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Cruitar
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F()UNDATII}N
MUSIC
YAMAHA
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YA]IIAHA
CIassic
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Cormss"l by T. Koizumi
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@ C opyri ght1974 by Y A MA H A Musi c Foundat ion
3-24-22S i momeguro. Meguro-ku,Tokyo,Japan.
JA S B A CN o.7910741
P ri ntedi n Japan.
ARI I
1
1 BASS Blss
RUllS,/PASS|tlc
SHE'LL BE COMIN' 'ROUND THE MOUNTAIN
5
6
FmCH0RD
7
WHEN THE SAINTS GO MARCHING
8
ALLEGRETTO
r0
l0
ANDANTINO
ll
ALLEGRETTO
12
3 IIOIES
DOUBLI
ANDANTE
12
12
ANDANTINO
l3
ANGLAISE
PROMENADE
l6
ilrRil0illcs l6 {
WAI:TZ
17 :
GALLOP
TOM DOOLEY
17
l8 !
I
til0RscAtE
II P0slil0lt,,10 r8
ETUDE
l8
SONG FROM THE BACKWOODS l9
SEVILLANAS
20
21
SLUR WAI:IZ
21
LANDLER
22
sllAtLll0IEs
GussillD0,/ 22
MY LADY
23
PENSANDO EN TI
24
SCIU-
il4,0R
v P0stll0ll,/c 24
BURUNG TANTINA
24
MINUET (A LOVER'SCONCERTO)
25
ETUDE NO. I
26 *f
ROMANCE DE AMOR
27
ROMANCE
28
IORII
GIIORD
Il|ETOYABTE
*Reference Pieces
30
KACHUSHA 30
GREEN SLEEVES
3l
BALLADE
32
MELODIA
32
ALLEGRETTO
33
ANDANTE
34
TANGO
35
POLKA
36
SLIDE WAI:|Z
37
ESPEREUN MOMENTO, POR FAVOR
38
BOLELEBO
38
ENFANTS D'AUJOURD'HUI, HOMMES DE DEMAIN
i
L
CONTENTS
ARI 2
MODERATO 43
ETUDE NO.l (oP.3s) 43
ETUDE NO.l (oP.3t) 44
SANTA LUCIA 44
MODERATO 45
PRELUDE 46
BOURREE 46
WAIjrZ 47
WALTZ IN G 48
ALLEGRETTO 49
LARGHETTO 50
LONDONDERRY AIR 5l
ALLEGRETTO 52
TWO GUITARS 53
RONDO 54
WALTZ 55
ALLEGRETTO 56
SUSSERDIE GLOCKEN NIE KLINGEN 56
WAI:IZ 57
ALLEGRETTO s8
BELIEVE ME, IF ALL THOSE ENDEARING YOUNG CHARMS 58
ALLEGRETTO 59
MINUET 60
UNDER THE G REENWOOD TREE 61
ROMANCE DE AMOR 62
rucilfltftoc||0nD//Dtilt{tsHE0
cilon0
r0Rt 63
OLD FOLKS AT HOME 63
BASS BASS
R|JilS,/PASS|l{G
ftoctice
Allegretto
com - in' 'round the moun - tain, she'll be com - in' 'round the
c Cz F
, E;
FmC1|0RD
I
I
t w
Cr*c.a
Pl"v Slow waltz
Fm-chord
-t c
r .Ir
lir
t[L
/-
ill
I
il
t,)
3
.-Z
(t +--.
From"SriAyuda"
by Sutedjo
fi
Puzle Fillin the chord namesin O accordingto the above chord pattern.
From"Homeon the
i -s e mble OAMERICAN SONGO
7"-
a l ,r I
'
t'! i > ,:' q {- il : :-r z
c Gz
II ,
\
Cz
'.\ (Jl
I
I
I
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I
I
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t
t
llt
11.
I
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I a
Gt c c
'"'*t
=
ARPEGG
P roc t ice
tt rI tI
9-
r'.
Am gonG
c
ftrpeggio
imim
=
-3-' -E -E
?
I
I
P
I
At Am
Arpeggio
Playon
a)
ttl l
,p
""FF
I
'ALLEGM,.Ki,FFNERO
Fine
Det
\j\ i\*
fN
rL3
-3
ANDANTINOoA.cA'{oo
-r*,l r
10
ALLEGRETTO.,. .ARULLI
O
a"j=
\
\r (-1.'
I -\
. Interval,-i '.,
FG(r,", | (unison)
a
minor second i
steP :1,r
majorsecond
(whole step:1 )
minorthird maiorthird
-1 h al f a '^
:(il'ji5#:?'')
-..+ (whole step:2)
tf-l
ffi
>-
minorsixth majorsixth
F(il"i,"5.'J:5')
\perfecteighth minor seventh maior seventh
:
V \ half s t ep: 2
/w h o l e s te p :5 \
) ffi:ffjr"5""':i'') =(il"1,"5.'J:?'')
The intervalof more than eighthdegreeis calledcompound Interval.
Often, one octave is eliminatedwhen countingthe interval,but this does not changethe qualfity
(perfea, major,minor etc.) of the interval.
11
lIOTES
DOUBTE
ANDANTE.,.riirrreno
ANDANTINO. M.cARcAss,
o
ANGLAISEoF..ARULT.
Y
E - - P tP i
) (, )( )
13
t
PROMENADEoF..ARULL,.
4
. Relationof Keys:
The keys which are close to the original key are cailed Related Keys.
In many cases,the original keys are modulated to these Related Keys. Also the chords
of these keys can be
used.
RelotedKeysof C moior
Io,'"- 1,
pararellkey\
/pararellkey\ /pararell key\
of F major / \of C major/ \of C major /
16
t_
HARMOlIICS
IG,
C-
"** F A-
aL
[I/ARZ.r.r. ELLrso
I
1
,'--.-\
/' '-.
-t Az n2aln t
p, i nr. J
t
=) l nne @
l"
Harm.7- -----.r At
d
t
@ D.C,
ryr " - - '.'"-l'
-N')
ar
Tdr
. Harmonics: A harmonictone is created by gently placinga left-hand
finger on the fret of
the string which has just been plucked by a right_handfinger.
,/-) It is indicated by "Harm." or just)ar*" together with the number of string.
,/\
fI i\2- *
l i
! 74 , tr7
-4,/
zo'::"'4*
\ A ;i
\;l
.. .,<-- 7
-/a I r)-
..1 ,
_ ? f.- - - - - - - r
--: b '
^ e f.- - - - -z _?f.-------r -af.-------- ?f.----___r
e)Lz @ r2 z. E -' @r2 z s , @L z s ' @li' z s i
a"
76
I ,5-,t
m_i
Harm. 72- - -
Harm. L2- - -
77
SCAT
Di|AIOR
II POSITION/
ETLJDEoF. .ARULLT.
hlelodvPloy
Rhythm
ChordSymbols IVYz I
.K eyofG
@ ooo
.K eyofD
@ ooo
18
-J-'r
lj
,1-,
/ \7*
V ,.\
SEVILLANAS ospAN,sH
so,{c
o .x ,--*<"
/l '.f,
,; i\ :
i^\
1!:' t\1.)
I l-i'--'* ----: -;4=*r**; '-
j .lL. ,..,,. -*.;:-
IiF
i -,-- -'1
lt ,
11 ' l- , ji
i1
,*.. .._i_j*..- 1- *;"k {i
J
' x. "ii
*.?
Al-t_-egrp
Di
ui
4l
I lr
4' r
li !
'
i v
Alv D
:>_
!
I
\
\,
ftoctice
DX.l
Draw Back
Draw Back
Vibration
Slide
0
\9
-eY' o='
. Playby slidingright-hand
O Chromatic Scale
20
SLUR WAIfZon.r.ELLrso
b
LANDLER.,.xiirrueno
21
r-
SltlAttllOUI
GtlSSAllD0,/
MY LAFY.H.,.ELL.'.
Allegretto
V- - - ------'!
o
1 -1
a
c..5----.--r
22
ENSANDO EN TIOA.ALBA
l"
f,-_ ef -) f
=
?)
p
lc ,rlf
@ at*. @
p p
l-i.---lerl-l
l3r
7
r l D'
p
O E Minor scale
VP N/C MAIOR
SCA
\//4
---4( t C- b'Lot '.
712
1a n
v
,
vH*H
)^
t!t-
t vrn;Jri\---------------
v P@g
Ploy
fr,,tlelody
BURLD{G TANTINA .o*no
o,*oo*="'o*
Moderato
v--
c
lr
fy{elodyPloy
MINUET (A LovER'scoNCERTo)
o,.BAcHo
Moderately
V
c
fu- @#@'
c Am
t
@ @ €---------r
= =
:.r= q\ r.l1]-
o.
I 7'
I
I I
4) sl ,l I s
'f
I
tl ChromaticScale
1:7 J F t\ir-
7t-:' n- 7!t:----------.
o-
=
=
28 {
t
,1
OIVIANCE oJ.K.MERrzo
{
l -l l
Q'sl I
IrT===
ct?..T777..
' r vt t l 'f s-
rl i
Tl|Eltl0VABtt
C]|0RD
F0Ri
O Root on String @
E ClrordFon1
@ @
2
OMajor Chord F
Y
l
OMinor Chord Fm
v .-j\
t1/
/A
+
A
GF E
O Root on String @
OMajor Chord BO
t
-_^
\)
/-N
+
f Domnant 7th Chond Bvz
f CeP Trrirg
2A
I
t0Ril
,f\
I
(T
ReferencePieces
al
K{CHUSHA o RUssrAN
soNGo L'I
Allegretto
Am
r_r r
{
e
4t
Ir
t-
#
BALLADE.,. DoR,{o
c
z- 3
t\
'_t_, *;
v,lef@
tS'cooa
l_j'_$
ALLEGRETTO.o.AGUADoo
DANTE oF.cARULLro 5
X
L
ITANGO or.FERRER.
I
\( J
'',--E
JJ
oF ,
.L
1i\
{f
I
E
\f tr
r
s/
FineI
f
-
l7
ll I ''t'
84
LKA or. KiiFFilERo
SLIDE WAII ZO r..r.
ELL,so
ESPEREIJN MOMENTO, POR FAVOR.".=."^-
Tempo di Beguine
O
r
l 97l by R ac het pubti s hi ng,BM l .
rI pl
\y
R i ghts for J apan as s i gned to P.M .P
87
Cr,qaPl"v
BOLELEBO orNDoNEsrAN
soNG
o
t rilr" ^
Rhythm
3a