Académique Documents
Professionnel Documents
Culture Documents
Elissa Kapp
Composition/Rhetoric
Professor Lash
Rocky Road to Recovery and Reconciliation: How Genocide-Denial Drove Rwanda into
a Ditch and How Acknowledgment can be used as Ammunition Against Future Atrocities
(Oxford 1)” or “an act of extreme cruelty and heinousness (Oxford 3)”. The characteristics of
wickedness and cruelty are singular to humans; thus, atrocities may apply only to humankind.
Atrocities are inhumane, and yet uniquely human. Their presence is an inevitable detriment, and
its only positive role is to give humans the knowledge to prevent similar tragedies from
occurring. To further elaborate on this thesis, an historical illustration is useful: it’s 1994 in
Rwanda, the country exploded into genocide; the Interahamwe pulled people from their houses
and slaughtered with machetes; by whooping soldiers atop armored Jeeps gunned people down;
the victims’ bodies overflowed out of ditches and were strewn over the road like things that
aren’t human (472 White); meanwhile government leaders worldwide watched without acting,
fearfully planted down in inaction and fear. By the definition that classifies cruelty as an action
“devoid of humane feelings” (Merriam-Webster), the situation is cruel, the use of machetes and
guns are cruel. However, cruelty’s other definition as “conductive” (Merriam-Webster) to pain,
implies that the one who carries out a cruelty must have awareness of their action. This
awareness of one’s cruel action is pivotal to the cruel action to be classified as an act of
wickedness, or evil. If an act fulfills the requirements of both extreme cruelty and heinous
wickedness, it may be considered an atrocity. As evil is a quality unique to humans, being the
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only self-aware beings that willingly act in ways that can be considered evil or cruel, an atrocity
can therefore only be carried out by humans. This is shown to be painfully true in the case of the
Rwandan genocide, where it is estimated that around 200,000 killers carried out the massacre
(103 Waldorf). Furthermore, the humans in government had been atrocious in the foregoing of
their political image and political strategy to ignore their humane duties. By their active
ignorance, they were being “conductive” to the suffering in Rwanda; in this way, an “atrocity”
can be considered an impressive construct of human ingenuity. It is a concept that no other level
of life form could reach, leave it to humans to use their abilities for massive grief. Guns and
machetes have no meaning unless the human holding it has the will to point it at another human.
Following the genocide, the definition of “atrocity” and “genocide” became very relevant
to Rwandan society and politics. The legal struggle over “war crimes” and “crimes against
humanity” were important, but the ideological struggle over the event in hindsight kept the
genocide hanging in the air for the following years. For example, in 2003, the Constitution of the
genocide were to be treated and punished as criminal acts (art. 13). The meaning of the article is
later defined by the Law Repressing the Crime of Genocide, Crimes Against Humanity and as,
“any person who will have publicly shown, by his or her words, writings, images, or by
any other means, that he or she has negated the genocide committed, rudely minimized
it or attempted to justify or approve its grounds, or any person who will have
The laws put into place made it illegal to define the atrocity as anything other than what had been
dictated by the government. The goal was not to dwell on the past or to erase it. The government
meant to strongly emphasize the gravity of the atrocity as well as create a guilty party. One of the
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government’s attempts towards these goals consisted of bringing forth those with so-called
“genocide ideology”, a vague expression, mentioned in the Constitution but never clearly
defined, though it is implied to be any deviation from the government’s opinion on the genocide.
Even outside of Rwanda, the vocabulary words for the genocide were and still are the
center of discussion. The genocide discussion was brought to the international community by the
movie Hotel Rwanda, which recounts the atrocity in what was largely Hollywood-influenced, but
based off of a true story about Paul Rusesabagina, a man credited with saving 1,200 people
during the genocide (Waldorf 114). The Rwandan government has since exiled Rusesabagina
interview on the 12th anniversary of the genocide: “… justice in Rwanda has been a failure.
Within the country, there is no will to do justice ... a killer is a killer. Tutsis are not being held
accountable. Only Hutus are paying for it. To me, this is not justice (Katz).”
Where for Rusesabagina the atrocity in Rwanda encompassed all groups as potential
victims, the government wished to pervade the idea that there was one victim group, and any
transgression from their ideology was false. But the government’s denial of the Tutsi role in the
genocide could considerably compound the atrocity. By not acknowledging all victims and all
indirect act of aggression, one they were aware of and had full control over. Their choice to be
ignorant of accountable parties alienated Hutu victims from the government’s description of
“atrocity”. This ignorance impeded the recovery process, as the first step towards reconciliation
is always acknowledgement. Until the Rwandan government becomes less narrow-minded about
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the inclusion of particular groups into the “victims of the atrocity”, Rwanda cannot move
forward.
Rusesabagina’s “atrocity against Rwandans”, which was not consistent with the government’s
“atrocity against Tutsis.” This is understandable, considering all of the emotions behind events
classified as “atrocities.” An atrocity is destruction caused by humans, despite and often against
better judgment and morality. Because it isn’t unfeeling like an inanimate object, like a gun for
example, an atrocity can be stopped before it can begin because a human has that choice. The use
of “atrocity” brings guilt and judgment upon perpetrators of violence and suffering. The road to
recovery is full of potholes, but if you can look back on past potholes, it’s easier to avoid those
Bibliography
Hotel Rwanda. Dir. Terry George. Perf. Don Cheadle, Sophie Okonedo, and Joaquin Pheonix.
Lee Michael Katz. (2006, April). The Man Behind the Movie. National Journal, 38(16), 50-
Rwanda. Rwandan Ministry of Defense. “Constitution of the Republic of Rwanda.” All Africa.
Waldorf, Lars. "Revisiting Hotel Rwanda: genocide ideology, reconciliation, and rescuers."
Journal of Genocide Research 11.1 (2009): 101-125. SocINDEX with Full Text.
White, Kenneth R. "Scourge of Racism: Genocide in Rwanda." Journal of Black Studies 39.3