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Kyrie Eleison (It Is Finished)

  
 = 64
     
Soloist  

         
Soprano   

        
Alto   

        
Tenor   

         
Bass
 


        
       
      
   
 
 
     
Piano

  
     
     



   
 
sim.

  
    
 
Flute

      
     

Horn in F

     
           
       
    
Violin I


     
    

   
  
Violin II

   
        
        

Viola

 
       
   
    

Violoncello

 
Word and music by Joshua Spacht. Additional orchestration by Dan Kreider. © 2010 Spachtula Music
Kyrie Eleison (It Is Finished) – Full score, p. 2


A

       
 
rit. A tempo

       
8

Solo

Death is swal - lowed up in vic - to - ry,

        
S.  

       
A.  

       
T.  

        

B.


 
       
 
 
                 
  
    
Pno.

     
    
  
  
       
Fl. 

  
Hn in F        

  
 
      
Vln. I     

   
            
    
Vln. II

 
      
         
   
 
Vla.

      
    
  
Vc.
Kyrie Eleison (It Is Finished) – Full score, p. 3


 
 
        
          
  
15


Solo

death has lost its sting; For the price of sin was sure - ly paid by our sin - less Je - sus

      
S.  

     
A.  

     
T.  

      

B.



                     

  

    

   
Pno.

     
         
  
 
     
Fl.  

     
Hn in F  

   
 
         

 non cresc. 
Vln. I

       
Vln. II     

  
Vla.        

    
       
   


Vc.
Kyrie Eleison (It Is Finished) – Full score, p. 4


      
       
        
20

Solo

Christ. Life was lif - ted up for all to see, Life was crushed to death. Now there

      
S.  

     
A.  

     
T.  

      


B.

       
          

              

 

     
    



   
  
Pno.

      
         
 

  
     
Fl.  

 
        
  

 
Hn in F

        
         
      
 

Vln. I

     
        
  
  
     
Vln. II


   
                   
        

Vla.

   
      
 
Vc.
Kyrie Eleison (It Is Finished) – Full score, p. 5

     
     
  
       

25


Solo


is no lon - ger con - dem - na - tion, He is our great sal - va - tion.

     
S.    
 


Ky - ri -

    
  
 
A.

     
Ky - ri -

T.  

      

B.



     
      
                
         

       
 
  
Pno.

         
  
     
Fl.  

  
  
 
   
 

Hn in F


           
Vln. I      

 
Vln. II           
          

  
         
Vla.
           

    
     
    
   
Vc.
Kyrie Eleison (It Is Finished) – Full score, p. 6

   
B


29

Solo

    
         
     
S.

   
 
-e e - le - i - son, Ky - ri - e e - le - i - son,

A.
             


-e e - le - i - son, Ky - ri - e e - le - i - son,

       
      

T.


Ky - ri - e e - le - i - son Ky - ri -

          
    

B.


Lord have mer - cy, Lord have mer - cy,

 
              
                  
        
   
Pno.

       
  
    
             
   

Fl.

  
    
 
Hn in F

  
     




Vln. I

 
 
   

Vln. II


      

Vla.

 
                
       
Vc.


Kyrie Eleison (It Is Finished) – Full score, p. 7

    
 
32

Solo

   
           

S.

Ky - ri - e e - le - i - son, Ky - ri -

 
  
          
A.

Ky - ri - e e - le - i - son, Ky - ri -

      
T.   
     
-e e - le - i - son Lord have mer - cy,

             
   
     
B.


Lord have mer - cy, Lord have mer - cy, Lord have mer - cy,

 
                    
       

             
Pno. cresc. poco a poco

  
 

 

      
            
Fl.   

  
       
 
Hn in F

   
           
 

Vln. I

   
           

  

Vln. II


   
  

Vla.

 
              
         

Vc.
Kyrie Eleison (It Is Finished) – Full score, p. 8

   
C accel


35

Solo


   
S.             


-e e - le - i - son. Ky - ri - - e, Ky - ri -


     
       
A.


-e e - le - i - son. Ky - ri - - e, Ky - ri -

            
T. 


Lord. Lord have mer - cy, Lord. Ky - ri -

                
   

B.


Lord have mer - cy, Lord have mer - cy Lord. Ky - ri -

             
                  
                

        
    
Pno.

   

       
               
       

Fl.

   
        

Hn in F

       
                                  
    

Vln. I

 
                        
          
Vln. II



                                         

Vla.

          
    
          

Vc.
Kyrie Eleison (It Is Finished) – Full score, p. 9

     
 
38

Solo

 
    
       
più

S.

 
- e, Kyr - ri - e. Chri - - -

 
       
più

A.

 
- e, Kyr - ri - e. Chri - - -

         
più

T.  

 
- e, Kyr - ri - e. Chri - - -

      
  
più


B.


- e, Kyr - ri - e. Chri - - -

                   


                   
   

                   
Pno.

 
 
           
         
Fl. 

       
       
  
Hn in F

  
                          
                     
 

Vln. I

   
    
         
   
               
   
 
Vln. II

  
                                  
      


Vla.


    
          
                    
Vc.


Kyrie Eleison (It Is Finished) – Full score, p. 10

    
 
41

Solo

      
S.      

 
- ste e - - - le - - i - - son. E - le - i -

A.        

     
- ste e - - - le - - i - - son.

T.      

       
- ste e - - - le - - i - - son. E - le - i -



B.


- ste e - - - le - - i - - son.

    
                     
                                    

  
                  
       
   
Pno.

 
più

     
   

     

         
   


Fl.

     
   

Hn in F

  
       

 
 
più 
Vln. I

 
            
            
più 
Vln. II

               
              

Vla.

più

             
                  
più 
 
Vc.
Kyrie Eleison (It Is Finished) – Full score, p. 11

    
 
45

Solo

   
S.         


-son, e - le - i - son. Chri - - -

A.              

  
E - le - i - son, e - le - i - son. Chri - - -

T.         


-son, e le - i - son. Chri - - -

           


B.

E - le - i - son, e - le - i - son. Chri - - -

   

   

 

   


     



    
 
 
   
   
 
   
 
   
       
                   

Pno.

         
   
  
 

  
    
   

 

 
Fl.

     
       


Hn in F

   
       
      

 
 
Vln. I

 
    
               

 
Vln. II

 

  
    

         

Vla.

                  



      
   
Vc.
Kyrie Eleison (It Is Finished) – Full score, p. 12

   
 
49

Solo

    
S.    
- ste e - - - le - - - i - - - son,


A.         
- ste e - - - le - - - i - - son,

     
T.  
- st e - - - le - - - i - - - son,

      


B.

- ste e - - - le - - - i - - - son,

   
                        
       


    
       
 
Pno.

  
     
  

                   
        


Fl.

 
     

Hn in F

     
       
Vln. I  

      
       

Vln. II

 
         
 

Vla.

          
             
 
Vc.
Kyrie Eleison (It Is Finished) – Full score, p. 13

     
 
52

Solo

   
               
S.    

  
e - - le - i - - son, e - le - i - son, e - le - i -


A.              

 
e - - le - i - - son, e - le - i - son, Chri -


  
             
T.    

  

e - - le - i - - son, e - le - i - son, e - le - i -

         




     

B.


e - - le - i - - son, e - le - i - son, Chri -

                   
                  
   
         
       
    
Pno.

 
  


   
    
    

 
 
Fl.

       
     

 
Hn in F

    
           
 
 
 
Vln. I

      
    
      


 
Vln. II

     
             
 
Vla.

   
 

             
   

Vc.


Kyrie Eleison (It Is Finished) – Full score, p. 14

        
D


57

Solo

 
 
                

S.

 
- son, e - le - i - son, e - le - i - son

   
A.           

 
- ste e - le - i - son, e - le - i - son

        
T.       

 
- son, e - le - i - son, e - le - i - son

          
         


B.

- ste e - le - i - son, e - le - i - son

     
              
           
 
  
Pno.

   
     
  
      
   
     

 
Fl.

   
           
  
Hn in F

    
      
      
  
Vln. I


     
      
 
 
 
Vln. II


   
            
 
  
Vla.

        

     
   

Vc.
Kyrie Eleison (It Is Finished) – Full score, p. 15

 
        
  
           
65

Solo


Flesh will put on im - mor - ta - li - ty, like our Head we’ll be made, for

      
S.     


we’ll be made

     
A.     

 
we’ll be made

      
T.        

       
like our head we’ll be made, for


B.



     
 
        

                 
Pno.

       
     

        
  

Fl.

     
     

Hn in F

     
  
     

   
    
 
 
Vln. I

 
           
         
Vln. II


      
    
 
Vla.

       
       
  
Vc.
Kyrie Eleison (It Is Finished) – Full score, p. 16

 
     
           
più

   
71

 
Solo

 
He, the First, has led the way that the ma - ny might o - bey. And heed the call that

        
            
più

S.

 
He, the First, has led the way ma - ny might might o - bey. heed the call

 
 
più

A.
               

 
He, the First, has led the way ma - ny might o - bey. And heed the call that

           
             
più

T.

 
He, the First, has led the way that the ma - ny might might o - bey. heed the call

 
         
   
più

  


B.

ma - ny might o - bey. And heed the call that


             
                  

     
     
  più 
  
  
   
Pno.

         
     
     
  

        
   
   

Fl.

 
          
Hn in F
    

 
         


     
    

    

  più 
Vln. I

   
           
       
    
Vln. II

più 

   
                   
    
  più 
Vla.


       
          

  
Vc.

più 
Kyrie Eleison (It Is Finished) – Full score, p. 17


 
         

E

        
76

Solo


says, “A - bide in me, do not faint nor for - sake. For My great a - ton - ing

         
S.          


to a - bide do not faint nor for - sake. Ooo

  
        
A.
       

     
       
says, “A - bide in me, do not faint nor for - sake. ooo

    
T.
 


to a - bide do not faint nor for - sake. For My great a - ton - ing

           
    
  
 
B.


says, “A - bide in me, do not faint nor for - sake. Ooo

  
                      

 
                   

         
            
   
  

Pno.

      
   

           
 
Fl.  

     
  

   

Hn in F

                

           
  
  

Vln. I


 
     

 
 
 
 
  

  
  
 
Vln. II      


              
              

Vla.

      
     
           

Vc.


Kyrie Eleison (It Is Finished) – Full score, p. 18

  

molto rit

    
 = 56
    
At rest

         
80


Solo

  
hu - - mi - li - a - tion is now for you, is now for you, is

     
S.                

  
now for you, is now for you.”

   
    
   
   
A.

  
now for you, is now for you.”

 
          
T.         

  
hu - - mi - li - a - tion now for you, is now for you.”

        
        
   
 
B.


now for you, is now for you.”

  
   
       

                          


     
  
  
         
Pno.

             
 
      
Fl.    

    
Hn in F       

  
     
       
    
  
Vln. I

 
   
               
        
  
Vln. II

    
         
    
  
  
Vla.

        
      
 
  
Vc.
Kyrie Eleison (It Is Finished) – Full score, p. 19

     
       
rit.

           
84


Solo


now for you sal - - va - tion, sal - va - tion, sal - va - tion.” A - men

    
S.                  


It is fi - nished, it is fi - nished, A - men, a - men.

   
A.                   

It is fi - nished, it is fi - nished, A - men, a - men.

   
T.                  


It is fi - nished, it is fi - nished, A - men, a - men.

    
               
          
     
B.


 
It is fi - nished, it is fi - nished, A - men, a - men.

     
 
         
                   
           
 
        
          
Pno.

  
            

      
        
    
  
Fl.

   
     
      

Hn in F



      
                 
         
 
Vln. I

        
              


Vln. II


    
            
     

 
Vla.

             
  
           
 
Vc.
Violin I
Kyrie Eleison (It Is Finished)

       
 = 64
          
   

A


     
    
rit. A tempo

     
7



   
          
  
   
15

 non  

       
                  
   
22

      
B

  
28

 
   
   
         
31

                  
  
         
34

Word and music by Joshua Spacht, Additional orchestration by Dan Kreider. © 2010 Spachtula Music
Kyrie Eleison (It Is Finished) – Violin I, p. 2

                         
      
C accel

                 
37

 

            
       
      
40

  più 


              
 
        
 
44

 

           

             

50


     
     
55

  

Extra space has been provided to facilitate a page turn.


Kyrie Eleison (It Is Finished) – Violin I, p. 3

     
         
D

     
62

 

  
   
             
69

 
 

               
                   
      
74

più 

            At rest  = 56
      
E

 
molto rit

        
 
79

    


      
  
rit.



           
 
85


Violin II
Kyrie Eleison (It Is Finished)

 
 = 64   
  
        
  
A

     
   
rit. A tempo

         
9

  

        
        
16

         

 
                      
24


B

  
29


  
31

  
  
33


Word and music by Joshua Spacht, Additional orchestration by Dan Kreider. © 2010 Spachtula Music
Kyrie Eleison (It Is Finished) – Violin II, p. 2

 
                                  
C accel


35

 
          
              
  
 
     
  
38

 

     
                   

41

più 

    

          

       
 
45


 

            
         
51

    
    
   
55

  
  
Kyrie Eleison (It Is Finished) – Violin II, p. 3

       
   
D

 
62

        

    
         
  
70

   
 

          
              
75

più 

  
  
          
E

    
          
78

     
 
 = 56
       
     
At rest


molto rit


81

 
    

     
rit.

            
85


Viola
Kyrie Eleison (It Is Finished)

   
        
 = 64

     
  
A

     
      
   
rit. A tempo

 
8

     

     
           

14

   
                 
   
22

  



    
B

          
27

                 
30



 
32

 

Word and music by Joshua Spacht, Additional orchestration by Dan Kreider. © 2010 Spachtula Music
Kyrie Eleison (It Is Finished) – Viola, p. 2

                                    
34

                                  
C accel
36

         
               
                         
 
39

 più 

         
          
  

        
42

    

                
  
48

    

              
52

 



     


    
57

 
Kyrie Eleison (It Is Finished) – Viola, p. 3

 
       
   
62
D

   

                         
 
71


  più 

                         
    
E

  
76

               
 = 56

       
molto rit At rest

     
80

   

 
      
 

    
rit.

 
85


Violoncello
Kyrie Eleison (It Is Finished)

        
 = 64
   
    
  


A

         
  
rit. A tempo

  
9

  

   
    
   
18

  

  
          
   
B

  
25

       

 
                   
30

   

       
     
33

                 

           
C accel

          
36



Word and music by Joshua Spacht, Additional orchestration by Dan Kreider. © 2010 Spachtula Music
Kyrie Eleison (It Is Finished) – Violoncello, p. 2

       
          
39

 
                  più        

     


           
42

              
      
46

 

               
             
49

                 
 
   
52

 

    
     
57


 
Kyrie Eleison (It Is Finished) – Violoncello, p. 3

     
       
62
D

   

            
     
70

 

       
            
75

   
più 

           
 = 56

   
E molto rit At rest

   
79

 
   

              
rit.

      
84

   
 
Horn (F)
Kyrie Eleison (It Is Finished)
A

 
 = 64 
  
rit. A tempo

      

 
       
    
 
12

 

      
B

       
 
25

 
    

      


          
C accel


33




     
       
 
39

 

     
              
45


 

               
 
52

  

   
         
D


60

  
Word and music by Joshua Spacht, Additional orchestration by Dan Kreider. © 2010 Spachtula Music
Kyrie Eleison (It Is Finished) – Horn (F), p. 2

  
             
  
71


       
    
 = 56
  
E molto rit At rest

  
77

 

 
rit.

    
85

      


Flute
Kyrie Eleison (It Is Finished)
     
   
 = 64
 
rit.

 
 

          
 
 
A A tempo B

 
11

              
           

  
31

     
                 
        
C accel

 
35


  

           
            

38


        
          

 

43

 
 
                    

               

48


           
     
  
 

52

 
Word and music by Joshua Spacht, Additional orchestration by Dan Kreider. © 2010 Spachtula Music
Kyrie Eleison (It Is Finished) – Flute, p. 2

  
      
 
D


57

 

            
       

69

 
       
     
   
 = 56

E molto rit At rest


77

      
rit.

      
   
85

  

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