Académique Documents
Professionnel Documents
Culture Documents
Gunga Jumna
From Wikipedia, the free encyclopedia
Indian remakes, including the Tamil film Iru Thuruvam (1971) and the Release date December 8, 1961 (India)
1965 (Soviet Union)
Malayalam film Lava (1980).
August 25, 1966 (Mexico)
Contents [hide] Running time 178 minutes
1 Synopsis Country India
2 Plot Language Hindi-Urdu[1]
3 Cast Awadhi dialect
4 Cast and characters Box office est. ₹11.27 crore
5 Production ($23.63 million)
6 Soundtrack
7 Reception
7.1 Critical response
7.2 Box office
8 Awards
9 Legacy
9.1 Remakes
9.2 Story
9.3 Acting
10 Notes
11 References
12 External links
Synopsis [edit]
The film is about two brothers, Ganga and Jamna, growing up in a village controlled by an evil landlord. When Ganga is
framed by the landlord for a crime he did not commit, he escapes to the mountains with his girlfriend, Dhanno, and joins
a band of bandits. His younger brother, Jamna, is sent to the city for his education and becomes a police officer. Years
later, when Ganga is about to become a father, he decides to return to the village to ask for forgiveness. However,
Jamna wants him to surrender to the police for his crimes and when Ganga refuses and tries to leave, Jamna shoots
him dead. Ganga's death rendered more poignant by the fact that it was his money that paid for Jamna's education and
allowed him to become a policeman.
Plot [edit]
Widowed Govindi (Leela Chitnis) lives a poor lifestyle in Haripur along with two sons, Gungaram and Jumna. Ganga
spends his days working with his mother as a servant in the home of the zamindar's obnoxious family while Jumna, a
promising student, focuses on his schoolwork. While Jumna is studious, Gungaram is the opposite, but has a good
heart and decides to use his earnings to ensure his brother gets a decent education. After her employer, Hariram,
accuses Govindi of theft, their house is searched, evidence is found and she is arrested. The entire village bails her out
but the shock kills her. After their mother passes away, Ganga pledges himself to supporting his younger brother as
they grow to adulthood.
The adult Ganga (Dilip Kumar) is a spirited and hardworking fellow, unafraid to take on the zamindar when necessary,
while his brother Jumna (Nasir Khan) is more measured and cautious. Ganga sends Jumna to the city to study, and
supports him with funds that he earns driving an oxcart and making deliveries for the zamindar. But things get
complicated when Ganga saves a local girl, Dhanno (Vyjayanthimala), from the zamindar's lecherous assault. The
zamindar (Anwar Hussain) gets his revenge by trumping up a robbery charge against Ganga, landing him in prison.
Upon his release, Ganga learns that his brother has become destitute and attacks and robs the zamindar in a rage.
Soon Ganga finds himself an outlaw, and, with Dhanno at his side, he joins a gang of bandits camping out in the
wilderness. In the meantime, Jumna meets a fatherly police officer (Nazir Hussain) and becomes a police officer
himself. It isn't long before Jumna's professional wanderings take him back to the village of his birth, where he must
square off against his outlaw brother in a showdown between duty and family.
Cast [edit]
Production [edit]
The film was loosely inspired by Mehboob Khan's Mother India (1957).[4] Dilip Kumar allegedly ghost-directed the film,
as well as ghost-editing.[5]
Soundtrack [edit]
The soundtrack for the movie was composed by Naushad and the lyrics
Ganga Jamna
were penned by Shakeel Badayuni. The soundtrack consists of 9 songs,
Soundtrack album by Naushad
featuring vocals by Mohammed Rafi, Lata Mangeshkar, Asha Bhonsle
Released 1961
and Hemant Kumar.
Recorded Kaushik
In 2011, MSN ranked Insaaf Ki Dagar Pe at #1 in their list of Top 10 Genre Feature film soundtrack
Patriotic songs in Bollywood for Gandhi Jayanti.[6] Label Sa Re Ga Ma
HMV Group
Track
Song Singer(s) Length Naushad chronology
#
Mughal-e- Ganga Jamna Son of India
1 Dagabaaz Tori Batiyan Lata Mangeshkar 2:47 Azam (1961) (1962)
(1960)
Dhoondo Dhoondo Re
2 Lata Mangeshkar 3:19
Sajna
Reception [edit]
The film also gained good response from overseas. Philip Lutgendorf from University of Iowa said that "By focusing its
story and its audience’s sympathies on the brother who goes astray, however, the film invites a critical and pessimistic
appraisal of the state’s ability to protect the underprivileged, and its tragic central character thus anticipates the “angry”
proletarian heroes popularized by Amitabh Bachchan in the 1970s[...]Linguistic coding is artfully used, with Gunga and
Dhanno’s raucous arguments in colorful Bhojpuri dialect contrasted with Jumna’s carefully-measured pronouncements
in Khari Boli or “high” Delhi speech. Rural life is also celebrated in exhuberant [sic] songs and dances[...]The sweeping
landscape of the Deccan, with its arid mesas and lush green valleys forms a gorgeous backdrop to many scenes".[12]
On 26 November 2008, Rediff ranked the film as one of the best 1960s Bollywood film in their "Landmark Film of 60s"
list, adding that "Its massive success, not just in terms of business, but also vivid story-telling, endearing camaraderie,
uncompromising technique as well as the concept of ideology at odds, has visibly influenced major motion pictures
over the years, rural or contemporary backdrop, notwithstanding.".[13]
The film completed its Silver Jubilee theatrical run Worldwide ₹11.27 crore $198 million
84 million
at Minerva Cinema Hall, Bombay and completed ($23.63 million) (₹1,263 crore)
Golden Jubilee run at cinema.[26][27] The film was
listed at number 2 by Box Office magazine behind Mughal-e-Azam in their list of "Top 50 Film of Last 50 Years" which
feature all-time highest-grossing Bollywood films by using the relative price of gold in different years to arrive at a
hypothetical current value of box-office collections of past films.[28]
Overseas, the film was a success in the Soviet Union, where it released as Ганга и Джамна in 1965, drawing an
audience of 32.1 million viewers that year.[17] It came number 11 on the year's Soviet box office chart, where it was the
fourth highest Indian film, behind Dhool Ka Phool (number 4), Anuradha (number 8) and Jagte Raho (number 10).[29]
Ganga Jamna was one of the top 25 most successful Indian films in the Soviet Union.[17] At an average Soviet ticket
price of 25 kopecks in the mid-1960s,[18][19] the film's 32.1 million sold Soviet tickets [17] grossed an estimated
8.03 million Soviet rubles.[n 2]
Awards [edit]
The Hindu retrospectively criticized the 9th Filmfare Awards for snubbing Dilip Kumar from the Filmfare Award for Best
Actor, which was awarded to Raj Kapoor for Jis Desh Mein Ganga Behti Hai (1961). The Hindu described it as "a
strange travesty of justice" that Kumar lost out the award, after delivering "a magnificent role of a lifetime."[37]
Legacy [edit]
Remakes [edit]
Story [edit]
Its story of two brothers on opposing sides of the law became a dominant narrative motif in Hindi cinema from the
1970s onwards.[39] It was a trendsetter, inspiring films such as Deewaar (1975), Amar Akbar Anthony (1977) and
Trishul (1978).[37] It had a strong influence on screenwriter duo Salim-Javed, who took inspiration from Ganga Jamna
when they wrote the stories and scripts of films such as Deewaar and Trishul.[38]
Ganga Jamna's most immediate successor was Deewaar.[39] Salim-Javed credited Ganga Jamna as the inspiration for
Deewaar, which they described as a "more urban, much more contemporary" take on its themes. [40]
Ganga Jamna was a defining example of the dacoit film genre. [41] It went on to inspire Sholay (1975), which combined
the dacoit film conventions established by Ganga Jamna and Mother India with that of the Western genre. [41] The villain
Gabbar Singh (Amjad Khan) is a dacoit speaking with a dialect inspired by Gunga, a mix of Khariboli and Awadhi,[42]
and a scene depicting an attempted train robbery was also inspired by a similar scene in Ganga Jamna.[43]
Acting [edit]
Dilip Kumar's performance as Ganga is considered one of the finest acting performances in the history of Indian
cinema. According to The Hindu:[37]
Dilip Kumar is the “super star” as he essays a character that blends rustic comedy, romance, tragedy and
villainy in a magnificent role of a lifetime.
The “Badshah of Acting” enacts each scene with such ease and finesse that you are left astounded by the
sheer brilliance of his genius since his body movements and dialogue delivery change in tune with the
development of the character and story.
His performance in Gunga Jumna inspired future generations of actors, most notably Amitabh Bachchan, who was
inspired by Dilip Kumar's performance in this film. According to Bachchan, he learnt more about acting from Gunga
Jumna than he did from any other film. Bachchan, who hails from Uttar Pradesh, was particularly impressed by
Kumar's mastery of the Awadhi dialect, expressing awe and surprise as to how “a man who’s not from Allahabad and
Uttar Pradesh” could accurately express all the nuances of Awadhi.[38] Bachchcan's famous "angry young man"
persona was modeled after Kumar's performance as Gunga, with Bachchan's "angry young man" being a sharpened
version of Kumar's intensity as Gunga.[44] Bachchan adapted Kumar's style and reinterpreted it in a contemporary
urban context reflecting the changing socio-political climate of 1970s India.[45]
Notes [edit]
1. ^ ₹4.76 per dollar in 1961 [15]
a b
2. ^ 32.1 million Soviet tickets sold in 1965, [17] average Soviet ticket price of 25 kopecks in the mid-1960s [18][19]
3. ^ 0.9 руб per dollar from 1961 to 1971 [20]
4. ^ ₹4.79 per dollar in 1965 [21]
References [edit]
1. ^ Aḵẖtar, Jāvīd; Kabir, Nasreen Munni (2002). Talking Films: Conversations on Hindi Cinema with Javed Akhtar .
Oxford University Press. p. 49. ISBN 9780195664621. "most of the writers working in this so-called Hindi cinema write in
Urdu: Gulzar, or Rajinder Singh Bedi or Inder Raj Anand or Rahi Masoom Raza or Vahajat Mirza, who wrote dialogue for
films like Mughal-e-Azam and Gunga Jumna and Mother India. So most dialogue-writers and most song-writers are from
the Urdu discipline, even today."
2. ^ "Ganga Jamuna (DVD)" . Amazon. Retrieved 5 February 2019.
3. ^ Ashish Rajadhyaksha; Paul Willemen (1999). Encyclopaedia of Indian cinema . British Film Institute. pp. 658–14.
ISBN 978-0-85170-455-5. Retrieved 22 December 2011.
4. ^ Ganti, Tejaswini (2004). Bollywood: A Guidebook to Popular Hindi Cinema . Psychology Press. p. 149. ISBN 978-0-415-
28854-5.
5. ^ https://mumbaimirror.indiatimes.com/entertainment/bollywood/no-one-can-tell-the-whole-
truth/articleshow/15704493.cms
6. ^ "India@64: Top 10 Patriotic songs of Bollywood" . MSN. 9 August 2011. Retrieved 22 October 2011.
7. ^ "Ganga Jamuna" . Upperstall.com. Retrieved 21 December 2011.
8. ^ Dinesh Raheja (7 May 2002). "The Tragic Irony of Ganga Jumna" . Rediff. Retrieved 21 December 2011.
9. ^ Deepak Mahan (4 March 2010). "Gunga Jamuna (1961)" . The Hindu. Retrieved 22 December 2011.
10. ^ Gaurav Malani (17 April 2008). "Flashback review: Gunga Jamna (1961)" . The Hindu. Retrieved 22 December 2011.
11. ^ Gaurav Malani (17 April 2008). "Stardust Classic: Ganga Jumna (1961)" . Stardust. Retrieved 22 December 2011.
12. ^ Philip Lutgendorf. "Gunga Jumna Review" . University of Iowa. Retrieved 3 January 2012.
13. ^ Sukanya Verma (26 November 2008). "Landmark films of the 60s" . Rediff. Retrieved 21 December 2011.
a bc
14. ^ "Box Office 1961" . Boxofficeindia.com. Retrieved 21 December 2011.
15. ^ "Official exchange rate (LCU per US$, period average)" . World Bank. 1961. Retrieved 21 December 2018.
16. ^ Mittal, Ashok (1995). Cinema Industry in India: Pricing and Taxation . Indus Publishing. pp. 71 & 77.
ISBN 9788173870231.
a bc de
17. ^ Sergey Kudryavtsev (3 August 2008). "Зарубежные популярные фильмы в советском кинопрокате
(Индия)" .
a b
18. ^ Moscow Prime Time: How the Soviet Union Built the Media Empire that Lost the Cultural Cold War , page 48 ,
Cornell University Press, 2011
a b
19. ^ The Routledge Handbook of the Cold War , page 357 , Routledge, 2014
20. ^ "Archive" . Central Bank of Russia . 1992.
21. ^ "Rupee's journey since Independence: Down by 65 times against dollar" . The Economic Times. 24 August 2013.
22. ^ "Yearly Average Rates (67.175856 INR per USD in 2016)" . OFX.
23. ^ "Top Earners 1960-1969 (Figures in Ind Rs)" . Boxofficeindia.com. Retrieved 21 December 2011.
24. ^ "Ganga Jamuna" . Ibosnetwork.com. Retrieved 21 December 2011.
25. ^ Nitin Tej Ahuja; Vajir Singh; Saurabh Sinha (1 November 2011). "Worth Their Weight In Gold!" . Boxofficeindia.co.in.
Retrieved 12 January 2012.
26. ^ Ziya Us Salam (5 September 2011). "Roxy to Minerva to curtains" . The Hindu. Retrieved 21 December 2011.
27. ^ Lanba, Urmila (30 November 2007). Life and films of Dilip Kumar, the thespian . Vision Books. pp. 160–158.
ISBN 978-81-7094-496-6. Retrieved 23 February 2011.
28. ^ Nitin Tej Ahuja; Vajir Singh; Saurabh Sinha (3 November 2011). "Top 50 Film of Last 50 Years" . Box Office.
Retrieved 12 January 2012.
29. ^ Indian Films in Soviet Cinemas: The Culture of Movie-going After Stalin , page 210, Indiana University Press, 2005
30. ^ "BFJA Awards (1962)" . Gomolo.com. Retrieved 13 October 2011.
31. ^ "The Nominations - 1968" . Indiatimes. Archived from the original on 8 July 2012. Retrieved 13 October 2011.
32. ^ "The Winners - 1960" . Indiatimes. Archived from the original on 9 July 2012. Retrieved 13 October 2011.
33. ^ "25th Annual BFJA Awards" . BFJA. Archived from the original on 24 February 2008. Retrieved 22 November 2011
34. ^ India. Ministry of Information and Broadcasting. Research and Reference Division, India. Ministry of Information and
Broadcasting. Research, Reference, and Training Division, India. Ministry of Information and Broadcasting. Publications
Division (1964). India, a reference annual . Publications Division, Ministry of Information and Broadcasting, Government
of India. p. 134. Retrieved 22 December 2011.
35. ^ Stanley Reed (1963). The Times of India directory and year book including who's who . Bennett, Coleman and Co.
Ltd. p. 134. Retrieved 22 December 2011.
36. ^ Indian Council for Cultural Relations (1962). Cultural news from India, Volumes 3-4 . Indian Council for Public
Relations. p. 10. Retrieved 14 January 2012.
a bc
37. ^ Mahan, Deepak (4 March 2010). "Gunga Jamuna (1961)" . The Hindu.
a bc
38. ^ "Hindi classics that defined the decade: 1960s Bollywood was frothy, perfectly in tune with the high spirits of the
swinging times" . The Indian Express. 31 October 2017.
a bc
39. ^ Ganti, Tejaswini (2004). Bollywood: A Guidebook to Popular Hindi Cinema . Psychology Press. p. 153.
ISBN 9780415288545.
40. ^ Chaudhuri, Diptakirti (2015). Written by Salim-Javed: The Story of Hindi Cinema’s Greatest Screenwriters . Penguin
Books. p. 72. ISBN 9789352140084.
a b
41. ^ Teo, Stephen (2017). Eastern Westerns: Film and Genre Outside and Inside Hollywood . Taylor & Francis . p. 122.
ISBN 9781317592266.
ISBN 9781317592266.
42. ^ Chopra, Anupama (11 August 2015). "Shatrughan Sinha as Jai, Pran as Thakur and Danny as Gabbar? What 'Sholay'
could have been" . Scroll.
43. ^ Ghosh, Tapan K. (2013). Bollywood Baddies: Villains, Vamps and Henchmen in Hindi Cinema . SAGE Publications.
p. 55. ISBN 9788132113263.
44. ^ Kumar, Surendra (2003). Legends of Indian cinema: pen portraits . Har-Anand Publications. p. 51.
45. ^ Raj, Ashok (2009). Hero Vol.2 . Hay House. p. 21. ISBN 9789381398036.
External links [edit]
Dharmputra (1961) · Sahib Bibi Aur Ghulam (1962) · Bandini (1963) · Dosti (1964) · Shaheed (1965) · – (1966) · Hamraaz
(1967) · Aashirwad (1968) · Satyakam (1969) · Anand (1970) · – (1971) · Maya Darpan (1972) · 27 Down (1973) · – (1974) ·
Nishant (1975) · – (1976) · Shatranj Ke Khilari (The Chess Players) (1977) · Kasturi and Junoon (1978) · Sparsh (1979) ·
1961–1980 Aakrosh (1980)
Gunga Jumna and Pyaar Ki Pyaas (1961) · – (1962) · Mere Mehboob and Gumrah (1963) ·
Certificate of Merit Yaadein and Geet Gaya Patharon Ne (1964) · Oonche Log and Guide (1965) · Discontinued after
1965
Arohan (1981) · Katha (1982) · Ardh Satya (1983) · Paar (1984) · Anantyatra (1985) · Mirch Masala (1986) · Pestonjee (1987)
· Salaam Bombay! (1988) · Salim Langde Pe Mat Ro (1989) · Drishti (1990) · Diksha and Dharavi (1991) ·
1981–2000
Suraj Ka Satvan Ghoda (1992) · Patang (1993) · Mammo (1994) · Bandit Queen (1995) · Gudia (1996) ·
Hazaar Chaurasi Ki Maa (1997) · Godmother (1998) · Shool (1999) · Zubeidaa (2000)
Dil Chahta Hai (2001) · The Legend of Bhagat Singh (2002) · Raghu Romeo (2003) · Raincoat (2004) · Black (2005) ·
2001–present Khosla Ka Ghosla (2006) · 1971 (2007) · Rock On!! (2008) · Paa (2009) · Do Dooni Chaar (2010) · I Am (2011) · Filmistaan
(2012) · Jolly LLB (2013) · Queen (2014) · Dum Laga Ke Haisha (2015) · Neerja (2016) · Newton (2017) · Andhadhun (2018)
Categories: 1961 films 1960s Hindi-language films Films directed by Nitin Bose
Hindi films remade in other languages Indian crime films Indian films 1960s crime films Films about brothers
Films about outlaws Urdu-language films Films featuring an item number
Text is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. By using this site, you agree to the Terms of
Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.
Privacy policy About Wikipedia Disclaimers Contact Wikipedia Developers Cookie statement Mobile view