LACK OF UNIFIED MEANINGS

LIMITS OF COMPLETE FREEDOM

REPETITIVENESS STORYTELLING
INTENTION IS TO BE DELIVERED IN STORYTELLING
UNCLEAR STORYTELLING

IN COMPLETE FREEDOM, i.e. freedom unrelated to an

environment, IS EASIER TO HIDE A LACK OF INTENT, TO
HIDE THAT I DON'T KNOW WHAT I AM SAY, WHAT I
MEAN

HOW DO I MAKE MAKE INTENT CLEAR?

KNOW WHAT I WANT TO TELL, AND THE LANGUAGE IT IS
TOLD IN
WITHOUT INTENT ANY ACTION IS NOT MEANINGFUL,
BECAUSE IS DONE WITHOUT INTENTION

THIS RELATIONSHIP HAS TO BE CLEAR. TO DO SO I HAVE

A CLEAR INTENT RELATIVE TO THIS SPACE/STRUCTURE
WHAT MAKES A CERTAIN SPACE/STRUCTURE
UNIFIED?
TO KNOW, OR AT LEAST HAVE THE RIGHT AMOUNT OF
INTENT EXPERIENCE OF THE SET STRUCTURE/ENVIRONMENT
THE RELATIONSHIP OF MY INTENT TO A SET
WHAT IS/ARE THE MEANING/S OF MUSIC?
HOW TO COMPOSE FREE MUSIC WITH ENVIRONMENT/STRUCTURE
UNIFIED MEANING?

EMOTION AESTHETICS CRITICAL LISTENING

IS FREEDOM OF CHOICE WITHIN A CERTAIN
SPACE A WAY TO UNIFY MEANINGS?

TO DO SO WHAT DO I LIKE?

INTELLECTUAL IDEAS DON'T HAVE TO BE AVOIDED, BUT

MUST BE PROJECTED AND CONNECTED TO EMOTIONS.
YES. YOU FIND FREEDOM IN MOVING FREELY IN A PURE INTELLECTUALISM MUST BE AVOIDED
USING TRADIZIONAL JAZZ STRUCTURES(JAZZ STANDARD WHAT IS THIS UNIFYING SPACE? SHARED SPACE . WE ARE FREE TO TALK ABOUT THIS DIVING INTO A RECORDING/ARTIST/GENRE FOR AN
REPERTOIRE) AS UNIFYING SPACE SPACE IN ANY WAY, BUT WE SHARE THE TOPIC. IMPORTANT TIME PERIOD
FIND EXAMPLES! "MUSICAL BATHS"
EXPERIMENTS HOW TO PROJECT STRUCTURES IN MUSIC?

FIND EXAMPLES OF ORIGINAL FREE JAZZ COMPOSITIONS FIND NEW STRUCTURAL LAYERS
COMPOSING MUSIC
TREAT ONE STRUCTURAL LAYER AT TIME

COMBINATIONS
TEXTURE AND COLORS

VOICE LEADING
HARMONY
STRUCTURE: A SET OF EXTABLISHED RULES
CHORD PROGRESSIONS

MELODY
MELODIC DEVELOPMENT
ELEMENTS/LAYERS OF STRUCTURE
INTERVALS

GROOVE
RHYTHM

STEADY/UNSTEADY PULSATION
TIME KEEPING

EXPLICIT/IMPLICIT PULSATION

ORGANIZATION OF HARMONY, RHYTHM, MELODY ETC..

FORM