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Lesson # 1 – Characterization
• Purchase six file folders. Look for the fun, colorful ones instead
of the boring manila ones. Also, gather some old magazines.
LEARNING OBJECTIVES
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• Identify main, secondary, and minor characters
• Create characters for special missions
• Show not tell
• Put together a “mix-and-match” people file
TUTORIAL - A
Carl Jung studied the unconscious mind and found that in dream
images and in various life situations, all people have certain common
threads that unite us one to the other. Jung coined the term
“archetype” to mean a person’s recurring way of being human.
Archetypes exhibit common characteristics no matter what time frame
they are found in, no matter what environment they are found in, and
no matter what culture they might find themselves in. So, for
example, the archetype of a hero would be someone who leaves what
he or she knows to embark on an adventure in order to save the day
whether the hero lives in 1802 or 2010; whether the hero lives in
Savannah, Georgia or Rome, Italy; or whether the hero is an Asian or
a Native American.
Let’s look at the most common archetypes:
•
•• r Hero • Lover
•• manager • Destroyer
Mother
•• mentor • Seeker
Wise Old Man
•• caregiver • Prostitute
Trickster
•• orphan • Victim
Mentor
•• wwwinnocent • Saboteur
Innocent
• Thief
• Double
• Addict
• Sacrificial Redeemer
• Ruler
• Administrator
• Magician
• Facilitator
• Jester
• Manager
• Underdog
• Caregiver
Now, let’s think of some universal, common to all, traits that would
apply to each of these; for example, the hero is tough and
courageous; the hero can set goals and achieve them; the hero can
overcome obstacles; the hero is persistent even when things get
difficult; the hero leaves family and the familiar to strike out in new
territories; the hero can bring honor to his community. Of course, we
could go on with many more characteristics.
FUNDAMENTALS OF WRITING FICTION
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Who are some heroes you know in your own life? In public life? In
movies?
Let’s try another one! What are some universal traits that would apply
to the underdog? The underdog is someone who is weak, not
powerful; the underdog is oppressed; the underdog plays victim; the
underdog is used to being picked-on; the underdog is vulnerable; the
underdog is the object of bullying.
• In your journal, go through the list above and write down all of
the traits that you believe are common to each of the
archetypes.
• In your journal, write down which archetypes you have come
across in your own life: personally, publicly, or as characters in
film.
Tutorial – B
Where can you begin to find “real” people who might make great
fictional characters?
Think of any others? (Hint: Jot down additional ideas in your journal.)
What do you do when you people watch? Here’s your chance to act as
private detective as all writers must be curious. Some things you
might want to record are: the physical appearance of the person; the
sound of their voice; the mannerisms that they use; the body
language that you see.
Read your daily paper. How many people in the paper would make
great characters; for example, those who write into advice columns;
those who write letters to the editor; those who commit the heinous
crimes.
• Choose at least one place this week, where you can take your
journal and go out “people watching.”
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• Find at least six people from your daily paper who might
make good characters.
TUTORIAL – C
Every human being has six parts or selves that make him or her a
person. These are: physical; affective or emotional; social; cognitive
or intellectual; creative; and spiritual.
In your journal, draw a circle and from it shoot out spokes that lead to
six circles. Write the name of each self in each circle. From these
initial circles, continue to draw others that list traits that might fit the
categories; for example, from “spiritual,” I might have circles with
such things as the following in them:
• Baptist
• Right-Wing
• Pro-Life Member
• Bible Study Member
• Minister’s Wife
• Member of Ladies Altar Guild
• Visit Those in Assisted Living Centers
• Volunteer Hospice Worker
Do the same for each of the “selves.” Now, for the fun part! Because
mind mapping is such a wonderful visual, look carefully at all of the
circles you have developed. Like a spider making a web, can you pull
two traits together from two different sources? For example, I might
find that my “woman fictional character” is a minister’s wife, but I also
might see that connected with the “physical” circle is that she works
out with a personal trainer. Hmm. . .possibly a short story in the
make here. Bells should be going off! Ideas for a plot should be
developing.
FUNDAMENTALS OF WRITING FICTION
PHYSICAL
TRAITS
SOCIAL
SPIRITUAL
TRAITS
TRAITS
CHARAC-
TER’S
NAME
AFFECTIVE CREATIVE
TRAITS TRAITS
COGNITIVE
TRAITS
See how many ideas for plots you can develop from your Mind Map. I
started you with one already.
TUTORIAL – D
For the next part on characterization, you will need to get out those
file folders and old magazines that you put aside.
The following suggestion will help you personally meet each and every
character in your short story or novel.
On the tab of a file folder put the name of your character. If we use
the above example about the minister’s wife, we could just put
“minister’s wife” on the tab until we find an appropriate name for her.
Back to the file folder. . . . On the next file folder tab, we could put
“personal trainer.”
It’s time to meet your characters. I read somewhere that the best way
to interview your characters is to see yourself sitting behind a desk
with your character in front of you. Out loud ask the questions as if
the person is physically present. (You might want to do this when no
one is around!)
• Physical Description
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Soft-spoken?
Are you aware of any particular facial expressions you
make? Squint your eyes? Nervous tick? Quivering lips?
• Race?
• Ethnic Group?
• Schooling
• Areas of expertise?
• Military Background?
FUNDAMENTALS OF WRITING FICTION
• What would you say are your three most admirable traits?
• What was one of the most painful experiences that you have
ever had?
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• What do you like most about people of your same gender? What
do you like least?
• What do you find most appealing about the opposite sex? What
do you consider to be a turnoff?
• How would you describe the way you dress? Formal? Casual?
Sloppy?
• Are you close with any of your relatives? If so, who and why?
• Is there anything in your past that left you with a scar? Abuse?
Object of bullying?
• If you could change one thing about yourself, what would it be?
Once you are done interviewing each of your characters, put the
question and answer sheets in that character’s file. By the time you
complete the interview, you should be able to pick that person out on
the street if you saw him or her. This is where the old magazines
come in handy. Find a picture of this person. Match it as best as you
can to all that you have learned about this person. Paste it to the
front of the file folder. You will be surprised at how many times you
will be carrying on a conversation with this person during the course of
your writing.
FUNDAMENTALS OF WRITING FICTION
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Tutorial – E
As a writer, your audience is going to expect that you have done your
homework—your research—and that you know what you’re talking
about.
Because the Internet is so accessible these days, the usual trip to the
library becomes unnecessary. You can probably find information about
any occupation you look for. But, go that one step further. . .interview
a “real” person who is in that occupation. You will be amazed at how
people love to talk about themselves and about what they do.
Remember, the two characters that you pulled from your mind map
and that you interviewed? Well, now it’s time to research what each of
them do for a living? Get busy surfing the Web, talking to people,
reading books or articles, or whatever it takes to totally understand
what a taxidermist does, a senator does, a coroner, or whomever.
TUTORIAL – F
• Inner monologue
These are the inner thoughts of the person that are NOT
spoken. These thoughts do not need to be typed in italics,
FUNDAMENTALS OF WRITING FICTION
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not do you need to keep repeating, “He thought,” or “She
thought.” Here’s an example:
• Dialogue
• Body Language
• Treatment
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TUTORIAL – G
Go back to the two characters you chose from your mind map.
Who might be a secondary character that you could develop if this was
a novel? How does this person fit into the storyline? Who might be a
minor character?
TUTORIAL – H
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TUTORIAL – I
What does it mean to “show, don’t tell”? Let me show you, rather
than tell you!
Take out all of the adjectives from a piece, and instead of using these
words, such as “She cried,” “He looked old,” “The teacher was upset,”
paint a picture for your reader of how these examples might look.
A person who has cried might be red-faced and have puffy eyes.
A person who looks old might have skin like a sculpture with tiny
creases and cracks.
A teacher who is upset might be tugging on her hair, pounding her fist
into her hand.
Note that in the above example, nowhere were the words cried, old, or
upset used. Rather, the images were shown.
This is a tricky task to learn, but once you have mastered it, you will
do it naturally.
• Poor
• Hungry
• Decrepit
• Lonely
• Excited
• Manipulative
• Domineering
• Hateful
• Happy
• Nervous
TUTORIAL – J
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mother and combine them with what you disliked about your past
boyfriend or girlfriend. Poof! A whole new, original character emerges.
• Blind
• Conjoined
• Arrogant
• Sleazy
• Innocent
• Honest
• Holy
• Proud
• Jealous
• Complaining
• Priest
• Prostitute
• Clown
• Police officer
• Teacher
• Hair dresser
• Bank teller
• President
• Child
• Librarian
Rubber cement one to each card so that you have fifty-four people
cards.
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Choose ten of your people and ten of their characteristics, and “show,
don’t tell,” what these people would look like.
What would a proud priest look like? Remember, take out the word
“proud.”
What would a holy prostitute look like? Remember, take out the word
“holy.”