating the notes, rhythms, and structure of the piece to be played by each instrument.

    Droits d'auteur :

    © All Rights Reserved
    Téléchargez comme PDF, TXT ou lisez en ligne sur Scribd
    Signaler comme contenu inapproprié
    sur 5

    Canon

    in D
    Johanne Pachaelbel

             
    Arranged for Rondalla: Emerson B, Golipardo

    Bandurria I         

                 
    Bandurria II     
                    
    Octavina I  
      
    Octavina II                
     
                   
           
     
        
    Guitar

    Double Bass
      

             
          
        
        
    16
    A

        
    Ban I

           
    Ban. II         
      
           
                
    Octa. I

             
    Octa. II   
    
         
       

      
     
    Guit.

    Bass
           

              
                  
    24
    B

    Ban I

         
    Ban. II   
           
      
      
     
    Octa. I

      
    Octa. II   
    
         
     
     
    Guit.

    Bass
         

    2
          
          
              
    30
    C

        
    Ban I

       
     
       
    Ban. II


    Octa. I       

     
    Octa. II      

    
        
     
     


    Guit.

         
    Bass

         
                           
    35

    Ban I

        
    Ban. II                        
          
    Octa. I        
     
    Octa. II     
    
        
      
      
    Guit.

       
    Bass

    3
                                   
        
    40
    D

                         
    Ban I

    Ban. II             

     
    Octa. I                
     
    Octa. II          

    
          
           

     
    Guit.

    Bass
            

    F 
            
                       
     
    49
    E

                     
    Ban I

            
    Ban. II    
            
    Octa. I            
      
          
    Octa. II

     
            
      

      
    Guit.

           
    Bass

    4
     
       

                 
     

    H


    58

               
    Ban I

         
    Ban. II       

            
             

           
    Octa. I

     
    Octa. II         
    
           
           
      
    Guit.

    Bass
            



         
         

    68


    Ban I

        
    Ban. II        
     
           
       
        
    Octa. I

              
    Octa. II  
    
         
      

    Guit.

          
    Bass

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