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A few days before seeing Justice League at the cinema, I had watched a bit of
Batman v. Superman: Dawn of Justice on cable TV. Seeing it again confirmed my
earlier review of the movie as being very good despite the flak it had received
from critics when it was released last year.
I was more taken in by the dialogue scenes in Dawn of Justice than by the
action/fight scenes. As I had observed in my review of it; “Much like Man of Steel,
it is a movie you will need to see time and again to appreciate. That's not to say
you won't appreciate it at first viewing”.
It goes without saying that Justice League is DC Films’ answer to Marvel Studio’s
The Avengers. Whilst, with seventeen films into its cinematic universe, the latter
has achieved remarkable success; the former, with five films into its Extended
Universe, is still struggling to gain a foothold.
Perhaps, still smarting from criticisms that its previous releases were too serious,
DC Films decided to go the less serious route this time around with Justice
League. But coming on the heels of Thor: Ragnarok by which Marvel Studios set
the bar even higher with its patented comedic super hero movie shtick, Justice
League was comparatively out of its league.
In the closing scene of Dawn of Justice at the burial of Superman, the levitation of
the sand atop Superman’s casket clearly suggested that Superman was about to
resurrect before the scene faded to black and the end credits began to roll.
However, Justice League did not quite pull off the comical exchanges that ensued
when Tony Stark recruited Peter Parker for the Avengers. In Justice League, the
exchanges between Bruce Wayne and Barry Allen came off as predictable and
quite frankly; not so funny. It lacked the comedic bite that was immediately
noticeable between Tony Stark and Peter Parker. Where Tom Holland’s Peter
Parker came off as boyishly naïve and endearing, Ezra Miller’s Barry Allen came
off as effusively annoying.
Word has it that Warner Brothers Pictures had insisted that the movie be no
longer than two hours. Perhaps, this would explain why Justice League came
across as rather rushed and seemingly incoherent especially in the backstories of
its super heroes. Some scenes from the trailer were cut from the movie and this
detracted from the overall experience of the movie.
The decision to go less serious also impacted on the way some characters differed
in the movie from the way I perceived them in the trailer. For instance, in the
trailer, Jason Momoa’s Aquaman came across as highly intense. However, in the
movie, he came across as a trying to-be-funny-but-not-so-funny Khal Drogo with
more than a hint of Jason Momoa in real life. This completely killed the intense-
vibe about him that I had earlier perceived from the trailer.
Ben Affleck’s dark and brooding Bruce Wayne/Batman from Dawn of Justice gave
way to a less intense and somewhat sensitive sometimes clean-shaven and
sometimes bearded one in Justice League. Somewhat different as he was in this
movie, it did not however change the fact that Affleck remains the best Batman
till date.
But on the positive side, there were moments and performances in Justice League
that provided some redemption for the movie. Ray Fisher as Victor Stone/Cyborg
gave an impressive performance. His backstory may not have been sufficiently
fleshed out but his brooding and mysterious mien was consistent with the
mindset of one still trying to come to terms with his half man and half machine
persona.
Gal Gadot as Diana Prince/Wonder Woman proved yet again that she is without a
doubt the sexiest female lead in movies today. My daubing her sexy here does
not in any way objectify her. Her being sexy is always inextricably tied with her
being tough enough to kick bad-guy ass from here to Themyscira and back
without a strand of her hair falling out of place. She doesn’t even need to try
coming across as being both sexy and bad ass. She exudes both effortlessly.
But by far the best performance was Henry Cavill as Clark Kent/Superman. He
pulled off being tough and funny at the same time effortlessly. His resurrection
(as continuity incongruous as it was) was, for me, the only truly stand-out
moment in the movie.
As Cavill has shown since Man of Steel, his superman does not come across as a
one-dimensional Mr. Nice Guy as the late Christopher Reeves’ and Tom Welling’s
in Smallville. Cavill’s Superman can throw down in the dark and brooding
department (as he did in Dawn of Justice) and has absolutely no gender-based
qualms about hitting back against a woman in battle as proved by the head-butt
from hell he unleashed on Wonder woman.