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Arthur
Szyk:
Art &
Human
Rights
1926 1951
—Francesco Spagnolo
Human Rights,
and their Collapse
In the 1920s, Arthur Szyk lived between his native ₁. Tadeusz Kościuszko (The Glorious Days
Poland and France, where he was developing as an of the Polish American Fraternity)
artist. At the same time, his gaze was already set London, 1938
beyond Europe. Watercolor and gouache on paper | 2017.5.1.37
2 3
“Friday, June 26 [1942] ...
This morning, the English radio
broadcast about the fate of Polish
Jewry… For long months we had been
suffering because the world was
deaf and dumb to our unparalleled
tragedy… But now it seems that all
our interventions have finally
achieved their purpose.”
Emmanuel Ringelblum,
Notes from the Warsaw Ghetto (1958)
4 5
The Rights of
Global Refugees
6 7
₁. Untitled [Polish
Soldier and Peasant]
London, 1940
Watercolor and gouache
on paper | 2017.5.1.48
₂. Bella Reine. Premier & dernier costume ₃. To Be Shot, as ₄. (The Jewish Plot to
(Bella Reine. First and Last Costume) Dangerous Enemies Survive) “I just tell the
of the Third Reich! Americans that they are
New York, 1945 communists, and to the
Watercolor and ink on paper | 2017.5.1.151 New York, 1943 Russians that they are
Ink and graphite on fascists...”
Costume designed for an unidentified play featuring the paper | 2017.5.1.114
Lithuanian Jewish dancer and performer Bella Reine New Canaan, Conn., 1948
(1897-1983), active in France since the 1920s and a refugee Watercolor, gouache, ink,
in New York City during the Second World War. Rather and graphite on board
than an exotic travel destination, the suitcase held by the 2017.5.1.196
actress is labeled “Vittel,” in reference to an internment
camp for enemy aliens, including Jews, established in
north-east France in 1941 by the German occupying forces.
8 9 9
CASE 1
10 11
The Right
to Resist
Marek Edelman,
“The Ghetto Fights” (ca. 1988)
12 12 13
CASE 2
₂. N
arodowi Polskiemu, w Braterstwie Broni Naród
Amerykański (The Polish Nation, the Brotherhood
of American Arms) [King Władysław II Jagiełło
(ca. 1352-1434)]
14 15
CASE 2
The Rights
of Nationhood
₃. M
y People. Samson in the Ghetto
(The Battle of the Warsaw Ghetto)
Hannah Arendt,
The Origins of Totalitarianism (1951)
16 17
Heritage of
the Nations
₂. F
rance (Heritage of the Nations series)
₃. U
nited Kingdom.
(Heritage of the Nations series)
18 19
₅. Canada. (Heritage
of the Nations series)
New Canaan,
Conn., 1946
Watercolor and
gouache, ink and
graphite on board
2017.5.1.181
₆. T
he United States of
America. (Heritage of
the Nations series)
20 21
CASE 3
Icons of
Nationhood
Israel
Emblems, heraldry, and the design of “corporate
identity” for organizations and countries are an
important component of Arthur Szyk’s work as an
illustrator. Many of the designs he created eventu- ₃. Z
achor (Remember).
ally became letterheads, stamps, and logos, and Stamps of Israel (Memorial
were also featured in his artwork. His illustrations Stamp – Europe) First Day
Cover 4
for Poland focused on support for Polish soldiers
fighting in various independence movements; those United States, late 1940s
created for Israel aimed at shaping the public image Ink on paper | 2017.5.1.198
Poland
₁. Z
a naszą i waszą wolność. ₂. L
egion Kośiuszkowski. ₄. J
erusalem World
(For Our Freedom and Kościuszko Legion Art Museum
Yours)
Watercolor and New Canaan, 1949
Watercolor and gouache on paper Ink on paper | 2017.5.1.213
gouache on paper 2017.5.1.158a
2017.5.1.161
22 23
The Right to
Expose: Tyrants
“at Work”
24 25
“Half-way through making
The Great Dictator I began receiving
alarming messages… that I would
run into censorship trouble...
But I was determined to go ahead,
for Hitler must be laughed at.”
Charlie Chaplin, My Autobiography (1964)
26 27
₁. “ Lebensraum”... Le Future de l’Europe tel
qu’ils le voient… (“Living Space”... The Future
of Europe as They See It). [Adolf Hitler,
1889-1945, and Joseph Stalin, 1878-1953]
London, 1939
Watercolor, gouache, ink, and graphite on paper
2017.5.1.43
₃. Madness
28 29
₄. T
he New Orderlies
30 31
CASE 4
₇. Libertad (Freedom) ₁. G
oeringo Il Magnifico (Göring the Magnificent).
[Hermann Göring, 1893-1946]
New York, 1944
Ink and graphite on paper | 2017.5.1.126b New York, 1941
Watercolor, gouache, and ink on paper | 2017.5.1.75
In the 1930s, Szyk conceived a series of drawings celebrating
Latin American independence leader Simón Bolívar (1783-
1830) entitled The Epic of Simon Bolivar. In 1944 in a cartoon ₂. W
e’re running short of Jews. [Adolf Hitler, 1889-1945,
published in the dailies PM (New York) and El Nacional Heinrich Himmler, 1900-1945, Hermann Göring, 1893-1946,
(Caracas, Venezuela), Szyk depicted Bolivar’s legacy under and Joseph Goebbels, 1897-1945]
the threat of European and Latin American Fascist dictators,
including Adolf Hitler (1889-1945), Francisco Franco (1892- One of Szyk’s many works denouncing the Nazi geno-
1975), and Argentinian Presidents Pedro Pablo Ramírez cidal project (in 1943, the victim count was estimated at
(1884-1962) and Juan Perón (1895-1974). two million) was dedicated to the tragic loss of the art-
ist’s mother: “To the memory of my darling mother mur-
dered by the Germans somewhere in the Ghettos of
₈. “I Need Peace Now!! I must prepare for the third round...” Poland.” A later work (Pathways to the Bible, 1946), was
again dedicated to Szyk’s mother, this time listing the
New York, 1944 extermination camp of Majdanek as her place of death.
Watercolor and gouache on paper | 2017.5.1.121
New York, 1943
Germania, a 19th-century personification of the German Ink and graphite on paper | 2017.5.1.115
nation, is seated in frustration as Nazi war plans appear to
go awry at the hands of Adolf Hitler (1889-1945) and his
associates Joseph Goebbels (1897-1945), Hermann Göring
(1893-1946), and Heinrich Himmler (1900-1945).
32 33
₄. ( The Modern Hamlet) ₅. T
he German “Authority” ₆a. T
he Silent Partner. ₆b. From Arthur Szyk
Aryan or Non Aryan - in Poland “In this game, Adolph [sic], [Letter to Collier’s
That is the question. Two Aces is More Than readers]
[Joseph Goebbels, London, 1939 Three Kings.”
1897-1945] Ink and graphite on Collier’s, New York,
paper | 2017.5.1.41 Collier’s (front cover) November 1, 1941
New York, 1941 New York, Offset lithograph
Ink and graphite on November 1, 1941 Arthur Szyk papers,
paper | 2017.5.1.64 Offset lithograph photographs and
2017.5.4.2 memorabilia
2017.5 AR1
34 35
The Right
to America
₁. U
ntitled. [Poster de- ₂. R
acial Humiliation ₃. D
o not forgive them, oh Lord, for they do know,
sign for the New York what they do! [after Luke 23:34]
New York, 1944
State’s Committee
Ink and graphite on New Canaan, Conn., 1949
on Discrimination in
paper | 2017.5.1.127 Ink and graphite on paper | 2017.5.1.214
Employment]
36 37
CASE 5
₁. R
epublic of Liberia (souvenir sheet)
38 39
₂. Harry L. Peckmore & Son
(Engravers)
₃. L
iberia (Air mail postal stamp)
40
The Magnes Collection of Jewish Art and Life
University of California, Berkeley
magnes.berkeley.edu
IN REAL TIMES
ARTHUR SZYK: ART & HUMAN RIGHTS (1926-1951)
January 28 - May 29
September 1 - December 18, 2020
bit.ly/inrealtimes