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Guthrie Govan
20 ESSENTIAL
LICKS
LICK 5

JTC SAYS

The majority of ideas played here are based out of the E major pentatonic scale while
mixing in some descending three note triad arpeggios. The first two arpeggios are a G#
minor triad and an E major triad which leads into that familiar 1st position shape of C# minor
pentatonic (E major pentatonic). This is all being played over an E major 7th chord.

The chord progression then goes down a half step to a diatonic diminished vii chord (D#
diminished). Here Guthrie chooses to outline the chord tones with a jazzy technique
of approaching each chord tone from a half step below and seamlessly moves into a
diminished scale before walking back down chromatically on the B string.

Then Guthrie beautifully revisits the motif of using three note traid arpeggios by walking up
a C# minor triad over the C#m7 chord before finishing off this section of the solo back in C#
minor pentatonic (E major pentatonic). This all happens while the chords underneath slide
from C#m7 to Bm7 to Amaj7.

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NGS?
THEN CHECK THESE OUT.
.
..
.
LICK 5
As recorded by jamtrackcentral.com
(From the 2014 Album GUTHRIE GOVAN'S 20 ESSENTIAL LICKS)

P = 91
B11

V V
8va 8va

gggg 4 j k V V l P
z V V V V V
1
I 4
M O
3
Full

16 14 16 19 19
T 19 (19) 17 19 17
A
B
P sl. P sl.

Db m7`5 bb
V V
Emaj7 G9 5

g g V V V V V V V V P fV V V V V V f V gV V V V V gV V gV f V
2
Ig g V z V V V f V gV

T 16 16 12 12 9 9 10 9 12 10 13 12 11 10
16 13 11 12 11 9 11 11 11 10 11
A 18 14 11 9 11 11 10 11
B
sl. sl. sl. sl. sl. P H P H P H P P sl.

b C m7 Cm7 Bm7 E9

gggg V V V V V V V V V V R
3
V V
4
I P V V V V V V f V gV V V V V V V V V V V V V
MO
1/2

T 9 9 7 9 5 7 5 5
A 9 6 4 6 4 6 6 9
11 6 4 2 4 2 (2) 5 6 4 2 2 6 7
B 4 4
sl. sl. sl. sl. sl. H

W
A

gggg W
6
I
FullM Full M
T 7 12
A
B
sl.

JamTrackCentral Ltd 2014


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