1.

crafting studies is the moment to write, engrave and inscribe own thought, ideas, commentaries ,
criticism and positive and negative emotions.( True)
2. Copyright laws give the ownerof the ownership that is the person who created the work
exclusive rights to reproduce , to publicly, to make and distribute copies. (copyright)
3. Appropriation is the same from copying or frogery.( different)
4. Soul making can be innate gift or learned skill, or a combination of both. (True)
5. Sensazione is a willingness to embrace ambiguity,paradox and uncertainty. (SFUMATO)
6. Improvised freestyle rap is practiced as part of rappers ceartive process as “finished product”. (
TRUE)
7. Heartbeat map teaches how people express the way of perceiving (emotions)
8. Traditionally weaving is done for the family’s needs, but it now only done for commercial
purposes. (True)
9. To appropriate means stealing or plagiarizing. (Does not)
10. The arts provide the clearest idea of who are as people, capturing the wildest variety and
intensities of the filipino creative spirit. ( TRUE)

II. identification
1. Means the custom,practices, perspective, and even creations shared by a group of
people.(Culture)
2. It takes place when one engages in real time and life , dreaming or imagining in the middle
of a household chore , traveling or any other work in an active way. (soulmaking)
3. It is the art and act of improvising or of composing, uttering, executing or arranging anything
without previous preparation or producing something from whatever is existing or
available.( improvisation)
4. It refers to borrowing images that are recognizable from different sources and using these
borrowed images to make new art form.( appropriation)
5. It is transforming any found or used object and allows to discover harmony and balance to
produce a sound.( crafting instrument)
6. It is a process of spontaneously creating movement facilitated through a variety of creative
explorations (dance improvisation)
7. It is the first school in the philippines dedicated to teaching the art and craft of
improvisational theatre. (Third-world Improvisation)
8. It combines performance with communication of emotions amd while simultaneously
playing instrumental , as well as spontaneous response to their emotions. (music
improvisation)
9. It is often comedy, which most or all of what is performed is unplanned or unscripted.(
improvisational theatre)
10. It inclined the exploration of ones body in relationships to others by using fundamentals of
sharing weight, touch amd movement awareness.(contact improvisation)
11. It is movement meditation practice; the human potential movement and transpersonal
psychology.(5Rhythms in contact body improvisation)
12. It is adaption of works of art that are intangible (content appropriation)
13. This may happen in all different way, morally unacceptable ( subject appropriation)
14. It is adaption of works of art that are intangible (content appropriation)

15. It happens whwn artist inspired by the art from a different culture, but they do not produce
artworks using exactly the same style. ( motif appropriation)
Multiple choice

1. Traditional cloth is handwoven, made from fibers which has three primary color red, black and the
original color of abaca leaves. (T'nalak)
2. A tribe in Mindanao dagmay on mud . (mandaya)
3.is the term of geometric design usually has motifs shaped like waves,ropes,calligraphy ,decor and
colors. ( okir or ukkil)
4. The process if creating something using fibers taken plants , animals, or synthetuc materials. ( textile
art)
5.A weaving diety in dreams what are the original pattern and design of the T'nalak. (Fu Dalo)
6.A stately house of the elite members of the maranao tribe which also serve as a court house and hall
for community meeting. ( Torogan)
7. A traditional cloth typestry used as thread scarft of tha Tausug of Sulu (pis Syabit)
8. One room house the ifugao with contour of the rice terraces. ( Bale)
9. The most intricate design worn bt the women around the waist or as a head cloth and it is patternd
after tge colors of the rainbow. ( Seputanga)
10. The wat in which the warp and weft threads intarlace with each other. (weaves)
11. The middle pieces of the body of the blanket of ifugao. ( adolna)
12. The blanket of ifugao, that formely used exchanged for pigs but know use for carrying babies. (
kintog)
13. The blanket of the ifugao which is for the dead amd has a several design metal, little
man,python,lizard and snake (Gamong)
14. The poor man G-string of the ifugao (tinannong)
15.the traditional woven product og vigan known for being strong and beautiful that some families have
them as heirlooms. ( Abel)
16. A textile handwoven traditionall used as blankets and pilloe cases which can easily be racognized by
its uniform patterns. ( Binakul)
17.a type of stilt house of the philippines whuch often serve as an icon of broder filipino culture (bahay
kubo)
18.a contious area expanse that is free available or unoccupied,which ia either is a sidewalks,public
pavementa, for as long people will be protected by the sun and rain (space)
19. A portable house bukit by the early aetas or negrritos that suited their nomad
ic lifestyle.
( the Lean-to)
20. it exemplifies the filipino concept of shared space and limited privacy usually has no divisions for
room design for family living all household activities.( bahay kubo)
21. they are reagarded as the sea gypsies of the philippines who cruise along the island in the sulu
archipelago . ( badjao)
22. the dream weaver of lake sebu whose creation is connected to their spirituality and cosmology
(T'bolis)
23. a spindle-shaped device used to carry the crosswise thread through the lengthwise threads. (shuttle)
24. it is calledas file dwelling; built as protection against floodings. (stilt house)
25.a type of blanket or kaigan ifugao which is for the wealthy, usually worn by young. (hape)
IV. matching type
1. it served as means of applying knowledge and beliefs which are mostly animalistic in nature and
varied among different tribes. (art form)
2. It a kind of indigenous tattooing od kalinga people in cordilleras ( batok)
3. A method of fighting can be without weapons or by using sticks, knives and any other bladed
weapon in dealing with the open. (Arnis)
4. It is a symbol power, wealth and status of the datu and sultan; single-edge bicuspid weapon
made of brass and ivory . ( kampilan)
5. It is a ring with a slit in one side to fit the pierced earlobe (lingling-o)
6. It is believed to contain spirits capable for abundant havrvest (bulol)
7. It is edge-pegged plank type of boat (balangay)
8. Blade-like tools,stone adze, shell adze, and res-slipped pottery (pre-historic pottery)
9. Using fibers from abaca ,pineapple,cotton, and bark cloth. (prehistoric weaving)
10. Traditionl musical instrument; (kubing)