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Copyright © 1999 by Angel Romero


All Rights Reserved Used by Permission
from Bella - The Incomparable Artistry of Angel Romero

Adagio
from Sonata Op. 13 “Pathétique”
By Ludwig van Beethoven
Arranged by Angel Romero

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A
Andante cantabile
CII CIV

4
  2  1   0  4 1  1   0  0    2 
2/3CII
  1 
2/3CII
0
    
  11    4  1    2 1   0 1 4  1 1  1  1 1  3 1  1  


0  0 
0 0
3 4
3
 3 
1  
3

0 0 5 7 0 1


2 0 0 3 2 0 2 4 0 0 0 0
2 2 2 2 4 2 2 1 1 1 1
2 2 2 6 2 6 2 2 2 2 2 2 2 4 7 2 2
0 5 4 0
4 4 2 0 0

CII
6 
 3      1  3  4  
CII
1 
2
5

2  0 2 
2

     1 
    2   3 1 1   1     3 0    10    1  10  2  0  2 31   
     
0
2

1 0


0


1

0
3 1 0 4
4

2 0
0 0 0 2 3 5 3 2 0 0 2 10
1 1 1 1 2 2 3 1 1 2 1 1 2 2
0 0 2 2 2 2 2 2 4 0 4 0 0 0 0 0 0 2 0 2 2 2
4 4 4 2 0 4
2 4 5


4 
B

CIX
4
2/3CIX
CIX  CIX
   4    
1/2CIX
2  
1/2CVII
  
CIV

 1 2 1    1 41 3    21     2   1   3 42   11   11  1  11     2  3  


4
9 4 4


3

 0 1 
  0 
  3  10 3 3
 1
3 3 0


3 1
1
0


0
1

Harm.

9 7 12 10 9 12 17 19 12 13
10 10 9 9 10 10 5 0 0 10 0 14 16 9 9 12 12
9 9 7 9 7 9 9 9 9 4 9 9 9 9 9 14 14 9 9 13
11 11 0 11 6 9 7 9 9 9
0 11 11 12 11
9 4 14 0

Copyright © 1999 by Angel Romero


All Rights Reserved Used by Permission
1
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Sorgdal

 3    2  41 3   4 
1/2CVII CVII 1/2CVII

4    4
 CIV
4   4 1
1/3CV
    4 1
  
2 1    2  3    1   3   10  1  3  24  3  1    12  
4
13 4 4 1
1


  1 0 
 
  1 
1

  0 
3
2

 
1 3
0 0
1
0 0

14 7 9 10 12 6 10 9 7 4 7 5
0 9 9 10 10 5 5 7 7 0 10 5 5 5 5
13 7 9 7 9 9 9 6 6 7 7 7 7 7 7 7 7 7 6
0 12 0 11 11 4 9 9 6 7
11 0 4
0 7 0

 
C

 4   2  1 3 1 4  2 
 
CVI CII CII
4  4  4
CIV
21 
CVI
 3  4 
  1 
 13      
17

         
1    1   
   1
14   1
4

1     1             
4 1 4

       
1
2
3 3
3 1
3

5 4 9 5 4 2 5 4 2
7 2 2 2 2 2 2 2 5 4 5 4 4 7 5
6 6 6 6 6 6 6 6 2 2 2 2 6 2 2 2 2 2 2 2 2 6
6 6 6 6 4 4 4 4 6 9 9 4 4 4 4 4 4 4 4
4 4 4 4 4 4 4 4 8 8 8 8 8 8 8 2 2 2 3
2

   5/6CII

 2  0  1    13 0 4 3 0 3 4  1 0 1


21 CIV

  43    2 4 2 1  4      1     2  0     2 4 3  2  14     
4

 2  4 
1 4 3

  
3 2


1   
1

   1 2
 1 4 3 2 1
 
2

 
4 2
5 0 5 4 2 0 2 0 0 0
6 6 6 6 5 6 8 6 2 3 2 1 1 2 2 2 2
6 6 6 4 6 4 3 4 7 2 2 1 1 1 4 2 2 2 1 1 4 4
4 4 4 0 2 2 2 2 2 2 4 4 3 3 2
0 0

CII
    0  4  1  4  1   
25

  13  0       
4

 2     2     2   0 
  4  1     
0 0
1 3 1

 3  3

3 4
2 1 2 2

rit.

0
0 5 4 4 2 2 1 1 0 0 0
1 2 2 1 1
2 4 4 3 3 2 2 1 1 2 2 3 3 2 2 1 1 0
2 2 2
0 7 4 7 4 0 0 0

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2
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D http://faridhaidar.blogspot.com
A tempo CII CIV

4
  2  1  0  4 1  1   0      2 
2/3CII
 1 
2/3CII
0
29

       
1   43   1  4  1  4 2 1   0 1  4  1 1  1  1 1  3 1  1  



0 0 0

0
1
3
 0 3 
1  
3

0 0 5 7 0 1
2 0 0 3 2 0 2 4 0 0 0 0
2 2 2 2 4 2 2 4 1 1 1 1
2 2 2 6 2 6 2 2 2 2 2 2 2 4 2 2
0 5 4 0
4 4 2 0 0

  1  0     2   1  3
CII
 3  
CII
 4    2 2

33

2  2 0
      1 
 1 1    1

3    1 3 0   0     00   2  13  
0

1
1
1 1


0
3
4 4


2 0
0 0 0 2 3 5 3 2 0 0
1 1 1 1 2 2 3 1 1 2 1 1 2
0 0 2 2 2 2 2 2 4 0 4 0 0 0 0 0 0 2 0 2 2
4 4 4 2 0 4
2 4 5

E


1/2CV
4
37
   4    3    1    4        02    
  11            0 
1   
1

1


0 
1 2 1
3 4
3 3 3 3
sim.

5 8 7 5 0 0 0 10 0 0 0 0 0 0 0 0
5 5 5 5 5 5 5 5 9
5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 7 7 7 7
9 9 8 9 9 7 6
0 9 7

1/2CV
  CII 1/2CV
4  3 4 
1
        1
   4 
 3 
         1
        1   
39

                         
3

 1 1
1
3 0
     
2  2   1  3  2  
1

0 
 0
2 4 0 1
1 1 2 3
0 2

5 8 7 5 5 4 0 0 0 0 0 0 0 0 5 8 7 5
5 5 5 5 5 5 5 5 5 5 5 0 0 0 0 0 0 0 0 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 4 4 4 1 1 1 1 1 1 5 5 5 5 5 5 5 5
2 2 2 1 2 3 2 0
0 3 2 0

3
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Sorgdal
1/2CV CVIII

14 1  
 1 1  2     
CV CI
4  2     3  43             
4

  01   


42

 11     13   


1

0   
4

            
3

  32      0       0       1   03   4 
3

2

8 5 13 10 8 0 0 0 1
8 5 6 6 6 6 0 0 0 0 12 10 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
5 5 5 5 5 5 5 12 12 12 12 12 10 0 0 3 2 2 2 2 2 2 2 2 2 2 2 2
5 5 5 7 7 7 0 0 0 0 0 0 10 10 3
7 7 7 0 0 0 0 0 0 3 3 3 3
6 6 6 6 6 6 8 8 1

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F

CI 1/2CV CI 1/2CV
4 
1 4 1
1 2 0 1 2 1
45

  12    13          1   32 1   3 1    12     13        


1    4 1  

0 2

 
2

 
3

1 5 0 6 1 5
1 1 8 6 1 1 1 1 1 6 5
2 2 5 5 5 5 5 5 3 3 5 4 5 5 3 3 3 3 2 2 2 5 5 5 5 5 5
7 7 7 7 7 7 5 5 5 5 3 2 0 7 7 7 7 7 7
3
1 3 1

 
   23    2   1   34    23    2   1   3    3       4  
48

  4       4             
   0  1  4 1
3

 0  1  4 1   0  1     2 
4
4 2 1

1 4 1 1

4 4 4 4 4 4 4 4 4 4 4 4 4 4 3 3 3 3 3 3 3 3 3 3
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 4 4 4 2 2 2 1 1 1 1 1 1
4 7 7 7 4 7 7 7
0 3 6 0 3 6 0 2 2
2 2 1 0 4

G
2/3CII CII CIV
4
 1  4 
2/3CII
0  0
   0 4       2 1      0 1      1 1   0  1   1 1   1 1  

51

 1 
 
1   


4 
2 1 1

0   0   1
3 1
3 3

0 0 5 7
2 0 0 3 2 0 2 4
2 2 2 2 4 2 2 2 4 4
2 2 2 2 2 6 2 2 6 2 2 2 2 2 2 2 2 2 2 2 2 2 2 4
0 5 4 0
4 4 2

4
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     2     1  3
 0     2      
54

 1  1      
3
0
0

 
3 1

0 1 2
0 0 0 0 0 0 0 0 0 0 0 0 0 2 3
1 1 1 1 1 1 1 1
2 2 0 0 2 2 2 2
0 0

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CII 
0 4 
CII
 4   4   

56

0 
2

             
  1       3 0     0       0       3    

1  
2 2 0 2 1

3 
1

0 
1

1

1 1 1 1
3 1
4 4

0
5 3 3 2 0 0 0 2 10
2 2 3 1 1 1 1 2 1 1 2 2
2 2 2 2 2 2 4 0 0 4 0 0 0 0 0 0 0 0 0 2 2 0 2 2 2 2
4 4 4 4 4 2 0 4
2 4 5


H


 4
CIX
4
CIX CIX
4  4 
1/2CIX 1/2CVII CIV
 2 3  1  
  1      3  
  1      41  3      21       2    11    42    11    1
59
1

 10  0  3


0
2 1

 1
3


3


3 1 1
3 1
0
0
1

Harm.
9 7 12 10 9 12 17 19
10 10 9 9 10 10 5 0 0 0 0 10 0 14 14 16 16
9 9 9 9 7 9 9 7 9 9 9 9 9 9 9 4 9 9 9 9 9 9 9 14 14 14 14
11 11 0 11 6 9 7 9
0 11 11 12
9 4 14

   

1/2CIX

1/2CVII
4    
 11    4
 2   3 2    3     4  4 
4  1 
4


4

3 4
62

 1
  0  0 1 1
 1 3    1  21  1 
3


0 0 1 0


 
 3
  
2 0
1
3

*Harm.

12 0 13 14 7 9 10
9 0 0 0 12 12 12 12 12 0 0 0 12 9 9
9 13 13 13 7 9 9 7 9 9
6 6 9 0 6 6 9
2 7 2 5
0 4 12 4
*6th string only.

5
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CIX CIV CVII

 4 4 1 4 
2/3CII

 2 1       2       11       3       3 4 1   0  1 
64 4 4 4

 3 2    1 
1
   1  1          
0 
3 3


1
1

12 6 10 10 9 7 7 5 0 1
10 10 5 5 7 7 9 9 9 9 10 9 2
9 9 9 9 6 6 6 6 6 7 7 7 7 7 2
11 4 4 9 9 9 9 9 2 2 2 2 2 2 2 2 2 2 2
7 7 0
9 7 0

4 
 4
CII

2 

5/6CII

  
5
 0   2 
67

  1     1  2 1 1 0 1  1  


1


 1   3  1  4      1     
 


3
1
4 1

   4  4       
1
4 3
4

2 0 12 13
3 2 0 3 0 2
2 1 4 1 1 2 4 2 2 9 10
2 2 2 2 2 2 2 2 0 0 0 0 2 2 6 2 2 2
5 5 5 5 5 5 5 5 4 7 7 7 7 7 7
0 0 0 0 0 0 0 0 0 0 0 0 5 0

1/2CIX
4  4     
         
 2   1   
4

  
69 4 2 3 1

    
3 2
  
 
1

         
1 4 1

0 
3

0
0
             

14 12 10 9 7 5 4 10 12 10 9 10 14 12 10
9 10 9
11 9 7 6 4 2 1 7 7 9 9
0 0 0 0 0 0 0 0 0 0 0 0 11
0
0 0 0 0 0 0 0 0 0 0 0 0

CVII
  1  4   4  3   
CV

 3    
CII
3
 10  3  0  4  2  0 
71

  
4

 1  1  
1

 1   0 1    
1 1 2

3 
2


3


4

rit.

9 9 7 7 10 9 7 5
9 11 5 2 0 0 3 2 0
9 7 6 1 3 2 2 2
7 7 0 2 2 2
7 4 4 4
0 5 5 5

6
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal
from Bella - The Incomparable Artistry of Angel Romero

Adagio
from Sonata Op. 27 No. 2 “Moonlight”
By Ludwig van Beethoven
Arranged by Angel Romero

http://faridhaidar.blogspot.com


Adagio sostenuto q = 55


CII


3 3 3 3

          
 4  2        4 2      
0 
3 3
1

sim.


3 3 3 3 3 3 3 3
4 4 4 4 4 4 4 4
4 4 4 4 4 4 4 4
2 0

 1  4  2 

CIII 2/3CV CII CII
 1  1  4
2 2
3

  1     1 1   
 3 2    2  2
3 3 3 3 3  
1 0

4 4 4 4

 1  1 
1


3
1
1

2 2
3 3 5 5 5 3 2 2 3 3 3
4 4 5 5 3 4 4 3 4 4 4 4
5 5 5 5 4 4 4 2 0 4 4 4 4
2
3 0 2 2

 1   1   4 1 
CII 1/2CIII

    2  1 2 4   
6

  3  2  4    

  2 3  
1
4

1 
3


3
1

2 2 2 2 3
5 5 5 5 3 3 5 5
3 3 3 3 4 4 4 4
4 4 4 4 4 4 5 5
2
2 0

Copyright © 2010 by Angel Romero


All Rights Reserved Used by Permission 1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal
1  4  
1/2CII
4      
3 CI
 1  2 
3

  2 2    4  
8

             2 

 3 1  3 1 3 1
3 1     2  
4

  
1 1
3 3
4
0 0 0

2 5 1 1
3 3 5 2 2 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2 2 2
4 4 5 5 4 4 4 4 3 3 3 3
0 0 5 0

http://faridhaidar.blogspot.com

 1    1 
 
CI

       0  
11

  3  2  4       2 
3 
   4  2 1  4  2
1
4 4

 0  3 
1 
2
3 2
1

1 1 1 1 0
4 4 4 4 3 3 3 3
2 2 2 2 3 3 4 4
3 3 3 3 3 3 3 2
1 0
1 4

 
1/2CV

 0    4   0   0   1
 1    
13 3

      
1

 2  3  1    2  0  2  0 2
   2
 2
 3 1

1
 
0  0 
0 0
3 1

  1
1 2
0 3

0 1 0 0 5
1 1 0 3 0 1 1 0 0 5 5 5 5
2 2 2 2 2 2 1 1 5 5 6 6
2 2 0 3 2 2 2 2 7 7 7 7
0 0
0 0

D
1/2CV

2   4  1   3  1   3  1  1   4  3    
     
16

       
1



 
1

 0 
2
3 3
4
0 0

6 4 5 5
6 6 6 6 5 5 5 5
7 7 7 7 6 6 6 6
7 0 0 7 7 7 7
0 8 0

2
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Sorgdal
2/3CV 2/3CIV 2/3CIII
 
2   4  1  3  1   3 1 1  4  3  1    1   3      2     1     
18

 3    2  1   3  
   0  0 
1  1 
1 2
3 1 4


4 2
0 0
4

6 4 5 5 5 3
6 6 6 6 5 5 4 4 4 4 5 5
7 7 7 7 6 6 5 5 4 4 4 4
7 0 0 7 7 4 4 4 4 5 5
0 8 0 0
7 0

http://faridhaidar.blogspot.com

 
2/3CI CVII

 1 
21

  0
    1 4 2  
    
 3  2  1   3  0  4   0 2 0   0  1 0  1  3  0  0 4 0 3  3

  
2


0 4

0      

1
 3 4 4
3
0

1

1 0 0 7 7
1 1 2 2 0 0 0 0 0 8 8
2 2 0 0 0 0 0 9 9
3 3 2 2 2 2 4 4 9 9
0 1 2 2 7 6 7 10
0 7 7 0


E

 1   2    4  1 1  1  4   2 
CVII CVII CVI

 1    4        1   4 
    4  2 
24

    1 
 3    1

 3 2
2 

2 4 0

    1 
3 3 3


1 3


2
1 1
0 1

7 7 7 7 0 7 9 9
10 10 10 10 8 8 11 7 7 7 7 7 7
8 8 8 8 9 9 8 6 6 6 6
9 9 9 9 9 9 8 9 8 8 8 8
7 0 9 7 6 6


CVII CVI
4
 1  1    4  3  2  1  1   1    2   4   0     2 1 
CII
27

 3 1     1  1 1  3      4  2  1  1  2  1 

4

 1 
3 3
4
1 3
2

10 9 7 6 0
7 7 8 9 7 8 2 2 2 2
7 7 9 7 6 6 6 6 3 3 3 3
9 9 8 8 8 8 4 4 5 2
7 8 9
7 2

3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal
CIX
 4 
CII

  1  1  1          4
1
3
4
30

 0    
 3  3  0   3  4  1   4  2 
2

43 
1 
2 1 1


1  
4

7 10 7 3 6
7 7 7 7 0 3 0 2 5 2 5
7 7 7 7 3 3
4 4 4 4 5 2 5
9 5 5 5 5 4
2 2

http://faridhaidar.blogspot.com

CVII

4
   1  4 
1 1  
 2 1  1 1

  3 4  
33

    
 4 4
0  4 1
1 3

 
1 3

3
3

0 
1 
2

 
2

2 7 10 7 7 10 13 16
3 3 7 7 0 9 9 12 15
4 4 10 7 10
0 4
9
2

  8va

CII
 1
 0 3   4  1  3  1 3 1 3  4   3 4  4   3  1 3  3   1  4  3  0  2  1  4  2 1 
loco

          1 
35

 1  4  2  1  4  1  2  0 

3  
1

0 9 12 15 18 19 18 15 12 9 0 3
11 11 14 17 17 17 14 11 11 2 5 2
12 12 3 3 0
5 2 5 2 2
9 4 2
2

38
 
 3
4 4 3
1 1
0
2
0
3
4 4 3
1 1
0
3
0
  3  1    2  2 
1   1  
2 2

0 0 0 0
2 4 5 4 2 2 2 2 4 5 4 2 2 2
1 4 2 1 3 2
2 2

4
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal
A tempo

 1  4  2 

CII

CII
2
40

 4 4  3 
      4
2  2   
1 
3
 1 12  0  1  0  3   3  3 
1 0
3  3   
0 0 0 4 4

 1 
0
3


1
2 0

rit.
2 2
0 0 0 0 3 3 3
0 0 3 3 4 4 4 4
2 4 5 4 2 0 0 4 2 0 4 4 4 4
1 2 2 4 4 4 4 2
2 3 0 2

http://faridhaidar.blogspot.com

 1   1 
CII 1/2CIII

  1     
2  
43

  3  2  4      4  2 4  
1


  
1
4


1 
2 3


3 3
1
0

2 2 2 2 3
5 5 5 5 3 3 5 5
3 3 3 3 4 4 4 4
4 4 4 4 4 4 5 5
2
2 0


1/2CII
    
 1  2   2  1   3  4  1  3  4  
3
 1 
3
4
2 
45

 3 1    1 3 1 1

3 1
3 
1
2

0  0 
1 2 2
4

2 2 2 5 5
3 3 5 2 2 3 3 3 7 7
2 2 2 2 2 2 7 7
4 4 5 5 4 7 7
0 0 5


G

 1    4   1   4 
CV CVII

   4   4 0  1  1   1  1 
47

 32      2
2 
 
1


2 
3


0 

3
3 1
1
1

5 5 5 5 0 7
8 8 8 8 7 7 11 7 7
6 6 6 6 7 7 7
7 7 7 7 7 7 8 9
0 5
9 7

5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal
CVI CVII CVII
4
CVI
  1  1    2  4  1       2    1  1  1     1  1  2  1 
 4 2
49 1

 3  1    3  3  3  3 3
 3  1 

1   1

4
1
2

9 10 8 6 7 7
7 7 7 7 8 8 7 7 7 7 7 7
6 6 7 7 9 9 6 6 7 7 8 8
8 8 9 9 9 9 8 8 9 9 9 9
9
6 7 0 7

http://faridhaidar.blogspot.com

  
CVII

3  4  2      4  3  1  4  3  1  2  1        1  2  1  3  4  2      4  3  1  4  3 
52

 
 1 1

 
1 2 1 2

 
  
3 3

1
 1 1

8 6 7 7 8 6
8 8 8 8 7 7 7 7 8 8 8 8
9 9 9 9 8 8 8 8 9 9 9 9
5 9 9 9 9 5
7 7 7 7
7 0 7 7 0

 
3

 
CVII CV
 1
CII
 1

 2         4
 3

  3  2   3 4  2 4     2  3  2  0  4  3 0 1   4 2 
55
1

0 0
1 1 4 4

0 
  3

 1
1


3

 
1
1 1 1
0 2

7 7 5 5 0 0 2
7 7 8 8 8 8 8 7 8 7 8 7 3
8 8 9 9 6 6 6 7 0 7 0 6 6 4
9 9 9 9 7 7 7 7 4 4
0 5 2
7 0 7 0 6

  CII CII CII


 0     1   2    1  2   1  
1     0 0  3 4 3 4 2     3 4  2 3 
58

 1 4 1  3 0 3  1

4 1 4 1 4

2
 1
0
 1  1 
2 1  1

0 2 3 2 2
2 2 2 2 3 3 2 2 0 3 3 3
4 4 4 0 4 4 4 3 3 4 4 4 4
2 2 4 4 4 2 2 0 4 4 4 4 4
2
3 2 0 2 2 2

6
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

I
CIX

  2 4
CII

     2  1 2 3 2
4

4  4
61 1

  3  2 
3

     2
   

   
4

   
3 3 1 1
1 1 1

2 10 14 10
5 5 5 5 3 3 12 12 12
3 3 3 3 4 11
4 4 4 4 4 4
2 9 9
2 2

http://faridhaidar.blogspot.com

CIX
 CII
4
 CIX

 1 2
3 3 4
 32    3 1
 3 0    
63

  1  
1

3 4
4 3  1 
4 4

 
2 1 2

1 
 
2 2

 
3

  1
1 
1

1 
9 0 2 10 14 10
11 11 3 3 12 12 12
11 12 9 12 3 4 4 11
11 4 5 5 4 2
9 2 9 9
2 2 2


CIX CII CVII

3 1
2   4 3  4  1 1 1
1 0
 3 4 2 4 3 3 1 1
65

  1 3


3 4
4 3  1 
2

1 

4

  1
1 
1

9 0 7
11 11 3 7 7
11 12 9 12 3 4 4 4 7 7
11 4 5 5 4 2 4 4 9
9 2
2 2 2

CVII CVII
 1 
 2 3 1 1  
67

3 3 
2 2 2  
3 0
1

  
4
3
1
 1 1

rit.

7
7 7 7 7
9 9 9 0 9 9
9 9 9 9 9 9
7 10 7 7 7

7
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal
from Bella - The Incomparable Artistry of Angel Romero

Air on the G String


from Suite No. 3 for Orchestra
By Johann Sebastian Bach
Transcribed by Angel Romero
Tuning:
(low to high) D-A-D-G-B-E http://faridhaidar.blogspot.com

A
Lento, espressive


  1     
CV 2/3CII
   4  4 2
1/2CII CII 1/2CII CIV

   21  
  4  1  
1   4 3 4 2   
 0  4 1
3

  3   1  1 
  
1

 0   0
3

  
3


1 1
0 3
1
0 1 2 4




2 2 2 2 7


3 3 3 3 7 5 8 7 5 3 2 3 0
2 2 2 4 2 2 7 4 7 6 7 2 2
0 5 6 2 5
4 4 2 0 0 0 0


0 5 6 5

  
3 
CIV
 CI  
1/2CI

  2    2  1   2  1   4  3 4  1  4
 4  1   2 4  0   2  1  2  1 
3

0  1 1 
1

  1  3  04  1  0  2 2 1 
    1
0


3 0

1  1  
1
0 3
1
4 0
2 1 1

5 2 5 3 3 0 0 3 2
1 0 1 0 5 4 0 3 5 7 8 0 3 2
5 4 5 4 9 2 2 2
4 2 4 1 2 0 9 2
6 2 4 4 0
4 2 1 2 2

1. 2.

 1   1   2
1/2CII CIV CII CII

 1  10  13   1   1   1  13  11    1  3 1  


CII CII 2/3CII
 
2/3CII

  1    2  31   0 01  1 
5

  11 
3 1 4
0 0 0 4 2 2 2

 13 
0 0 1 4 0 4 0
4 2

 0    10  3  11   0  2  4 4 
 0
1 1 1

0   11 
0 1 4 1 3
1 2 0
3
2 2 2



2 4 5 0 2 0 0
5 3 3 7 3 2 0 0 2 3 2 0 2 0 0 2 3 2 0
2 2 1 2 4 1 2 2 2 1 2 2 2 2 1 2
0 0 4 0 0 2 2 4 2 2 2 5 4 2 2 4 2 2
4 4 2 2 0 2 0 2 4 5 0 2 0
0 6 2 0 2 2 0 2 2

B
CIV
2/3CII 3 1/2CII CIV CII

 
4  2 2 1
  1     2 1 0 2 1
  11 

  2          0
8

  
  0 3   
1 1  3  0  0
 0  3  0  1  43 
2 4

3
1 0 1 1


1 4 4 1 1 4

0   4  1
3

  1  


4 1
0
1
2 2 1



5 7 5 3 2 2 3 2 0
2 3 2 0 2 0 4 5 7 1 0 4 4 5 3 2 0
2 2 5 4 2 0 0 0 4 4
2 4 4 7 4 2 0
0 0 7 6 2
5 5 4 4 2 1 2 0
Copyright © 2001 by Angel Romero
All Rights Reserved Used by Permission 1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal
http://faridhaidar.blogspot.com

 
CII CII

 2  1   1 2  4  2 2   
CII CII
 2 2 
   
10

 2   0  1 1 4  4  23  0  2  4  3 11  0  1  0  2  4 3 3 

1   4
0 
0 3 0

0 4
 1  1 0 3  3   0  
1
0 0

  
3 1
3 0 3 1 1
1 1
4
1 1
1

0 2 3 2 0
0 2 3 3 2 0 0 2 3 2 0 2 3 5 3 2 0
3 0 3 4 4 4 3
0 2 4 5 4 2 4 2 0 4 2 0 5 4 2 4 0
4 4 2 2 1 2 4 1 2 2 2 0 0
2 5 2

 
CVII CII 2/3CII
   0 4 
 1 4  4  12   1   0 4 0 1 
 4   2  1
2 0 
CII
1 
12

 3  02  4 2  1  1  1 3  2  3 1  4  00 
  1 0
1

 
1  3
    2  4
 1  3 
2

0  0 
0

1
   
3 3
 2
3

1
3  4
3 2

2 0 7 5 4 2 0 5
0 3 0 0 0 2 3 3 3 2 3 2 0 0
7 2 1 2 1 2 2 1 2 2
6 4 9 2 0 2 4 2 2 2 5 2
7 7 7 9 4 4 0 0 4 5 4
6 4 2 0 0 2 5 5

 
C

  1  3  
1/2CII CVII

 1      2  2    4 
  2 14  40  4 00  1 00   1 0  1  4 41  1  24  4  2  43  0 13   1 43  3  4 3  002    
14 4
0 2

 4  0  0  1 1 
  

3   4
 4 1 2
1
1 0 

2 0 0 3 2 2 0 3
3 0 2 0 0 2 0 2 4 5 2 2 4 2 4 10 8 8 0 0
2 4 5 0 2 3 4 8 9 8 9 0 0
4 0 0 0 9 9 9 2 2
0 0 1 1 2 7 7 2
4 4 5 5 6 6 9 2 0


1/2CII
1/2CII 1/2CII
 4  4 
  0   2  4  1  3   1  3  4  4 
CIV
   1
CII
 
16

 11 

   1   1  1  
4

  1
 13 
0 

2

 013  1 30   113  0  
2 
 0 
4 
1 4

1 
 0 
1

1 
2

0 
0 1
3 0 2 1 1 0
1

0 3 3 2 2 3 5 2 5 8 8 7
2 5 2 3 3
2 0 2 2 2 2 2 2 0 2 2 0 7
2 2 4 2 0 0 0 2 4 4 0 5 4
4 4 4 0 4 3 3 2 2 0
0 5 4

2nd time, Fine

 
1/2CII

 1 20  02  0  0  1  0  3  11  2  21  3  10  0  2 13 1   1  3 02  3  1 0   32  


1/2CII
 0
 0  0 1
  1 0
18
4 2 2
0 2 2

1 0 
 4 0   0 0  0 
 
3
1
4
0 4


rit.



0 3 0 0 2 3 3 2 0
2 0 0 3 2 3 2 0 2 3 2 3 3 3
0 0 2 0 2 2 4 2 0 2 0 0
2 2 4 2 0 4 2 4 4
2 5 4 0 0 0 0 0
2 0 2 5 5 0
2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal
from Bella - The Incomparable Artistry of Angel Romero

A Prayer
By Charles Crozat Converse
Arranged by Yuquijiro Yocoh
Adapted by Angel Romero

http://faridhaidar.blogspot.com

Tuning:
(low to high) D-A-D-G-B-E

A
Andante

  13  

  3  1  4  12    
 4 1 3 2  4 
       0 
0 
    0  
1 4

0  
2 0 1

 3 
0 3

  
0
3



5 5 7 5 5


7 7 3 0 3 7 7 5
7 4 0 2 7 6 0
0 0 0 0 0 0 7 7 7
0 0 0
0 5 4 0

 13  


1/2CII
 4 1 3 2 
    11  00  31  1 
 
5

    
1
   
2 1 
0   0 
2 0 1


0 3 0 2

 
0 0 3
3

5 5 7 5 2 0
7 7 3 0 3 0 3 2 3
7 4 0 2 2 2 0
0 0 0 0 0 0 4 4
0 0 0 0 5
0 5 0

  

 2 
1/2CV
14 40  2  2 4 2  
  3 
  
4  
1  2   1 3
9

1 
4

  


  
4 2 0

   3 
3


3 3

0     0  0 
0 1 1 4

 1
0
2
1


0 5 7 7 5 2 3 2 0
5 4 5 7 8 7 7 6 0 2 3 2
6 6 6 7 5 7 1 2
0 0 0 5
0 0 0 0 0 0 2 4
0 5 6

Copyright © 2010 by Angel Romero


All Rights Reserved Used by Permission 1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal
http://faridhaidar.blogspot.com
1.

 13  

 4132 

 32  00  2  1  
 
 
13

   0   3 0

    
2 4 1

 0
0 1

 3 
2

  
3 1
0 3
1 1
4



5 5 7 5 2 0
7 7 3 0 3 0 3 2 3
7 2 2 0
0 0 0 4 0 2 4 4
2 2 0 5
0 5 4 0 0

2.

C
  

 
  1 4 4 
 2  2 4 2 
  4 1  0  43 
1  2   1 3 
17

  10   3 
4



  
2 2


2 3 3

 0     0 
1
0 
3 0

  1
0 0
0
1


0 5 7 7 5 2 3 2
2 3 5 4 5 7 8 7 6 0 2 3
0 6 6 6 7 5 7
0 4 0
0 0 0 0 0 0 0
0 4 0 5 6


 
21
 0  4  2  2  
  3    
2
4 4
 
 0  0  1

0

1 
 1
1 1 4

 
1
0
1
4
2

0 5 5 7 5 2
2 3 3 0
1 2
5 0 2 3
0 0 0 1 2
2 0 4 6

   
  13  
 2
0
4 3 3
   4  4  4  1 2 
24

2
4   1 0
 00  21  1 1
2 0


0

0  0     
0


1


0


3

 A.H. 
1 0
4
1

* Harm.

2 0 0 5
3 3 2 3 0 7 0 3 2
2 0 7 2 2 0
4 0 2 4 7 4 2 2
0 0 0 1 2 0 0 0 0
0 5 2
*Harmonics and artificial harmonics
sound 8va throughout.

2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal
http://faridhaidar.blogspot.com

  1                      
  
27

     
3

 
0 2

2 2 2 2 2 2 2 2
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
0 0 0
3 3 3
0 0

   
  4           4       
29

 3

      

1
1
2

3 3 3 3 4 4 4 4
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

2 2 2 1 1 1
0 3

CII CI


31
   4   1   1           
   4 
4
3 3

 
1 1 4

    

0 3
0 0
1 1

5 5 5 3 1 1 1 1
2 2 2 2 5 5 5 5 3 3 3 3 3 3 3 3
0
0 0 0 3 1
2 0

CI

  1    1   0   0   1  2      0  2 4 1 
33

 4 4 1 1 4 4

0   0  4  0  0 

1 3 0 0 1 1 0 1
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
2 2
0 1 0 0 0
6

3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal
http://faridhaidar.blogspot.com
1/2CII

  2
 3   2      1   2  4  3    0  1   
35

 4 4 2 1 4  1 
  
0  0  0  0  
rit.

2 2 1 2 0 0 5 3
3 3 3 3 3 3 3 3 3 3 3 3 2 2 2 2
2 2 2 2
0 0 0 0 0

E
A tempo

       
      2
4
37 3 1 4

 0
1 2 4 4

  0
1
2 2 2 3 3
3

  0

 
0
1

14 12 10 9 7 6 7 9 10
10 10 8 7 0
11 12 11 0 0
0 0
0 5


 4  
 3  1
1/2CII
 1
1
3
1
  23   2
1  2  13  23   
4

0
2
 1  1  1  21  0  1 
39 2

   

2 2
3 3

0  0  0 
3
1


3

5 2 5 3 3 2 2 0 14 12 10 9 7 6
3 7 5 5 3 3 2 10 10 8 7
2 1 2 1 2 0 11 12 11
4 2
0 0 0
0

  
1/2CII 1/2CV
4 
  4  1 1
 3  43  2       4   
42 4

0   1
4 1

 0 0   
4

 
2 1 3

 0 
 
3
0
1

7 9 10 5 2 5 5 5 5 5 5 5 5 5 5
0 3 7 5 8 7
0 0 2 7 6 7
0 0 4
0
5 0

4
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal
http://faridhaidar.blogspot.com
F
 4                  1

  0 1 2
45

 1  0
 0  1 3 0 2
4

0 
1 1 0
3 
0 
0

   
3
0
3

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 3
0 3
0 2 0 4 4
2 2 2 4 0 4 0 0
4 0 0 0
0 5

A tempo
1/2CV
 
4 
3  1  4
 4  2 
  4  1             2 
2  
48 2

  3    2    0 0
1 1 4
4

  
0 
 3 1 03 
1 2 2 3 3

  0  
2 3

   1 1
 0

5 5 5 14 12 10 9 7 6 7 10 5 5 5 5 5 5 3 3
5 7 8 10 10 8 7 0
6 5 6 11 12 11 0
7 7 7 0 0 0 4 2 0
0 0 4
0 5 6

CI
 4
1/2CII
      
 2            
  0  41  1 02  4  
52

  1    1 0 1 0 3 
3

   0 
  0   2  1  0
2 1 3
0 3
1 1 1 1
3

2 1 0 1 0 5 5 5 5 5 5 5 5
3 3 2
1 1 1 2 2 0
0 4 2 0 4
1 1 1 0 4 2 0 0
5 4 2 0

         
             2       
1/2CII
55
 

   
 1    0 
 0
1


1



4


2

  2  1 
1


1


0 3 3
1 0
3 3

* Harm.

5 5 5 5 5 5 5 5 5 5 5 3 2
7 0 3
7 0 2
2 0 7
4 2 0
5 4 2 0 4 5 5 0
*Downstemmed notes only.

5
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Sorgdal
from Bella - The Incomparable Artistry of Angel Romero

La fille aux cheveux de lin


(The Girl with the Flaxen Hair)
By Claude Debussy
Arranged by Angel Romero
http://faridhaidar.blogspot.com

 
Très calme et doucement expressif q = 66
CV

 2 2 1  1 2
 3
3 2 12  0  4 1  0  4   
0  

4 4

1  0
1

0 
  0   
4 4

    2  
1

  
sans rigueur
3
 2
3

10 7 7 10 7 7 3 0 3 2 0


8 8 8 8 8 1 0 3 5 8
9 9 0 0
2 0
3 2
3


2/3CIX
   
 143  
CVII CV CVII
4  4   
CV
  1      3  0 3  4 
  00
1
2  1 
1
1  
1 1 2 
5 4 3


 1
2   0
3 1 
1 1 1 4 1 4

  
2 4

1    1 

3 3

   
2


4 0
1 1
1 1

5 10 7 7 5 10 7 12 8 10 0
7 7 8 8 7 7 9 12 0 12 12
7 7 9 7 7 8 9 0 12 0 12
9 9 0 11
5 7 10 5 9 12
7 7 0 10

1/2CIII

  4  3  0 3  4   4 0 
Cédez
 1 0 4  1 0 1   
 4
9 3


 0 0
 12 1  0
0 
 1  00  0 
4

2      3  02  0 

2

 2 
4


0 3 1
2 0
3

10 0 3 3 0 3 2 0
0 12 12 3 1 0 3 1 0 0 3
0 12 0 12 4 2 0 2
11 0 0 5 4 2 0
9 12 2 3 2 0
10 0 3

Copyright © 2010 by Angel Romero


All Rights Reserved Used by Permission 1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal
http://faridhaidar.blogspot.com

    
Mouv!
CVII

     1  4  2  1 4 
1   
0 1 3 
 1 11  23  4  2  1  1  4  0  0 
1 4 
4 3
12 3 1

 12    
0 
 0
2
  3 3 0
 00
0 3
0
3
 più

0 8 10 12 15 14 12 8 7 7 0
1 8 10 0 15 10 8 10 7 10 8 7 0
2 0 0 9 7 9 7 5 0
0 0 10 10 9 7
0
3

  
 
CVIII
CV


 4  3  1 
   1 3
2 
1 
 4  2  11    1
15

 13   4  1  
1

2
 0 3 
2


 
2 3 4

0 
4 3


2 3 1

(trés peu)
0 5 8 7
3 1 6 8 12 10 8 8 10 8 5
2 5 7 9 9 5 7 5
3 0 0 7 10 7
3 3 8 0 5
8

  
   
Un peu animé

0  0  1    0  1 
18

  1  0  1   2  4 2  4   0  4 1


0  12 
0

 1  4  
 
0 0

  
1


1 0

 
0 2 1 4

    2 
1 1 2 4


2 1 4


1
4 3

0 0 0 0 0
0 0 0 0
0 2 0 6 6 1 6 6
2 2 2 2 6 7 6 7
3 2 4 2 7 9 9 7 9 9
5 4 7 9 0 7 9

   
1/3CX
CIX 3 1/2CV Cédez
4   1 4  1  1 
 0   3 1  3  1  4  11   1 
2  2  1   4 3 1
3 2/3CII
3  12   2
  1 
21

 01  1  1 0   0 0  14 

 
 0  1 
0 0

1   3 2  3  
1

    0  0 
3 0

1 
2
0 3 4


2


0

0 12 10 12 10 7 5 0 0
0 9 12 9 10 8 5 8 7 5 1 3 3 0
1 9 11 9 11 9 6 0 2 0 2 0 2
9 11 0 7 2 4 2 2 0 4
0 0 3 5 2 4 3
0 9 0 0 0

2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal
Mouv! (sans lourdeur)
http://faridhaidar.blogspot.com
Cédez


 10   
   

 
24

0 0 0 0  
4

0 0    0  
4 4

0 2 2 2  2 1   
0 2

0 0   
4 4 3 3 0

    
0 1

  13   3    
0 0 0 0 0 0 0

 
0 2 0 1 1 0
0 0
1 3 1 4 1 1 1 2
2 3 3 0 2 4

0 3 7 3
0 0 3 0 0 0 3 0 3 5 3 0
0 0 0 0 0 0 0 0 4 0 0
2 0 2 0 2 2 0 2 0 2 0 2 0 2 0 2 0
2 2 3 2 5 2 2 2 3
3 0 3 0 3 3 0 3 0 3 5

C
Au mouv! tres doux.

  2  
        2  3 
 
  
 01  
28 4 4
1 1


2 4

 
3 2 0
0
0
2

*A.H. 
10 7 7 10 7 7 3 2 0
8 8 8 8 8 8 0
0 9 9 9 0
2
3
0 0
*Artificial harmonics sound 8va throughout.

Murmuré et en retenant peu à peu

  
 40  
32

 0    1  0  3  1   1  0    3  2 
0    0  2 
 0  1   2   0  2  1   0  2  
   2  4 
1

1 
1

2   3  0   13 
0
1 4 2
2 1 4 0
3 3 1 3 1

3 1 0 0
0 2 0 2 2 0
0 2 4 2 0 4 2 0 2 0 2 0 2
2 3 5 3 2 3 2 0 2 3 2 0 2
3 5 3 2 3 5 3 2 0 3




3
4 2 
1 
1 1  3 3 




4

0 
0 
1 4 1 1
35

 1  0  32  0  2  1  1
0  


0 3 0
1
4

**Harm.


0 3 5 8 10 12 15 15
1 3 1 3 5 8 10 13 0
0 2 0 2 0 12
2 0 2 0 12
3

**Harmonic sounds 8va.

3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal
from Bella - The Incomparable Artistry of Angel Romero

La Paloma
By Sebastian de Yradier
Transcribed by Francisco Tarrega
Arranged by Angel Romero
Tuning:
(low to high) D-A-D-G-B-E
http://faridhaidar.blogspot.com
A


Larghetto q = 60

     
      
 
  
      
3
0
0

pizz. 


0 0 0 4 7
0 0 0 0 0
0 0 0



B
2/3CIV

   3 

3

 4 
4


3
    

   
1

  1
1

 0    
4 1 3 2 2

 
1 2

   
4


1
0 0


 7
0 5 0
4 5 7
4
0
6 7 4 6
7
0
7 5
0 4 7

   
0 0 0

 
 2   
3
   4 3 1   2 1 4 2
8

    3   
3 



2 4
2 2

0 
 0  0  
3 1 1 1
3

* Harm. 
2 5 5 7 5
6 7 6 7 9 7 6
7 5 5 9 7 5
7 0 0 0 0
7


*Harmonics sound 8va throughout.

 

2/3CVII

 
3

   4    4

  2    1 1
12
4
1

  
2
1

  3   4
   
1



1 1
4


0 0


4

Harm.
7
7 10 10 7 8 10
7 7
7 4 12 7 7 7 7
0 5 0 12
0 12 0 0

Copyright © 2010 by Angel Romero


All Rights Reserved Used by Permission 1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal
http://faridhaidar.blogspot.com
2/3CVII

 4   
3

   
CVII
   
 3
16 4 1

 1   
1 
3 1 3

 
 
4 2

 
3

 
 
2
1 1 2

  0 0 0

9 10 7 9 9 12 12
7 10 8
7 9 6 12
7 7 7 11 11
0 7 0 0
0



1.

1 
3
  
3
 1    

       
20 4 4 4


1 1


1


1

3 2 2 1


3 1

  
3 2

0       0    
3


0
0



14 10 12 9 12 10 9 7 5 3 2
12 10 8 7 5 3
0 0 4 7
0 0 0 0 0 0 0
0 0

2.

C CVII
3
   4
3
4      
  4  3   4  
  

   3
24

1 
4 3 1

 1    
1


2 2



3


1 1 1 1 1 1
3
0
0



10 10 10 10 9 9 12 12 10 9 7 7 9 7
7 8 10 8
7 9 9
0 7 0 7 7 7 7 7 7
9 0 7 0

*2nd time, pizz.

1. 2.

CVII 2/3CVII
3
3 3

 4    23  1  13 
4
1 
4     2  
3

2 2  4 
3

3 2    
1  1 
28

 1  1  1     3 
4 2

  1
1

0 
  0 
0
3
1


0



pizz.


9 9 9 9 7 7 9 7 7
8 8 10 10 8 8 10 8 7 2 7 7 7 8 6
9 9 7 7
7 7 7 7 0 2 7 7 7 9 6
7 0 0 0 0
0 0 0

2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal
http://faridhaidar.blogspot.com
D

  1  4  2
3 3
3
   1

3

   3 
4
 4
33
     1  
4

 3 
1 4

3
1


   
1 2 2
4

 1
3


 0  0  
2


3

0 0
 
Harm.



5 5 5 5 7 9 12 10 14 10 12 9 12 10


7 7 7 7 7 8 10 10
12
7 7 7 7 7 9 11 11
0 5 0 0 0 12
0 0

1.

  2 

  
3
 4  
 1  3  1 

3 3

 12  13   2     2  4 
3

3  
1 1
37
3
4
3
  1
   3  3 
   0   
0

rall.



7 9 10 10 14 14 12 12 0 2 3 3 7 5 5 2
3 5 5 8 7 7 3 2 7 7 7 8 6
0 2 7 7 7 9 6
0 0 0
0 0

2.

   
1/2CII

  213  


     
41 3

           


 
4

 

3 3 3 3 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
4 4 4 4 4 4 4 4 5 5 5 5 5 5 5 5 5
0 0
0 0


 
1/2CII

   213              21 


3

     
45 3

     
 
4

  
3


 
 
3 3 3 3 3 2 2 2 2 2 3
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
4 4 4 4 4 4 4 4 4 5 5 5 5 5 5 5 5 5 4
0 0
0 0 0

3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal
from Bella - The Incomparable Artistry of Angel Romero

Meditation
from Thais
By Jules Massenet
Arranged and Transcribed for guitar by Angel Romero

http://faridhaidar.blogspot.com
Tuning:
(low to high) D-A-D-G-B-E

A
Andante
1/2CII 1/2CII

   
        
4 4

    
1 1

    
1 1

    
2 1 2 1 2

  
3 2 3

0  0 
1 1
3 1 3 1

 
3 3


0 0
0

very legato

2 5 10 14 2 5 10 14


3 3
2 2 7 11 2 2 7 11
4 0 4 4 0 4 0
0 0
0 0

 B
CVII 1/2CII
1/2CII
4

4  
5

 2 2 1 1  1  4  1  4 
3
 1  1
1
2
0 1 2
3

   1
   3  1   1
  3  3 
3

 0   
1 1 1


  
3
0

2 2 7 9 10 0 2 3 2 2 5
3 3 7 3 5 3
2 2 7 2 2 2
0 4 0 7 0 4
0 0 9 9 0
0 0 0

CII
  
CII

   1 4
2
4  2  4  4  4  2  
 0  0  0  0   10  2  3 
6

3
4  0
0
1 1 0 1 1
1

 1 
1

 0  1
0
0
4
1 1

2 3 2 3 5 7 7
0 0 2 3 5 4 5 5 0
0 0 0 4 0 0 4 0
0 0 2 5 2 2 2
2 2
5 2 2

Copyright © 2001 by Angel Romero


All Rights Reserved Used by Permission 1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal
http://faridhaidar.blogspot.com
A tempo
1/2CII
3
 1  2  1
2/3CII
 4    1 
9

 1 1 4 1 2  0 2 1 2 0 2
 1
3 
    1
0

0 
 4  4 
 3 
 
2 1
3
0
1

rit.

0 1 2 2
2 3 5 3 2 3 3 3
2 0 0 2 2 2 2
2 5 0 2 3 3 0 4 0
0 2 4 4 0
0

CVII 1/2CII CV

 4  2 4 
 1  1   2 1
4 
4

1 2  1  1  1 

12
4

    1
1


  3 1  
1

 
0 
1
1 1 0

 0 
3 3 3
0 0

7 9 10 2 2 5 8 10 12
7 3 3 5
7 2 2 5 0 9
0 7 7 0 4 4 5 10
0 9 0 7
0 0

    3 3
CIX CII CV
4   
3 1/2CII
4  2
3 3
 2 2  4 0  1  1  2   0 
3

  1  1  3     4  2 2
15


3 0  0  
0 0 3
1 3 1  1


4 4

   0

0
0 
1
0 

1 0
1 1
1 3 1 3
3
3 3
3

14 11 7 5 3 0 2
7 5 0 7 0 3 3 0 2 3
11 8 4 0 0 0 2 2 0 4
9 13 2 2 0 2
9 6 2 7 0 0
9 2 5

To Coda 

2
1/2CII
 4 1  4 4 0   3   1  3  1  
18

   2 3 2  3 4 3  3
2
1 0
 1  0  1 
2
 4 
0  0  0  0 
4 1 4
0 0

rit.

2 3 0
5 5 5 7 0 3 2 2
4 4 4 4 4 4 0 4 4 2
5 5 2 2 5 5 5
0 0 0 0 0 0

2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal
http://faridhaidar.blogspot.com

C
A tempo
  4  4
CII

 2  4   
3
3 0
2
21

    2 
1 

 3 
 3 0
2

 3 1   
1

3  1  4 
1

  
1

3 
1

0
1 4
0
2

5 3 5 3 2 0
3 3 1 1 5 2
2 2 0 3
4 0 4 2 4
0 3 3 4 4
0 2 4

 
 1
CV CVII

4  3 4
1  4 
3
 0  4 4 
  0 1
4

3 1


24

2
  0   3
 0    1 4  0 0 0 

 
0

 3
  3 3
  4
0

 
0 1 3
1 1

0 7 9 0 7 5 0 3 3 7
0 8 2 3 10 7 0
0 0 0 0 7
5 7 9
7 0 7 7 2 9
5 5 9


CII
5

 
 0  1  4   4  1  3  3  0  4 
27
   1  0  
   1  3 1
1 0 0 0
2
0  0  4 31 2
4 4

1   2
2    2 
 2   3  1  
3

2
1
  3
3 3

0 2 2 3 3 0 5 3 1 0
5 4 5 3 1
2 2 0 5 0 3 0 2 0 0 3
2 2 2 2 2
3 3 3 3 3 3 3
2 5

CX

 4    
CVIII
 

3

CX CV
  4 
4 
CV
4  1  
3
  1 
 1 
   1 3  3 
  2 
4

 1  2 1   
4

 1 
30

    1 2  1 3  2  1   1   1 3


4 4 4 4 1
3

  
1 4

 
2

0 
3 2
3 1
3 2
3
3 3
Harm.

10 8 5 8 12 10 8 5 8 13 12 15 13 8
6 11 11 9
5 5 10 5 10 10 10 13 10
7 7 10 7 11 10 10
8 8 0 12 8 8
10 11

3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal
http://faridhaidar.blogspot.com

CI CIII

 
  
3

3 CI

  1 1
3
 1 4
4        
33

2  
0 3 1

 1 
  3  2    4 
0 1

3 

2

3
1


1 1 4 3


1
3 più mosso
3 3 3

1 0 3 1 0 0 1 1
2 6 1 2 2 2 2
3 6 5 1 3 3 3 3
3 3 3 3 3
1 3
6

   1 

 1
      
35

    2
 
4

 
0
  
2
   
1 2 3


3 3 0
4 0

1 0 0 1 0 0
2 2 6 6 2 2
3 3 5 5 0 0 0 3
3 6 6
0 0
5 6

D.S. al Coda

 3  1  0  4  1  2   3  
  3   21  0  1  0  3  2  
 4   4
0  1  3 
37

 2   
3

0
4 4

 
1

0   0 
2
0

rit.

0 1 2 3 3 2 1 0 3 5 6 7 7
2 2 2 2 2 8 8 5 2
3 0 0 3 0 0 0
2 2
0 0 0

 Coda
D
A tempo
CX



CIV

1/2CII
4
  1 2 1 4      
 2
40 1

  
2 
1

 3 3 
1 2

1 
3

 0  
1 2 3
1


0

2 5 7 4 10
3 3 6 6 10
2 2 4 6 11
0 4 4 6
0 4
0

4
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal
http://faridhaidar.blogspot.com
A tempo


1/2CII
  4 1/2CII
 1  1 2 4 2 
4

2
 2  1
42 4

     1  3 
  1  
2
0   3 
  4  0 
1 0 1

  1   
2 3 3 3
0 4 0
0 1
1
1

rit. dolce

14 10 5 2 2
3 2 2 3 5 3 3
2 2 0 3 0 2
0 4 1 4 0 4 4
0 9 1 4 4 1 0
0 1 1 0 0

     
      2  1  3 
1/2CII 4

 1  2
2
45 1

 1 
3

  10  3  

4 4 4 1

 3  
1

 
2 3 1

0 
0  0 
 0
1 1 0

 
3
0 0 3 1

*A.H. Harm.
5 2 5 5 2 5 10 17
3 3 15 10 3
2 2 2 2 7 11 11 0
0 0 4 4 0 4 12 0
0 0 0 2
0 0 0
*Artificial harmonics sound 8va throughout.

 0 
1/2CII

  24  

3

2 2    2  2 4
48

1
 1 

0
4

  
4
2 1

1  0  0 
3 1

 **A.H.

0 2 2 5
2 2 5 3 3 2 3 5
0 2 2
4 4 4
1 0 0
0
**1st string only, next 2 meas.

1/2CII

3
  2  2 4   

51

  23  1  
4

3    






1 2 2

0    
1 1

 
3 3
0 0

A.H.
rit.

5






3 3 2 3 5 3 3 3
2 2 2
4 4 4 4 4
0 0 0 0
0 0 0 0

5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal
from Bella - The Incomparable Artistry of Angel Romero

Nocturne
Op. 9 No. 2
By Frederic Chopin
Arranged by Angel Romero

http://faridhaidar.blogspot.com

A
Andante
CIX

 4  1  4  
 
CIV

    4  0
 4  1   3  4   2  1 
4    2 2    2
   0   12  0  2  13  12     
 2  0   1   3  4 

3 3
3   
1


   
  
1


1 2
3 2 1
1

dolce espress
4 2 4 2 0 4 9 7 5 4


0 0 1 4 0 0 2 3 2 2 9 6
1 1 2 5 1 1 1 1 4 5 10 7 6 6
2 2 2 2 2 1 3 3 9 4 4 7
4 11 8
0 0 9

A tempo
CIX

 1   4  4
CVII

 
 0  1  4  4  4 
CII

   2  1  4  0   
3
3 4

  2  1  3  2  0  0 0 1
1

 
 4 
  1   11     
   3 
1   

   



1 1

 
3 2
1 1 1


2 1

poco rit.
2 0 11 9 7 0
4 9 2 0 10 10 9 10 2 4 0
2 8 1 0 9 9 8 2 1 1 1 4
4 6 6 2 2 9 2 2 2 2
2 4 1 2 9 9
8 7 0


B


1/2CII CIX


 2 1 2  2 2 3 1    1 4
1/2CIV CIV

  1   1  3        2  1
1  2 
3

 23   3  1   2  4 3   
  3  2   3  
5 1

   34  1    
 4  1 
3 1 4 1 1 4 2 2 4
4 1 1

 1   4
  
1

1

      3 
1
3

4 2 4 2 4 2 2 4 4 10 9 4
6 4 7 5 7 5 7 5 4 5 7 7 10 9 9 12 10 9
4 2 5 4 5 6 7 6 10 10 10 10
6 6 6 6 6 9 12 11 11
7 7 6 4 8 9 9 12
0 0 0 9 9

Copyright © 2010 by Angel Romero


All Rights Reserved Used by Permission 1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

http://faridhaidar.blogspot.com

 
CIX


CVII

  3  0     1  4 4 4
 4  1  1     2  4
 2  0    0
7 4
1 1 
 1  14    1  3  0  12  0  2  41  0 
4

 
 3 2
2
   0 
2

 
  2  3 

1 1

    

1

  
4
3 1 1

 
2 1


4 0 11 9 7 0 0
7 7 6 7 9 9 2 0 10 10 9 10 10 0 4 0
8 8 1 0 9 9 8 6 8 1 1 1
7 6 6 2 2 2 2 9 2 2 2
9 4 1 2 9 9
7 8 7 0

 
C
  
    2   2 1 0  31   0  0 

CII

 1  1 4
   3  4    4   1  3  2 
9

 4  3   12  0    
 
 1 4
4

   
0

       
 

2
1 1 0
3

2 4 2 0 0 0 0 0 2 0 0
4 4 7 2 2 4 1 0 0 0
6 3 5 2 1 1 1
4 4 4 4 4 4 4 2 7 2 2 2
2 2 1 0 0
6 0


 CII
CVII


CVI
  
CIV CII CII

    1 
  2   3  2  14  13  2  4   11   4    4  42  121  423  0  03  3   42 1 21 1 12 
11
1

1 
1 4
4 2 2 1 4

 1  1 
1 
 3 1  0   3  1
3

2 1
1

poco rall.
7 6 2
9 9 4 5 4 2 4 0 1 1 2 2 4
7 7 6 6 3 3 4 6 3 3 3 0 4 3 2
9 9 9 4 6 6 6 2 4 1 2 3 3 2 4
8 7 6 4 2 1 0 2
2 4 2 4