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Joannes Richter
Abstract
As a 21-year old student Ferdinand de Saussure (1857-1913) claimed all verbs in the ancestor
languages had just one core vowel: *e. A languages with only one vowel however is suboptimal.
The bandwidth of a human voice may be optimized by applying three vowels in a ternary coding
system.
Only a few symbolic inscriptions may have survived the prehistorical phase of symbolism. The
letter E is one of these elements, which may have played a fundamental role in the development of
European languages. In English language the letter “E” is the most used of all symbols.
Saussure claimed that the change in vowels could be changed by a few neighboring 'rough sounds'
such as /w/ and /y, which were to be transformed or color the /e/ into a /u/ or /a/.
Saussure's theoretical reconstructions of the Proto-Indo-European language vocalic system and
particularly his theory of laryngeals, otherwise unattested at the time, bore fruit and found
confirmation after the deciphering of Hittite.
Hittite also seems to practices repetitions of phonemes, which may have been inherited from archaic
repetitions, which improved the communication in languages with one vowel. After the expansion
of the number from 1 to 3, 5, respectively 7 vowels these repetitions seemed to be superfluous and
disappeared, although the tradition may have survived in Pig Latin or Gibberish.
This paper analyses a number of ancient, documented “E”-applications, which may be relevant in
the historical development of European languages.
Introduction to Saussure's Letter E
As a 21-year old student Ferdinand de Saussure (1857-1913) claimed all verbs in the ancestor
languages had just one core vowel: *e. The limitation to one vowel is a sub-optimal choice, which
does not fully use the available bandwidth of the human voice. In spoken language the signal/noise-
relation depends on the coding system and the sensitivity of the hearing receivers.
In an alphabet with only one vowel “e” the vowels in the sample word “ehedefe” cannot be varied
by exchanging the vowels and modifying the word to “ahidofu”. The limitation of the vowels to
only one character gravely restricts the dictionary of available words. Also the usage of only one
vowel frequency reduces the available bandwidth for the communication.
On the other hand an overdose of vowels would be disadvantageous in the decoding process as
some of the vowels with neighboring frequencies may be misunderstood by the receiver. This e.g.
would lead to misunderstanding an “E” as “A” or an “I” by “E”.
This paper investigates how the optimal number of vowels in an alphabet could be increased from 1
to 3 and expanded to 5 and 7.
Theoretically the ternary coding system is the most efficient coding method in mathematics and
communications.
In the ancestor languages Saussure's suggested vowel “E” may have been supported with dedicated
consonantal laryngeals *h₁ , *h₂ and *h₃, which colored the “E” into /e/, /a/ or /o/. These consonants
more or less behaved like the “Mothers of Reading” in the Hebrew language.
In later phases three vowels A, I, U have been introduced in various alphabets such as Old Persian,
the Hälsing or Staveless Futhark, etc.
On a larger scale the current alphabets for Latin and Greek language have been equipped with 5 (A,
E, I, O, U) respectively 7 vowels (A, E, H, I, O, U, Ω).
An alphabet with only one vowel “e”
In an alphabet with only one vowel “e” the vowels in the sample word “ehedefe” cannot be varied
by exchanging the vowels and modifying the word to “ahidofu”. The limitation of the vowels to
only one character gravely restricts the dictionary of available words. Also the usage of only one
vowel frequency reduces the available bandwidth for the communication.
On the other hand an overdose of vowels would be disadvantageous in the decoding process as
some of the vowels with neighboring frequencies may be misunderstood by the receiver. This
would lead to misunderstanding an “E” as “A” or an “I” by “E”.
1 Source: from page 104 onwards in The Unfolding Of Language (2010) by Guy Deutscher
Optimal Coding of numbers
In Information theory2 the ternary numeral system is superior to the binary – system and is
considered as the most efficient coding system. The ternary numeral system is a base-3 counting
system. The binary number system is a representation of numbers using only two digits (0 and 1).
Although the ternary numeral system is superior engineers prefers the binary number system for the
designs in computer and communication technology.
The problem of optimal coding of numbers has been examined by many scholars (e.g. [1 3][24]) and
it is known that ternary coding is more efficient than binary coding [3 5]. In technology binary
coding is preferred for its simplicity. Ternary coding remains relevant in algorithms that use
decision trees. The superiority of the ternary numeral system is described by Subhash Kak, who
publishes the formulas and tables to calculate the characteristics of the efficiency:
Let’s consider coding of numbers to an arbitrary base b. Given that the probability of
the use of the b symbols can be taken to be the same and equal to 1/b, the information
associated with each symbol is log (b). The efficiency of the coding scheme per symbol
is:
To find the value of b for which it is a maximum we take its derivative with respect to b
and equate that to zero. This yields the condition that ln (b) = 1, from which we
conclude that the optimal base is e, with E (e) = 0.368 nats or 0.531 bits6.
2 Information theory studies the quantification, storage, and communication of information. It was originally proposed
by Claude Shannon in 1948 to find fundamental limits on signal processing and communication operations such as
data compression, in a landmark paper titled "A Mathematical Theory of Communication".
3 Frieder, G., Fong, A. and Chow, C.Y. (1973). A balanced ternary computer. Conference Record of the 1973
International Symposium on Multiple-valued Logic, pp. 68–88.
4 Hurst, S.L. (1984). Multiple-valued logic - Its status and its future. IEEE Trans. Computers, C-33, 1160–1179.
5 Hayes, B. (2001). Third base. American Scientist 89: 490-494
6 On Ternary Coding and Three-Valued Logic – arXiv by S Kak - (2018)
If we consider only the capacity of a code to carry information, then binary comes up considerably
short compared to the optimal value. For binary, the value is ln (2) = 0.693 which is short by ln (e/2)
= 0.307 from the optimal7. (In bits, the corresponding numbers are 1.0 and 0.443, respectively.)
For ternary, the coding is vastly more efficient since ln (3) = 1.099 and ln (e/3) = −0.099. As we see,
the carrying capacity differences are much more significant compared to those based on efficiency
measure given in equation (1). For example, for b = 2, the carrying capacity is less by 30.7%.
Philosophical issues
In this article the author Subhash Kak suggests an optimal coding may also be found in Nature in
cases in which (1) “yes”, (2) “no” and (3) “maybe” may represent the 3 elements of a ternary
system:
Since coding has aspects that go beyond representation of data, the issue of optimal
coding leads to many philosophical questions. Since binary is not optimal, there ought
to be a logic that has more than two classes but it is not clear how such a logic manifests
itself in natural processes or in cognition.
Although interactions with Nature are normally seen as responses to binary questions in
terms of “yes” or “no” [69][710], this is incorrect if a third category of “maybe” is
included.
Today the laryngeal theory is almost universally accepted in this new standard form. Nevertheless,
marginal attempts to undermine its bases are occasionally undertaken.[37][38] 12
13 Mothers of Reading
The Role of the Letter E
See Appendix 1 – Notes to the Omphalos of Delphi
“E” as the 5th letter of the alphabet, representing a male (3) & a female number (2)
One of the more successful explanations of the enigma is the definition of the number 5,
represented by the Epsilon as a matrimonial state, in which the female partner represents 2 and the
male one 3. Therefore Pythagoras, through a certain resemblance, may have suggested that five is
the marriage of the first male (3) and the first female number (2).
The title of Plutarch's report (Greek Περί τού Εί τού έν Δελφοίς – Latin: De E apud Delphos)
According to Plutarch and other sources of evidence a letter “Ei 15” or “E” had been displayed over
the entrance to Apollos Temple at Delphi16. Although Plutarch was responsible for this temple he
was unaware of the symbolism of this inscription.
There is some confusion about the Greek and Latin title of “On the EI at Delphi” (Greek:
Περί τού Εί τού έν Δελφοίς – Latin: De E apud Delphos).
I remembered to have collected a respectable amount of evidence material about the “E” in ancient
sources and modern statistics.
The name Delphoi comes from the same root as δελφύς delphys, "womb" and may indicate archaic
veneration of Gaia, Grandmother Earth, and the Earth Goddess at the site. I remember the omphalos
carrying the name Gaia and “E”.
14 ETAOIN SRHLDCU, or: What are the most common words and ..
15 Of the Word Ei Engraven Over the Gate of Apollo’s Temple At Delphi. - from Plutarch’s Morals. Translated from
the Greek by Several Hands. Corrected and Revised by William W. Goodwin, with an Introduction by Ralph Waldo
Emerson. 5 Volumes. (Boston: Little, Brown, and Co., 1878). Source: Book V-27. On the EI at Delphi (Περί τού Εί
τού έν Δελφοίς - De E apud Delphos)
16 E - of the E-symbol Engraven Over the Gate of Apollos Temple at Delphi
17 died A.D. 141 - the wife of Antoninus Pius.
At Delphi a golden character E has been spent by empress Livia18, the wife of Augustus Caesar. The
brazen character E has been spent by the Athenians, but the first and oldest of all, which is the
wooden one, they call the ei of the Sages, as not being of any one, but the common dedication of
them all.
Plutarch's interpretation in “Εἶ ἕν”, “Thou art one” ("ehyeh"→ “I Am that I Am”)
Then after pages of discussing other alternatives Plutarch summarizes:
I am of opinion, that this syllable “E” signifies neither number, order, nor connection, nor
any other of the deficient parts, but is a self-perfect appellation and salutation of the God,
which brings the speaker to the conception of the power of the God at the very moment of
uttering it. For the God in a manner calls upon every one of us who comes hither, with this
salutation, Know thyself, which is nothing inferior to All hail.
And we again, answering the God, say to him El, thou art; attributing to him the true,
unfeigned, and sole appellation of being, as agreeing to him alone.
Thus ought those who worship to salute and invocate this Eternal Being, or else indeed, as
some of the ancients have done, with this expression Εἶ ἕν, Thou art one.
For the Divinity is not many, as every one of us is made of ten thousand differences in
affections, being a confused heap, filled with all diversities. But that which is must be one,
as one must have a being.
Εἶ ἕν, Thou art one may be compared to I Am that I Am19 a common English translation of
the response God used in the Hebrew Bible when Moses asked for His name (Exodus 3:14).
It is one of the most famous verses in the Torah. Hayah means "existed" or "was" in
Hebrew; "ehyeh" is the first person singular imperfect form. Ehyeh asher ehyeh is generally
interpreted to mean I am that I am, though it can also be translated as "I-shall-be that I-
shall-be."
The archaic symbols of the earth-goddess Ga and the mystic symbol E (7th Century BCE)
On the block are engraved four archaic letters, referable to the seventh century B.C. (fig. 120), of which the
last three give us in the genitive case the name of the earth-goddess Ga (or Gas, respectively Gaz20) and
the first appears to be the mystic symbol E.
18 58 BC-AD 29
19 Source: I Am that I Am
20 Another depiction is given in Varieties of Unreligious Experience: The E at Delphi
Inscription of 4 letters at the Omphalos of Delphi21, found by F. Courby
On the block are engraved four archaic letters, referable to the seventh century B.C. (fig. 120), of which the
last three give us in the genitive case the name of the earth-goddess Ga (or Gas, respectively Gaz22) and
the first appears to be the mystic symbol E. 23
Coppers of Delphoi struck by Hadrian and by Faustina Senior with the vowel E
In the temple at Delphoi visitors were shown three symbols resembling the letter E — a wooden
original said to have been put up by the sages, a bronze copy of it presented by the Athenians, and a
golden replica dedicated by the empress Livia (Plout. de E apud Delphos).
Coppers of Delphoi struck by Hadrian and by Faustina Senior represent the facade of the temple
with E in the centre of it24.
The divine name “I” (and “El”) in Dante Alighieri's essay De vulgari eloquentia
Dante Alighieri in his De vulgari eloquentia suggests that the name El was the first sound emitted
by Adam: While the first utterance of humans after birth is a cry of pain, Dante assumed that Adam
could only have made an exclamation of joy, which at the same time was addressing his Creator.
In the Divina commedia, however, Dante contradicts this by saying that God was called I in
the language of Adam, and only named El in later Hebrew, but before the confusion of
tongues (Paradiso, 26.134).
21 Page 176 in Zeus a Study in Ancient Religion Vol 2 Part I (1925) by Arthur Bernard Cook
22 Another depiction is given in Varieties of Unreligious Experience: The E at Delphi
23 The Meaning of the E at Delphi
24 Page 177 in Zeus a Study in Ancient Religion Vol 2 Part I (1925) by Arthur Bernard Cook
25 Source: El (deity)
26 English and Globish - Optimized Linguistic Designs
27 From: Ancient Egypt – The Light of the World (Vol. 1-page 501) by Gerald Massey
28 This probably correlates to the word EI and the letter E at Apollo's temple as described by Plutarch in Of the word
EI engraven over the gate of apollo's temple at delphi. - The Morals, vol. 4
see the details and the image in : E - of the E-symbol Engraven Over the Gate of Apollos Temple at Delphi
The ieu-pronouns and the Dieu-names in Provencal language
Simultaneously the E-concept may also be the valid answer to the enigma of the ieu-
pronouns and the Dieu-names in Provencal language29.
These samples (papa, mama, tata) however suggest that the letter “a” may be the archaic vowel
instead of Saussure's letter “E”.
The archaic symbols of the earth-goddess Ga and the mystic symbol E (7th Century BCE)
On the block are engraved four archaic letters, referable to the seventh century B.C. (fig. 120), of which the
last three give us in the genitive case the name of the earth-goddess Ga (or Gas, respectively Gaz38) and
the first appears to be the mystic symbol E.
Fig. 6: Inscription of the “E”, “G” & “A” in "E of Gaia" at the omphalos in Delphi
Details from a photograph at page 174 in Zeus a Study in Ancient Religion Vol 2 Part I (1925) by Arthur Bernard Cook
39 Page 176 in Zeus a Study in Ancient Religion Vol 2 Part I (1925) by Arthur Bernard Cook
40 Another depiction is given in Varieties of Unreligious Experience: The E at Delphi
41 The Meaning of the E at Delphi
The E on coins42
Coppers of Delphoi struck by Hadrian and by Faustina Senior with the vowel E
In the temple at Delphoi visitors were shown three symbols resembling the letter E — a wooden
original said to have been put up by the sages, a bronze copy of it presented by the Athenians, and a
golden replica dedicated by the empress Livia (Plout. de E apud Delphos).
Coppers of Delphoi struck by Hadrian and by Faustina Senior represent the facade of the temple
with E in the centre of it (Imhoof-Blumer and P. Gardner Num. Comm. Paus. iii. 119 pi. x, 23 = my
fig. 121 and pi. x, 22 = my fig. 122, J. N. Svoronos in the Bull. Corr. Hell. 1896 xx. 36 pi. 27, 12
and 46 pi. 29, 17 f., Head Hist. num.z p. 342).
42 Page 177 in Zeus a Study in Ancient Religion Vol 2 Part I (1925) by Arthur Bernard Cook
Explanations of the E
Attempts to explain the symbol have been numerous. Plout. de E apud Delphos 3 takes E as irevTe,
the five sages Chilon, Thales, Solon, Bias, Pittakos; id. ib. 4 equates the second vowel E with the
second planetary body, the sun; id. ib. 5 writes E as et, 'if,' 'if only,' a word that might introduce a
question or a prayer addressed to the god; id, ib. 6 treats E or el as a symbol of dialectic; id. ib. 7—
16 gives a Pythagorean disquisition on E, that is TreVre, as the numerical base resulting from the
union of the first even dtio with the first odd rpia; id. ib. 17—21 concludes that E is for el, ' thou
art,' as a metaphysical invocation of the deity.
Years ago I ventured the suggestion (W. H. D. Rouse Greek Votive Offerings Cam- Fig_ T2I bridge
1902 p. 354 n. n, Folk-Lore 1903 xiv. 287 f.) that the E was a sacred relic, in fact the head of
Poseidon's trident kept in the sanctuary, where he had an altar (Paus. 10. 24. 4) and probably a
chapel (see H. Pomtow in Philologus 1912 Ixxi. 45 ff.), much as the trident of Neptune is kept
affixed to the wall of the ancient church of S. Vigil in Tridentum, the modern Trento, Trent (L.
Schmitz in Smith Diet. Geogr. ii. 1230); and it will be admitted that the trident-head, which
symbolises Poseidon on coins of Corinth, Leukas, Mantineia, Troizen, etc., is of the requisite shape
— indeed Agathon Telephos frag. 4 Nauck2 ap. Athen. 454
D describes the letter E as rpiodovs 7rXd7ios, 'a trident laid crosswise.' My friend Mr A. H. Smith
once told me that in his opinion the mystic E might possibly be explained by the resemblance that it
bears to the ITI-shaped window or smoke-hole over the door of hut-urns from Etruria etc. (Folk-
Lore 1903 xiv. 288).
Miss J. E. Harrison (ib. 1904 xv. 416 n. 271) has acutely compared the Delphic E with the trinity of
pillars represented e.g. on Phoenician reliefs from Sardinia (G. Patroni in the Man. d. Line. 1904
xiv. 230f. pi. 21, 2a and pi. 25, 2) and suggested ' that the E was originally three betyl stones or
pillars placed on a basis and representing the three Charites'....
Appendix 2 – Overview of the published papers of Joannes Richter at Academia.edu
• The 149 following papers are sorted according to the initial upload date43 :
• The optimal Number of Vowels in Languages
• A Ternary Encoding to Optimize Communications and Cooperation
• A Golden Box to Control the Lightnings
• The Ancient Lightning Rods around the Mediterranean Sea
• Die ältesten Blitz(ab)leiter am Mittelmeer (Scribd)
• Pyramids in the Role as Power Plants
• Piramides als energiecentrales (Scribd)
• The Role of the Pyramids in Melting Glass and Meta... (Scribd)
• The Architecture of the Younger Futhark Alphabet
• The Egyptian Drilling Technology (Scribd)
• The Sources for the IΩ- Pronouns
• Notes to Herodotus' Histories of IΩ, Europa and Medea
• The Role of Irrigation and Drainage in a Successful Civilisation
• De rol van de irrigatie en drainage in een succesv... (Scribd)
• Notes to Frazer's "Pausanias's Description of Greece"
• The Initials of European Philosophy
• Atlantis vormde 3400 jaar geleden een Helleens Delta-project
• The War against Atlantis
• The "Ego"-Root inside the Name "Thebes"
• The Role of the AEtts in the Futharc Alpabet
• The Reconstruction of a European Philosophy
• Traces of an old religion (The Root "Wit" in Wittekind)
• Woden (Wuþ) as the Designer and Author of the Futhark Alphabet
• Is the Core "Wut" in "Wutach" symbolizing "Wutan" ("Woden")
• The Bipolar Core of Germanic Languages
• Simon Stevin's Redefinition of Scientific Arts
• Simon Stevin's definitie van wetenschappelijk onderz
• De etymologie van de woorden met Wit-, Wita en Witan-kernen
• The "Vit"-Roots in the Anglo-Saxon Pedigree
• The Traces of "Wit" in Saxony
• King Chilperic I's letters (ΔΘZΨ) may be found at the beginning ("Futha") of the runic
alphabet and at the end (WIJZAE) of the Danish alphabet
• Aan het slot (WIJZAE) van het Deense alfabet en aan het begin ("Futha") van het
runenalfabet bevinden zich de letters (ΔΘZΨ) van koning Chilperik I
• The Role of the Ligature AE in the European Creation Legend
• A Concept for a Runic Dictionary
• Concentrating the Runes in the Runic Alphabets
• Traces of Vit, Rod and Chrodo
• De sleutelwoorden van het Futhark alfabet
• The Keywords of the Futhark Alphabet
• Het runenboek met het unieke woord Tiw
• A short Essay about the Evolution of European Personal Pronouns
• The Evolution of the European Personal Pronouns
• De miraculeuze transformatie van de Europese samenleving