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ACCENT TAP
Brian S. Mason
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Snare h
R L
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Tenors h
R L
BD ¦ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
R L
(unison)
N
Cymbals h N N N N N N N N N
(hi-hat)
BB
Mallets
R L R L R
Timpani BB Ê Ê Ê Ê Ê Ê
R L R L R L R L R L
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ ¾
5
sn h
R L R
_ _ _ ¾
_ _ _ _ _ _ _ _ _ _ _
tn h _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
R L
bd ¦ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ ¾
R L R
cy h N N N N N N N N N N N ¾
BB ¾
5
key
BB Ê ¾
5
Ê Ê Ê Ê Ê
Timp
R L R L R L R L R L R
R L
h ¾
Tenors
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
R L
(ETC)
5 BD h _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
R L
(ETC)
Play the exercise in a “round.” This gives the ensemble a timing challenge because the accents
are displaced between the voices (including keyboards/timpani/cymbals as the 4th voice).
with three silent counts for each instrument. Listen to the other sections (or “dut”) for
the entrance.
OPTION 2
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Snare h
R
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Tenors h _
R
(ETC)
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
5 BD h
R
(ETC)
This option adds a slightly more difficult accent/tap option in the 4th measure (1 accent/1 tap).
Play all 4 bars on the right and repeat off the left (tenors will use drum 2 & 4 on the left).