Ellie Farrer

Arranger, Composer, Interpreter

United Kingdom, Aylesbury

About the artist

I was born in Watford and started playing piano at the age of 6. I took up keyboard when I was 13 and then
classical guitar when I was 14.
Since then, I have done grade 5 theory (distinction with ABRSM) and grade 3 guitar (distinction with Trinity
Guildhall) and also my grade 5 piano (distinction with ABRSM). I am doing my grade 7 keyboard with Trinity
Guildhall in the Summer and guitar grade 5 in the Winter. Two years ago I got 100% in my grade 4 keyboard
exam with NME and 99% in my grade 5.
I have been composing since I was about 8, although I didn't write my first proper song until I was 13. Most
of the stuff I compose is romantic/neo-classical piano pieces and Eastern European folk songs. However,
I've also done: Latin, classical, jazz, soul and pop

I write almost all of my folk songs in Montenegrin but my other songs in English (note there is one folk song
written in Romanian).
Qualification: Grades taken:
Piano grade 5 (130/150 = distinction)
Keyboard grade 7 (pass)
Classical guitar grade 3 (97%)
Theory grade 5 (91% = distinction)
GCSE music (A)

Grades taking:
Keyboard grade 8
Classical guitar grade 5

About the piece

Title: Asturias - No. 5 from Suite Espanola (arranged for 3

guitars)
Composer: Albéniz, Isaac
Arranger: Farrer, Ellie
Licence: Public domain
Instrumentation: Guitar Trio
Style: Romantic
Comment: Asturias from Suite Espanola by Isaac Albeniz. It's
arranged for 3 guitars, originally for Chesham
Grammar School guitar ensamble. This arrangement is
based on the Milos Karadaglic recording of the piece,
although this version is to be played slower and more
expressively.

Ellie Farrer on free-scores.com

http://www.free-scores.com/Download-PDF-Sheet-Music-ellie-lily.htm
 ■ Download other works by this artist
■ Listen to his pieces
■ Contact the artist
■ Write feedback comments
■ Share your mp3 recording of this piece

First added the : 2011-09-18 Last update : 2011-09-18 16:47:09

 Asturias (Leyanda) - No. 5 from Suite Espanola
Arranged for 3 guitars for Chesham Grammar School Guitar Ensamble
Albeniz arr. E. L. Farrer

Adagio,

Guitar 1/Octava.
 43                              
8 mp
Guitar 2.
 43     
8

Guitar 3/Bass Guitar.

 43
8      
p

Guit.
6                                    
8
mf
Guit.
         
8
p
Guit.            
8

Guit.
12           
8

Guit.
        
8

Guit.
     
8

Public Domain.
Guit.
                  
17

mp
Guit.
                                    
8

Guit.   
8  
Guit.
                  
20

Guit.
                                    
8

Guit.
 

8  
Guit.
                        
23

mf
Guit.
                              
8

Guit.
 8
mf        
Hit bridge


8
 mf
Cresc.

Guit.
                              
27

Guit.
   
8

         

Cresc.

Guit.
                     
8
3 Cresc.

Public Domain.
2
Guit.
                              
32

Guit.
          
8


8   
Guit.                        
8
3 3

Guit.
                              
37

8
 
ff
         
                 mp

Guit.

Guit.
                  
8
ff 3 3 3

8 ff

42     
                   
To Coda
Guit.
8

Guit.
                     
8 mp
Guit.
               
8 mp

Guit.
                      
51

Guit.
                     
8

Guit.
        
8             
Public Domain.
3
Guit.
    
58
                  
8 p mf
Guit.
              
8 p mf
Guit.      
8 p
  
               
f

Guit.        
65
       D.C. al Coda
 Guit.
           
68

8 mp 8
p
Guit.    
8
    
mp
Guit.  
8

Guit.
  Guit.
 
f
8       mp
8

mf

Guit.
                                
69

8

Guit.
     
8

Guit.
     
8

Public Domain.
4