Yann Tiersen

L'autre Valse D'Amélie

Note: Since an accordion has a keyboard and a chordboard and both can occupy a
same pitch simultaneously, i've drafted this arrangement to allow these collisions on the piano.
I've seen videos where the player simply plays the right-hand an octave higher, but
this, in my opinion, is a band aid and takes away from the tenor voice - especially
in the beginning.
Ossia has been included only where the 'bells' part can be additionally played by
the right-hand without too much difficulty.
Regarding the left hand, the second note of a two note slur is always shortened, but i've
made it stacatto only to get Sibelius (the program i used to draft this) to play it so. As
far as a piano score is concerned, this is considered redunant and should be ignored.
 L'autre Valse d'Amélie
Yann Tiersen
Arr. Mark Bain
Vivace q = 200

Bells
        


                  
          
        
Piano


6

     

     
    

 
          

         
  

11

     

  
     
            
           

 3
16

     

   
     





  



             
         
   

 
21

      

      
Ossia
  

         
         



          



          

           
   

  
26

       

  
         
     
   

   
         
  

                             
            
           
      
   
4

       
31

 
1. 2.

  

     
1. 2.
    
             


1.
 2.        
 
                  
 
          
                     
 


           
36

  

           
 

          
 

    
                  

  

  
41


   

            
           
    
        
    
   

   
  
 5
46

     

           
 

 
      
        
        
 
      
 
   


51

     

              
      
  
   
       
              
  

  
56

    
  

 
                   
       
      
  
   
  
  
 
    


 
  
6
61

 

1.

  
       

                          
1.

 
        
     
   
               
  



          
66

   
2.

  



    
           
2.

       
            
     
       
 



71

     

  

       

 
       

  