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E D UA R D O L .V. S
w w w. a r t s i g m a . a r t
5 ABOUT ME
6 ABOUT ARTSIGMA
7 INTRODUCTION
9 GEOMETRY
15 COLORS
18 GUIDE LINES
20 NEGATIVE SPACE
21 TYPOGRAPHIC LOGOS
22 LETTERS
23 GENERIC LOGOS
24 GOLDEN RATIO
25 CREATION SECTOR
26 CHILD / FRIENDLY
28 NATURE
29 ANIMALS
31 BIRDS
33 TECHNOLOGY
34 PROJECTS / ICONS
103 ACKNOWLEDGMENT
My name is Eduardo. I am 29 years old, Brazilian
and have a degree in graphic design. I ve worked
as a graphic designer for approximately twelve
years and have spent four years doing creative
competitions. Currently I have created more than
1000 logos for various companies around the world.
5
ES
EDUARDO
SIGMA
6
In this digital book you will learn a little more about my work
and some ways to work as a logo designer. The concepts and
ideas contained in the book are expressions of many years
of hard work and dedication as a logo designer. All projects
presented in this book were created by Eduardo / Artsigma.
7
Some inspirations for me:
https://dribbble.com/george-bokhua
https://www.instagram.com/shevacreative
https://www.behance.net/MariaGroenlund
https://www.instagram.com/jeroenvaneerden
https://dribbble.com/simc
https://dribbble.com/cpuentes23
https://dribbble.com/contrast8
https://www.instagram.com/pragmatika_design
https://www.instagram.com/erkaeva
https://dribbble.com/badim36
https://www.instagram.com/Eight.seconds
https://dribbble.com/KreaTank
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Working with geometry is the initial step to working as a graphic designer.
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Look some logos that we can create geometrically.
ALL RIGHTS RESERVED
10
scalez
suncube
woeboe
OUR AGENCY
ajaraty
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11
We can use geometry and present different concepts, colors can help us
to give different depths to the project.
12
We can also work only with the lines and make the design smoother.
13
Seek inspiration in everyday life. Clouds, stains, and objects can convey
inspiration for creating projects. To work as a logo designer you need to
always be looking for inspiration.
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14
Colors are an important part of the project. They help in application
and brand identification.
15
There is no rule for using colors. They should only be in line with the design
and convey the brand feel.
yumira TIKITA
EMRAH
B E A U T Y & H E A LT H
radicle
H E R B S
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KINSARA Stimulus
16
Gradient may make your project look more beautiful and give it depth, but
care must be taken not to leave the project a visual smudge.
enthuse
Satubumi
O N E W O R L D
BlueCollar
CONSTRUCTIONS
crossworx
ALL RIGHTS RESERVED
HEAVENLY GRIFFINED
CHOCOLATE C O N S U L T I N G
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There is no rule for logo creation, but every logo must have a meaning.
Some logos are created through guidelines.
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18
Some logos may not follow gridlines. And that doesn't mean the design
was poorly designed.
ART PRODUCTIONS
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19
Logos that use negative space can be a good alternative for simplicity and
a straightforward message about what the company stands for. The negative
space in the logo is an area where the image conveys other information in
an empty space.
20
Some logos may not contain an icon and work with the font only.
C O F F E E
F I T N E S S
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FACIAL
21
Working with letters is an important factor in creating logos. We have infinite
possibilities for each letter. We have to be careful that the message is conveyed
clearly and objectively. One detail can make a lot of difference here.
22
Be very careful with generic creations. If you are just starting out in the area
of design and logos, you are very likely to create generic logos. Time will make
you realize that many projects may already have been created and this makes
your projects unique. Check out some generic projects.
23
Golden Ratio is used in the execution of many logos and it can help in
directing and executing a project. Using Golden Ratio to create a project
is not a rule, but it can help a lot when we want to keep a balance.
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24
ESTATE
technology
nature
REAL
BEAUTY
Projects can be classified into different sectors, and for each sector we
must know how to use the colors and typography, so that the project fits
with the company's profile and can reach the company's target audience.
cute baby
LUXURY
ROCK
VINTAGE
25
Child / Friendly
For these projects we must convey the feeling of fun through the colors / fonts.
S AV E S P E N D S H A R E
TaDaah!
hatch
FAMILIATO
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create inspire
26
BookCow
the
FIORE
S E M P R E
daria
CO O K TO C E L E B R AT E
enkelkind
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Jaunty
27
Nature
Projects that want to convey a sense of nature should use cool and soft colors.
EARTHIE
Landscaping
YA M B A
C A P A R I C A
LAUDAMUS
ESTABLISHED 1892
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eden
H O R T I C U L T U R E
deep
28
Animals
We can work with animals in various projects and sectors, this gives us a very
wide range of breeding.
C AL
ES
O
P
W I N I S T RY
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HARRISON
29
SlowFlow
YOGA STUDIO
EMBER
VEGUNTI
A V E G A N C O M P A N Y
HELDEN
MEANS COSMETICS
ERPEL
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G E O R G T H I L O
30
Birds
Birds are an interesting alternative to work on projects in different sectors.
Simplaphi
STROBE
C O S M E T I C S
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coastal
P I P E R S
31
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32
Technology
In technology there are many possibilities to work. Sharper lines and sans serif
fonts are normally used for this segment, but this is not a rule.
IBEOS
V I S AT R E E
BUDO
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JELLYPIPE
33
It is important to create logo applications to show how the
logo can work in different environments. Check out some
logos created by me for some companies. Some logos have
not been sold, but I believe they have great potential.
34
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36
WASA
BEER 2019
WASABI
AMERICAN PALE ALE
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WASA
BEER
2019
37
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L U X U R Y
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omenic
omenic
omenic omenic
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omenic omenic
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suncube
Aa
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TITILLIUM FONT
43
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TIKITA
Aa
Banksia Font
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EARTHIE
Landscaping
Aa
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FS Siena Font
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C AL
ES
O
P
PESCALO
C AL
ES
E ST. 2 0 1 9
O
P
C AL
ES
PESCALO
O
P
E ST. 2 0 1 9
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PESCALO
E ST. 2 0 1 9
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Gotham Font
Aa
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BY FLEISCHMAN
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BY FLEISCHMAN
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Aa
Prosto One Font
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C O F F E E
C O F F E E
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C O F F E E
C O F F E E
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GRIFFINED
C O N S U L T I N G
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68
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whim
whim
whim
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GLADWIN
THOMAS
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IBEOS
Aa
Bahnscrift Font
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learmont
PHARMACEUTICALS
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learmont
PHARMACEUTICALS
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Aa
Font
Book
Gotham
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Helmet Font
Aa
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sportszone
85
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86
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Aa
segoe script
87
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STARDUST
A Y U R V E D A
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STARDUST
A Y U R V E D A
89
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MANNA
C A P I T A L
Aa
Montserrat Font
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VEGUNTI
A V E G A N C O M P A N Y
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M U S I C
SKULL
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LARISSA
MEDITERRANEAN OLIVE OIL
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yumira
Aa
Banksia Font
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SYNDICATE
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102
Thank you so much for following up and helping to publicize
my work. I hope this digital book can inspire and bring new
insights. Thank God for my life and for helping me realize
my dreams. Thank you to my wife who is always supporting
me and encouraging me.
103
This is a representation of what I have most important in
my life today. My wife and my dog.
ALL RIGHTS RESERVED
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w w w. a r t s i g m a . a r t
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