For Sephora

 
4 1 4 1 1

           

intro 2


1 1


2 2

    
2 2 3 3

                  
          
play intro without pick, use fingers

              
  

5 5 5
7 7 7 4 4 4 4 4 4 5 5 5 2 2 2 2 2 2
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
0 0 0 0 0 0 0 0 0 0 0 0 0

 
4 1 1 1

 
         
4


1


1 2 2
2
5
    
2 2 3

 
3

           
           
             
 

5 5 5
7 7 7 4 4 4 4 4 4 5 5 5 2 2 2 2 2 2
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
0 0 0 0 0 0 0 0 0 0 0 0

 
1


1 1

               
 
3 3 4 4

 
3 2 3 3

       
9

            
         
               
       

12 12 12 11 11 11 11 10 10 10 9 9 9 9
12 12 12 12 12 12 12 12 12 12 12 12 12 12
12 12 12 12 12 12 12 12 12 12 12 12 12 12

0 0 0 0 0 0 0 0 0 0

3 1 1

  
1

           

4

 
3 3 4 theme

 
3 2 3 3

  
  
13 2 2

      
3


       

               
     

12 12 12 11 11 11 11 10 10 10 9 9
12 12 12 12 12 12 12 12 12 12 12 12 8
12 12 12 12 12 12 12 12 12 12 12 12
8 9
0 0 0 0 0 0 0 0
2

   
3
  
          
17 1 2
1 3 1 3

       
2 3 1 1 1 2
1


3 3 1 3 3 2


1 1




3

            




78 7 7
9 9 11
9 9 9 7 9 7 6 7 7 7 9 10
10 7 9 9 7 9 7 6 7

 
4

   
2

   
          
3

       
4 1 2 2 1 1 1 3 1
21
   
4 1 4 2


1 1 3 2 2 1 1

 
2 3 2 1 2 3

  3
                   
  


8 8 8 8 10 7 7 7 8 10 8 7
7 7 7 7 10 10 7 8
8 8 8 8 8 8
7 7 7 9 8 7 8 9

 
3
     
25 1 2


                 
1 3

 
2 3 1 1 1 2
1 3 1 3


3 3 3 3 1 3 3 2


1 1




3 3


      3        
 



78 7 7
9 9 11
9 9 9 9 9 79 7 6 7 7 7 9 10
10 7 9 9 7 9 7 6 7

 
4

           
2

    
    
     
3

   
4 1 2 2 1 1 1 3 1 2
29
 
4 1 3 2 1 1

    
1 1 3 2 2 1 2


3

       
            
   
3


8 8 8 8 10 7 7 7 8 10 8 7 7 8 7
7 7 7 7 10 10 9 8
8 8 8 8 8
7 7 7 9

     
   

   
33
     
4 1 4 1 2 1 3 1 3 1 1 3


1 3


1 3 1 3 2 1 3 3


              3  
 

7
10 10 7 8 10 8 10 8 7
7 9 7 7 9
9 10 10 9 10 9 7 9 9
         
3

                   

2 1 1 3 1 2
37

3 2 1 3 2 1 1


2


3

3 3 3 3 3

 3     3   3       
   

3
3



7 7 8 10 8 7 7 8 7
8 8 8 8 7 8 6 7 7 7 7 8 10 8 8 10 9 8
9 9 9 9 8 9 7 8 8 8 8 9 11
9


     
    

   
41
    
4 1 4 1 2 1 3 1 3 1 1


1 3 3 3


1 3 1 3 2 1 3


              3  
 

7
10 10 7 8 10 8 10 8 7
7 9 7 7 9
9 10 10 9 10 9 7 9 9

 
      
                  
3 1 1

 
2 1 2 1 1 3
45 2 1 3 1 1
3 1
2 2
1 2


3 3

3 3
                   


10 9 8 9 8 7
8 8 7 10 8 10 8 7 7 10 10 10 10 10 10 10 10 8 8 8 8 8
9 8 11 11 11 11 11 11 11 11 9 9 9 9 9

    
      
E-
   
2 2 2 2 2
49 2 A-7 2
1

  
      
2 1 3 2 3 2 1 2 1 1 1 2 1 1 3 3 1
3 1 2

        
3

nice melodic phrase built around an E-add9 arpeggio melodic phrase with a flat 9 on B7

       3              
 
 

8 12 12 12 12 12
8 7 10
9 9
8 9 9 7 9 10
10 9 7 9 7 6 7
8 78 7 7
4


              
            
3 2
B7
   
1 1
2 2 2 2 2 2 2 1 2 1 1 E- 1 B7 1 2 1 1 1
53 3 1 3 1
1 2 2


1 3 1 2

 
3 3 3

one of Stochelo's signature licks another Stochelo signature

3 3 
                     

3



11 11 11 11 8 8 8 7 8 7 7 19 18 17 16
10 8 10 8 7 7 7 10 10 10 10 10 8 8
9 8 11 11 11 11 11 9 9 16 17 16 15 16

E-
 
A-7
     
       
1

   
2


3

 
2 3 2 1 1 1 1 1

    
1 1 3
57 3
2 1 3 3 1
2 2 2 2

 
lick from B7 to E- make sure to vibrate the alternating "c" and "e" in bar 59 and 60 slightly
for the right sound, but keep both fingers down!

                       


15
17 17 17 12 15 14 13 13 13 13 13 12
16 16 14
17 16 14 16 17 14 14 14 14

E7

       
B7

     
E- 2

      
3 1 1

         
2

           
2 2 2 2 1 1 1 1 4
1 1 1 1 1 3 1 1 3 2
61 3 3 1 1 1 3 3 1
2
3

 
3
same lick as bar 54/55 but on
the pull-offs are essential for the lyrical sound different strings melodic phrase on E7
of this lick


                    3     


12 15 14 13 14 13 12
13 12 12 13 12 12 13 12 12 13 12 15 13 12
14 14 14 14 12 11 11 14 14 14 14 14 14 12 12 13
13 16 16 16 16 16 16 14 14
 D7

                     
A-7 5

     
3 2

   
1 1 1 1
2
65 3 1

a mandoline like phrase with melodic tremolo, it works well here

but don't overdo this effect: that may end up sounding cheesy

                             


12 12 12 12 15 15 15 15 14 14 14 14 12 12 12 12 10 10 10 10 8 7
13 13 13 13
14 14 14 14

  

G^
 
C^
      
4
67
 
1 2 1 2

      
2


1 1 1 3 1 3 2
3 1 3 1

A descending G major arpeggio in bar 67 followed by a fast but easy to play lick

  
           

3



7 10 7 7 8
8 7 8 7
7 9 7
9 9 7
9 8 7

F#Ø

 
     
B7
        
4 2
69

             
1
1 2 4 2 1 2
1 1 2 4 2 1 2 1 4 2 1 1 3


1 4 2

Mute the string with the left first finger on the ghost notes (the x-noteheads).
Playing the ghost notes gives extra flavour and helps the timing.

                           


10 8 7
7 8 10 8 7 X
8 9 11 9 8 X
9 10 12 10 9 X
9 10 12 10 9 7 9


            
E- E7
 


3 2 2

 
1 1 1 1 1 3
71

 
3 1


3 1 3 2
1 3 2 3

   
1 3

 
3 1

Ascending dim arpeggio. Practice exercise 3 (lesson 8) from

Sliding with the third finger helps legato
the "Technique Course" daily to get the necessary speed for this one

 
                 3   
 

12 7 10 8 10 8 7 5 7
12 9
9 11 12 7 10
9 6 9
10 8 6 7
 D7
6 A-7

           
(4) (2 4 2 1 2 4)


3
(4)

 
73 3 1 3 1 2

 
1

               
3 1 3 4
1 3 1 1 1 1 3 1 1 1 3 1 2 4 2 4 1 2 1 2


1 4 4


Often used A minor lick Stochelo's fingerings for major scales (G major here),
you can play these fingerings fast and with ease


        3
                     


8 4 7 5 7 8
8 5 7 8 10
5 4 5 7 4 5 7 9
7 5 7 5 4 5 4 5 7
7 5 4 5 7

G^

 
    C^
     
  
4 4 4

      
1 1 2 2 1
75 2 2 1 4


1 3 1 1 3 3


1 2 1

   
3 1

3 3

Same lick as in bar 68, it fits both on Gmaj7 and

Cmaj7 chords

   
 3    3             


10 7 10 7 7 8 10 8 7
8 7 8 7 10
7 9 7
9 9 7
9 8 7 7

  
  
F#Ø
     
B7
 
3

 
1 1

    
1 2
77
 
2 1 4 2 1 2 1 1 3


2 1

        
1 2
3 2 1 2 1 3 1 3 1 2


1 3 3 1 3 1


Practice this long fast lick S-L-O-W-L-Y with metronome before you try to impress your significant other playing it
at full speed
 
           3                  


8 14 12 11
8 7 10 8 7 10 13 12
9 8 8 11 14 12 11
10 9 7 7 10 14 13
10 9 7 9 7 6 9

B7

          
 
3

  
2 1 2 3
E- 1

  
1 1 1 1

 
2 3
3 2

      
79

3


1 1

 
3 1 2 1 3 1 2 1 1
1 2

Notice that Stochelo is not really following the chords, just a mixture of B7b9 and E-.

                         

3


14 17 15 14 15 16 17 18 19 15
16 17
14 17 16
13 16 17 14
15 13 14 14
15 14 15 14 12
 A-7 7

 
  
                     
E- 3 1

 
3 1 3 1
81 4 1
2 1 1 1 1 1 2

     
2 3 1 2 4
3 3 1 3

 3 3

3
                       3
  

7 10 8 10 8 7 8 8 8 8 8 8 8 8 8 8 10 8
11 12 12 7 8 10 10 10 10 10 10 10 10 10
11 12 14 9
14 9
14

E-

    

              

3 3 2

    
1 1 1 1


3
3
85 B7 1 1 3 3
3
2
2 3
2
B7 1 2 1 1 1
3


1 1 3 2 2 2 3 2


2 2

3 3 3

This is a more recent Stochelo signature lick with moving

sixths on a dominant b9 chord.

3 3 
               3      


7 8 11 14 17 15 17 15 12 7 3 2 19 18 17 16
10 8 10 8 7
9 8 8 11 11 14 14 17 16 17 16 15 16

E-
 
A-7
        
      
1

     
3 2
2 3 2 1 1 1 1 1 1 1

       
1 1 3
89 3 3 1

 
2 1 3 2 2 2 2 2 2 2


The exact same licks as the ones starting in bar 56. The phrase in bar 90 is played one beat earlier and to make up for
this the sixth pattern starting in bar 91 is extended with one beat.

                            


15
17 17 17 12 15 14 13 13 13 13 13 13 13 12
16 16 14
17 16 14 16 17 14 14 14 14 14 14 14

   
B7

                      
2
E7
   
E-

 
1 1 1 1 1 1
1

 
2 1 1 2 1 1 2 1 3 1 2 1 1 2
93 3

 
3 3 1 3 3 1
1 1 3 1 3

    
3 3 3


1 2

Another fast dim arpeggio. Keep the "e" on

the low E-string as your orientation point

 
                      3  


13 15 13 12 11 12
13 12 12 13 12 12 13 12 12 13 12 15
14 14 14 14 12 11 11 14 14 14 14 14 14 12 12 13 16
13 16 16 16 16 16 16 14 14 12 15
11 14
11 12 13
       
8 A-7

          
4 D7

1 2 2 3
1 1 1 3
   
97 1 3 1 3 1 1 4 4 2 1 3

       
2 1 1 3 1 1 1


1

3

Another one of Stochelo's fingerings for a major scale. This one
is more suited to playing descending.

    
                 

3 3


15 12
13 12 15 13 15 13 12 12
14 14 12 11
14 12 10 9
12 10 9
12 10 12 10 9 10

  
 
       
G^ C^
    
2

 
1 1 3 4

 
2

  
2 1 2
99

         
3 1 4 2 1 4 1 1 3
1 2 1 1 3 1 3 2
1 2 1 1 1 3 1

3
A G major scale on Cmaj7 is a lydian sound
(#11). This is a good trick to remember
if you have to play on Autumn Leaves type of
Based around a Gmaj.7 arpeggio
chord progressions.


                  3
           


10 14 12
12 15 12 12 13 15 13 12
11 14 11 12 12 11 12 14 14
9 12 14 12 14 12 11 12 14
12 10 9 10

B7

              

           
 
2 1 2


1 1 3 3
F#Ø 1 1 1 1 1

  
3 1 1 1 2 1 4
2 2 1 2
101 1 1 2 3 1 3 1 3


1 3 1


1 2

3 3 3 3
Stochelo anticipates the B7 chord Anticipating E7 (so skipping
with a dim arpeggio E-).

              3
  3
  3
  3

         


14 17 15 17 15 14 16 14 13 15 13 12 14 12 11 12 13 12
16 15 13 12
12 11 14 17 14 13
14 13 13 16 15
15 13 14

     
E7

    
 
2

   
1 1
E- 3
1

 
2 4 2 1
103 3 3


2 1 4 1 2

      
2 1 1 1 2 3 1 1 3
3 1 3

    
2

Dim arpeggio for E7b9

     3
              3
      


13 15 13 12
15 15 13 12
13 16 13 14
14 12 12 15
15 14 12 14 12 11 11 14
14 11 12 13
 9

D7
G^

         
 
A-7 C^

       
1 2 1 3 1 3
 
  

2 1 1 3

     
1 1 1 1 1 2
1 3


1 3 2 1 2 1


2 2 1
105 1 2

     
3 1 1 1

    
1
2 1 2 4


1 2 3


3

A-7 arpeggio G-major scale with embellishments Again C lydian

with leadtone

                        3 
        8 9 7 8 10

12 12 15 14 15 14 12 14 12 10 12 10 810 8 78 7 7 10 8 10 8
13 13 10 12 10 8 10 8 78 7
13 14

F#Ø B7 E- B7 to Theme

                             
1 1 1 1 3 1 1
109 1


3 1 3 2 2 4 1
1 2

  
2


1 3 1 2


3 2 3

3 3

Where have we heard this one before? (still sounds good though) Simple but effective lick on B7
leading to the "9" on E-minor
3
                 3        


7 8 10 8 7
10 8 10 8 7 7 7 10 10 10 10 10 10 10 10 10 8 8 8 8 8 10 7 8
9 8 11 11 11 11 11 11 11 11 11 9 9 9 9 9 8
9 8 9
10
B7
CODA

 
F#Ø
      
 
3 2 2

 
1

 
1
113

1 3
2 1 1 1 2 1 1


3


    3
      


10 9 8 10 8 7
8 8 7 10 8 7
9 8 9

                         
4
E-

                              
1

115
0

        

Stochelo's right hand keeps moving even during rests. This helps the timing and feel.

                     
       

12 12 12 12 12 11 11 11 11 11 11 10 10 10 10 10 9 9 9 9 9
9 9 9 9 9 8 8 8 8 8 8 7 7 7 7 7 6 6 6 6 6

 
4 4
1

             

4

            

1 1 1
2 2 2 2
119 1
3 3
2 0

                  
0

 
 
                     
       

5 5 5 5
7 7 7 7 7 4 4 4 4 4 5 5 5 5 5 2 2 2 2 2
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
0 0

3
1
3 1

         
1 1 1 1

         

3

           

2 4 4

    

3


3 3 3 E-7(9)
123




          

                  



        

12 12 12 12 12 11 11 11 11 10 10 10 10 10 9 9 9 9 9 14
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
12