Trainspotting (Film) - Wikipedia

31/05/2020 Trainspotting (film) - Wikipedia
Trainspotting (film)
Trainspotting is a 1996 British black comedy crime film
Trainspotting
directed by Danny Boyle and starring Ewan McGregor, Ewen
Bremner, Jonny Lee Miller, Kevin McKidd, Robert Carlyle, and
Kelly Macdonald in her debut. Based on the 1993 novel of the
same title by Irvine Welsh, the film was released in the United
Kingdom on 23 February 1996.[4]
The Academy Award-nominated screenplay by John Hodge

follows a group of heroin addicts in an economically depressed
area of Edinburgh and their passage through life. Beyond drug
addiction, other themes in the film include an exploration of the
urban poverty and squalor in Edinburgh.[5] UK cinema release poster
Directed by Danny Boyle
The film was ranked tenth by the British Film Institute (BFI) in
its list of Top 100 British films of the 20th century. In 2004, the Produced by Andrew
film was voted the best Scottish film of all time in a general Macdonald
public poll.[6] In 2017 a poll of 150 actors, directors, writers, Screenplay by John Hodge
producers and critics for Time Out magazine ranked it the tenth
Based on Trainspotting
best British film ever.[7] A sequel, T2 Trainspotting, was
by Irvine Welsh
released in January 2017.
Starring Ewan McGregor
The title of the film comes from a particular scene in the book
Ewen Bremner
where the main character, Mark Renton, meets an old drunk in
a disused train station, who turns out to be his friend's Jonny Lee Miller
estranged father. The old man asks Renton and Begbie, who is Kevin McKidd
the man's son, if they are "trainspottin' ".
Robert Carlyle
Kelly Macdonald
Contents Cinematography Brian Tufano

Edited by Masahiro
Plot Hirakubo
Cast Production Channel Four
Production company Films
Casting
Figment Films
Pre-production
Noel Gay Motion
Principal photography
Picture Company
Marketing and theatrical release
Filming locations Distributed by PolyGram Filmed
Entertainment
Soundtracks
Miramax Films
Reception
(United States)
Critical reception
Legacy Release date 23 February 1996
Awards Running time 93 minutes[1]
Style and themes Country United Kingdom
Sequel Language English
https://en.wikipedia.org/wiki/Trainspotting_(film) 1/13
See also Budget £1.5 million[2]

References Box office $72 million[3]
Bibliography (£48 million)
Further reading
External links
Plot
26-year-old Mark Renton is an unemployed heroin addict living with his parents in the suburbs of
Edinburgh, Scotland. He regularly partakes in drug use with his friends: Simon "Sick Boy"
Williamson, a treacherous, womanising James Bond fanatic; Daniel "Spud" Murphy, an outwardly
docile confidence trickster; and Swanney, "Mother Superior", their dealer. Renton is warned about
the dangers of his drug habit by his other friends, Francis "Franco" Begbie, an aggressive psychopath,
and Tommy Mackenzie, a footballer, who both abstain from drugs. Growing tired of his reckless
lifestyle, Renton attempts to wean himself off heroin with opium suppositories given by dealer Mikey
Forrester. At a nightclub, Renton notices that his cessation of heroin use has increased his libido. He
woos a girl named Diane Coulston and they have sex in the apartment owned by her parents, but is
horrified to learn that she is below the age of consent. Diane uses this as a threat against Renton to
continue their relationship.
After several unsuccessful attempts to reintegrate into society, Renton, Sick Boy and Spud relapse into
heroin use. Tommy also begins to dabble in drug use, after becoming depressed due to being dumped
by his girlfriend. Even the negligence-induced death of Dawn, the infant daughter of Sick Boy and his
girlfriend Allison does not persuade the group to recover. Later, Renton, Sick Boy and Spud are
caught shoplifting; Renton and Spud are arrested while Sick Boy narrowly escapes by running down
Princes Street. Spud receives a six-month custodial sentence at HMP Saughton, while Renton avoids
jail time by entering a drug rehabilitation programme. Renton quickly relapses and nearly dies of an
overdose at Swanney's home. Upon returning home after revival at a hospital, Renton's parents lock
him in his childhood bedroom and force him to go cold turkey. Following a difficult withdrawal,
Renton is released upon condition that he has an HIV/AIDS test. Despite years of sharing syringes
with other addicts, Renton tests negative.
Renton is now clean, but bored and devoid of a sense of meaning in his life. He visits Tommy, now
severely addicted to heroin and has tested HIV-positive. On Diane's advice, Renton moves to London
and takes a job as a property letting agent. He begins to enjoy his new life of sobriety and corresponds
with Diane, who keeps him up to date with developments back home. However, to Renton's
exasperation, Begbie, who is wanted for armed robbery, tracks him down and takes up refuge with
him. They are soon joined by Sick Boy, now a pimp and drug dealer. Begbie and Sick Boy later attack
two of Renton's clientele, resulting in him losing his job, and the trio return to Edinburgh for the
funeral of Tommy, who has died of AIDS-related toxoplasmosis.
Following the funeral, Sick Boy asks Renton, Begbie and Spud (who has been recently released from
prison) help in buying two kilograms of heroin for £4,000 to later resell at a higher price. Renton
reluctantly covers the remaining cost, and the group returns to London to sell the heroin to a major
dealer for £16,000. As they celebrate in a pub, Renton secretly suggests to Spud that they could both
leave with the money, but Spud, motivated by fear of Begbie and loyalty, refuses. However, Sick Boy
indicates he would happily do so, and Begbie brutally beats a man after a petty confrontation.
Concluding that Begbie and Sick Boy are unpredictable and cannot be trusted, Renton quietly steals
the bag of money and leaves. Spud witnesses him, but does not warn the others. Renton leaves
£4,000 in a safe deposit box for Spud, who "never hurt anybody". Begbie, discovering Renton and the
money are gone, angrily destroys the hotel room where the four stay, prompting the police to arrive
and arrest him as Sick Boy and Spud flee. While Spud claims his share of the money, Renton walks
towards his future, at last "choosing life."
Cast
Ewan McGregor as Mark "Rent Boy" Renton
Ewen Bremner as Daniel "Spud" Murphy
Jonny Lee Miller as Simon "Sick Boy" Williamson
Robert Carlyle as Francis "Franco" Begbie
Kevin McKidd as Thomas "Tommy" Mackenzie
Kelly Macdonald as Diane Coulston
Peter Mullan as Swanney "Mother Superior"
Fiona Bell as Diane's Mother
Susan Vidler as Allison
Eileen Nicholas as Mrs Renton
James Cosmo as Mr Renton
Shirley Henderson as Gail Houston
Stuart McQuarrie as Gav Temperley/American Tourist
Irvine Welsh as Mikey Forrester
Kevin Allen as Andreas
Keith Allen as the Dealer
Dale Winton as Game Show Host
Lauren and Devon Lamb as Baby Dawn (uncredited)[8]
Production
Producer Andrew Macdonald read Irvine Welsh's book on a plane in December 1993, and felt that it
could be made into a film.[9] He turned it on to director Danny Boyle and writer John Hodge in
February 1994.[10][11] Boyle was excited by its potential to be the "most energetic film you've ever seen
– about something that ultimately ends up in purgatory or worse".[10] Hodge read it and made it his
goal to "produce a screenplay which would seem to have a beginning, a middle and an end, would last
90 minutes and would convey at least some of the spirit and the content of the book".[11] Boyle
convinced Welsh to let them option the rights to his book by writing him a letter stating that Hodge
and Macdonald were "the two most important Scotsmen since Kenny Dalglish and Alex Ferguson".[9]
Welsh remembered that originally the people wanting to option his book "wanted to make a po-faced
piece of social realism like Christiane F or The Basketball Diaries".[9] He was impressed that Boyle,
Hodge and Macdonald wanted everyone to see the film and "not just the arthouse audience".[9] In
October 1994, Hodge, Boyle and Macdonald spent a lot of time discussing which chapters of the book
would and would not translate into film. Hodge finished the first draft by December.[9] Macdonald
secured financing from Channel 4, a British television station known for funding independent
films.[10]
Casting
Pre-production began in April 1995. Ewan McGregor was cast after impressing Boyle and Macdonald
with his work on their previous film, Shallow Grave.[9] According to Boyle, for the role of Renton,
they wanted the quality of Michael Caine's character in Alfie and Malcolm McDowell's character in A
Clockwork Orange, "repulsive ... with charm "that makes you feel deeply ambiguous about what he's
doing."[10] McGregor shaved his head and lost 2 stone (12.7 kilograms) for the film.[10] Ewen Bremner
had played Renton in the stage adaptation of Trainspotting and agreed to play the role of Spud,
saying he felt the characters "were part of my heritage."[9] Boyle had heard about Jonny Lee Miller
playing an American in the film Hackers and was impressed when he auditioned by doing a Sean
Connery accent.[12]
For the role of Begbie, Boyle considered casting Christopher Eccleston for his
resemblance to how he imagined the character in the novel, but asked Robert Carlyle instead. Carlyle
said, "I've met loads of Begbies in my time. Wander round Glasgow on Saturday night and you've a
good chance of running into Begbie."[12] For the role of Diane, Boyle wanted an unknown actress so
audiences would not realise that a 19-year-old was playing a 15-year-old.[12] The filmmakers sent
flyers to nightclubs and boutiques and approached people on the street, eventually hiring Kelly
Macdonald.[12] The casting of Keith Allen as "the Dealer" was a reference to Allen's role in Shallow
Grave, with the implication that Allen plays the same character in both.[13]
Pre-production
McGregor read books about crack and heroin to prepare for the role. He also went to Glasgow and
met people from the Calton Athletic Recovery Group, an organisation of recovering heroin addicts,
who play the opposing football team in the opening credits. He was taught how to cook up heroin with
a spoon using glucose powder.[14] McGregor considered injecting heroin to better understand the
character, but eventually decided against it.[12]
Many of the book's stories and characters were dropped to create a cohesive script of adequate length.
Danny Boyle had his actors prepare by making them watch older films about rebellious youths like
The Hustler and A Clockwork Orange.[15]
Principal photography
Trainspotting was shot in mid-1995 over seven weeks on a budget of £1.5 million with the cast and
crew working out of an abandoned cigarette factory in Glasgow. Due to time constraints and a tight
budget, most scenes were done in one take, which contributed to the grungy look of the film. For
example, when Renton sinks into the floor after overdosing on heroin, the crew built a platform above
a trap door and lowered the actor down.[10] The faeces in the 'Worst Toilet in Scotland' scene was
made from chocolate.[16][17]
Marketing and theatrical release
MacDonald worked with Miramax Films to sell the film as a British Pulp Fiction,[18] flooding the
market with postcards, posters, books, soundtrack albums and a revamped music video for "Lust for
Life" by Iggy Pop directed by Boyle.[10]
Prior to its release in the United States, Miramax, the film's US distributor, requested that much of
the dialogue be dubbed so the film would be easier to understand for American viewers unfamiliar
with Scottish slang.[19]
PolyGram Filmed Entertainment, the company responsible for the distribution of the film launched a
publicity campaign of half as much as the film's production costs (£850,000) in the UK alone, making
the film stand out more as a Hollywood blockbuster rather than a smaller European production.[20]
Trainspotting was able to portray itself as British and as an 'exotic' element to the international
market while also staying relevant to the American public, making it an international success in its
marketing.[20]
Filming locations
Although set in Edinburgh, almost all of the film was shot in

Glasgow, apart from the opening scenes which were shot in
Edinburgh, and the final scenes which were shot in London.[21]
Locations in the film include:
The opening scene of Renton and Spud being chased by

security for shoplifting is shot in Edinburgh, on Princes Street
and Calton Road under Regent Bridge.[21]
The park where Sick Boy and Renton discuss James Bond,
Glasgow. Café D'Jaconelli. 570
Sean Connery and The Name of the Rose is Rouken Glen
Maryhill Road. The café, where
Park in Giffnock, near Glasgow. The park was also the site of
Renton and Spud share a
the grave in Boyle's previous film, Shallow Grave.[21]
milkshake.[21]
Corrour railway station is the setting for the "great outdoors"
scene in the film, where Tommy suggests the group climb
Leum Uilleim.[21]
The scenes where they do their drug deal take place in
Paddington. The scene where they parody the cover of the
Beatles album Abbey Road takes place as they walk out of
Smallbrook Mews across Craven Road to the Royal Eagle,
26–30 Craven Road, Paddington.[21]
The school attended by Diane is Jordanhill in Glasgow's West
End.[21]
Glasgow. North Kelvinside.

Soundtracks Crosslands pub, where Begbie
chucks an empty pint glass from the
The Trainspotting soundtracks were two best-selling albums of balcony.[21]
music centred around the film. The first is a collection of songs
featured in the film, while the second includes those left out from
the first soundtrack and extra songs that inspired the filmmakers during production.
The soundtrack for Trainspotting has gone on to become a pop culture phenomenon.[22] Nearly all of
the score is pre-recorded music from existing artists.[23] This score is divided into three distinct
groups, all representing a different eras and styles: The first being pop music from the 1970s, by
artists such as Lou Reed and Iggy Pop; who are all musicians closely associated with drug use[23] and
are referred to throughout the original novel.[24] The second group is the music from the Britpop era
in the 1990s, with bands Blur and Pulp. Finally, there is the techno-dance music from the 1990s,
including Underworld, Bedrock and Ice MC.[23]
Through the years, acclaim for the soundtrack has been sustained. In 2007, Vanity Fair ranked the
Trainspotting original soundtrack at number 7 for best motion picture soundtrack in history.
Additionally, Entertainment Weekly ranked the Trainspotting soundtrack as 17th on their 100 best
movie soundtracks list.[25] In 2013, Rolling Stone listed it as the 13th best soundtrack in their 25 best
soundtracks.[26] In 2015, New Musical Express praised it as a "perfect snapshot of 1996 music."[27]
1996 saw a drastic change in British music with the rise of popularity for Britpop although old
fashioned pop was still firmly rooted in British culture. With Oasis dominating the singles chart, and
the Spice Girls on the rise, the face of pop shifted from guitars to digitised beats.[27] The
Trainspotting soundtrack aimed to champion the alternative music legacy of 1996 Britain with a focus
on presenting electronic music on equal footing with rock music in a way that had never been done
before.[28]
Reception
Trainspotting was screened at the 1996 Cannes Film Festival but was shown out of competition,[29]
according to the filmmakers, due to its subject.[30] It went on to become the festival's one unqualified
critical and popular hit.[31]
By the time it opened in North America, on 19 July 1996, the film had made more than $18 million in
Britain. It initially opened in eight theatres in the U.S. and Canada and on its first weekend grossed
$33,000 per screen.[10] The film expanded to 357 screens and made $16.4 million in North
America,[32] one the biggest grossing films of 1996 in limited release.[33] Trainspotting was the
highest-grossing British film of 1996, and at the time it was the fourth highest grossing British film in
history.[34] The film made £12 million in the domestic market and $72 million internationally.[35]
Based on a cost-to-return ratio, Trainspotting was the most profitable film of the year.[36]
Critical reception
In Britain, Trainspotting was met with widespread acclaim from critics. Trainspotting has a 90%
"Certified Fresh" rating on Rotten Tomatoes based on 84 reviews, with a weighted score of 8.38/10.
The site's critical consensus reads: "A brutal, often times funny, other times terrifying portrayal of
drug addiction in Edinburgh. Not for the faint of heart, but well worth viewing as a realistic and
entertaining reminder of the horrors of drug use".[37] The film has an 83 metascore on Metacritic
based on 28 reviews, denoting "universal acclaim".[38] In his review for The Guardian, Derek
Malcolm gave the film credit for tapping into the youth subculture of the time and felt that it was
"acted out with a freedom of expression that's often astonishing." [39] Empire magazine gave the film
five out of five stars and described the film as "something Britain can be proud of and Hollywood
must be afraid of. If we Brits can make movies this good about subjects this horrific, what chance does
Tinseltown have?"[40]
American film critic Roger Ebert gave the film three out of four stars and praised its portrayal of
addicts' experiences with each other.[41] In his review for the Los Angeles Times, Kenneth Turan
wrote, "in McGregor ... the film has an actor whose magnetism monopolizes our attention no matter
what".[42] Entertainment Weekly gave the film an "A" rating and Owen Gleiberman wrote, "Like
Scorsese and Tarantino, Boyle uses pop songs as rhapsodic mood enhancers, though in his own ravey-
hypnotic style. Whether he's staging a fumbly sex montage to Sleeper's version of "Atomic" or having
Renton go cold turkey to the ominous slow build of Underworld's "Dark and Long" ... Trainspotting
keeps us wired to the pulse of its characters' passions".[43] In her review for The New York Times,
Janet Maslin wrote, "Trainspotting doesn't have much narrative holding it together. Nor does it really
have the dramatic range to cope with such wild extremes. Most of it sticks to the same moderate pitch,
with entertainment value enhanced by Mr. Boyle's savvy use of wide angles, bright colours,
attractively clean compositions and a dynamic pop score".[44]
Rolling Stone's Peter Travers wrote, "the film's flash can't disguise the emptiness of these blasted
lives. Trainspotting is 90 minutes of raw power that Boyle and a bang-on cast inject right into the
vein".[45] In his review for The Washington Post, Desson Howe wrote, "Without a doubt, this is the
most provocative, enjoyable pop-cultural experience since Pulp Fiction".[46] Jonathan Rosenbaum, in
his review for the Chicago Reader, wrote, "Like Twister and Independence Day, this movie is a
theme-park ride – though it's a much better one, basically a series of youthful thrills, spills, chills, and
swerves rather than a story intended to say very much".[47]
The film's release sparked controversy in some countries, including Britain, Australia and the United
States, as to whether or not it promoted and romanticized drug use. U.S. Senator Bob Dole accused it
of moral depravity and glorifying drug use during the 1996 U.S. presidential campaign, although he
later admitted that he had not seen the film.[48] Producer of the film Andrew Macdonald responded to
these claims in a BBC interview stating "we were determined to show why people took drugs ... you
had to show that it was fun and that it was awful" to which Boyle adds "It's the music and humour that
makes people feel it's glamorising drugs."[49]

Despite the controversy, it was widely praised and
received a nomination for Best Adapted Screenplay in that year's Academy Awards. Time magazine
ranked Trainspotting as the third best film of 1996.[50]
Legacy
The film had an immediate effect on popular culture. In 1999, Trainspotting was ranked in the tenth
spot by the British Film Institute (BFI) in its list of Top 100 British films of all time,[51] while in 2004
the magazine Total Film named it the fourth greatest British film of all time. That same year, Channel
4 named it as the greatest British film of all time.[52] The Observer polled several filmmakers and film
critics who voted it the best British film in the last 25 years.[53] In 2004, the film was voted the best
Scottish film of all time by the public in a poll for The List magazine.[54] Trainspotting has developed
a cult following.[55] It was recognised as an important film during the 1990s British cultural tour de
force known as Cool Britannia.[20] It was also featured in the documentary Live Forever: The Rise
and Fall of Brit Pop.[56]
The film title is a reference to a scene in the book where Begbie and Renton meet "an auld drunkard"
who turns out to be Begbie's estranged father, in the disused Leith Central railway station, which they
are using as a toilet. He asks them if they are "trainspottin' ".[57] This scene is later included as a
flashback in T2 Trainspotting.
Awards
Trainspotting was nominated for two British Academy Film Awards in 1996, Best British Film and
John Hodge for Best Adapted Screenplay.[58] Hodge won in his category.[58][59] Hodge also won Best
Screenplay from the Evening Standard British Film Awards. The film won the Golden Space Needle
(the award for Best Film) at the 1996 Seattle International Film Festival. Ewan McGregor was named
Best Actor from the London Film Critics Circle, BAFTA Scotland Awards, and Empire magazine.[59]
Hodge was also nominated for an Academy Award for Best Adapted Screenplay but lost to Billy Bob
Thornton's Sling Blade.
Style and themes

Music has great importance in Boyle's films, as evident by the best-selling soundtracks for
Trainspotting and Slumdog Millionaire, both of which feature many pop and punk rock artists. In
Boyle's view, songs can be "amazing things to use because they obviously bring a lot of baggage with
them. They may have painful associations, and so they inter-breathe with the material you're
using".[60]
The combination of images and music with the setting of the criminal underworld has drawn
comparisons to Pulp Fiction and the films of Quentin Tarantino, that had spawned a certain type of
"90s indie cinema" which "strove to dazzle the viewer with self-conscious cleverness and empty shock
tactics".[61] This impacted the shooting style of the film, which features "wildly imaginative" and
"downright hallucinatory" visual imagery, achieved through a mix of "a handheld, hurtling camera",
jump cuts, zoom shots, freeze frames and wide angles.[62] This vigorous style contributed to the
"breathless" pace that Boyle's films have been associated with.[41]
For the look of the film, Boyle was influenced by the colours of Francis Bacon's paintings, which
represented "a sort of in-between land – part reality, part fantasy".[12] The scene where Renton
(McGregor) dives in a toilet is a reference to Thomas Pynchon's 1973 novel Gravity's Rainbow.[63]
Sequel
Boyle had declared his wish to make a sequel to Trainspotting which would take place nine years after
the original film, based on Irvine Welsh's sequel, Porno. He was reportedly waiting until the original
actors themselves aged visibly enough to portray the same characters, ravaged by time; Boyle joked
that the natural vanity of actors would make it a long wait. Ewan McGregor stated in an interview that
he would return for a sequel, saying "I'm totally up for it. I'd be so chuffed to be back on set with
everybody and I think it would be an extraordinary experience."[64]
In 2013, Boyle said he wanted to make a sequel that would be loosely based on Porno which he has
described as "not a great book in the way that Trainspotting, the original novel, is genuinely a
masterpiece". Boyle said that if the sequel happens 2016 would be the release date.[65]
On 6 May 2014, during a BBC Radio interview with Richard Bacon, Welsh confirmed that he had
spent a week with Boyle, Andrew Macdonald and the creative team behind Trainspotting to discuss
the sequel. Welsh stated that the meeting was in order to "explore the story and script ideas. We're
not interested in doing something that will trash the legacy of Trainspotting. ... We want to do
something that's very fresh and contemporary."[66] Welsh did not however confirm any kind of
timeline for the film, unlike Boyle's comments about wanting the film to come out in 2016.
In a newspaper interview with The Scotsman on 17 November 2014, Welsh revealed that McGregor
and Boyle had resolved their differences and had held meetings about the film, saying "I know Danny
and Ewan are back in touch with each other again. There are others in the cast who've had a rocky
road, but now also reconciled. With the Trainspotting sequel the attention is going to be even more
intense this time round because the first was such a great movie—and Danny's such a colossus now.
We're all protective of the Trainspotting legacy and we want to make a film that adds to that legacy
and doesn't take away from it."[67]
On 7 September 2015, at the Telluride Film Festival, Boyle stated his next film would be a sequel,
tentatively titled Trainspotting 2.[68]
In a September 2015, interview with ComingSoon.net, Boyle revealed that a script for the sequel had
been written, and that filming would reportedly take place between May and June 2016, in the hopes
of releasing the film within that same year to commemorate Trainspotting's 20th anniversary.[69]
While promoting Steve Jobs in November 2015, Boyle reiterated the hopes of beginning principal
photography for the sequel in May and June 2016, and started pre-production in Edinburgh. Boyle
also clarified that John Hodge had written an original screenplay for the sequel, which would not be a
strict adaptation of Porno. An earlier script was reportedly written about ten years prior, but was
scrapped and redone so that the original cast would agree to return for a film sequel. The working title
for the sequel was T2.[70][71][72]
In a November 2015 phone interview with NME, Robert Carlyle confirmed he would be returning for
the sequel to play Begbie. According to Carlyle, he and other members of the Trainspotting cast had
already read John Hodge's script, which would take place 20 years (much like its intended 2016
release) after the original plot. Filming started on 16 May 2016,[73] Carlyle praised Hodge's screenplay
and hinted that T2 "is going to be quite emotional for people. Because the film sort of tells you to
think about yourself. You are going to be thinking: 'Fuck. What have I done with my life?' "[74]
See also
United Kingdom portal
Film portal
1990s portal
References
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hy-trainspotting-is-the-greatest-film-of-all-time/). Ford On Film. 14 March 2013. Retrieved
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19. Jenkins, Milly (26 May 1996). " 'Trainspotting' made easy - for Americans" (https://www.independe
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views/trainspotting-104723/). Rolling Stone. Retrieved 16 April 2009. "Believe him or not,
Trainspotting looks hard at the alternatives to living in oblivion. They're not as trendy as stealing
and shooting up to a pulsating Brit-pop score (Elastica, Primal Scream, Pulp), but the film's flash
can't disguise the emptiness of these blasted lives. Trainspotting is 90 minutes of raw power that
Boyle and a bang-on cast inject right into the vein."
46. Howe, Desson (26 July 1996). "Trainspotting: A Wild Ride" (https://www.washingtonpost.com/wp-
srv/style/longterm/review96/trainspottinghowe.htm). The Washington Post. Retrieved 16 April
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be.com/watch?v=HvWXuXTIM_w). Sony Pictures Entertainment. 16 May 2016.
74. Levine, Nick (19 November 2015). "Robert Carlyle On Making 'Trainspotting 2': 'It's One Of The
Best Scripts I've Fucking Ever Read' " (https://www.nme.com/blogs/the-movies-blog/robert-carlyle-
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Bibliography
Smith, Murray (2002). Trainspotting (https://archive.org/details/trainspotting0000smit). BFI
Publishing. ISBN 978-0-85170-870-6.
Welsh, Irvine (1997). Trainspotting. Minerva. ISBN 978-0-7493-8520-0.
Further reading
Trainspotting, by Fredric Dannen, John Hodge, Barry Long, Irvine Welsh. Published by Hyperion,
1997. ISBN 0-7868-8221-2.
Trainspotting screenplay by John Hodge (http://sfy.ru/sfy.html?script=trainspotting).
Irvine Welsh's Trainspotting: A Reader's Guide, by Robert A. Morace. Published by Continuum
International Publishing Group, 2001. ISBN 0-8264-5237-X.
Working-class Fiction: From Chartism to Trainspotting, by Ian Haywood. Published by Northcote
House in association with the British Council, 1997. ISBN 0-7463-0780-2.
Trainspotting: Director, Danny Boyle, by Martin Stollery. Published by Longman, 2001. ISBN 0-
582-45258-9.
"Welsh Warner and Cinematic Adaptation" (https://books.google.com/books?id=tdnPmptS7U8C&
pg=PA103&dq=Trainspotting+film&lr=#PPA103,M1). In Contemporary Scottish Fictions: Film,
Television and the Novel, by Duncan J. Petrie. Published by Edinburgh University Press,
2004.ISBN 0-7486-1789-2. pp. 101–102.
"Trendspotting: Screening Trainspotting " (https://books.google.com/books?id=FSGt6VoSh28C&p
g=PA68#v=twopage&q&f=false). In Irvine Welsh, by Aaron Kelly. Published by Manchester
University Press, 2005. ISBN 0-7190-6651-4. pp. 68–78.
Trainspotting and My Name is Joe (https://books.google.com/books?id=n-4U1nnD2lAC&pg=PA16
9&dq=Trainspotting+film&lr=) Hooked: Drug War Films in Britain, Canada, and the US, by Susan
C. Boyd. Published by Routledge, 2008. ISBN 0-415-95706-0. p..
Wartofsky, Alona (21 July 1996). " 'Trainspotting': Junk Culture" (https://www.washingtonpost.com/
wp-srv/style/longterm/review96/ftrainspotting.htm). The Washington Post.
External links
Official website (http://www.miramax.com/movie/trainspotting)
Trainspotting (https://www.imdb.com/title/tt0117951/) on IMDb
Trainspotting (https://www.boxofficemojo.com/movies/?id=trainspotting.htm) at Box Office Mojo
Trainspotting (https://www.rottentomatoes.com/m/Trainspotting) at Rotten Tomatoes
Trainspotting (https://www.metacritic.com/movie/trainspotting) at Metacritic
Trainspotting (http://www.screenonline.org.uk/film/id/526560/) at the BFI's Screenonline
BBC Films review – Trainspotting Definitive Edition DVD (1996) (https://www.bbc.co.uk/films/200
3/06/13/trainspotting_se_1996_dvd_review.shtml)
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The Academy Award-nominated screenplay by John Hodge

Contents Cinematography Brian Tufano

See also Budget £1.5 million[2]

Marketing and theatrical release

Although set in Edinburgh, almost all of the film was shot in

Locations in the film include:

The opening scene of Renton and Spud being chased by

Glasgow. North Kelvinside.

makes people feel it's glamorising drugs."[49]

Style and themes

21. "Filming Locations for Trainspotting" (http://www.movie-locations.com/movies/t/trainspotting.html).

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