Académique Documents
Professionnel Documents
Culture Documents
Joseph C. A. Agbakoba
Department of Philosophy
University of Nigeria
1. Introduction
The persistent under performance of African states and societies in terms of the generally
accepted indices of societal development is a well-known fact that we need not demonstrate
here. Our concern rather is to examine and evaluate the impact of the traditional African
educational philosophy and practice on the achievement or rather underdevelopment of the
modern educational enterprise and on society, particularly political behaviour, and institutions.
Let us first of all note that traditional African societies were mostly oral cultures that
hardly relied on writing for the communication and preservation of ideas. The absence of written
documents and a system of education that centres around such documents, is probably the
principal factor in the neglect of traditional educational philosophy and practices whereas, there
are some documentation and studies of the traditional educational practices, there is virtually
none on traditional educational philosophy. One then has to sift and reconstruct traditional
educational philosophy and practices from anthropological materials. The necessity of this
exercise lies in the need to know how philosophical and practical orientation have evolved and
impacted on the modern educational ideas and practices and on society generally.
The reason why the traditional views, orientation and practices are not usually factored
into the making, evaluation and expectations of the modern system seems be a part of the deeper
problem of an inadequate understanding of development and the process of development. Extant
development theories are mostly either externalist theories, such as the dependency theories, that
see the changes in society, as the effect of external factors such as international capitalism and
globalisation; or internalist theories that concentrate on internal factors and dynamics, such as
the psychological theories that concentrate on the need for achievement within societies. It,
however, appears that the perspective we need to adopt is an internalist-externalist one, based on
what I may call impact/oppositional-tenacity effect.
Every society that is not totally isolated impacts on another society constituting some
level of threat or challenge to the nodal organizing principles, beliefs, institutions and practices
of the receiving society. And every society that is not totally isolated is similarly impacted upon.
Societies need to absorb and adjust to these external impacts; a society’s specific evolution
depends on the strength of the impact it receives and the nature of its oppositional-tenancy
regarding such an impact. The oppositional-tenacity of a society refers to the relative degree of
plausibility or believability, utility, and functionality of an ideology, in relation to contending
belief/value systems; and the resulting capacity of an ideology to retain the commitment of its
adherents and its overall direction and purpose.
Our purpose in this paper is to see what African societies have evolved, concentrating
particularly on Nigeria, given the impact of modern forces and the oppositional-tenacity of the
traditional. To accomplish this task, we shall first look at the aims, objectives (philosophy) of
the traditional educational system and the procedures and methods that were adopted to actualise
them, then we shall look at the modern educational philosophy and practice; and we shall then
evaluate the oppositional-tenacity of the traditional system, the distortion and transformations of
the modern system engendered by this oppositional-tenacity and the impact of these distortions
and transformations on the political system.
Notes
1. For an account of elements of this relationship see A.A. Dike, The Resilience of Igbo
Culture (Enugu: Fourth Dimension Publishers, 1985) pp 60 – 64
2. W. Abimbola, Ifa Divination Poetry (New York: Nok Publishers Ltd, 1977) pp 11 -
14
3. S.I. Bosah, Groundwork of the History and Culture of Onitsha (Onitsha: No 1
Bosah Street, Circa 1975) p 119
4. I.N. Ogbukagu, Traditional Igbo Belief and Practices (Owerri, Novelty Industrial
Enterprises, 1997) pp 101 – 102
5. See, Ibid, pp 160 – 191, for a discussion of the Ebe School for girls. I am grateful to
M. Nwabisi for information on the Iwa Ogodo activities in Ebe town. The
Ebe schools should not be confused with Ebe town, a settlement in the
Northern Igbo area.
6. The Mosaic injunctions against various types of divination and other magical
practices, which people followed to enhance their chances of survival, are
an example.
7. The High life star musician Osita Osadebe in one of his songs expresses this, by
claiming that he came by his musical talent and songs via the assistance and
teaching of a water spirit.
8. B. Abanuka, Myth and the African Universe (Onitsha: Spiritan Publications, 1999)
pp 77 – 79
9. I have discussed these notions in details in “The Supreme Being in African
Traditional Thought: A Logico- Ontological Approach” in Annual of
Medieval Studies at Central European University, Budapest, Volume 10,
2004 pp 129 – 144
10. C. Okwechime, Onicha – Ugbo Through the Centuries (Lagos: Max-Henrie and
Associate, Ltd, 1994) p 67
11. For contradictory views on hospitality see I. Idowu, Olodumare (London: Longman
Group Ltd 1963) pp157 – 160. Below are some of the contradictory morals
in the folktales about the tortoise as recorded by G.T. Basden in Among the
Ibos of Nigeria (University Publishing Co, 1982) (First Published 1921) pp
274 – 276; 278 – 280:
One fine afternoon a tortoise met a fowl and inquired of him
whither he was going? The fowl replied that he was on his way to call
upon the tortoise. The tortoise answered, ”I am sorry, but I have
nothing nice in my house wherewith to entertain you this afternoon. If,
however, you will accompany me I will lead you to a beautiful udala
tree laden with ripe juicy fruit.” When they arrived at the spot the
tortoise besought his friend, the udala tree, to give them some fruit,
but the proposal did not commend itself to the tree. Thereupon the
tortoise suggested that the tree should drop one of its fruits on his
back. The tree did so, and the udala split on the shell of the tortoise
and he and the fowl licked up the juice.
The tortoise said it was now the fowl’s turn to stand so that an
udala might fall upon his head. The idea frightened the fowl. He
declared that if the hard fruit fell upon his head the blow would kill
him. He was willing for it to fall upon his back but not upon his head.
The tortoise was annoyed at this display of caution and taunted the
fowl with it, which led to a sharp quarrel between them. Meantime
neither of them could enjoy the fruit and realizing this, the fowl at
length consented to the proposal. He called upon the tree to drop
another fruit. When it fell on the fowl’s head it killed him. Then the
tortoise, regardless of this friend’s fate, licked up the juice of the
udala and then carried the dead fowl to his home and cooked and ate
him.
From one of the legs of the fowl he manufactured a flute and
he used to sit outside his house and play “tilo ntiloo tiloo, egwu nara
n’obodo anyi,” ie. “music and dancing are taking place (being
played) in our town.” One day a hawk flew down and said, “Oh!
Tortoise, what price did you pay for the flute? Let me examine it; it
appears to be a very nice one, please let me try it” “Oh! no!” replied
the tortoise. “I know your cunning craftiness. Were I to place it in
your hands (claws) you would immediately fly off with it.” The hawk
declared he would not be guilty of such a naughty trick, and that if the
tortoise did not trust him let him cling to his feathers and thus prevent
him from flying off with the flute. The suspicious of the tortoise were
allayed; he caught hold of a feather and allowed the hawk to take the
flute. Suddenly the hawk soared up into the air leaving the tortoise
nothing but the feather. He was extremely vexed with the hawk and at
once began to plan how he might recover his instrument. He kept a
close watch on the movements of the hawk and one day saw him set
forth on an important mission. The tortoise made his way to the
hawk’s nest in the guise of a messenger. He met the hawk’s mother
and informed her that her son had forgotten to take his flute when
starting on his journey, and that he had been commissioned to bring
it. Unsuspectingly the mother handed over the flute to the tortoise,
who quickly made his way again to his own home.
On his return, the hawk heard the sounds of music and
recognized whence they came. At once he inquired of his mother who
had restored the flute to the tortoise? She replied that she had done so
under the impression that she was fulfilling his command, whereupon
the hawk was so enraged that he seized her and threw her on the fire.
Afterwards he repented of his hasty action and went to try and rescue
his parent, but he was too late.
This is the reason why the hawks hover over bust fires! They
are seeking their old, old grandmother.
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