navigating II-7/V7 b9 chords by using passing tones © RAY PIZZI

D-7 G7(b9) C-7 F7(b9) Bb-7 Eb7(b9) Ab

b3b75 
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    Scale or  
3
b9
13 Major 
b9 chords use
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Minor 7 chords use

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Dorian Mode Diminished Scale

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available Pentatonics

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A-7 D7(b9) G-7 C7(b9) F-7 Bb7(b9) Eb
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E-7 A7(b9) D-7 G7(b9) C-7 F7(b9) Bb
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B-7 E7(b9) A-7 D7(b9) G-7 C7(b9) F
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F#-7 B7(b9) E-7 A7(b9) D-7 G7(b9) C
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C#-7 F#7(b9) B-7 E7(b9) A-7 D7(b9) G
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 2

F#-7 B7(b9) E-7 A7(b9)

G#-7 C#7(b9)
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D
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Eb-7 Ab7(b9) C#-7 F#7(b9) B-7 E7(b9) A

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      
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Bb-7 Eb7(b9) Ab-7 Db7(b9) F#-7 B7(b9) E
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F-7 Bb7(b9) Eb-7 Ab7(b9) C#-7 F#7(b9) B
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F7(b9) Bb-7
C-7
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Eb7(b9) G#-7
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C#7(b9)
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F#
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      
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    Eb-7
 Db
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G-7 C7(b9) F-7 Bb7(b9) Ab7(b9)
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