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Mark A. Galang
Name
At the highest levels each time you play a tune it takes on a life of it’s own and
becomes an incredible vehicle for self expression. Improvisation and great
jazz performance are truly one and the same. You don’t have one without the
other.
This is why every aspiring jazz musician needs to learn how to improvise.
Plus, he’s good friend of Horace Silver. His resume in modern music is a mile
long. So, when a guy with incredible improvisation skills swears by the method Brand New Beginner Program!
you have to pay attention!
Here is a list of starter elements that you can begin to listen to when rst start
listening to jazz recordings.
Melody – This is either the rst or second thing that will be most obvious
when you listen to the music. What’s the overall shape of the melody? Does it
go up and down? Do you notice various melodic patterns or note sequences.
In jazz we use special melodic patterns and often times use extensions of
chords.
Harmony – We’re talking mostly about the chords that accompany the
melody. It can also be harmonies that go with the melody. For instance, let’s
say you’re listening to Miles Davis’s recording of “So What”.
(Keep in mind that even if you’re trying to build your jazz piano improvisation
skills, you still can learn from listening to all kinds of di erent instruments).
Dynamics – When do they play quiet? Loud? What sort of expressive elements
does each musician bring to make the music sound alive? How does the
soloist articulate particular notes?
The Form – Is it a 12-bar blues? Does it have a kind of ABAC form? Verse-
Chorus-Verse? AABA? Is it a 16 bar tune or a 32 bar tune?
In jazz, we’re usually improvising over the form and chord changes to a song
so it’s critical that you learn how to play over each element of a form. You’ve
got to know where you are in the form at all times. Learn licks from the legends today.
There are many more elements but ultimately it’s good to understand
that active listening is the beginning of jazz improvisation. Steve Nixon is the
proud owner of
Another important thing about listening is that it is very important that you
listen to great jazz every day.
Not only is this fun but it will be a great way to assimilate yourself to the Freejazzlessons.com. He is a
world touring jazz and blues
many sounds that make up this style of music.
keyboard player and educator.
In the same manner that we learn how to talk, 1. Steve is the author
you have to be immersed in jazz every day to of Premium Jazz Elite
learn how to speak it. Membership
Step 2: Imitating What You Hear and the Zero To Jazz Piano Hero
Program.
Just like a baby elephant imitates its mom, the
next step for learning jazz improvisation is to 3. Are you a blues piano fan?
Check out his popular
try and imitate little elements of what you
Breakthrough Blues
hear from recordings.
Method & Learn Chicago Blues
Start small at rst and listen to a couple of bars from a recording. Say you
want to do a certain phrase from a solo that you thought sounds cool, try and
do that on your instrument.
Guess what. You have just made the rst step towards transcribing
music! But more about that in a later section.
At rst, it is most likely that you’ll make mistakes, but that is okay.
When we were started out learning how to speak we didn’t do it
perfectly. Eventually, the more we talked the better we got at it!
When trying this out, start small. It can be as little as one note at
rst. Try and nail that rst note rst. Then play the rst note and
try out the next note.
Keep on repeating this process until you can play that phrase. Small wins can
lead to big ones as you build it. As they say, Rome wasn’t built in a day.