Benoît MERNIER

CONCERTO

POUR PIANO ET ORCHESTRE

(2007-2008)

Quindicesima Publishing
Commande des enfants de Godelieve de Kerchove d’Exaerde en mémoire de leur mère défunte pour le Festival de Wallonie 2008, avec l’aide de
la Communauté française (Direction Générale de la Culture, Service de la Musique)

Création : Flagey, Bruxelles, 01/06/08 – (Concert d’ouverture du Festival de Wallonie 2008) – Cédric Tiberghien et l’Orchestre Philharmonique
de Liège - Wallonie-Bruxelles – dir. : Pascal Rophé Durée : ca 24’

INSTRUMENTS

3 Flauti (1° e 2° anche Ottavino – 3° anche Fl. in sol)

2 Oboi (2° anche Corno Inglese)
3 Clarinetti in si b (1° anche Cl. piccolo in mi b – 3° anche Cl. basso)
2 Fagotti (2° anche Contrafagotto)
4 Corni in fa
2 Trombe in do
2 Tromboni (1° tenor – 2° basso)
1 Tuba bassa
Timpani (4)
Percussione (1) : large Tam-tam - large susp. Cymb. - Bass Drum - Triangle - 2 Tom-tom (high-low) - 2 wood-blocks - Tub. Bells - Snare Drum

1 Arpa
1 Celesta

1 Pianoforte solo

10 Violini I
10 Violini II
8 Viole
6 Violoncelli
4 Contrabassi (a 5 corde)

Remarques pour l’exécution

- la partition est écrite en do

- les altérations sont valables pour la mesure entière et ne valent que pour leur octave. Elles ont été néanmoins souvent réécrites
entre parenthèses par précaution
- les trilles doivent être joués un demi-ton au-dessus de la note (sauf indication contraire)
- les tremoli doivent être joués le plus rapidement possible même si le nombre de barres change
- les petites notes d’appogiature doivent être jouées avant le temps

-   : court - long points d’orgue

Performance notes

- the score is written in C

- accidentals apply throughout entire bars but not in octaves
- trills should always be played one semitone higher unless otherwise indicated
- tremoli should be played as fast as possible (non misurata) even though the number of little bars changes
- slash grace notes should be played before the beat

-   : short - long fermata

 à Benoit van Langenhove de Bouvekercke
Concerto pour piano et orchestre
ca 9' Benoît MERNIER
I.
q = 48 (e = e) con poco slancio rilasc.  animando
poco
 
   
      
Flauto 1
       

(anche Ottavino 1)

 
mf p

                        
Ottavino 2
(anche Fl. gde 2)
      
mp senza cresc. 3 3 3 3
p
 
3
p
Flauto 3       
  
  


(anche Fl. in sol)
mf

   

3
 
3
 
             
Oboe 1
 
mf  mf

       
Corno inglese
(anche Ob. 2)
        
mp

    
3
 
    
3
Clarinetto in Sib 1         
(anche Cl. piccolo in mi b)
mf mp

Clarinette in Sib 2    
    
  
  

mf

       
Clarinetto basso in Sib
   
  
(anche Cl. in si b 3)

     


      
 
Fagotto 1  
      

 
pp mp

     solo 1 
Corni in Fa 1 & 3    
p 
    
solo 2
      

Corni in Fa 2 & 4
p
solo 1
    
 
3
             
con sord. straight
   


2 Trombe in Ut


mp 3

     
  
  



 
Arpa p E§F#G§A§
 G# nat. BbC§ 
 B§C#Db
      


   
mp p

        
  
    
 
Célesta p
     
        
q = 48 (e = e) con poco slancio rilasc. poco animando

    

    
       
mf  mf

 
Violini I
div.
     3
  
          

 
mf mf

  via
 
sord.
con sord.
    
e con gli altri
Violino solo II 1    
  
pp


    
    
  
3.5.7.9
gli altri   

 
Violini II mf
 mf pp


      
div. 3


2.4.6.8.10
   
       

 
mf pp pp


mf

        
3

Viola sola 1  

 
         
p mf pp

     
con le altre
               
Viola sola 2 
mf ppp

          
3.5.7
le altre         
Viole p  p 3 3

div.
          
     
4.6.8
    
 
 
3 3
mf p
     
     
Violoncello solo 1    

 
p pp

          
Violoncello solo 2         

 
pp

    
        
gli altri
Violoncelli
mf


1 solo    
 
Contrebassi         


pp 
BM3-2009-11 (corr.)
3
rit. a Tempo (q = 48) flessibile
    
 
A
5
    
prende Ottavino

Fl. 1       
6 3

  
mp

     
Ott. 2       
 3

  3
p
 
      
3
Ob. 1        
f 3 p p

   
6

         
C. I.
      
mp p

 

              
Cl. 1        
3 3 3 3
p pp
f
mf
  
prende Cl. in si b
         
Cl. b. (3) 

p

       
Fag. 1         
p

  
   

C. Fg       

 
p

     
 
Crn. 1       
  

3

 legato   
p pp (legato)
   
    
Crn. 2
4   
p pp
(solo 1)

 
(con sord. straight)
         
Trbe 1
2   

 
mp
solo 1
Trbni 1        
2
  
gliss. gliss.



pp
 pp


 
  

  
nat.
     


  
 



 C#D§
p
 
E§G§
Arpa p E# Ab
  

 
nat.
     



mp p


con slancio e poco indolente

  
      
5


      

  

 
   
    
 
3 3 3 6
Piano mp 3

             
solo
    
loco

      
3

rit. a Tempo (q = 48) flessibile
A
        
3 3

       
mett. sord.
        
3 3 3 p 3
Vlni I mp f
  
div. a 3
   
3 3
div.
        
mett. sord.
        
3 3 3 p 3
mp f

   
Vlno solo II 1  
p
  
     
  
 
p 3
Vlni II poco

 
div.

   
3
      

p p

poco

         
Vla sola 1  
p  p

 

            
  


Vle mf p
div.   
      
     
 


mf

p

      

con gli altri
Vlc. solo 1     
mp 3

 
  
con gli altri
Vlc. solo 2     
p

  
       

Vlc.   
gli altri pizz.  
a 2 soli 
p

   
 
Cb.       


mp

BM3-2009-11 (corr.)
 4
B
 

8
      
Ott. 2   

    
mf

 
  
        
Fl. 3    gliss.   

  
3 3
pp mf

      
 
Ob. 1   
mf
3
f 
        
C. I.    

   
 
      
Cl. 1          
(pp)
 pp poco marc.

    
Cl. 2           
 
pp

       
Fag. 1  
 poco 
  
pp marc.
 

C. Fg      


pp

 
    
(pp)
    

Crn. 1
3
  

3

 
  (legato)
     
Crn. 2
4       
(pp)

   

mett. sord. bucket
Trbni 1          


2
pp

   
     




EbF#G§A§
Arpa pp (pp)
   
nat.
   

BbC#D§
  

 

Cel.       




mf



    
        

  dolce  
   
  



(*)
più f mp

Piano

   
  
 
solo
   
  
ppp
(*) : renforcer légèrement le ré des deux mains sur le premier temps
first beat: D should be played softly accented with the 2 hands
B  
5

      
 
        
            
  
  
div. a 2

 
1.2.3.4
  


3


ppp 3molto dolce come eco p f mf 3 pp mf
 
 
  
5.6.7     

  
  
Vlni I
div.    5
 


ppp p

  
a3 molto dolce come eco pp mf mf mf
 
8.9.10     
   
  
     
5 mp p
ppp molto dolce come eco (sempre ppp)

 
 
   
Vlno solo II 1   con gli altri

 
pp

 
   
   
 sfz pp

 
Vlni II pp

 
div.
    
 
pp  sfz pp

 
 
 
Vla sola 1    con gli altri

 
pp

 
 
 
  
       
 
pp

Vle sfz pp mp mp
  
    
div.
          
  
pp sfz pp mp mp

           

 
 
pp

   
mf

 
     
Vlc.
div. 
pp

    
      

pp

BM3-2009-11 (corr.)
5
C
  
         
13

Ott. 1    
pp dolce  più dolce possibile

        
5
       
Ott. 2      
       


3

       
mf pp dolce mp più dolce possibile mp
      
pp dolce
   
  
Fl. 3    
pp dolce 5  mp
    
mf f più dolce

      
      
    
Ob. 1  
mf mf f mf mf

  
   
  
Cl. 1             
pp dolce 3  mf pp

               
  
Cl. 2 
pp dolce
3
(pp dolce)


          

   
   
Cl. 3  
mp 3 dolce mp 3  pp

  
     
 
Fag. 1
pp

 solo 1  Crn. 1: mett. sord.


Crn. 1       
 
3
pp

solo 1 con sord. bucket
  
   
Trbni 1 




2
pp
nat.

 
non arp.
  

 
pp E§


Arpa

C§
    



pp

     



pp


Cel.
   


 
chiaro e deciso f 
     
Piano 5
 
solo
         

mf 3


  unis.
C
                   

     
(1>4)


       



mf mf p mf f più dolce mf

                    

Vlni I
div.    
mp pp

 
mf più dolce mp

              
    

pp p mf f più dolce mf

 div. a 2
  
Vlni II
unis.
div.     
(sempre pp) pp



         
Vle
unis.
div.
pp  pp

       
p  pp


  
Vlc.
div.  
(sempre pp)

     
(sempre pp)


 
1 solo

con arco


Cb.       


ppp

BM3-2009-11 (corr.)
 6
D più lento e = 84
  prende Fl.
18
     
Ott. 1   


   
Fl. 1  
pp
rit.

    
     
3

Ott. 2
              


5

        
prende Fl. in sol
          
Fl. 3       
3 3
pp mp


             
Ob. 1      

     
       
C. I.        
pp 

      
3
       
Cl. 1                
p pp

                
Cl. 2      
p pp 

 
prende Cl. basso
                
Cl. 3       


       
poco

  
    
Fag. 1     
pp 

    via sord.
    

    


Trbni 1      


2

   
   3           
      
                   
       
3 più f 3 sonore più dolce mp
3
Piano
 
mf

     3          
  
         
solo 3
   
3
          
        
p 3 3 p
dolce 5 mf 3 mp
rit. D più lento e = 84


solo 1
      via sord.

senza sord.
           
     
      
3   

pp p

 
solo 2

     
senza sord.
     
via sord.
Vlni I
      

div.


p

  
 
via sord.
   

  

solo 1

        
        
mf p  p
Vlni II
div. solo 2

 
a2
           

     
    p
pp mf p

 
 
   
   

Vle
div.
unis.        


         
 
  
solo
  
   
più dolce possibile

   
 
      
solo
Vlc.
div.     
più dolce possibile

    
 
 
  
solo


   
   
più dolce possibile

     
(1 solo) 
   

Cb.           

pp 
BM3-2009-11 (corr.)
7
più agitato e poco accelerando Tempo primo e = 96 - q = 48
       
24

 
  
    
Fl. 1     
p 3

Ott. 2     
  
  


  
col Pianoforte
Fl. Alto
    
  

     

(3)  


   
     
     

Ob. 1 
p

      
C. I.            
p

 
          
 
3 3
Cl. 1       
pp  p

   
     
Cl. 2  


p

    
Cl. b. (3)        
p

   

Fag. 1        

 
   

con sord.
 
via sord.
Crn. 1               
pp poco mp 

       
  
(senza sord.)
      
Crn. 3
 
p pp

   
        
Trbni 1
2



       
  




mp


Arpa
      
     



 
   
         
flessibile
 
      


   
mf 3 3
      
3

       
sempre sonore
     
3
 
Piano
solo    
mf 5

     
flessibile p

                       

3
  
3 3 3 3 3

   
p in fuori mf mf 
più agitato e poco accelerando Tempo primo e = 96 - q = 48
  
       
     

3

    
  
p pp p
Vlni I

  
  
2div.
soli


 
 
 
 
pp p


     
con gli altri
       

Vlni II
pp 

  
2div.
soli
  con gli altri
  
         
pp 

 
Vla sola 1
   
con gli altri
  
tutti div. a 2
     
   
Vle mp pp  p


2 sole
div.
           
Vla sola 2 3 con gli altri
    
tutti div. a 2

       

mp  p

         
  
   
   

     
Vlc. 

    
 
   



div.
3 soli

   
 
    
     
3

 
   
 
  

BM3-2009-11 (corr.)
 E 8

   

calmando

3

 
e > e
28
      
Fl. 1          
pp p

Ott. 2    
  
  
  


        
5
         
Fl. Alto
   
(3)
 
         
p pp p

Ob. 1

      
  
  
  

3 3
mp




prende Ob.
       
C. I.    

Cl. 1     

 
      
  

pp




 

  
   

Cl. 2  
pp p
 
       
Cl. b. (3)      
pp

        
Fag. 1     
pp

     

C. Fg          
pp

 
p

  
   
(senza sord.)
Crn. 1          

Crn. 3   
     
pp p

 
  
3
        

p
    
 
 
Crn. 2
       
4

   
p

 
(senza sord.)
         
Trbni 1
2
     
pp p

    
Tba             


 
pp
p



       
     


E§FbG#A§   Ab G§ p

Arpa p
    

  
BbCbD# C§
     
 
                  
   
        

5 mf

   
3 mp p

  

 
5
     
    
Piano
    
solo 
6
mp

  
        
    
una corda
E
           
calmando

3

   
   e > e
  
tutti gli altri
       
      
pp  p tutti p

 
Vlni I

         
      
div. a 2
2div.
soli
     
3

    
 
pp mp p


   

  

     

    

p

Vlni II tutti mp mp p

       

div.

        
a2
       

 
mp p pp p
(tutti)
      

 
  

 
 


Vle mp p pp p
div. (tutti)
a2       
  
   
   


mp p pp 
  
p

           
 tutti
div. a 3    
 mp p pp p 
  
div. a 2
        
Vlc.
div.
3 soli
 tutti
div. a 3    
tutti
mp p p 
     
   
 
div. a 3
    
    
 mp

  
p
la metà: pizz.- altri: con arco
   
 

tutti
Cb.    
   

p p 
BM3-2009-11 (corr.)
9
q = 72
 
accel. q = 84 agitato
 
   
      

32

      
Fl. 1  

   
mp 3 3 f
mf
    
 
      
Ott. 2  
mp f


            
Fl. Alto
(3)    

 
mf f

  
mp
   
         
6

       
Ob. 1 

   
f mp mf f

            
6

     
3
Ob. 2        


 
mp pp mp f
 
   
 
mf
    
        
Cl. 1  
3 p 3 3
f

f

      
Cl. 2    

  
      

6

   
mp mp f

         
Cl. b. (3)   

    
mf f

      
        
f
Fag. 1
mp

  
  
C. Fg       

p 
 
mp mp f

Crn. 1       

    
 

   
3

 
mp p f

 

  

Crn. 2
4    
mp p f

  

 
(con sord.


straight)
      
Tr. 1         

  
  
 
mf mp 3 f
  
       
(con sord. straight)

  
Tr. 2  
    
mp f
 
Trbni 1 
     
   

2 
mp p f 

  
  
Tba       


mp p f 

 
mp

   
 
     
sfz 
Timp.


      
large Tam-tam


susp.Cymb.
   


Perc. 1
p

 
p

     
     
  


E§F§GbAb ff
  
Arpa mp

   
mf
  B§C#D#
 
 

 

   
Cel.   
       
 
mp

q = 72
  
accel. q = 84 agitato
 
    
    
  
 
Vlni I f 
     
mp p
div.
 
    
      
    
3
  
    

 
mp p 6 f
 
   
 
mf
       

      
 
   
Vlni II 3 3 3

f f p f
div.
            
       
6

 
mp pp mp f

   
  
            
      

     
Vle mf 6 f
    
mf

div.

       
       

         
mf f

6

mf
  
tutti unis.
Vlc.           
mp f
(sempre la metà: pizz.- altri: con arco)

  
   div. a 2
  
tutti: con arco
Cb.    


mp p mp f

BM3-2009-11 (corr.)
 F 10

 
meno agitato e poco più lento


  
     
36
              
Fl. 1    
      
    
f mf mp
       
Ott. 2      
 3

 
mf mp

          
Fl. Alto
     
 

(3)
  
mf p
 
p
    
Ob. 1         


mf
        
prende Crn. Ingl.
     
Ob. 2     
 

mf

      
Cl. 1        
               
 
  
f mf
mf mf

p 5 5

Cl. 2 
     
 
 
      

f p


mf mf
  
p
         
Cl. b. (3)       
f p mf p

 

 
        
     
 
Fag. 1
    
mf p mp
   

C. Fg     
 p

mf


f
 
  
 
       
Crn. 1
      
3 

legato p 

 
mf
 


       
Crn. 2
4    
 
mf p

 
     muta in sord. cup
  
Tr. 1            
 
     
mf
   
muta in sord. cup
         
Tr. 2 

f mf


     
Trbni 1
      
2 
    

 
mf
Tba    
   

mf  mf 

Timp. 
   
loco

      
   


 f

 
        
     





EbF§G#A#

f 
     
Arpa f mp F# mp E§
  B§C§D§
    


 
     
     
p  
 

   
Cel. mf
     


mp

        
     

   
3

 
       
       
subito violento
       
  
    
fff ff

Piano poco meno f

     

f ff
solo
         5
  
      

               

 

 
5

 
meno agitato e poco più lento
 
F 
  

       
    
   
   
f  
   

Vlni I mf p f
div.                 
       


p

p

f


mf mf

 
          
    
Vlni II f mf f 
mf

    
div.
     
            
 
f mf f mf p mf mf

     
  
                 

 
Vle p 
 
mf 3 mf mp
  
 
  
div.
       
 
 
p 

mf

 
mp
mf
         
   
div. a 2 quasi gliss.
Vlc.  
     
 mf p 5 mf
     

       
Cb.
        


div.
mf p  mf
6 sfz
BM3-2009-11 (corr.)
11
a Tempo e agitato 3

 
e > x
40

      
Fl. 1  

          
      
Ott. 2    
     

 p 3 mp

    
 
prende Fl. grande in do
Fl. Alto
      
(3)
p

Cl. 1

    
           

mf mp

   

      
Cl. 2               
mp


p

   
  
          
Cl. b. (3)    
p mp

       
 
Fag. 1     
p 
mf

     
      
 
C. Fg  

p mp

 
mf
 3   
 
 
   
3

            
 
Crn. 1
3   
p
mf
  
 
 
          
Crn. 2
     
4
p 
mf

 
Tbne 2
     
Trbne 2    
p

  

 
 
   

Tba
    


 
loco mf

 
 
mf
 
Timp.      

  



f mp


  
    
 


 
Arpa

 
mp
  
Eb C# ff
  
 
  




     
             

     


   
    
         
    
f 3 3
Piano 7 3

    
  
3

     

f

 
solo

5 ff 3 3

    
      
3 f

      
       
   

    

   
    
 
ff 
mf 5

 
loco loco
3

a Tempo e agitato
              
3
       
 
e > x


       
 
       
mf mf mf
Vlni I
   
div.
 

 

    

    
  
mf mf

           
mett. sord.

        
 
3 3 p
mf
Vlni II
  
div.
     
mett. sord.
       
mf 

    
 
Vle
div.
unis.     
p (p)



  
    
     
mf
   
 
Vlc.
div.
     
p 3
mf

 
mp
    
 
f
      
 
Cb.
   

div. 
f f 
BM3-2009-11 (corr.)
 12
q = 63 subito più calmo e dolce
 
 
44       

       
Fl. 1   
mp p 3 

    
Ott. 2        
 

   

 
p pp

   
Ob. 1    

 
  
 
3
p


      
      
Cl. 1   
p


     
   
 
Cl. 2
pp 

  
    
Cl. b. (3)     
pp

   
  
(p)   
Fag. 1    
 pp

   

  
(p)   
C. Fg    
 

      
mett. sord.
     
Crn. 2
4        
p pp

con sord. cup


            
Tr. 1    
p

    
Trbne 2            

mett. sord.
   
 
Tba       

       
 
   
Timp.
  


ppp


       
  
E§F§G§A§

 
Arpa


B§C#D§

  
       


  

   
  
          
   
    
   
mf
  
f
          
Piano
mf
 mf

                               

      
solo
 
3
      
                  
     
 con
pp 5 5 5 5
5 ppp 3 7 7
molto dolce, legato e molto fluido p
poco ped. molto dolce e legato

q = 63 subito più calmo e dolce

  
 
 
      

     
Vlni. I   
unis. mp p 3

  
         
Vlni II   
unis. pp

       vibr.
div. a 2 con molto vibr. ord.
Vle
div.
unis.         
pp mf pp

    
con molto vibr.
    
vibr. ord.
     
p   
Vlc.
 
mf pp
pp

         
     
p     
Cb.


 
BM3-2009-11 (corr.)
pp
13
G
    
   
 
48
     
Fl. 1      
p p pp 

 
   
Ott. 2        

   
 p p

     
Cl. 1   

     
Cl. 2   

             

7


3 7
  
Cl. b. (3)       
 
    
3
molto dolce molto dolce

        
Fag. 1
   

   
     
 
C. Fg
p 

 
Cor 2 con sord.
    
Crn. 2
4  
p

     
Tr. 1   

con sord.
   
Tba        
p 

 
   
    

Timp.




        
  

E§F#G#A# E§F#G§A§

  
Arpa mf p
   
B§C#D§ B§C#D§
      


 



  
        
         
mf 3 flessibile 3
 
          
      
    
      
    
Piano più dolce mf
mf mf
 
solo
    
3
      
          

 

 
  
3
3
3

G

  
      
3

Vlni. I     
pp p


          
Vlni II     
 
3 p

   
unis.

  
Vle
   
div.     

  unis.
  
Vlc.
       


   

la metà: pizz.
 
unis.
 
   
Cb.


 p

BM3-2009-11 (corr.)
 14

 
52

       
Cl. 1  
     
pp 
Cl. 2       
  

   

pp

         

      
        
      
3


3 3 3
   
5
Cl. b. (3)  
 3 3  pp 3 3

   
Crn. 2
4          
via sord.
  
Tba        
 


nat. 

        
 

Arpa pp
 
        
   


mp

    

 
3

               

5

      
  
 
         
3
  
   
   3 3
Piano mp 5

       


     
p

  
7
 
solo

   

    
3 3 3 3
  
  

      
pp 5 6
  pp 3 molto dolce 3 3
con poco ped. 6

  

  
Vlni. I     
     

     
via sord.
Vlni II          

   
Vle          
  

sempre a 2 soli
p 
           

con arco 5

Cb.         


quasi gliss. 3


H poco rit. più lento accel. a Tempo (q = 63)

                

 

5

                 
56
   
3


             
6 6 sonore
f
         
6

                  

    
5

    
 
Piano
   
solo  3 5 6 

mp 3
 
11:8

p
    
senza cresc.
  
mp 5


   

  



f p 3 3
3 mf

3

 
            
    
5

   
60
    
3
 
     
         
( mf )3 3
3

                        
7

    
5

             
Piano
solo       
5
p 11:8 5 5

   
 
   
  
  

 
p

    
sul tasto e senza vibr.

Vlni II        

pp
sul C sul tasto e senza vibr.

Vle     
    3
 




pp

  
sul tasto e senza vibr.
       
Vlc.     
pp

  
sul tasto e senza vibr.
    
tutti


Cb.     

pp

BM3-2009-11 (corr.)
15
I
e. > e

 
64
    
Fl. 1      
pp

Fl. 3     
 

 


pp

        

6

         
5
  
5

              
    
Cl. 1
pp 6
6
pp

       
6

  
5

     
6 5 5

              
  
   
Cl. 2
  pp       
pp

                    
       
5
       
5
         
Cl. b. (3)    
pp 6 6 5 5 5

   

C. Fg       


   


(con sord.)
  
 
Crn. 2    
4
pp

      
  
 
Timp.   
    
pp

  

susp.
Cymb.
    
Perc. 1     


pp


    

     


E§F#G§A§ pp
Arpa
    
BbC#D§

      
p  


 
        
  
Cel.
p

  
   


      

                  

                 
   
  
 

         
  
5


mp

 

 
5
 
      
      
 
Piano       
   

solo

      
   
 con poco ped.

 
e. > e
  
   
Vlni. I     
pp

 

 
  
Vlni II   

Vle    
 

 



      
Vlc.     

  
 
  
(sempre sul tasto e senza vibr.)
Cb.        

BM3-2009-11 (corr.)
sempre pp
 J q = 42 16

  
67


    
Fl. 1  

   
p

mf
 
             
Ott. 2  
3 3

    
p mf pp

f
  
  
       
Fl. 3  
3

  
f p mf
 


3

       
Ob. 1           
f  mf
3
pp  p

  

      

 
C. I.   
mp pp

         
Cl. 1     
mf  pp
mp

Cl. 2     
   

mf p pp

        
Cl. b. (3)     
mf p

     
Fag. 1     
pp mf p

  
C. Fg       
pp 
  
mf
 
  
via sord.
Crn. 2
    
4
(con sord.) pp

  
      

Tba

  
mf p

Timp.       
   

  
p


large Tam-tam
 


Perc. 1    
p

      
 



Arpa E§FbG#A§
mf pp


   
BbC§D§

       



                                                                       
molto legato

                                                    



  
 
6 6 6 6 6 6
Piano sfz pp mf senza decresc. subito molto dolce

                                     

3

 
solo 6 6 6 6
 3
              
      
  

3
6
6

 
J q = 42 
             
 

     
 
3 3
f p mf pp
Vlni I

 
     
div.
     
       
3 3
pp pp

 
f mf
poco pont. sub.

  
ord. e con vibr. sul tasto senza vibr.
     
 


pp

 
Vlni II p


mf


div.

  
 
poco pont. sub.

   
ord. e con vibr. sul tasto senza vibr.
   
  

 
mf pp
poco pont. sub.

 
ord. e con vibr. sul tasto senza vibr.

Vle    
    

p pp
mf

    
ord. e con vibr. sul tasto senza vibr. poco pont. sub.

      
Vlc.
mf p pp

p   

div. a 2

sul tasto senza vibr.


ord. e con vibr.
     

Cb.


mp

p con arco
pizz. p
mf
BM3-2009-11 (corr.)
17 K q. = 56 fluido

     
x > e

        
       
70

          
Fl. 1  
mp  6 ff

  
mf
                  
Ott. 2        
   

mp f 
    
mf f mf
 
       
Fl. 3          
 
5
ff 
  

mf

              
Ob. 1           
mp 10:8 ff
mf
       
prende Ob.

                
C. I.         
ff p 

3 f

mp mf
 
    
 
Cl. 1        
  

 7:4

    
 
mf ff

          
   

Cl. 2   
mp f

  
9:8

 
6
     
   
            
Cl. b. (3)

p mf ff

         
6

     
       
Fag. 1      
p mp mp ff
  
   
 
       
C. Fg   
ff 

  
3
 p
mp

  
       
Crn. 1
 

  
3
ff  p 
        
 
  
mp
  
Crn. 2
       
4
mp ff
p
 
   
      
(con sord. cup)
Tr. 1         


5 ff
 
mp
      
     
(con sord. cup)
Tr. 2   

ff
  
mf
         a2

Trbne 2: mett. sord. bucket
  
Trbni 1  Trbne 1  
2
mp
 7
ff
    
 

mett. sord.
Tba          

mp 

 
ff

   
 
      
 
  
Timp.


ff 
   
susp.Cymb.


Perc. 1        


  
ff 
            
 
p

        

           
      
  
  

      
   






 6        
6

Piano cresc. 5 ff fff

 
5 5
solo

     
                   
      
5
  
5 K q. = 56 fluido
                    
 
x > e
 
          mett. 
sord
  
  

mp mf mf 5 ff

Vlni I

fp


div.
     6
     
         
mett. sord
         

   
ff

mp 3

 
fp mf
  


ord.

       
mett. sord
        

  
mp 10:8 ff

 
Vlni II
   
  
div. ord. mett. sord

           
    


ff

mp 10:8

  
p

 
 
    
mett. sord
  
ord.

  
      
ff

   
p

Vle mp

   
  

div. ord.
   
      
mett. sord
    
p mp 9:8 ff
  
      
      
mett. sord


    
ord.
  
     
Vlc.   6 ff


mp
 
p
  
 
      
div.
 
ord.
  
mett. sord
    
   ff
ord.  
mp 7


p
    

  
a 2 soli
      
Cb.
 

3
mp ff p
BM3-2009-11 (corr.)
 x > x 18

       
          
 
73

     
Fl. 1   
mf mp poco  mp poco  mp

     
            
   
Ott. 2

  
mf mp
 
              
Fl. 3    
p mp poco  mf poco


Cl. 1


      
   

    
      
      
         
 
p mp mp
mp

        
     
              
   
      
Cl. 2    
       
p mp mp
p


       
       
         
     
       
        
Cl. b. (3)
p p p
mp



  

   
   
C. Fg


        
Crn. 1
3
  

      
 


 
Crn. 2
    

4

  


Perc. 1         

    

    
    

mp poco poco
Cel. poco

        
     


mp mp

   
  
   
Piano

   
solo
      

 pizz. x > x

  
     
       
            
mp   

Vlni I mp mp
div.

pizz.
  
   
              
 

mp mp

  
   
         

 

Vlni II fp fp

 

div.



      
  
  

fp

 
sul tasto     
   

  
          
  
sul tasto 
pp pp
Vle
div.
 
                
     
pp


pp


pizz.
          
   
p
Vlc.
div.
       
  

(2 soli) solo 1: mett. sord

  
         
Cb.


BM3-2009-11 (corr.)

19

          
  
  
    

  
     
 
78
     
Fl. 1    
poco  mp mf  f mf
mf

      
   
    
Ott. 2      
mf mf  mf f f

      

      
   

 
               
Fl. 3  
 mp mf  mp  mf f
mf

       
                         
                       
Cl. 1
  
p mp mp mf mf

            
Cl. 2 
         
                
 mf p  mf
p


            
                    
                
Cl. b. (3)
 
p p p


     
Cel.

     


      
       
(sempre pizz.)
           
  
           
   
mf p mf p
Vlni I

div.

       
(sempre pizz.)

   
            
 
     
   
mf p mf p mf


 

      
            

      
    
 
fp fp fp
Vlni II

     
div.


   

  
    
   
    
  
fp fp fp


(sempre tasto)
        
               
      
(sempre pp)
Vle


div. (sempre tasto)

     
            
    
(sempre pp)


       
(pizz.)
       
(sempre pizz.)
           

p p p p

 sul tasto
Vlc.
div.


   
  
                
   
pp  


  
 
sul tasto
 
Cb. solo 1   
pp



Cb.     


BM3-2009-11 (corr.)
 L q = 56 20
6

       
x > x
    



83
  

   
Fl. 1      
3


f f ff mp

         
           
Ott. 2  
 3

     
f ff

  
Fl. 3      
  
3 3

mf
  
       
  
 
Cl. 1

 
f

mf

  
               
Cl. 2
  
3
mf ff

      
 
Cl. b. (3)        
 
pp 
     

3
Fag. 1
   
 
mf ff 
   

3

C. Fg        

  
f ff


 
Timp.   

  

 
mf p



large Tam-tam l.v.
Perc. 1    
mf

        
  


mp
Cel.

   
 


  
                 
 
loco

      
      
    
6

    
     
6 6 6 6 6
f 6
ff
     
mf 6

    
   
loco

     
Piano
solo        
     
3

f
       
5
   
f
 

loco

   
 
      
f 5
mp mp
con poco ped.

L q = 56

6
x > x

 
    
Vlni I
div. 
     

   
     
   
 

fpp

  
Vlni II


div.
     

 

p
fp

      
  

Vle
div.
    


       
(pizz.) con arco 3
   
          

Vlc. p mf f ff
div.
   3
  
          
 

pp pp

    
Cb. solo 1  
(sempre pp) (senza cresc.)
(senza sord) gli altri con arco 3 Cb. 2.3.4: mett. sord.
       

Cb.       

 mf ff pp 
BM3-2009-11 (corr.)
21
  
    
 
 
86
             
Fl. 1  
 mp p mp 3 p

 
        
Ott. 2          
  
p 5
 p  p 3

  
       
3
       
Fl. 3     
mp p 3
mf

     
            
3
       
Cl. 1       

mp mp mf 3 mf

 

Cl. b. (3)    


       
    
 
       
 
Cel. 5
 
 
3

       
  


3 3
     
       3 p
mp mp mf

    
 
5
        