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Suspend scaffolding
Requirements of scaffolding
Scaffolding and their components shall Trestle scaffolding
be capable of supporting without failure
at least four times the maximum Steel scaffolding
intended load
Scaffolding shall not be loaded in excess
of the working load for which they are
intended
Employees shall not work on scaffolding
during storms or high wind
Single Scaffoldin
Putlogs are taken out from the hole left in the wall to one
end of the ledgers. Putlogs are placed at an interval of 1.2
to 1.5 m
Double Scaffoldi
Challenges
Santiago Calatrava’s auditorium in Santa Cruz de
Tenerife in the Canary Islands cuts a striking figure
against the Atlantic Ocean. Inside the structure, completed
by the Spanish architect in 2003, a performance space is
enclosed by curving abstract concrete forms.
Challenges
The Salk Institute, a monumental research center Challenges
designed by Louis Kahn in 1965, is perched on a bluff
overlooking the Pacific Ocean in La Jolla, California,
creating a symphony of geometry and shadow. For the
two identical six-story buildings that flank a courtyard of
imported travertine, Kahn chose poured concrete for its
proven durability and low maintenance.
For two buildings at Chile’s new Diego Portales
University campus, Chilean architects Duque
Motta & AA and Rafael Hevia sought to create a
design that stood out from the other glass-box
structures in the area. To that end, they
incorporated green space—parks, gardens, and
living walls—into fortified concrete structures.
Challenges
The Pierre, an Olson Kundig project completed in
Washington in 2010, was inspired by the client’s fondness
for an imposing stone deposit on her property. For the
home, conceived as a hideaway amid the crag, the AD100
architects cut away portions of the rock, which were
crushed, made into concrete, and used in other parts of
the house.
Challenges
Chandigarh, the utopian city designed by Le Corbusier
with Pierre Jeanneret in 1947, in post-independence India,
was built largely out of concrete. In the Palais de
l’Assemblée, situated on a reflecting pool, the swooping
sculptural form at the entrance contrasts with the
building’s linear concrete columns throughout.
Challenges
From the top terrace of the Cidade das Artes in Rio de Janeiro, completed by Pritzker Prize–
winning French architect Christian de Portzamparc in 2013, you can see both the mountains and
the sea. The curvilinear concrete walls, an homage to Brazilian modernist architecture of the mid-
20th century, create an interplay between voluminous shape and empty space, visible from a
distance
Challenges