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Intro
Moderately fast q = 178
Gtr. 1 (clean) * Badd4 A Badd4 A Badd4 A Badd4 A
End Riff A
Riff A
mf
let ring
0 0 0 0 0 0 0 0
4 2 4 2 4 2 4 2
2 4 4 2 2 4 4 2 2 4 4 2 2 4 4 2 2
f (cont. in slashes)
4 4 4 4 4 4 4 4
4 4 4 4 4 4 4 4
2 2 2 2 2 2 2 2
** Composite arrangement
F#5
Gtrs. 2 & 3
Gtr. 4 (dist.)
mf
P.M.
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
1. 2.
Gtr. 1
Gtr. 4
divisi
†
P.M. P.M.
4
0
4
0
2
4 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
† Applies to Gtr. 4 only.
Sorgdal
Verse
Gtr. 1 tacet
*A5
1. It ain’t the way you move, it ain’t the way that you move
Gtrs. 2 & 3 2. I love the way
you use, I love the way that you use
Rhy. Fig. 1
7 7
7 7
5 5
Rhy. Fig. 1A
Gtr. 4
divisi
Riff B
† P.M.
7 7 5 7 7 5 7
8 8 6 8 8 6 8
9 9 7 9 9 7 9
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
* Chord symbols reflect basic harmony.
** Synth. arr. for gtr.
† Applies to Gtr. 4 only.
F#5
me. Oh, no.
P.M. P.M. P.M. P.M. P.M.
4 4 2 4 2 4 4 4 2 4 2 4 2 4 4 2
4 4 2 4 2 4 4 4 2 4 2 4 2 4 4 2
2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
A5
Gtr. 5: w/ Rhy. Fig. 1A
2nd time, Gtr. 3: w/ Rhy. Fill 1
It ain’t the way you shake, it ain’t the way that you shake
I love the way you shoot, I love the way that you
Rhy. Fill 1
Gtr. 3
16 16 14 16 16 14
16 16 14 16 16 14
7 16 16 14 16 16 14
7
5
2
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Sorgdal
F#5
Pre-Chorus
D
Bm
µ
twen - ty - five years, I’m a kid on the run. I’ve got a pis - tol for ac - tion. Don’t tell me you love
miles and lines to learn the right from the wrong. I keep you hang -ing on. So don’t
Gtrs. 2 & 3
3
7 3 2 0
7 2 2 1
7 7 0 2
5 7 5 4 4 5 4 2
Chorus
Half-time feel End half-time feel
F#m D E C#
me. Don’t tell me you love me. Don’t tell me,
(Gtr. 2, cont. in slashes)
7 9 6
7 9 6
4 7 9 6
5 7 4
D5 A5 B5 G5
Gtr. 2
I don’t wan - na know. Don’t tell me you love
Gtr. 3
3
3
7 2 4 0
7 2 4 0
5 0 2 X
3
3
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Sorgdal
F#5IX
D5
E5 C#5
me. Don’t tell me you love me. Don’t tell me,
Rhy. Fig. 2
7 9 6
4 7 9 6
4 5 7 4
2
T o Coda
D5 A5 B5 µ
(cont. in notation)
I don’t wan - na know. End Rhy. Fig. 2
Gtrs. 2 & 3
(cont. in slashes)
7 2 4
7 2 4
5
Interlude 0 2
3 0 2 3 5 3 D.S.
2 al Coda
0
Gtr. 4: w/ Riff B (last 4 meas.)
F#5 F# F#5 F# F#5 F# F#5 F# F#5 F# F#5 F# F#5 F# F#5
2 fr.
2 fr.
2 fr.
2 fr.
2 fr.
2 fr.
2 fr.
P.M.
Gtrs.
(cont. in notation)
Gtr. 1
let ring
0 0 0 0 0 0 0 0
4 2 4 2 4 2 4 2
4 4 2 2 4 4 2 2 4 4 2 2 4 4 2 2
Coda
Guitar Solo (Brad Gillis)
F#5 D5
Gtrs. 2 & 3
Rhy. Fig. 3
15ma
Gtr. 6 (dist.)
f 3 3 3 3
1 1
1 1 1 P.H. *1 1/2 * w/ bar
4 4 2 4 4 4 2 4 4 2 4 4 2 4 4
Sorgdal
E5
loco
1 P.H
(4) (4) 2 4 4 4 2 4 2 4 2 4 1 2 1 2 2 4 2 4 1 2 1 2 4 2 4
-2 1/2 -4
C#5
D5
3
_1
3 3
3
3
w/_ bar
1 1
5 7 7 10 7 10 7
4 4 2 4 2 1 2 1 1 4 4 7 7 7 9
4 4 6 4 3 4 3 4 3 2 4
4
A5
8va
3 3 3 3 3
1
14 14 16 14 16 17 16 17 19 19 19 17
7 10 12 11 10 13 12 11 14 13 12 15 14 13 16 15 14 17 17 16 17 17
9 9 11
B5
8va
End Rhy. Fig. 3
+1 +1
flutter bar
3 3
+1
+1 +1 +1 +1 +1
19 17 16 17 19 17 16 17
5
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Sorgdal
G5 open
8va
Harm. w/ bar
w/ bar
-1 1/2
8va
(dist.)
f
9 5 9 5 9 5 9 5 7 9 5 9 5 9 5 9 5 7
7 7 7 7 9 7 5 7 7 7 7 9 7 5
D5
8va
10 5 10 5 10 5 10 5 7 10 5 10 5 10 5 10 5 7
7 7 7 7 9 7 5 7 7 7 7 9 7 5
E5
8va
12 7 12 7 12 7 12 7 12 7 12 7 12 7 12 7 12 7 12 7 12
9 9 9 9 9 9 9 9 9 9 9
6
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Sorgdal
C#5
8va loco
P.M.
14 9 14 9 14 9 14 9 14 9 14 13 9 13 9 13 9 13 9 13
12 12 12 12 12 12 12 12 12
11
D5
3 3 3 3
P.M.
14 12 12
12 14 15 12 14 15 15 14 15 14 12 15 14 12
11 14
12
A5
8va
3 3 3 3
3 3 3 3
17 14 14 16 17 19
17 14 17 14 14 15 14 15 14 14 15 17 19
17 16 16 14 16
B5
8va
5
21 19 17 19 17 17 17 19 21 19 17 19 17 17 17 19 21
21 21 19 21 19 17 19 21 21 21 19 21 19 17 19 21
7
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Sorgdal
G5 µ
8va
Gtr. 7
w/ bar
22 22 22 22 22 17
17 19 20 17 19 20
Gtrs. 2 & 3
(Gtr. 3, cont. in slashes)
5 5 5 5
5 5 5 5
3 3 3 3 0 2 3 5 0 2 3
Bridge
F#5
Gtr. 3
8va
P.S.
Gtr. 7
19
Rhy.
Fig. 4
Gtr. 5 End Rhy. Fig. 4
7 5 7 7 5 7 7 5 7 7 5 7
8 6 8 8 6 8 8 6 8 8 6 8
9 7 9 9 7 9 9 7 9 9 7 9
Gtr. 2
* w/ bar
2
slack
2
2
4
4
2
slack
* Hammer on the lower strings and ascend the
neck, while simultaneously depressing the vibrato
Gtrs. 2, 3 & 7 tacet bar, attempting to maintain the initial pitches.
Gtr. 5: w/ Rhy. Fig. 4 (5 times)
B A B A B A B A B
Don’t tell me you love
A B A B A B A B
me.
8
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Sorgdal
A B A B A B A B
Don’t tell me you love me.
A B A B A B A B
Don’t tell me you love me. Don’t tell me you love
(Love me, you love me, you love me, you love me, you
A B A B A B A B
me. Don’t tell me you love me, love me, love me, yeah.
love me, you love me, you love me, you love me.)
Interlude
Gtr. 6
Gtr. 7
divisi
2 7 9 10
4 7 9 11
D5 A5 B5 G5 open
Don’t tell me you love
Gtr. 6
3 3 3 3
T T T T
12 10 7 10 12 10 12 10 7 10 12 10 12
11 14
Gtr. 7
3 3 3 3
T T T T
11 9 6 9 11 9 11 9 6 9 11 9 12
12 11
9
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Sorgdal
Chorus
Gtrs. 6 & 7 tacet
F#5 D5 E5 C#5
Gtrs. 2 & 3
me. Don’t tell me you love me. Don’t tell me,
D5 A5 B5 G5 open
I
Gtrs. 2 & 3: w/ Rhy. Fig. 2
don’t wan - na know. Don’t tell me you love
F#5 D5 E5 C#5
me. Don’t tell me you love me. Don’t tell me,
P.H.
2 7 9 10
4 7 9 11
D5 A5 B5 µ
I don’t wan - na know.
T T T T T
11 9 7
12 14 11 9 7 9 7 6 11 9 7 9 12 12 12 12 12 12 14 12 9
10
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Sorgdal
Outro - Guitar Solo
Gtrs. 2 & 3: w/ Rhy. Fig. 2 (1st 7 meas.)
F#5 D5 E5 C#5
11 11 11 9 11 11 11 11 11 11 11 9 11 11 11 11 13 13 13 11 13 13 13 13 10 10 10 8 10 10 10 10
Gtr. 7
4 6 6 6 4 6 6 6 6 7 7 7 6 7 7 7 7 7 4 4 4 2 4 4 4 4 6 6 6 4 6 6 6 6
D5 A5 B5 G5
Gtrs. 2 & 3
8va
17 19 21
11 11 11 9 11 11 11 11 9 9 9 7 9 9 9 9 7 7 7 6 7 7 7
8va
14 15 17
7 7 7 6 7 7 7 7 6 6 6 4 6 6 6 6 4 4 4 2 4 4 2 4
8va
17
17
19 17
21 19 17 19
21
21 19 17 21 19 17
19
8va
16 14 16 14 13 14 16
14 14 12
15 12 17 14
14 16
11
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Sorgdal
D5 A5 B5 G5
Gtrs. 2 & 3
8va
1/2
1
21 21 19 21 19 19 19 17 19 17 19 17 14 17 14 14 15 17
8va
1/2 1
16 16 14 16 14 12
17 17 14 17 14 15 14 12 14 15
F#5
8va
w/ bar
14 14 14 14 14 14 14 14 14 14 14 14 14
8va
w/ bar
14 14 14 14 14 14 14 14 14 14 14 14 14
12
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Sorgdal
from Dawn Patrol
*Gtr. 1
mf
w/ fingers
0
1
4
2
0 2 3
C+/G# C+ Am Am/E Am
p
4 0
5 1
5 2
3 0
4 0
mf
P.M. P.M. P.M. P.M.
(3rd time, Gtr. 2 cont. in slashes)
1/2 1/2
2 2 7 9 3 3 5
0 0 0 0 0 0 0 0 0 0 5 7 3 3 3 3 3 3 3 3 3 3 3 1 3
3 0 1 1 1 1 1 1 0 1 1 1 1 3
**Chord symbols reflect implied harmony.
***Composite arrangement
Fill 1
Gtr. 2
w/ bar
P.M. 1/4
2
0 0 0 0
12
0
120 2
0
3
Sorgdal
Half-time feel
A5
Gtr. 2
1. He wear his
8v a
Gtr. 3
Harm. w/ bar
2 5 5 5 5
2
0
Pitch: G -1
-1 1/2
slack
*Gtr. 4
3 3 3 3 3 3 3 3
mf
**
let ring throughout
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Verse
1st time, Gtrs. 2 & 3 tacet
2nd time, Gtrs. 2 & 3: w/ Rhy. Fill 1
Am G/A Am
trous - ers real tight and his skin’s so white, he lives be - yond his means.
tale of two cit - ies, got - ta girl - friend that’s pret - ty, she dress - es for the rain.
Gtr. 4
12
13
10
12
8
10
14
0
12 9
0
Rhy. Fill 1
Gtrs. 2 & 3
2
2
0
2
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Sorgdal
G/A Am G/A
He wear I - tal - i - an shoes that are used to good news, they
She does - n’t care for a ha - lo, she nev - er ev - er says no,
7 5 3
8 5 3
7 5 4
0 0
Gtr. 4
5 3
5 4 5 4 2 4 5 2 4 5
7 5
0
Gtrs. 2 & 3
pp
P.M.
2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0
G/A Am G/A
3 3 5 5 7 7
3 3 5 5 5 8 8 8
4 4 4 5 5 7 7
5 7 9
P.M.
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
3
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Sorgdal
Am G/A Am
grin on his face, he says he loves the rat race, he al - ways plays to win.
night’s the night they’re gon - na cut you to your lim - it, to - night you’ll live or you’ll die.
8 8 10 10 12 12
10 10 10 12 12 12 13 13 13
9 9 12 12 14 14
10 12 14
P.M.
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
G/A G
15 15
15 15 15 15
16 16 16
17 17 17
mf
P.M.
3 3 3
3 3 3
0 0 0
2 2 2 2 2 2 2 0 0 0
0 0 0 0 0 0 0 X X X
3 3 3
4
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Sorgdal
Chorus
Gtr. 4 tacet
Am G/A A5 G/A Am F G/F F G/F F
* Voc. Fig. 1A
He rock it all night long. Oh, yeah.
rock. He like to roll He like to
Rhy. Fig. 1A
Gtr. 3
5 4 2 4 5 5 4 2 4 5 4
7 5 2 5 7 7 5 3 5 7
Rhy. Fig. 1
Gtr. 2
P.M. P.M. P.M. P.M. P.M.
P.M.
P.M.
P.M.
P.M.
P.M.
1 1 1 1
2 4 2 4 2 2 4 2 4 2
5 2 5 5 3 5
0 0 0 0 0 0 0 0 0 0
1 1 1 1 1 1 1 1 1 1
*Refers to upstemmed voc. only.
1.
He rock it all night long. 2. He live a
rock. He like to roll.)
1
1
5
7
4
5
2
2
4
5
5
7
5
7
4
5
2
3
3
2
2
0
2
2
0
1
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
1 1 1
0 0
2
0 0
4
5
0 0
2
2
0 0
4
5
0 0
2 2 4
5 3
3
3
3
2
3
3
2
2
0
2
2
0
1 1 1 1 1 1 1 1
5
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2.
Bkgd. Vocs.: w/ Voc. Fig. 1
Gtrs. 2 & 3: w/ Rhy. Figs. 1 & 1A
F G/F F G/F F Am G/A A5 G/A Am
Oh, he like to rock, rock, he rock it all night long.
roll.) He like to...)
5 4 2 4 5 4
7 5 3 5 7
P.M.
P.M. P.M.
P.M. P.M.
1 1
2 4 2 4 2
5 3 5
1 1 1 1 1 1 1 1 1 1
Guitar Solo
Gtr. 2: w/ Rhy. Fill 2
F G/F F A5 A5 F5
Oh.
Gtr. 5 (dist.)
f
w/ bar fdbk.
2 2 2
2 2 2
0 0 0 0 0 3
Pitch: G
-2 1/2
Gtr. 3
Gtrs. 2 & 3
1
1
5 4 2 2 2 2 2
7 5 3 2 2 2 2 3 3
3 0 0 0 0 3 3
1 1 1
6
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Sorgdal
A5 F5
3 3
w/ bar
w/ bar
steady dive
3 3 3 0 0 0 2 3 5 7 10 10
-1 1/2 -1 1/2
5
5
2 2 2 2
3 2 2 2 2 3 3
3 0 0 0 0 3 3
1 1 1
Am G/A A5 G5
Voc. Fig. 2
w/ bar **T.H. w/ bar
don’t pick 1 1 1/2
10 10 0 0 7 7 3 3 5
**Touch Harmonic: Lightly touch string at fret
slack slack indicated to produce harmonic.
Rhy. Fig. 2
*Gtrs. 2, 3 & 4
P.M. P.M. P.M. P.M.
3
1 3
2 4 2 0
3 5 2 0
3 0 0 0 0 0 0 0 0 X
1 3
*Composite arrangement
7
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Sorgdal
Bkgd. Voc.: w/ Voc. Fig. 2 (3 times)
Gtrs. 2, 3 & 4: w/ Rhy. Fig. 2 (2 1/2 times)
F G/F F Am G/A A5 G5
End Voc. Fig. 2
Harm.
Harm. w/ bar
w/ bar
3.2
+1
*
5 5 5 5 3.2
5 5 5 7 5 7 0
5 5 3 0 3 5 3 5 7
slack -1 1/2
Pitch: G D
*Harmonic located two-tenths the
End Rhy. Fig. 2 distance between the 3rd & 4th frets.
P.M. P.M. P.M. P.M.
1
2 4 2
5 3
0 0 0 0 0 3
1 1 1 1 1
F G/F F Am G/A A5 G5
8v a
Gtr. 5
loco
rake
Harm.
w/ bar
steady ascent steady dive T.H. w/ bar semi-harm.
+1 1/2 w/ bar let ring let ring
slack
F G/F F Am G/A A5 G5
3
6
5
5
5
5 7
8
7 7
0
5
5
5
5 7 9
8
9
8 10 8 10 8 10 12 13 15 15
7
8
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Sorgdal
Gtrs. 4 & 5 tacet
F G/F F Am G/B
Gtr. 5
w/ bar
18 18 20 20
slack slack
Gtr. 6 (dist.)
f
10 10
10 10 12 10 12 14 10 12 14 12 14
12 12 14 14
Gtrs. 2 & 3
P.M. P.M. P.M. P.M.
1
2 4 2
5 3
0 0 0 0 0 3 0 2
1 1 1 1 1
C C/E F µ
Gtr. 7 (dist.)
f
15 17 17
14 14 16 14 16 17 14 17
14 14 15 14 15 17 14 15 17 15 17 17
15 15 17 17
Gtr. 6
12 10 12 14 10 12 14 14 17 17
14
11 12
3 5 7 8 7 8 3
7 8 0 3 4
9
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Sorgdal
Gtrs. 2 & 3: w/ Riff A (6 3/4 times)
Am G/B C C/E F µ
Gtr. 7
P.M.
14 14
14 14 15 14 15 17 14 15 17 15 17
15 15 17 17
Gtr. 6
10 10 12 10 12 14 10 12 14 14 17 17
10 10 12 10 12 14 10 12 14 12 14 14
12 14 14
Am G/B
C C/E
15 15 15 17 15 17
16 14 16 17 14 16 17 14 14 16 14 16 17 14 16 17 16 17 17
17 14 14 15 14 15 17 14 15 17 15 17 17
15 15 17 17
15
12 12 13 12 13
10 10 12 10 12 14 10 12 14 13 14 14
10 10 12 10 12 14 10 12 14 12 14 14
12 14 14
steady gliss.
15 15 17 15 17 19 15 17 19 20 20 20 20
18 15 17 18 17 18 18
14 14
14 14 15 14 15 17 14 15 17 15 17
15 15 17 17
7 10
8v
a
loco
10
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Sorgdal
C C/E F µ
(He like to
8v a
15 15 17 15 17 19 15 17 19 20 19 17 19 17 17
15 15 17 15 17 18 15 17 18 17 18 18 20 20 18 20 18 17 20 18 17
16 14 16 17 14 16 17 16 17 17
17
12 12 13 12 13 15 12 13 15 17 15 13 12 15 13 12 13 12 12
12 12 13 12 13 15 12 13 15 13 15 15 15 15 13 15 13 12
12 10 12 14 10 12 14 13 14 14
14
Am G/B C C/E F µ
rock.
8v a
11
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Sorgdal
Am G/B C C/E
He like to rock, rock.
8v a
20 20 17 20 20 17 20 20 20 20 20 20 17 20 20 17
20 19 17 17 20 19 17 20 19 17 20 19 17
19 19 19 19
15 15 13 12 15 15 13 12 15 15 15 15 15 15 13 12 15 15 13 12
14 12 14 12 14 12 14 12
14 14 14 14
He like to rock.
1 1 1 1
1 1 1 1/2
22 22 22 19 19 19 19
20 20 22 22 22
8v a
12
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C C/E F µ
1/2 1/2
19 19 17 17 17 17 19 19 19 19
20 20 20 20 17
20 19 17
19
1 1
15 15 12 12 12 12 15 15 15 15
15 15 15 15 13 12
14 12
14
Am G/B
He like to rock, rock.
1 1
15 15 12 12 12 12 15 15 15 15
15 15 15 15 13 12
14 12
14
13
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Sorgdal
C C/E F µ
1/2 1/2
19 19 17 17 17 17 19 19 19 19
20 20 20 20 17
20 19 17
19
1 1
15 15 12 12 12 12 15 15 15 15
15 15 15 15 13 12
14 12
14
Am G/B C C/E
He like to rock, rock. He like to
(Ed - die’s com - in’ out. Ed - die’s com - in’.)
8v a
Gtr. 7
1 1 1/4 1 1 1 1 1 1 1 1 1
20 20 22 22 22 22 22 22 22 22 22 22
8v a
Gtr. 6
1 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2 1/2
17 17 19 19 19 19 19 19 19 19 19 19
Gtrs. 2 & 3
7 8 3 0 2 3 5 7
7 8 0 3 4
14
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Sorgdal
Free time
F5 G5 A5
rit.
roll.)
rit.
1 1 1 1 1
22 22 22 20 22 22 22 22 20 22 19 20
22
rit.
1/2 1/2 1/2
19 17 19 19 19 17 19 15 17
18 20
rit.
2
3 5 2
8 8 3 5 0
1 3
µ
8v a
5
3 3 3
1 1 1 1 1
22 22 20 22 22 20 22 22 20 22 22 20 22
22 20 22 20 22 20 22 20
8v a
1/2 1/2 1/2 1/2 1/2
19 19 17 19 19 17 19 19 17 19 19 17 19
20 20 20 20
5
5
2 2
2 2
0 0
15
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Sorgdal
from Night Ranger - 7 Wishes
Intro
Moderately q = 123
***Asus2
*Gtr. 1
mf
let ring
T
12 17
12
14
12
**Gtr. 2 (dist.)
mf
2 2
2 2
0 0
**Doubled throughout
***Chords symbols reflect implied harmony.
A5 F#5
Gtr. 3 (dist.) 8v a
f
1 1
X 12 17 17 14 17 17
X
Riff A End Riff A
*Gtr. 1
loco
10 9 10 9
9 9 9 7 9 9 6
7 9 9 7 9 9 7
9
*Elec. piano patch.
Gtr. 2
P.M.
2 2 2
2 4 2 2
0 0 4 4 4 4 4 4 4 4 4 0 0
0 2 2 2 2 2 2 2 2 2
Sorgdal
Gtr. 1: w/ Riff A Gtr. 3 tacet
A5 F#5
1. Four
8v a
Gtr. 3
fdbk.
17 17 17
Gtr. 2
P.M. P.M.
2 2 2
2 4 4 2 4 2 2 2
0 0 4 4 4 2 0 0 0
0 2 2 2 2 2 0
Verse
2nd time, Gtr. 3 tacet Gtr. 2 tacet
Asus2 F#m11
in the morn - ing came with - out a warn - ing, ev - ’ry - bod - y’s got a place to be.
time when I knew you, I held my bod - y to you. Made you feel like you nev - er felt be -
Gtr. 4 (clean)
mf
*w/ chorus & delay
0 0
0 0
2
2
0
2
2
X
2
*Delay set for half-note regeneration w/ 3 repeats.
Gtr. 2
2
2
0
2
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Asus2
I got holes in my con - science, shot with a ven - geance. I
fore. And now it’s all in the dis - tance, still you keep re - sist - ing. I
Gtr. 1
let ring
10 9
9 9 7
9 9 7
Gtr. 4
0 0
0 0
2 2
2 2
0
2
Pre-Chorus
Gtr. 4 tacet
D E * F#m E/F#
must have been a fool not to see. I need you bad, it’s hard to live with - out your
love you like nev - er be - fore, oh. I need you bad, it’s hard to live with - out your
Rhy. Fig. 1
Gtr. 1
7 9 10 9 9 9 9 9 9 9
7 9 11 9 9 9 9 9 9 9
7 9 11 9 9 9 9 9 9 9
Gtr. 4
2 0
3 0
2 1
0 2
Gtr. 2
mf
P.M.
9 9 9 9 11
7 9 9 9 9 11 4
5 5 5 5 7 9 9 7 7 7 7 7 9 9 4
9 2
*Chord symbols reflect overall harmony.
3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F#m E/F# µ F#m E/F# E/B B
com - pa - ny. I need you bad, so bad I can’t take it, you see.
ten - der touch. I need you bad, so bad I guess you’re play - in’ me tough. Oh, I
End Rhy. Fig. 1 Rhy. Fig. 2 End Rhy. Fig. 2
Gtr. 1
10 9 9 9 10 9 9 9 9 9 9 9 9 7 7 7
11 9 9 9 11 9 9 9 9 9 9 9 9 8 8 8
11 9 9 9 11 9 9 9 9 9 9 9 9 9 9 9
Gtr. 2
let ring
4
4 4
4 4 4 4
4 4 4 2
2 2 2
Chorus
Gtr. 1 tacet
D5 E5 F#5
Rhy. Fig. 3
Gtr. 2
P.M. P.M.
P.M. P.M. P.M. P.M.
9 9
7 7 7 9 9 4 4 4 4
5 5 7 7 4 4 4 4
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
hard time lov - ing you. I can’t take an - y - more, I can’t
Gtr. 3
mf 1
7 9 9 7 7
5 9 9 9
Gtr. 2
P.M. P.M.
7 9 9 9 9 9 9 9
7 9 9 9 9 9 9 9 9 4 4
5 7 7 7 7 7 7 7 7 4 4
2 2 2 2 2 2 2 2
4
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1.
C#5 D5 E5
fake an - y - more. It’s such a hard time lov - ing you. 2. There was a
7 5 7 9 7 7 7 7 7 7
End Rhy. Fig. 3
P.M. P.M.
6
4 4 4
6
4 4 4 4 4
7
7
5 7 9
9
9
7
9
9
7
9
9
7
9
9
7
9
9
7
9
9
7
2.
Bridge
Gtr. 3 tacet
E5 E5
I guess I was go - in’ in the wrong di - rec -
w/ bar
7 7 7
-1/2
0 0
0 0
9 9 9 9 9 9 9
9 9 9 9 9 9 9
7 7 7 7 7 7 7
0 0
F#5 E5
- tion. I guess I was thrown
Gtr. 2
4 4 2
4 4 2
2 2 0 0
5
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D5 µ E5
for a while. I need to see you smile, I need you so, yeah.
let ring
9 9
2 0 9 9
2 7 7
0 0 0 0 0 0
Guitar Solo
F#5 D5
Gtr. 3
3 3
f
1
7 10 9 7 10 9
10 10 9 10
11 11 11 11 11 9 11 9 7 9 7 6 7 6 7 6
Gtr. 2
P.M. P.M. P.M. P.M. P.M. P.M.
7 7 7 7
4 4 4 4 7 7 7 7
4 4 4 4 5 5 5 5 5 5 5 5
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
E5 F#5
fdbk.
let ring
7 9 7 9 7
4 7 6 6
7 6 7 7 7
7 7 4
Pitch: E
P.M. P.M. P.M. P.M.
9 9 9 9 9
9 9 9 9 9 4 4 4 4
7 7 7 7 7 4 4 4 4
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
6
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Gtr. 3 tacet
D5 E5 F#5
f
Gtr. 5
Gtr. 5 (dist.)
Gtr. 3
3 divisi
16 12 16 12
7 10 9 10 14 12 14 12 14
4 6 9 9 9
7 6 7 6 4 6 7
P.M. P.M.
P.M.
P.M.
7 7 7 7 9 9 9 9
7 7 7 7 9 9 9 9 4 4
5 5 5 5 5 5 5 5 7 7 7 7 4 4
0 2 2 2 2 2 2 2 2
D5 E5
12 12 12 12 12 12 12
17 12 12 14 12 17 12 17 12 12 17 12 12 17 12 0 17 12 17 12 17 12 12
14 14 14 13 14 14 13
14 14 14 10
P.M. P.M. P.M. P.M.
7 7 7 7 7 9 9 9 9 9 9 9 9
4 4 7 7 7 7 7 9 9 9 9 9 9 9 9
4 4 5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7
2 2 2 2 2 2 2 2
F#5 C#5 D5
8v a
3 3
1 1
14 17 16 17 19 17 19 21 19 17 19 17 17
17 14 0 19 19 17 19 19 17 17 19 21 21 21 21 19
P.M. P.M. P.M.
6 6 6 6 6 7 7 7 7 7 7 7
4 4 6 6 6 6 6 7 7 7 7 7 7 7
4 4 4 4 4 4 4 4 4 5 5 5 5 5 5 5
2 2 2 2 2 2 2 2
7
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Bridge
Gtr. 5 tacet
E5 E5
I must have been go - in’ in the wrong di - rec -
8v a
17
21 19 17 21 19 17
0 0
0 0
9 9 9 9 9 9
9 9 9 9 9 9
7 7 7 7 7 7
0 0
F#5 E5
- tion. I guess I was thrown for a while.
Gtr. 2 (I need you
P.M.
4 4 2
4 4 2
2 2 0 0 0 0
Pre-Chorus
Gtr. 1: w/ Rhy. Fig. 1 (3 times)
bad. I need you bad.)
Gtr. 3
14
1
16 16 14
16
Gtr. 2
4 2 4 4 4 4
4 2 4 4 4 4
2 0 2 2 2 2
8
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F#m E/F# µ F#m E/F# F#m E/F# µ
take it, you see. I need you bad.) It’s hard to live with - out your ten - der touch. I need you
fdbk.
16 16 16
Pitch: C#
4 4 4 2 4 4
4 4 4 2 4 4
2 2 2 2 2
bad, so bad I’m on - ly tak - in’ so much. Oh, I can’t
16
let ring P.M. P.M.
4
4 4 9 9
4 4 4 4 7 7 7 9 9
4 4 4 2 5 5 7 7
2 2 2 0
9
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Outro-Chorus
Gtr. 2: w/ Rhy. Fig. 3 (till fade)
F#5 D5 E5
take an - y - more, I can’t fake an - y - more. It’s such a hard time lov - ing you.
F#5 C#5
I can’t take an - y - more, I can’t fake an - y - more. It’s such a
Gtr. 3
mf
1 w/ bar
14 16 16 16 14
14 16 16 16 16
-1
Gtr. 3 tacet
D5 E5 F#5
hard time lov - ing you. I can’t take an - y - more, I can’t
D5 E5
fake an - y - more. It’s such a hard time lov - ing you.
F#5
I can’t take an - y - more, I can’t
8v a
Gtr. 3
3 3 3
P.H.
1/2 1/2 1/2 1
16 16 14 16 16 14 16 16 14 14
17 17 17 17 17
10
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Begin fade
C#5 D5 E5
fake an - y - more. It’s such a hard time lov - ing you. I can’t
8v a
grad. dive
w/ bar
17 17
-1
F#5 D5 E5
take an - y - more, I can’t fake an - y - more. It’s such a hard time lov - ing you.
8v a
3
21 19 17
F#5 C#5
I can’t take an - y - more, I can’t fake an - y - more. It’s such a
loco
8v a
harm.
semi-
let ring
17 19 17
19 21 17
18 16 14 16 14 13 13
Fade out
D5 E5 F#5
hard time lov - ing you. Oh, yeah.
(Take an - y - more. I can’t...)
w/ bar
1
14 16 16 14 16 14 13
16 14 14 16 14 16 16
16
11
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from Night Ranger - 7 Wishes
Goodbye
Words and Music by Jack Blades and Jeff Watson
Intro
Moderate Ballad q = 84
* Esus2 Esus2/G# A6sus2 Asus2/C# Bsus4
Riff A1
Gtr. 2 (acous.)
mf
let ring throughout
2 2 2
5 5 5 5 5 5 5 5
4 4 4 4 4 4 4 4
2 2 2 0 2 2 2 0
0 4 2
0 4
Riff A
Gtr. 1 (acous.)
mf
let ring throughout
2 2 2
5 5 5 5 5 5 5 5
4 4 4 4 4 4 4 4
2 2 2 2 2 2 2 2
0 4 2
0 4
*Chord symbols reflect implied harmony.
Gtr. 3 (elec.)
**
w/ dist.
12
**Vol. swell
End Riff A1
Gtr. 2
Harm.
2 0 2 12
5 5 4 4 5 5 12
4 4 4 4 4 4
2 0 4 0 2
0 2
0
End Riff A
Gtr. 1
2 0 2
5 5 4 4 5 5
4 4 4 4 4 4
2 2 4 4 2 2
0 2
0 0
Sorgdal
Gtrs. 1 & 2: w/ Riffs A & A1
Esus2 Esus2/G# A6sus2 Asus2/C# Bsus4 A6sus2 Badd11
Gtr. 3
rake
3
mf
1 1
12 12 10 10 9 10 9
X 11
X
X
Verse
Gtrs. 1 & 2: w/ Riffs A & A1 (2 times)
Gtr. 3 tacet
Esus2 Esus2 Esus2/G# A6sus2 Asus2/C# Bsus4
1. As the sun hides his head for an - oth - er night’s rest and the
fdbk.
11 11
Pitch: D
wind sings his same old song. And you on the edge, nev - er close,
Pre-Chorus
C#m9 BsusÊ Aadd9
hard liv - ing life on this mem - ’ry - go - round, al - ways
Gtr. 3
1 1/2
12 12 12 12 10
X X
X X
Riff B
*Gtrs. 1 & 2
0 0 0 0
0 0 0 0 0 0
8 8 6 6 6 6 6 6
6 6 4 4 7 7 7 7 7 7
4 2 0 0
*Composite arrangement
2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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Gtrs. 1 & 2 tacet
C#m9 BsusÊ Aadd9 B5
up, al - ways down spin - ning ’round and ’round and ’round. And
grad. dive
1 1 w/ bar
11 11 11 11 9 9
-1 1/2
End Riff B
Gtr. 4 (elec.)
* mf
w/ dist.
0 0 0
0 0 0 0
8 8 6 6 6 4
6 6 4 4 7 7 4
4 2 0 2
*Vol. swell
Chorus
Gtrs. 1 & 2: w/ Riffs A & A1
Gtr. 3 tacet
Esus2 Esus2/G# A6sus2 Asus2/C# Bsus4 A6sus2 Badd11
all this could be such a dream, so it seems, I was nev - er much good at good -
Rhy. Fig. 1
Gtr. 4
2 2 4
2 2 2 4
2 0 2 4 2 0 2
0 4
Verse
Gtrs. 1 & 2: w/ Riffs A & A1 (2 times) Gtr. 4 tacet
Esus2 Esus2 Esus2/G# A6sus2 Asus2/C# Bsus4
byes. 2. There once was a time, nev - er far from my mind, on the beach
End Rhy. Fig. 1
2
2
0
3
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A6sus2 Badd11 Esus2 Esus2/G#
3
on the Fourth of Ju - ly. I re - mem - ber the sand, how you
A6sus2 Asus2/C# Bsus4 A6sus2 Badd11 Esus2
held out your hand and we touched for what seemed a life - time. But it’s
Pre-Chorus
Gtrs. 1 & 2: w/ Riff B
hard leav - ing all this be - hind me now, like a school - boy so lost, nev - er
Gtr. 3
1 1 1
12 12 10 10
11 11
Chorus
Gtr. 4: w/ Rhy. Fill 1 Gtrs. 1 & 2: w/ Riffs A & A1
Gtr. 3 tacet
Gtr. 4: w/ Rhy. Fig. 1
found un - til now. And all this could be such a dream, so it seems, I was
rake
12
X
Rhy. Fill 1
Gtr. 4
* mf
4
4
2
*Vol. swell
4
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Guitar Solo
Gtrs. 1 & 2: w/ Riffs A & A1 (2 times)
Gtr. 4: w/ Rhy. Fig. 1 (2 times)
A6sus2 Badd11 Esus2 Esus2 Esus2/G#
nev - er much good at good - bye.
Gtr. 5 (elec.) **
f
*w/ dist. & wah-wah
1 1 1 1 1
9 12 12
9 11 11 11 11 11 11
A6sus2 Asus2/C# Bsus4 A6sus2 Badd11
3
3 3
grad. release
1 1/4
1/2
9 8 7
11 11 9 9 9 8 X 11 11 9 8 9 8 9 8 6 8 6 8 6 4 6 4 6 4 3 4 2 1
11
12 14
12 12
2 4 2 1 2 1 13 13
2 2 14 0 14 14
0 14 14
loco
A6sus2 Asus2/C# Bsus4 A6sus2 Badd11
8v a
8v a
1 1/2 1
1 1
14 14 19 19
17 19 19 17 19 19 17
14 16 18
14 16 18
14 16
5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Pre-Chorus
Gtrs. 1 & 2: w/ Riff B Gtr. 5 tacet
Esus2 C#m9 BsusÊ Aadd9
3
3
3 3
And it’s hard liv - ing life on this mem - ’ry - go - round, al - ways
8v a
Gtr. 5
5
1/2
19 19 17 16 17 16 17 16 16
19 19 19 19 17 17
Gtr. 3
1 1
12 12 12 10 10
Chorus
Gtr. 4: w/ Rhy. Fill 1 Gtrs. 1 & 2: w/ Riffs A & A1 (1 3/4 times)
Gtr. 4: w/ Rhy. Fig. 1
Aadd9 B5 Esus2 Esus2/G#
C#m9 BsusÊ
3
up, al - ways down, spin - ning ’round and ’round and ’round. And all this could be such a
8v a
Gtr. 3
1
1
19 19 18 17
Gtr. 3 tacet
dream, so it seems, I was nev - er much good at good - bye. And
3 3
all this could be such a dream, so it seems, I was nev - er much good at good -
6
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Sorgdal
Esus2 E
bye, good - bye, good - bye.
Gtr. 2
Harm. Harm.
2 12 2 12 4
5 5 12 5 5 12 5
4 4 4 4 4
2 2 2
2
0 0 0
Gtr. 1
2 2 4
5 5 5 5 5
4 4 4 4 4
2 2 2 2 2
2
0 0 0 0 0
Outro-Guitar Solo
Gtrs. 1 & 2: w/ Riffs A & A1 (till fade)
Gtr. 4: w/ Rhy. Fig. 1 (till fade)
Esus2 Esus2/G# A6sus2 Asus2/C# Bsus4 A6sus2 Badd11
Gtr. 3
w/ bar
4
2 2 2 4 4 4
2 2 2 4 4 4
2 4 7 4 4 2 4 7 4 2 0 0 0 2 2 2
0 2 3 4
-1
Esus2 Esus2/G# A6sus2 Asus2/C# Bsus4
8v a
loco
Harm.
w/ bar
2 2
2 2 2 4 7 4 4 2 4 7 4 2
0 0 0 4 4 0 0 0 0 0 0 0 2 3 4
-1 -1
Voc. Fig. 1
(Good -
1 1 1 1 1 1 1 1
2 2 2
2 2 2
0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 11
7
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Esus2/G# A6sus2 Asus2/C# Bsus4
bye.)
(Bye.)
1
9 9 9
12 12 10 10 9 9 9
11
End Voc. Fig. 1
let ring P.M.
1 1
12 12 9 9 9
12 12 12 12 9 9 9 9 9 9 9 9 9
11 11 11 11 11 9 11 11 9 9 9 9 9 9
11 9 11 11 11 11
steady
T T gliss.
* * * * * * * * *
12 17 17 13 12 17 13 10 17 13 12 17 13 10 17 13 10 17 13 10 17 13 10 17 13 12 17 13 9 17 13 19 17 13 0 17 13 18 17 13 0 5 19
A6sus2 Badd11 Esus2
8v a loco
loco
3
semi-
P.H. harm. P.H.
1 1 1/2 1/4
17 19
9 11 9 9
14 18 6 11 6 7 9 9 11 9 9 18
11 10 9 7 9 9 7 8 7 7 7 7 7
Pitch: A# B A#
8
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Sorgdal
Begin fade
Esus2/G# A6sus2 Asus2/C# Bsus4
6
6
1 1 6
1
14 14 14 12 14 12 12 12 14 16 14 12 14 12 14 12 12
14 15 16 16 16 16 14 12 12 13 12
14 14 16 14 14 14 14
16 14 16 14 16
A6sus2 Badd11 Esus2
6 6
3
3 6
12 14 16 14 14 12 12 0
12 14 16 16 16 0 0
11 13 11 13 11 11 11 13 14
14 5 14 14 14 14 14 11 14 11 11 11 13 14
14 14
loco
8v a loco
1 P.H.
1
17 17 16 17 16
17 14 12 0
16 16 13 2 4 2 4 2 1 2
14 14 5 5
7
1 2 1
2 2 4 6 6 4 2 4 4 2 2 6 6 7 9 9 9 11 9
2 4 4 2 7 7
0 0 0
Esus2/G# A6sus2 Asus2/C# Bsus4
8v a
loco
P.H.
1 * 1
12 12 12 14 16 16 17 17 18 X X X X 24 24
10 12 12 14 14
9 9 9 11 13 9 11 9
4 6
Fade out
A6sus2 Badd11 Esus2
1 1
1 1/2
1/2 1
1
7 7 5 7 7 7 7 5 5 0
6 7 2 2 0
9
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Night Ranger - 7 Wishes
Seven Wishes
Words and Music by Jack Blades
Intro
Moderately q = 100
µ * E5
Gtr. 1 (dist.)
8v a 8v a
(Drums) loco
**
Harm. Harm.
P.M. P.M.
0 0 0 0 0 0 0 2.8 2.8 2.8 2.4 2.4 2.4 2.4 0 0 0 0 0 0 0 2.8 2.8 2.8 2.4 2.4 2.4 2.4
**Fade in Pitch: D E D E
Gtr. 2 (dist.)
***
P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0
*Chord symbols reflect implied harmony. ***Fade in
8v a
loco
8v a 8v a
loco
loco
Harm. mf
Harm. Harm.
P.M. P.M. P.M.
0 0 0 0 0 0 0 2.8 2.4 2 3 3 0 0 0 0 0 0 0 0 0 3 2.8 2.8 2.8 2.8 3 3 0 0 0 0 0 0 0 3 2.8 2.4 2 2 1.8 1.8
Pitch: D E F# B B D B B D E F# G#
Riff A End Riff A
mf
P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Sorgdal
Gtr. 2: w/ Riff A (5 times)
Em D/E Am/E
*Gtr. 3
mf
w/ fingers
let ring throughout
5 7 10
4 7 9
5 7 10
0 0 0
*Kybd. arr. for gtr.
8v a 8v a loco
Gtr. 1 8v a
loco loco loco
Harm. Harm.
Harm.
P.M. P.M. P.M. P.M.
8 8 7 5 7
9 9 7 4 7
10 10 7 5 7
0 0 0
8v a loco
8v a
P.M. Harm.
P.M. P.M. Harm.
let ring
10 8 8 7 5
9 9 9 7 4
10 10 10 7 5
0 0 0
8v a 8v a
loco loco
P.M. P.M. Harm.
P.M. Harm.
2
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Sorgdal
Verse
Gtr. 1: w/ Riff A (3 1/2 times)
Gtr. 2: w/ Riff A (4 1/2 times)
2nd time, Gtrs. 4 & 5 tacet
Em
1. If you were hand - ed sev - en wish - es, would you
trav - el back in time now, when I
H.H.
let ring
12
5 17 12
12
14
14
loco
8v a
P.M. Harm.
0 0 0 0 0 0 0 3 2.8 2.8 2 2 1.8 1.8
Pitch: B D F# G#
D/E Am/E
turn your back for more? Could you hold on tight to what you have? Would you
hand - ed you the key. Oh, I know you learned your mag - ic well, would you
Gtr. 3
14 17
15 17
14 17
16 14
17 15
C/E D/E Em
try to change the score? If you were giv - en back a life - time, would you
use the mag - ic on me? Are the chang - es for the bet - ter? Do the
15 15 14 12
17 17 15 12
17 17 14 12
17 16 14
15 14
3
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D/E Am/E
find some room for me? Oh, won’t you take my hand and walk a - way? Know it
lone - ly ones a - gree? I see you hand - in’ out the prom - is - es that were
14 17
15 17
14 17
16 14
17 15
C/E D/E Em/B Em/B type 2
Gtr. 3
all was meant to be.
meant for on - ly me.
Gtr. 4 (dist.)
Gtr. 3
mf
let ring (cont. in slashes) rake
15 15 14
17 17 15 20 20
17 17 14 X
17 17 16 X
15
Gtr. 5 (dist.)
mf
rake
17 17
X
X
8v a loco
Gtr. 1
Gtrs. 1 & 2
P.M. Harm. P.M.
1/2
4
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Sorgdal
Bridge
Gtr. 3 tacet
A5 C D5
Heart ach - ing, heart break - ing, hearts chang - ing, nev - er want the same thing.
w/ bar
7 9 7 2 2 7 9 7 2 2 7 9 7 9 9 12 11 9 7 7
w/ bar
2 5 4 2 2 2 5 4 2 2 2 5 4 5 5 9 7 5 7 7
1
2 2 2 2 0 7 7 7 7 7 7 7 7
2 2 2 2 2 7 7 7 7 7 7 7 7
0 0 0 0 3 5 5 5 5 5 5 5 5
Chorus
Gtrs. 1 & 2 tacet
E5 µ E5
P.M.
semi-
P.M. P.M. harm. P.M.
1 1 1 1
12 12 12 12
15 15 15 15
11
12 14 14 12
10 12 14 12
0 0 0 0 0 0 0 0 0 0 0
Gtr. 5
P.M.
P.M. P.M. P.M.
9 9 9 9 9 9
9 9 9 4 9 9 9
7 7 7 2 5 7 7 5 7 7 7
0 0 0 0 0 0 3 5 5 0 0 0 0 0
5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
µ G5 E5 µ
And your eye’s on the run with sev - en wish - es.
12
semi-
P.M. P.M. harm.
1 1
12 12
15 15 15
11 11
12 14 14 12 12 14 14 12
10 12 14 12 10 12 14 12
0 0 0 0
w/ bar P.M.
+1/4
9 9 9
4 9 9 9 4
2 5 7 7 5 7 7 7 2 5 7 7 5
3 5 5 3 0 0 0 3 5 5
-1 1/2
1.
Gtr. 2: w/ Riff A
T o Coda
Cadd#11 µ E5
Sev - en wish - es.
Gtrs. 4 & 5
let ring
8 7 5 7 5 3 5 5
5 5 5 5 5 5 5 11
12 14 14 12
10 12 14 12
0
8v a
Gtr. 1
Harm.
P.M.
5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 4
3 3 3 3 3 3 3 3 3 2 5 7 7 5
3 5 5 0 0 0 0 0 0 0 2.4 2 2 1.8 1.8 2.8 2.8
Pitch: E F# G# D
6
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Sorgdal
2.
Gtrs. 1 & 2 tacet
E5
2. If we could
Gtrs. 4 & 5
2
2
0 0
8v a
loco
Harm.
P.M.
0 0 0 0 0 0 0 3 2.8 2.4 2 2.4 2.8 2.8
Pitch: B D E F# E D
Interlude
Gtr. 4 tacet
E Esus4 E A Asus4 A A/G A Asusr A
Gtrs. 4 & 5
Gtr. 5 3
rake
12
X
2 X
2 X
0
Gtr. 3
7 12 12 10 12
9 10 14 15 14 10 14 12 14 15
9 9 12 14 14
9 9 14 14 14
7 12 12 10 12
B Bsus2 B D Dsus2 D G Gmaj9 G
3 fdbk.
w/ bar
12 8 12 8 8
11 9 11 14 12 14 15 14 10
12 10 12
9 12
10
7
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Gtr. 5 tacet
F Fmaj9 F Em D/E
Gtr. 4
Gtr. 5
6 6 6 6
*p
T T T T
8 12 15 17 19 17 15 12 15 17 22 17 15 12 15 17 19 17 15 12 15 17 21 17 15
-1 *Fade in
Gtr. 3
13 12 8 12 10
10 8 10 12 10
12 11
8
0
Gtrs. 1 & 2
2
2 2
0 0 0 0
Em D/E Em D/E
6 6 6 6 6 6 6 6
T T T T T T T T
12 15 17 19 17 15 12 15 17 22 17 15 12 15 17 19 17 15 12 15 17 21 17 15 12 15 17 19 17 15 12 15 17 22 17 15 12 15 17 19 17 15 12 15 17 21 17 15
7 5 7 10
8 7 8 10
9 7 9 11
0 0
0 0 0
8
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Guitar Solo
Gtrs. 3 & 4 tacet
Em A5 µ
Gtr. 6 (dist.)
8v a
6 6 6
3
f f
1/2 1/2
T T T T
19 19 17 19 19 19 17 19
12 15 17 19 17 15 12 15 17 22 17 15 12 15 17 19 17 15 12 15 17 21
12
12
12
P.M.
2
2
0 0 2 0 2 0
0 0 0 0 0 0 0 0 3 3 3 0
A5 µ A5 E5 µ D5 E5 µ E5
8v a loco
Gtr. 6
3
Gtrs. 1 & 2
2 2 9 7 9
2 2 9 4 7 9 4 5 4
0 0 2 0 0 7 5 7 7 5 5 7 5 7 7 5 7
3 3 0
9
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A5 µ A5 µ A5
8va
1
19 19 19 19 20 19
19 20 19 19 20 19 22 20 19 20 19 19 20 19 22 20 22 20 19 20 22
21 21 21 21 21
P.M. P.M.
2 2 2
2 2 2
0 0 2 0 2 0 0 0 2 0 0
3 3 3 0 3 3
B5 µ B5 C5 D5 D#[b5]
loco
3 3
5
19 20 22 19 20 19 19 19 20 19 19 19 20 19
22 22 22 19 20 22 22 22 19 20 19 18 17
18 17 16 17 16 16 17 19 16 17 16 14 12 11 12
16 17 19 19 0 14 14 14 14 12
P.M.
4 4 5 5
4 4 5 5 7 7 7 7
2 0 2 3 2 0 2 3 3 5 5 6 6
E5 G5
8v a
1
22 22
14 12
12 14 14 12 14 12
14 14 14 14 14 15 14 12 12
15 15 14 12 12 19
1/2
P.M. P.M. P.M.
9 9 9 9
9 9 9 9
7 7 7 7
0 0 0 0 0 0 0 0 0 3
10
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Bridge
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times) Gtr. 6 tacet
Gtrs. 4 & 5: w/ Riffs B & B1 (2 times)
A5 C D5
Heart ach - ing, heart break - ing, hearts chang - ing, nev - er want the same thing.
8v a
22
D.S. al Coda
A5 C D5
Heart ach - ing, heart break - ing, hearts chang - ing, nev - er want the same thing.
Coda
Outro
µ E5
Gtr. 6
mf
wish - es.
Gtr. 3
8 7
2 5 7
4
7 5 2 5 7
4
7 5
7 7 9
9
3 5 5 3 5 5 0
Gtr. 4
Gtrs. 4 & 5
Gtr. 5
divisi
*
10 12 14 2 12
12
5
14
7
11
4 14
7
12
5
3 5 5
*Gtr. 4 to left of slash in tab.
Gtrs. 1 & 2
Gtr. 1 15ma
loco
Harm.
3
w/ bar P.M.
2.8
2.8
0 0 0 0 0 0 0 0 0 0 0 0 0
-2 1/2 slack
Pitch: F
11
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Sorgdal
D5 B5 C5
3 4 2 4 5
2 4 4 4 5
0
P.M.
5 4 4 0 0 0 0 0 0 0
X X X 2 2 2 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 3 3 3
3 2 2
1., 2. 3.
A5
µ µ
(cont. in notation)
Gtrs. 3 & 6 Gtrs. 3 & 6
(Gtr. 6, cont. in slashes)
5
5
3
3
5
5
5 4 5
4 4
0 2 5 7 7 5 2 5 7 7 5
3 5 5 3 5 5
Gtr. 4
Gtr. 5
divisi
15 17
14
17 15
1210 1412 1614 1412 12 14 11 14 12
11
12 14 14 12
10 12 14 12
Gtr. 1 Gtr. 1
Gtr. 2
P.M. Gtr. 2
divisi * divisi **
11
10 12 14 2 12 125 147 114 147 125
12 14 4 14 12
0 0 0 0 0 0 0 0 0 0 0 0 0 10 12 14 2 12 5 7 7 5
3 5 5 3 5 5
12
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from Night Ranger - Dawn Patrol
Sing Me Away
Words and Music by Jack Blades and Kelly Keagy
Intro
Moderately fast q = 122
**A G/A Asus4 A G/A
Rhy. Fig. 1
Gtr. 1 (dist.)
*
(Synth.)
10 sec.
mf
let ring P.M.
6 4 X X 7 6 X X 6 4
7 5 X X 7 X X 7 5
0 0 0 0 0 0
Rhy. Fig. 1A
Gtr. 2 (dist.)
* 10 sec.
mf P.M. P.M. P.M.
5 3
2 5 3
2 6 4
2 7 5
0 0 0 0 0 0 0 0 0 0 0 0 0
*Key signature denotes A Mixolydian. **Chord symbols reflect overall harmony.
End Rhy. Fig. 1
P.M. let ring P.M.
let ring P.M. P.M. P.M. P.M.
6 4 X X 7 6 6 4 7 4 2 4 6 4 7 6 6 4
7 5 X X 7 7 5 5 5 4 5 7 5 7 7 5
0 0 0 0 0 0 0 0 0 0 0 0
P.M.
P.M. P.M. P.M. P.M.
5 3 2 3
2 5 3 3 3
2 6 4 2 4
2 7 5 4 5
0 0 0 0 0 0 0 0 0 0 0 0 0 0
A5 A G/A Asus4 A G/A G5/A G/A D/A G/A
Gtr. 1
P.M.
P.M. let ring
P.M. P.M. P.M.
4 6 4 X X 7 6 6 4 7 4 2 4
5 7 5 X X 7 7 5 5 5 4 5
0 0 0 0 0 0 0 0 0 0 0 0 0
Sorgdal
Verse
A G/A
1. Some - times I sit and I dream on for ho -
2. What do you see when you look in the mir -
Gtr. 1
mp
w/ bar Harm.
P.M.
10 10
10
9 9 9
7 7 7
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
-1 -1
Riff A
Gtr. 2
Harm.
P.M.
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
Riff B End Riff B
mf
Harm.
P.M.
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
End Riff A
Harm.
P.M.
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
A G/A A
Some - times my ho - urs, they turn in - to days.
I see a face from the past, it’s so clear.
2
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Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 2 meas.)
G/A D/A G/A A G/A Asus4 A G/A
I dream of a girl I once knew as a school
What do you hear when I sing you for - ev -
A G/A Asus4 A G/A G5/A G/A D/A G/A A G/A Asus4 A G/A
boy. She was the one
- er? A song that will last
*Gtrs. 1 & 2
P.M. P.M. P.M.
let ring P.M. let ring
6 4 X X 7 6 6 4 7 4 2 4 6 4 X X 7 6 X X 6 4
7 5 X X 7 7 5 5 5 4 5 7 5 X X 7 X X 7 5
0 0 0 0 0 0 0 0
*Composite arrangement
P.M.
P.M. let ring P.M. P.M.
4 6 4 X X 7 6 6 4 7 4 2 4 4 7
5 7 5 X X 7 7 5 5 5 4 5 5
0 0 0 0 0 0 0 0 0 0 0 0
Pre-Chorus
D Dsus4 Dsus2 D Dm7 G5/D D Dsus4 Dsus2 D Dm7 G5/D
3
But she is a long ways a - way, and I wan - na be with her to - day.
But I am a long ways a - way, and I wan - na be with you to - day.
let ring P.M. P.M. P.M. P.M.
7 8 5 7 6 6 8 8 7 8 5 7 6 6 8 8
7 7 7 7 7 7 7 5 5 7 7 7 7 7 7 7 7 7 7 5 5 7 7
0 0 0 7 0 0 0 0 0 0 0 7 0
Gtr. 2
7 6 6 6 8 8
7 5 7 5 5 7 7
0 0 0 0 0
3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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Eb Bb C F
Gtr. 2
divisi
10
Chorus
Gtrs. 1 & 2 tacet
C D G D/G
all the way back home. Sing me a - way, sing me a - way,
Riff C End Riff C
Gtr. 1 Gtr. 3 (clean)
mf
w/ chorus
let ring throughout
7 7 10 10
8 8 10 10
9 9 9 11 11 4 7 7 11 11
Riff C1 End Riff C1
Gtr. 2 Gtr. 4 (clean)
mf
w/ chorus
let ring throughout
8 8 7 7
7 7 7 7
10 10 10 12 12 5 5 5 5 5
C/G D D/F# G
oh. Sing me a - way,
8 8 10 10 7 7
8 8 10 10 8 8
9 9 11 11 11 7 7
5 5 7 7 8 8
5 5 7 7 7 7
5 5 7 7 5 5
4
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Sorgdal
1.
D/G C/G D E5 A
sing me a - way.
Oh,
Gtr. 3
10 10 8 8 10 10
10 10 8 8 10 10 10
11 11 9 9 11 11 11
Gtr. 4
7 7 5 5 7 7
7 7 5 5 7 7 9
5 5 5 5 7 7 9
7
Gtr. 2
7
0
Gtr. 1
Gtr. 2
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
5
5
3
3
5
5
3
3 3 3
7
0 0 0 0 0 0 0
6
7
0
4
5
0 0 0 0 0 0
2
2
0 0 0 0 0 0 0
6
7
0
4
5
0 0 0
2
4
0 0
4
5
0
5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2.
Guitar Solo
Gtr. 3: w/ Fill 1
Gtr. 4: w/ Fill 2
D E5 A G/A A
yeah, yeah.
Gtr. 5 (dist.)
f P.M.
1 1/2 1/2 hold bend
17
12 14 14 14 14 14 12
14 14
14 11
10 12 14
*Gtrs. 1 & 2
P.M. P.M. P.M.
3 5
2 3 5
2 4 6
2 5 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
*Composite arrangement
G/A D/A G/A A G/A
P.M.
1 1 1 1
15 12 14 12
15 15 14 12 15 14 12 12 14
14 12 11 14 14 14 14 14
14 11 11
12 12 14
P.M. *T P.M. T P.M. P.M. P.M.
3 3
3 3 3 2 3
4 2 4 2 4
5 4 5 2 5
0 0 0 X 0 X 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 3
*T = Thumb on 6th string
Fill 1 Fill 2
Gtr. 3 Gtr. 4
10 10 10
10 10 7 7 7
11 7 7
7
6
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Gtr. 5 tacet
A G/A D/A G/A G D/G
8v a
Gtr. 5
1
1 1
17 19 19 19 19 19 17 17 17
17 17 20 20 20 17 20 20 20
20 19 17
Gtr. 1
P.M. P.M.
5 3
5 3 3
6 4 4 4 5 2 2 4 5
7 5 5
0 0 0 0 0 0 0 0 0 0
2 0 3 3
Gtr. 2
P.M. P.M.
5 3
5 3
6 4 4
7 5 5 5 7 4 4 5 7
0 0 0 0 0 0 0 0 0 0 0 7
2 0 3 3
C/G D D/F# G D/G
7
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Sorgdal
Chorus
Gtrs. 3 & 4: w/ Riffs C & C1 Gtrs. 1 & 2 tacet
C/D D D/F# G D/G
Sing me a - way, sing me a - way,
8 8 7 8 10 8
9
C/D D D/F# G D/G
oh. Sing me a - way, sing me a - way.
Riff D
Gtr. 3
8 8 10 10 7 7 10 10
8 8 10 10 8 8 10 10
9 9 11 11 11 7 7 11 11
Riff D1
Gtr. 4
5 5 7 7 8 8 7 7
5 5 7 7 7 7 7 7
5 5 7 7 5 5 5 5
8
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Gtrs. 3 & 4: w/ Riffs D & D1 (2 times)
C/G D D/F# G D/G
Oh, I’d run all the way back home. Sing me a - way, sing me a - way,
Gtr. 1
mf
10
12 12 13 10 10 12 13
X 12
Gtr. 2
mf
End Riff D
Gtr. 3
8 8 10 10 7
8 8 10 10
9 9 11 11 11
End Riff D1
Gtr. 4
5 5 7 7 8
5 5 7 7
5 5 7 7
9
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Sorgdal
C D D/F# G D/G
sing me a - way, yeah. Sing me a - way, sing me a - way,
10
12 12 10 12 13 12 12 13 10 10 12 13
12 12
Outro
Gtrs. 3 & 4: w/ Riffs D & D1 (1 1/2 times)
C D D/F# G D/G
sing me a - way.
8v a
19 19 20 20 17 17 19 20
12 12 10 12 13 20 20
12
10
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Sorgdal
C D D/F# G D/G
1/2
1
X 19 19 17 19 19 19 19 19 20 20 17 17 19 20
20 20
8v a
loco
Gtr. 1
20 20
14 15 14 15 14 15 17 15 17 17 15 17 17 17 16
Gtr. 2
loco
8v a
17 17 17 17 6 8 6 8 6 8 10 8 10 8 10 10 10 8
Gtr. 3
rit.
8 8 11 11 13 13 15
8 8 11 13
9 9 12 14
Gtr. 4
rit.
5 5 8 8 10 10 12
5 5 8 10
5 5 8 10
11
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Night Ranger - Midnight Madness
Sister Christian
Words and Music by Kelly Keagy
Gtr. 1: Capo III
Intro
Moderately slow q = 88
C Fmaj7 G C
** (A) (Dmaj7) (E) (A)
*Gtr. 1
mf
w/ fingers
let ring throughout
5 0 5
2 3 5 5 5 0 2 3 5 7 2 3 5 5 5 0 2 3
2 4 6 6 6 2 4 6 1 2 4 6 6 6
2 7 0 7 2 7
0 0
0
*Piano arr. for gtr.
**Symbols in parentheses represent chord names respective to capoed guitar.
Symbols above reflect actual sounding chords. Capoed fret is “0” in tab.
Chord symbols reflect basic harmony.
F G F C/E Dm F/G
(D) (E) (D) (A/C#) (Bm) (D/E)
rit.
2 0 0 2 0
3 0 3 3 3 2
2 1 1 2 2 2 4 2 2 4 2
0 0 0 4 4 2 4 4
4 2 5
0 0
Verse
A tempo
2nd time, Gtrs. 2 & 3: w/ Rhy. Fill 1
C F G C
(A) (D) (E) (A)
1. Sis - ter Chris - tian, oh, the time has come, and you know that you’re the
2. Babe, you know you’re grow - ing up so fast and ma - ma’s wor - ry - ing that
0 0
2 2 3 2 0 2 2 0
2 2 2 4 2 2 1 1 2 2 2
2 2 2 4 2 2
0 5 0
0
Rhy. Fill 1
Gtrs. 2 & 3
5
5
3
Sorgdal
F G F C/E Dm F/G
(D) (E) (D) (A/C#) (Bm) (D/E)
on - ly one to say o - kay.
you won’t last to say let’s play.
2 0 5 5
3 0 7 5 3 2 0
2 1 7 7 2 2 2 4 4 2
0 0 4 2 4 0 2 4 4
4 5 5
0 7 0
C F G C
(A) (D) (E) (A)
3
Where you go - ing, what you look - ing for? You know those boys don’t wan - na
Sis - ter Chris - tian, there’s so much in life, don’t you give it up be -
0 0 5 0
2 2 3 0 0 2 0
2 4 2 2 1 2 2
2 2 2 4 2 2 2
0 0 0 5 0
0
T o Coda
F G F C/E Dm F/G
(D) (E) (D) (A/C#) (Bm) (D/E)
play no more with you, it’s true.
fore your time is due, it’s true.
2 0 0 0 5 2
3 3 0 0 5 7 3 3 2 0
2 1 7 7 2 2 2 4 4 2
0 0 4 2 2 4 4
5 4 5 5
0 7 0
2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Pre-Chorus
You’re
Gtr. 1
0
3 0 2 3 5
2 2 1 2 2 4
2 4 2 2 4 6
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
5
X
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
mf
P.M.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Chorus
Gtr. 1 tacet
C5 F5 C5 F5 Bb5
mo - tor - ing, what’s your price for flight in find - ing mis - ter right?
*Gtrs. 2 & 3
P.M. P.M. P.M. P.M. P.M. P.M. P.M.
5 5 5 5 5 5 3 3
5 5 5 3 3 5 5 5 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 1 1
1 1 1 1 1 1 1 1 1
*Composite arrangement
3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D.S. al Coda
C5 F5 F/A Bb F/A G
You’ll be al - right to - night.
P.M. P.M. P.M. P.M.
w/
bar
3
5 5 5 3
5 5 5 5 3 3 3 3 3
3 3 3 3 3 3 3 3 3 0 0 0 1 0 1 0
1 1 1 1 1 3 3
Coda
Pre-Chorus
Gtrs. 1 & 3: w/ Rhy. Figs. 1 & 1A
C F/C G/C C F/C G/C
(A) (D/A) (E/A) (A) (D/A) (E/A)
It’s true, yeah.
_ 1/2 _ 1/2 _ 1/2 _ 1/2 _ 1/2 _ 1/2 _ 1/2 _ 1/2 _ 1/2 _ 1/2
Gtr. 2
w/ bar
_ 1/2 _ 1/2 _ 1/2 _ 1/2 _ 1/2 _ 1/2 _ 1/2 _ 1/2 _ 1/2 _ 1/2
5 5 5 5 5 5 5 5 5 5 5 5
5 X
3 3 3 3 3 3 3 3 3 3 3 3
Chorus
C5 F5 C5
Mo - tor - ing, what’s your price for flight? You
Rhy. Fig. 2
Gtrs. 2 & 3
P.M. P.M.
P.M.
P.M.
P.M. P.M.
5 5 5 5 5
5 5 5 3 3 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
1 1 1 1 1 1
F5 Bb5 C5 F5
got him in your sights, and driv - ing through the
End Rhy. Fig. 2
P.M.
P.M.
3 3 5
3 3 3 5 2 3 2
3 1 1 3 3 3 5 3 3 3 5 3 0
1 1 1 1 1 1 3 5
4
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Sorgdal
Bb F/A Bb5 F/A Bb5 F/A Bb5 µ C5
night. Mo - tor - ing,
Rhy. Fig. 3
3
3 5 5
3 3 3 3 3 3 3 3 3 5 5
1 0 1 1 0 1 1 0 1 3 3
F5 C5
F5 Bb5
what’s your price for flight in find - ing mis - ter right?
End Rhy. Fig. 3
P.M. P.M. P.M. P.M. P.M.
5 5 5 3 3
3 3 5 5 5 5 3 3 3
3 3 3 3 3 3 3 3 3 3 3 1 1
1 1 1 1 1 1 1 1 1
C5 F5 Bb
You’ll be al - right to - night.
Rhy. Fig. 4
P.M.
3
5 3
5 2 3 2 3
3 3 3 5 3 3 3 5 3 0 1 0
1 1 1 1 1 3 5 3
Guitar Solo
Gtrs. 2 & 3 tacet
F/A G F G/F
Gtr. 4 (dist.)
w/ bar
f A.H.
1/2 +1 +1
P.H. T
2 2
3 5 5 5
3 3 8
Pitch: C
1 0
3 1
5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F G/F F
_1 _1
Gtr. 4 8v a
3
fdbk. w/ bar rake
steady gliss.
w/ bar
_1 _1
+1 1/2
17
17 20
2 3 2
5 5 5 5 2 2 3
X 3 3 19
X
-3 1/2
rake
w/bar 1
20 19 10 10 8
20 20
2 5 4 0
10 2 5
3 2 2 5
X
-2 1/2
C/E F7/Eb Bb/D
8v a
Gtr. 4
w/ bar
hold bend hold bend *
Harm.
1 T 1/2 T T
10 13 10 10 8 10 16 10 16 16 10 10 8 10 15 14 13 15 18
3
7 6 5 5
8v a
loco
3
3 1/4
7 7 8 8 10 17 15 19 17 20 19 22
12 12 12 8 8 10 10 12 0 0 18 17 15 20 20 17 20 18
12 12 12 12 12 14 12 14
12 12
let ring
3 3 3 3 3
3 3 3 3 3
0 0 0 0 0
0 0 0 0 0
X X X X X
3 3 3 3 3 3 3 3 3
6
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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Chorus
Gtrs. 2 & 3: w/ Rhy. Fig. 3
µ C5 F5 C5
Mo - tor - ing, what’s your price for flight in
8v a
Gtr. 4 loco
1
mf
22
3 3 3
17 1 1 3 5
Gtr. 4 tacet
F5 Bb5 C5 F5
find - ing mis - ter right? You’ll be al - right to - night.
Gtrs. 2 & 3
P.M.
5
5 2 3 2
3 3 3 3 5 3 3 3 5 3 0
1 1 1 3 5
Gtrs. 2 & 3: w/ Rhy. Fig. 2
Bb F/A Bb5 F/A Bb5 F/A Bb5 C5
You’re mo - tor - ing,
Gtr. 4
P.H.
mf
3
3
3 3 3 3 3 3 3 3 3
1 0 1 1 0 1 1 0 1 3 3 3
3 5
F5 C5 F5 Bb5
what’s your price for flight in find - ing mis - ter right?
7
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Gtrs. 2 & 3: w/ Rhy. Fig. 4
C5 F5 Bb F/A G
You’ll be al - right to - night.
Interlude
C F/C C F/C G/C
(A) (D/A) (A) (D/A) (E/A)
Gtrs. 2 & 3
let ring
H.H.
5 5 17
5
3
Gtr. 1
0 5 0 2 5 5 0 2 4
2 2 3 2 2
2 2 2 2 2 2 4
2
0 0
Outro-Verse
Gtr. 3 tacet
C F G C
(A) (D) (E) (A)
3
Sis - ter Chris - tian, oh, the time has come and you know that you’re the
Gtr. 2
* mf
fdbk.
w/ bar
7 7
*Vol. swell -1
Gtr. 1
5 0 0 0 5 0
2 2 2 3 0 0 2 2 0
2 2 4 2 2 1 1 2 2 2
2 2 4 4 2 2 2
0 5 0
8
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Gtr. 2 tacet
F G F C/E Dm F/G
(D) (E) (D) (A/C#) (Bm) (D/E)
on - ly one to say o - kay.
Gtr. 1
2 0 2 0 2 2 0
3 0 0 3 3 2 0
2 1 1 2 2 2 2 4 2 4 2
0 0 0 4 2 4 4
4 5 5
0 7 0
C F/C C
(A) (D/A) (A)
3
But you’re mo - tor - ing, yeah,
2 0 0
2 3 3 2 2
2 2 2 2 2 2 2 2
2 2 2 4
0 0 0 0 0 0 0 0 0 0 0 0 0
F/C C Csus2
(D/A) (A) (Asus2)
mo - tor - ing.
2 2 0 0
3 3 2 2 0
2 2 2 2 2
4 2
0 0 0 0 0 0
F/C G C
(D/A) (E) (A)
rit.
rit.
0 5
3 3 0 0 2 2
2 1 1 2 2
4 4 2 2
0 0
0
9
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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from Night Ranger - Big Life
C5 G5 D5
5fr
Intro
Moderately q = 120
** D5
*
(Synth bass & sequencer)
Gtr. 1 (dist.)
mf
P.S.
X X X
7 X X X 5
X 5 X X X 5
*Key signature denotes D Mixolydian.
**Chord symbols reflect overall harmony.
Verse
Gtr. 1 tacet
µ D5
1. Think of it, I hold the
X X
7 5 X X 7 5 7 5 3
5 5 X X 5 5
world in the palm of my hand. Run a
comb through my hair, head on out for some new for - eign land.
Copyright © 1987 by Figs. D Music, Rough Play Music, Air Bear Music, USI B Music Publishing, Young Millionaires Club Music and Five Storks Music
All Rights for Rough Play Music Administered by Figs. D Music c/o The Bicycle Music Company
All Rights for Air Bear Music Administered by Peermusic Ltd.
All Rights for USI B Music Publishing and Young Millionaires Club Music Controlled and Administered by Songs Of Universal, Inc.
All Rights Reserved Used by Permission 1
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Bridge
C5 Csus2 C5
And all this could seem like a dream out the door, with
let ring
3
3 3
5 5 5
5 5 5 5
3 3 3 3
Verse
G5 * G5/E D5
ev - ’ry - day peo - ple face down on the floor. 2. I al - ways said I could
3
0
0 7
X 5
3
*Bass plays E.
make it and be who I am. There’s a
Gtrs. 1 & 2 (dist.)
mf
w/ bar
13 12
w/ bar
1/2 1/2
13 10
12 11 11 11 11
7
5
Gtr. 2 tacet
new look in sight, what a change for the new mod - ern man.
Gtrs. 1 & 2
Gtr. 1
10 13 10 12
7
5
2
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Pre-Chorus
Gtr. 2 tacet
C5
With all this it seems like I’m dy - ing for more, the
Gtr. 1
1/2 1/2
let ring
3
12
12 11 11 11 5 5 X X 12 11 11 9
5 X X X X X
3 X X 10 9 9 7
G5 G5/E Csus2
streets are on fire, nev - er seen it be - fore. It’s like the sound of e -
3
3 3 3
0 9 5 5
0 X 5 5
X 7 3 3
3
D/A A5 G5 E5
lec - tric gui - tars.
Gtr. 2
w/ bar w/ bar w/ bar
9 12 11 9
13 10 10 10 109
12 7 5 5
7
-1 1/2 -1
-3 1/2
Gtr. 1
3 7 7
5 12 12 12 11 9 7 7
5 X X X X X 7 7
3 10 10 10 9 7 0 0
5 3 0
3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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Chorus
Gtrs. 1 & 2 tacet
D Em7 G6 A D Em7
Worlds col - lide and hearts will be bro - ken, o - ver and o - ver, it’s the
(O - ver and o - ver.
Gtr. 2
Gtr. 1
divisi
14
Riff A
Gtr. 3 (clean)
mf
w/ chorus
let ring throughout
2 0 0 2 0
3 3 3 3 5 2 3 3 3 3
2 0 4 2 2 0
5 2
A G D Em7 G6 A6
same ev - ’ry - day. How can I say what has nev - er con - cerned me. The
Same ev - ’ry - day.)
Gtr. 3 End Riff A
Gtr. 3
Gtr. 1
divisi mf
0 2 0 0 2
2 3 3 3 3 3 3 2
2 2 4 4 2 0 4 2 5 5
5 5 5 5
3 3
To Coda 2
Gtr. 3 tacet
C5 G5 Eb5 Bb5 C5 G5
se - cret of my suc - cess is I’m liv - ing...
Gtr. 1
5 5
5 5
3 3 5 6 3
3 3 3 6 3 3 2
4
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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To Coda 1
E5 G5 D5
twen - ty - five hours a day.
7
5
0 3
Verse
µ D5
3. It’s a - maz - ing to me what a fool will be - lieve to get
mf
5 7 5 3
5 7
0
8v a
Gtr. 2
19
mf w/ bar
20 20 17
20
Gtr. 1
w/ bar
10 13 13 10 12 12
7
5
5
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Sorgdal
mind, I can live, I can fly. The
8v a
19
w/ bar
1/2 1/2
20 20 17
20 19 19 19 19
12
w/ bar 1/2 1/2
13 13 10
2 12 11 11 11 11
7
5
Pre-Chorus
Gtr. 2 tacet
Csus2 G5
hard - er they come, the hard - er they fall. I nev - er say may - be and I
Gtr. 1
w/ bar
3
3
5 11 12 11 11 9 7
5 X X X X
3 9 10 9 9 7 5
G5/E C5
go for it all. It’s like the sound of e - lec - tric gui - tars.
Gtr. 2
8 8 8 8
Gtr. 1
let ring
3
7 5 5 5 2 12 11 11 9
5 X X X
5 3 10 9 9 7
6
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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D.S. al Coda 1
D/A A5 G5 E5
8v a
3 3
1/2 rake
1/2
9 10 9 9 12 14 14 12 12 17 12 17 15 12 14 15
8 10 10 12 10 10 12 12 12 12 14 15 14 X 15
12
w/ bar
7 7 7 7
7 7 7 7
7 7 7 7 7 7 5
0 0 0 7
-1
Coda 1
D5
day.
(cont. in slashes)
7
5 5 5 5 5 5 5 5 5 5 5 5 5 5
Interlude
C5 G5
8va
Gtr. 2
15
1/2
17 15 20 19 19 17 19 17 17
13 13 17 17 17 17 20 17 20 18 20 18 20 18
10 12 12 19
loco
Gtr. 4 8v a
mf
1
17
17 18 17 20 20 18 17 20 18 17 18 17
17 17 17 17 19 17 16 19 19 19
17
17 19 19
7
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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C5
G5
(cont. in notation)
With
15 15 20 22 20 17 17 19 20 20 22 20 20 19 20
17 20
14 17 17
8v a
17 18 17 22 20 22 22 22 22 22 20 22
17 17 17 17 19
17
17 19 19
Bridge
noth - ing to show, just sweat from my soul, my heart’s on the line and I’m
8v a
Gtr. 2
19
8v a
Gtr. 4
20
Gtr. 1
4 4 5 5
2 4 4 5 5
2 7 2 2 3 3
0
8
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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Gtrs. 2 & 4 tacet
G5 A5 G/B
dy - ing to go. Look at us now, gon - na make it some - how,
mf
loco
Gtr. 2
loco
Gtr. 4
divisi mf
12 10
13 12 13 12 10 8
12 14 12 11 9
Gtr. 1
P.M. P.M.
2
5 2
5 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 0 0
3
Interlude
Gtr. 1 tacet
C5 D5
hold on to me, ba - by.
Gtr. 1
Gtr. 2
mf
w/ slight dist.
w/ pick & fingers
8 7 5 7
5 7 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 5 5
8 7 5
5 7 5 7 5 7 5 7 7 5 7 2 5 2 0
5 7 7 5 7 5 7 7 5 7 5 7 7 3 0
5 5 5 5 5 5
9
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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8 7 5 7
5 7 7 5 7 5 7
5 7 7 5 5 7 7 5 7
5 5 5 5 5
D.S. al Coda 2
A5 G5 E5
Oo.
Gtr. 2
w/ pick w/ dist.
fdbk. w/ bar
8 7
5 7 5 7
5 7 7 5 5 7 7 5
5 7 7
Pitch: C#
-1
Gtr. 1
3 17 5 3 3 0 0
Coda 2
Outro
Gtr. 3: w/ Riff A
E5 G5 D Em7 G6 A
Voc. Fig. 1
(Na, na, na, na, na, na,
Gtr. 1
mf
Gtr. 1
Gtr. 2
divisi
7 9 7
0 5 7 9 7 9
0 3
10
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 1 tacet
D Em7 A G D Em7
na, na, na, na, na, na, na. Na, na, na, na,
w/ bar
7
7 8 7 7
7 9 7 7
7 7 9 0 0 5 7 9
X X
C5
Gtr. 1
mf
The se - cret of my suc - cess
End Voc. Fig. 1
na, na, na.)
3 3
w/ bar
9
7 8 7 8 7 8 7 7 8 7 8 7 7
7 9 9 9 9 9
9 9
G5 E G
open 3 fr
3
9 7 9 7 7 7
9 10 10 9 10 9 7 9
10 7 10
11
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Bkgd. Voc.: w/ Voc. Fig. 1 Gtr. 1 tacet
Gtr. 3: w/ Riff A
D G6 A D Em7
open
day, hey.
day.)
7 7 7 9 7 7
7 9 7 9 7 7 5 7 9
A G D Em7 G6 A6
C5
mf
3 3
w/ bar w/ bar
9 9
7 8 7 7 7 8 7 8 7 8 7 7 8 7 8 7 7
7 7 7 7 9 9 9 9 9
0 5 7 9 9
0
G5 E G D5
open 3 fr
(Twen - ty - five hours a day.)
9 7
9
9 7
10
7
10 9
7
10 9 7
10 10
7 10 10 5
12
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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from Night Ranger - Midnight Madness
Moderately q = 140
Gadd9/B C%[no3rd]
8va
*Gtr. 1 (dist.)
f P.H.
w/ bar 1/2 w/ bar rake 1/2 w/ bar
12 12 12 12
12 14 14 12 12 14 14 12 12 14 12 X 14 12
X
Rhy. Fig. 1
**Gtr. 2
mf
let ring throughout
3 3
3 3
2 2
0 X
2 3
**Kybds. arr. for gtr.
8v a
loco
w/ bar
w/ bar 3 3 1/2 1
rake 1
14
13 15 17 17 17 X 18
12 13 15 15 15 15 13 13
14 12 12 14 X 17
X
End Rhy. Fig. 1
3 1
3 1
2 0
2 0
2
0
Gtr. 1 tacet
Am7sus4 *** Gadd9
8v a
19
3 3
3 3 3
2 0 2 0 2
2 0
0
3
***Chord symbols reflect implied harmony.
Sorgdal
Verse
Gmaj9
1. What do you do when it’s fall -
3
3 3 0 1 3
0 2 0 0 2
0
3 3
C%
- ing a - part and you knew it was gone from the ver - y start? Do you
3 3
3 0 1 3
0 0 0 2 0
3 2
close your eyes and dream a - bout me?
3
0 1 3 0 1 3
0 2 0 0 0 2
0
1 3
Gtr. 2 tacet
C6 D Gmaj9
A girl in love with a gleam in your eye, I was a
Gtr. 3 (slight dist.)
mp
P.M. throughout
3
2 2 0
X 4 5 5 4 5 5 5 4 5 4
3 5 5 5 5 5 5
3
2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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C% Am7
young - er boy all dressed in white. We’re old - er now. I’ll
5 7
5 7 4 5 5 5 4 5 5 5 5 5 5 5
3 3 3 3 3 7
Gtr. 3 tacet
Fadd9 Gmaj9
bet you still think a - bout me.
Gtr. 3
5
3 5 3 5 5 5 4 5
3 5
3
Rhy. Fill 1 End Rhy. Fill 1
Gtr. 4 (dist.)
mp mf
P.M.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Pre-Chorus
3rd time, Gtr. 6: w/ Fill 3
Bbsus2 F
Eb5
1. I re - mem - ber we learned a - bout love in the back of a Chev - ro - let.
2. I re - mem - ber I held you so tight and we danced the night a - way.
3. I re - mem - ber we learned a - bout love in the back of a Chev - ro - let.
Gtr. 4
P.M.
P.M.
P.M.
1 1 1
1 1 1
3 3 2 5 5 0 8
3 3 3 3 3 3 3 3 3 3 0 8 8 8 8 8 8 8
1 1 1 1 1 1 3 3 3 3 3 3 3 6 6 6 6 6 6 10
1 1 1 1 1
Fill 3
Gtr. 6
5 8
3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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Bbsus2 F
3
Well, it felt so good to be young, it feels like yes -
With the moves of two wide - eyed kids, I need you so much
No good for an old mem - o - ry to mean so much
P.M. P.M.
P.M.
1 1 1
1 1 1
3 3 2 0
8 8 8 8 8 8 8 8 3 3 3 3 3 3 3 3 3 0
10 8 8 6 6 6 6 6 0 1 1 1 1 1 1 0 3 3 3 3 3 3
0 1 1 1 1 1 1
Chorus
2nd & 3rd times, Gtr. 4: w/ Rhy. Fill 2 2nd & 3rd times, Gtr. 5: w/ Fill 1
G5
G/B
- ter - day.
to - day. When you close your eyes
to - day.
Riff A1
Gtr. 5 (dist.)
Gtr. 4
3
P.M.
3
0
0 5 4 5 4 5
X 5 5 3 2 2
3
Rhy. Fill 2
Gtr. 4
P.M.
5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 3
Fill 1
Gtr. 5
Harm. w/ bar
5 5
Pitch: G -2 1/2
4
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C Em D/C C
do you dream a - bout me? When you
Voc. Fig. 1 End Voc. Fig. 1
To Coda 1
To Coda 2
G/B C D Dsus4 D
close your eyes do you dream a - bout me? Do you still dream a - bout
8 8
7
9 7 10 10 12 7
5 10 17
7 8 8 8 7 7
7 7 7 7 7 7
5 5 7 7 7 7 7 7
2 2 3 3 5 5 5 5 5 5 5
10
5
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G5 C D
me? 2. I
w/ bar
+1
3
3
0
0 2 5 2 2 2
X
3
3
3
0
0
X 5 3 3 5 5
3 3
Verse
Gtrs. 4 & 5 tacet
Gmaj9 C%
guess I don’t know what I’m think - ing, com - ing off a hard night of drink -
Riff B
Gtr. 3
P.M. throughout
5 4 5 5 5 4 5 5 5 5 4 5 5
5 5 5 5 5 3 3 3
3 3
Gtr. 5
Gtr. 4
5
3
6
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Am7 Fadd9
- ing. Ang - ie, come clos - er to me, I need a soul to bleed
Gtr. 3
4 5 4 5 5 5 5 5 7 5 5 5 3 5 3 5
3 3 3 7 3 3
5 1
Gtr. 3: w/ Riff B
Gmaj9 C5 D5 Gmaj9
out. It could -’ve been done in a dif -
End Riff B
Gtr. 3
5 4 5 5 5
5 5 5 5
3
Gtr. 4
5 7 7
5 7 7 5 5 5
3 5 5 5 5 5
3 3 3
Gtr. 4 tacet
C%
f’rent kind of way but that ain’t you, you play tough when you play. It’s
D.S. al Coda 1
Am7 Fadd9 Gmaj9
o - ver now, I’ll bet you still think a - bout me.
Gtr. 4
mp mf
P.M.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
7
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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Coda 1
Gtr. 5: w/ Riff A1 (last 2 meas.) Gtrs. 4 & 5: w/ Riffs A & A1
D Dsus4 D G/B
me? When you close your eyes
8v a
Gtr. 1
14 15
15 15
Gtr. 4
7 8 8 8 7
7 7 7 7 7
7 7 7 7 7
5 5 5 5 5
8v a
Gtr. 1
G/B C D Dsus4 D
close your eyes do you dream a - bout me?
8
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Guitar Solo
Gtr. 2: w/ Rhy. Fig. 1
Gtr. 1 loco
w/ bar rake w/ bar w/ bar
1/2
12 12
12 14 12 X 14 12 14 12
X
Gtr. 4
2 2 3
Em7sus4
10
rake w/ bar w/ bar
1/2 1
12 12 12 13 15 15
X 14 12 12 14
X
-4
3 7 7 7
Dm11
8v a
Gtr. 1
rake 3 3 1/2
13 15 17 17 17
X 13 13
17
*Gtr. 6 (dist.)
f 1 1
7 7 7 5
*Jeff Watson
Gtr. 4
9
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Guitar Solo
Gtrs. 1 & 4 tacet
* Cmaj9 C F/C C
Gtr. 6
1 1 1
5 6
7 7 7 7 7 5 4 5
Am7sus4 Am7 F/A Am7
1 1
6
4 5 7 7 7 5
5 5 7
5 7 5 3 2
G/F C/F F C/F
3
1 1
6 5 6 5 6 5 6 5 5 8 8
7 7 7 5 7
D.S. al Coda 2
Gtr. 4: w/ Rhy. Fill 1
Dm7 C/D G
5
3 3
3
1 1
8 8 5 8 5
7 7 5 7 7 7 5 4 5 4
5
Coda 2
Gtr. 5: w/ Riff A1 (last 2 meas.)
D Dsus4 D
me? When you
Gtr. 4
7 8 8 8 7
7 7 7 7 7
7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5
10
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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Outro-Chorus
Gtrs. 4 & 5: w/ Riffs A & A1 (till fade) Bkgd. Voc.: w/ Voc. Fill 1
G/B C Em
close your eyes do you dream a - bout
D/C C G/B C
me? When you close your eyes do you dream a - bout
me? When you close your eyes
Begin fade
Bkgd. Voc.: w/ Voc. Fill 1
C Em D/C C
do you dream a - bout me? When you
G/B C D Dsus4 D
go to sleep at night do you dream a - bout me?
G/B C
When you close your eyes do you
Fade out
C D Dsus4 D
11
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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from Night Ranger - Midnight Madness
134 14
Intro
Free time Moderately fast q = 168
*A5 G5/A D/A G5/A D/A
Gtr. 1 (dist.)
mf
w/ bar
0 0
-3 1/2
Gtr. 2 (dist.)
f
P.M. P.M. P.M. P.M.
8 7 8 8 7
7 7 7 7 7
5 7 5 5 7
0 0 0 0 0 0 0 0 0 0 0
Gtr. 1 tacet
w/ bar
0 0 0
-3 1/2 slack
Gtr. 2
8 8
7 2 7
5 2 5
0 0 0 0 0 3 0 0 0 0 0 0
Gtr. 3 (dist.)
f P.M.
1/4
8
2 7
2 5
3 0 0 0 0 0 0
**Bass plays E.
Sorgdal
D/A G5/A D/A G5/A A5
*Gtrs. 2 & 3
P.M. P.M. P.M. P.M.
7 8 8 7 8
7 7 7 7 7 2
7 5 5 7 5 2
0 0 0 0 0 0 0 0 3 4 0
*Composite arrangement
A/C# G5/A D/A G5/A D/A G5/A A5
Gtr. 4 (dist.)
mf
1/2 1/2
14 14 12 12 14 14 12 12
12 14 11 12 11 12 14 12 14
14 12 14
Gtrs. 2 & 3
1/2 P.M. P.M. P.M. P.M.
8 7 8 8 7 8
7 7 7 7 7 7 2
5 7 5 5 7 5 2
3 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 4 0
A/C# G5/A D/A G5/A D/A G5/A A5
Gtr. 4
1/2 1/2
14 14 12 12 14 14 12 12
12 14 11 12 11 12 14 12 14
14 12 14
Fill 1 End Fill 1
8v a
Gtr. 5 (dist.)
mf
w/ bar
Harm.
5
5
4
Pitch: D G
Gtrs. 2 & 3
0
0
2 4
2 2 2 4 2 2
0 2 5 2 2
0 3 2 0
2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse
1. Lit - tle sis - ter by the rec - ord ma - chine, a ti - ny danc - er, such a
2. Lit - tle sis - ter makes a move for the door. The door squeaks, she’s on the
Gtrs. 2 & 3
P.M. P.M. P.M.
2
2
2
2 5 7 7 5
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
D5 D6 D5 D6 D[#4] D5
sweet six - teen. She’s go - in’ out, she’s gon - na par - ty to - night.
sec - ond floor. Her dad - dy wakes, “Is ev - ’ry - thing O. K.?”
P.M. P.M.
P.M. P.M. P.M.
7 7 9 9 9 6
5 7 7 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
0 0 0
E5 D/E
She’s gon - na shake and make it last all night. Lit - tle broth - er’s got a
Not a sound as she makes her get - a - way. Lit - tle broth - er’s got it
P.M. P.M.
7
9 7
5 4 5 4 9 7
5 5 5 5 5 5 5 5 5 5 5 7 7
0 0
E5 D/E
driv - in’ ma - chine, a fast driv - er, such a clean ma - chine.
read - y to roll, tires burn - ing as they head for the show.
P.M. P.M.
0
P.M.
P.M. P.M. P.M.
7 0 7 7
7 9 9 7 7
7 9 9 7 7
7 7
0 0 0 0 0 0 0 0 0 0 7 7
3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2nd time, Gtr. 2: w/ Rhy. Fill 1
C5 A5
They’re go - in’ out, they’re gon - na put out the lights. They’re gon - na rock it, rock it,
Light it up and turn the mu - sic on loud. They’re rock - in’, rock - in’,
P.M.
1/4
2 2 2
5 2 2 2
3 0 0 0
3 3 3
Chorus
D5 G5
rock it! You can still rock in A - mer - i - ca. Oh,
rock - in’!
Harm.
3
3 3 3
2 2 2 2 0
2 2 2 0 0 0 5
0 0 0 3 0 X 5
3 0 2 3 3 3
Pitch: A D B
A5 G5 A5 G5 D5 G5
yeah, it’s al - right. You can still rock in A - mer - i - ca. Oh,
Rhy. Fill 1
Gtr. 2
1 1
5 2
3 2 5 3 3 2 3 3 2
4
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
T o Coda
A5 G5 A5 G5 D5 G5
yeah, all night. You can still rock in A - mer - i -
3
3 3 3
2 2 0
X X X X X X X 0 0 0
X X X X X X X X
5 5 3 X X X 3 5 5 3 X X X X 0 2 3
1.
Gtr. 5: w/ Fill 1
A5 µ E5 µ E5
ca.
0
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
4
2
2
2 4 2
5 2
2
2
0 3 2 0
2.
Gtr. 3 tacet
A B5
ca!
Gtr. 3 *Gtr. 6 (dist.)
f 1
steady gliss.
9 9 9
10 10 10
9 9 9 9 12 9
7
0 5 14
5 14
*Brad Gillis
Gtr. 2
4
4
0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 0 0 0 0 0 0 0 0 0 5 4 2 0 2
3 3 3
5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Guitar Solo
Half-time feel
B5 Asus2
Gtr. 2
Gtr. 6
3
w/ bar w/ bar
1 1/2 1
7 9 9 7 7
9 9 8 9 9 9 8 9
End half-time feel
B5 Asus2
8va
(cont. in notation)
w/ bar Harm.
12
hold bend w/ bar
1 1 1
12 12 12
7 9 12 12 12
9 9 8 9 9
slack
Pitch: B
B5 A5
8v a
_ 1/2
Gtr. 6
3 3 3 3
*flutter bar
10
w/ bar _ 1/2
+1 1/2 +1 1/2
19 14 19 14 17 14 16 16 12 15 15 12 14
9 9 9 9 9 9
Rhy. Fig. 2 End Rhy. Fig. 2
Gtr. 2
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
4 4 4 4 4 2 2
4 4 4 4 4 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0
6
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
B5
8v a
loco
Harm.
w/ bar
+2
19 17 19 10 9
15 0 12 10 12 10 12
7 7 7
7 7 7 17 9 7 9
-1/2
-2 1/2
P.M. P.M. P.M. P.M. P.M.
2 2 2 4 4 4 4 4
2 2 2 4 4 4 4 4
0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 2
2
A5
8v a
3 3 3 1
11 12 12 13 13 14 14 15 15 16 17 17 17
10 11 12 13 13 14 14
2
2
0 5 0
Guitar Solo
D5 G5
8v a
Gtr. 6
w/ bar
+1/2
14 14 14
*Gtr. 7 (dist.)
f 3
1 1/2 1 1/2
9 9 7 6 7 11 11
4 4 5 7 9
5 5 7 5 5 7
15
*Jeff Watson
Rhy. Fig. 3
Gtr. 2
3
3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2 2 0
0 0 0 0 0 0 0 0 0 0 0 0
X
2 3
7
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 6 tacet
µ
8v a
w/ bar
steady dive
14 14
-1 1/2
8v a
3
3
17 20 20 17 20
16 19 19 19 17 20
16 17 19
14 14 15 17 19 17
15 17
X X X
5 4 X X X
3 2 0 3 5 3 X X X 3
8v a
Gtr. 7
1/2 1/2 1
17
17 20 17 20 17 20 20 20 17 17 20 17 17 17
19 19 19 20 20 20 19 20 19 17 19 17 16 17
19 19 19 17 19 19
Gtr. 2 End Rhy. Fig. 3
X X X X X X X X X X
X X X 4 X X X X X X X
5 3 5 7 X X X 3 5 3 X X X 3 5 3 5 7 X X X X
D5
G5
Gtr. 7
loco
*1 2 1 1 3 1 1 4 1 1 3 1 ** 1 2 1 1 3 1
T T T T T T T T T T T T T T T T T T
0 4 7 12 14 12 7 4 0 4 7 12 16 12 7 4
0 4 7 12 14 12 7 4 0 4 7 12 16 12 7 4 0 4 7 12 19 12 7 4 0 4 7 12 16 12 7 4
*Tap sequence executed with designated fingers **Pluck open string w/ fret hand index finger.
(1 = index, 2 = middle, 3 = ring, 4 = pinky) of pick hand, next 8 meas.
8
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
µ
6 6 6 6
1 4 1 1 3 1 1 2 3 4 3 2 1 1 2 3 4 3 2 1
T T T T T T T T T T T T T T T T T T T T
0 4 7 12 19 12 7 4 0 4 7 12 16 12 7 4 6 9 14 16 18 21 18 16 14 9 6 5 6 9 14 16 18 21 18 16 14 9 6
6 6 6 6
7
6 3 6 6
5
1 2 3 4 3 2 1 1 2 3 4 3 2 1 1 2 3 4 3 2 1 1 2 3 4 3 2 1
T T T T T T T T T T T T T T T T T T T T T T T T T T T T
4 7 12 14 16 19 16 14 12 7 4
5 6 9 14 16 18 21 18 16 14 6 9 6 9 14 16 18 21 18 16 14 9 6 5 6 9 14 16 18 21 18 16 14 9 6
Bridge
E5
***
Rock in A -
Gtr. 7
6
4
6 6 6
1 2 3 4 3 2 1 1 2 3 4 3 2 1 3
T T T T T T T T T T T T T T *T
7 12 14 16 19 16 14 12 7 4 16 17
5 6 9 14 16 18 21 18 16 14 9 6
Gtr. 2 **Gtrs. 2 & 3
Gtr. 3
divisi
9
9
5 4 7 6 7
5 5 7 0 12
**Composite arrangement ***Gang vocs. (downstemmed only),
next 19 meas.
Gtr. 7 tacet
A5 E5
mer - i - ca. Rock in A -
You can still...
Gtrs. 2 & 3
0 0
0 0
2 4
2 2
0 2
0
9
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A5 E5 B/E E5
3
mer - i - ca.
Rock in A - mer - i - ca!
P.M.
2
2 9 9 9
0 7 7 7 6 7 7 7
0 0 0 0 0 0 0 0
3
Rock in A - mer - i - ca.
Yeah, you can
P.M.
9 9 9 7 7 7 7 7 7
7 7 7 6 7 7 7 7 7 7 6 7 7 7 7 7 7 6 7 7 7
0 0 0 0 0 0 0 0 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
E5 B/E E5 B/E E5 A5 A[#4] A5 B5
Rock in A - mer - i -
still...
Gtr. 3
P.M.
9 9 9 9 9 9 7 7 7 7 9 9 9 9 9 9
7 7 7 6 7 7 7 7 7 7 6 7 7 7 7 7 7 6 7 7 7 7 9 9 9 9 9 9
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 5 5 5 5 5 5 5 5 5 7 7 7 7 7 7
Gtr. 2
P.M.
2 4
9 9 9 9 9 9 9 9 2 4
7 7 7 6 7 7 7 7 7 7 6 6 7 7 0 2
0 0 0 0 0 0 0 0 0 0 0 2 7
10
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Guitar Solo
Gtrs. 2 & 3: w/ Rhy. Fig. 2
B5
ca.
8v a
Gtr. 7
19 14 19 14 19 14 19 14 19 14
19 14 16 19 14 16 19 14 16 19 14 16 19 14 16 19
16 16 16 16 16
A5 B5
8v a
17 12 17 12 17 12 17 12 17 12 19 14 19 14 19
17 14 14 17 12 14 17 12 14 17 12 14 17 12 14 17 19 14 16 19 14 16 19 14
14 14 14 14 14 16 16 16
Gtrs. 2 & 3
P.M. P.M. P.M. P.M.
P.M. P.M. P.M.
2 2 2 2 2 4 4
2 2 2 2 2 4 4
0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2
2
D.S. al Coda
Gtr. 7 tacet
A5 µ D5
You can
8v a
*w/ delay
14 19 14 19 19 19
16 19 14 16 19 14
16 16 16
P.M.
3 3
4 4 4 4 2 2 2
4 4 4 4 2 0 0
2 2 2 2 2 2 0
11
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Coda
D5 G5
- i - ca, you can still rock in A - mer - i - ca, oh, you can
3 3
3 3 3 3
0 2 2 0
0 0 0 0
X
3 0 2 3
D5 G5
still rock in A - mer - i -
3
3 3 3
2 2 0
0 0 0
X
0 2 3
A/C# G5/A D/A G5/A D/A G5/A A5
ca.
Gtr. 4
1/2 1/2
14 14 12 12 14 14 12 12
12 14 11 12 11 12 14 12 14
14 12 14
Gtr. 3
1/2 P.M. P.M. P.M. P.M.
8 7 8 8 7 8
7 7 7 7 7 7 2
5 7 5 5 7 5 2
3 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 4 0
12
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A/C# G5/A D/A G5/A D/A
1/2
14 12 12
14
14 12 14 11 12 11 12 14
14 12 14
1 1/2 P.M. P.M. P.M.
8 7 8 8 7
2
2
0
4 4 2
4 2 4 2 3 0
7
5
0 0 0 0 0 0
7
7
0 0
7
5
7
5
7
7
0
G5/A A5 A/C# G5/A
1/2
1/2
14 12 12 14 12
14 14
12 14 12 14 11
Gtrs. 2 & 3
P.M.
P.M. 1 1/2
8 8
0
7
5
0 0 0 3 4
2
2
0
4 4 2
4 2 4 2 3 0
7
5
0 0 0 0 0
D/A G5/A D/A µ G5 µ A5
1/2
1/2
12 14 14 12 14 14 12 12
11 12 11 12 14 12 12 14
14 12 14
3
7 8 8 7 3
7 7 7 7 0
7 5 5 7 0 2
0 0 0 0 5 4 2 X 5 4 2 2 0
3 3
13
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Sorgdal