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Kristy McCluskey
Dr. Rosanne Denhard
Novels in Context
15 December 2009
Daniel Defoe’s experiences in his early life played a crucial role in shaping the
many aspects of his career. As a young child he witnessed the suffering caused by the
Plague and the Great Fire of London (West 2). He endured the loss of his mother and
experienced lifelong discrimination and harassment because of his religion. Defoe’s early
experiences prompted him to shield himself in secrecy. In publishing his works he often
disguised his name, address and even his handwriting. But his struggles also opened
doors and taught him to stand up for himself. Defoe studied at Charles Morton’s
Academy, one of the best educational institutions for children of Dissenters (9). Morton
helped shaped Defoe’s strengths as a writer, as he taught him to stand up for his beliefs
and how to present convincing arguments to others. This proved to be one of Defoe’s
greatest strengths in his careers as both a journalist and a novelist. Defoe crafted brilliant
twists of fact and fiction in which he presented compelling arguments for views he did
and did not hold. His personal experiences greatly influenced his writings. Defoe’s
Roxana’s obsession with money, jewelry and other signs of wealth is one of the
novel’s recurring themes. Her obsession has seemingly innocent roots: when her
husband’s disappearance results in the devastating loss of her children, Roxana hits rock
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bottom. She is left with only a servant, for whom she must provide should she desire the
Like Roxana, Defoe was all too familiar with debt and loss. He became involved
in trade in the late seventeenth century under the guidance of his father in law (West 51).
Unfortunately for Defoe, piracy was widespread at that time, and he experienced great
financial losses as a result. The losses put him under a tremendous amount of stress, but
money until creditors ultimately lost patience with him, declared him bankrupt and put
Roxana, like most women in her time, is accustomed to being provided for. When
her husband’s disappearance leaves her in a dire situation, she is forced to adapt if she
relationship with her landlord, also referred to as the Jeweller, as a means of survival,
trading her body for the roof over her head. She is honest with her readers, openly
admitting that “[she] Receive’d [his] Kindness at the dear Expence of Body and Soul,
mortgaging Faith, Religion, Conscience, and Modesty, for… a Morsel of Bread” (Defoe
38).
West writes that “Defoe understood how debtors attempt to escape from their
itself in the very business that caused him the misery; that is, the more money he lost to
trade, the more obsessed he became with investing in it. Both he and Roxana sought
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comfort in a dream of wealth, though Roxana fares far better financially than Defoe did.
Her relationship with the Jeweller, which begins as a struggle for survival, gradually
morphs into an obsession. The relationship, which initially offers board and bread, begins
to present Roxana with more. The Jeweller offers her gifts and money as well as power
and control, items incredibly tempting for a woman who had lost everything. Just as
Defoe relentlessly pursued wealth in trade, Roxana begins to obsess over wealth and the
When the Jeweller presents Roxana with a marriage contract that promises great
financial gain, she is eager to comply. The situation shifts from one of survival to one of
opportunity, but the transition presents no immediate consequences—that is, until Roxana
feels that her newfound wealth is threatened. Her servant, Amy, makes a casual inquiry
as to why Roxana is not yet pregnant: “Why you have been Marry’d a Year and a half, I
warrant you, Master wou’d have got me with-Child twice in that time” (Defoe 45).
Roxana interprets this as an assertion of her inadequacy, and reacts as though Amy has
suggested that she is not worthy of her new riches and subsequent power. These two
things are all that Roxana has to hold on to, all that she considers dear, and so she lashes
out. In a shocking assertion of control, she forces Amy to engage in intercourse with the
Jeweller until she is indeed with child. West suggests that Defoe knew that he had
behaved dishonorably in his quest for wealth, just as Roxana behaves here (54). Defoe
refused to admit defeat until he had exhausted all of his resources, and Roxana’s behavior
West writes that “the anxiety of the chronic debtor pervades Defoe’s novels,
changes of residence and disguise; and, above all, in fantasies of acquiring a fortune”
(53). Upon first experiencing Roxana, the reader might easily become perplexed by
Roxana’s obsessions with securing her estate. She frequently changes residences and
adopts new personas, each time taking great care to transport her possessions and her
Merchants, that I might neither risque it all on the Credit of one Merchant, nor suffer any
single Man to know the Quantity of Money I had..” (Defoe 163). But to the reader with
knowledge of Defoe’s own financial struggles, Roxana’s great care with her fortune
makes a great deal of sense. It appears that Defoe is redeeming himself through Roxana.
His financial decisions were reckless, while Roxana regards her finances with a great deal
Here Defoe exhibits and incorporates one of his greatest strengths as a writer. He
channels himself into Roxana’s tale, permitting her to learn from his mistakes, and grants
her the redeeming quality of careful consideration that he himself did not possess. But he
is just as quick to demonstrate that such care can quickly morph into a destructive
obsession. Roxana takes great care of her wealth, but soon becomes possessed by it. She
begins to judge others in terms of their financial worth, in terms of what they are able and
willing to give to her. Defoe first presents this in Roxana’s orchestration of Amy’s rape,
where she demonstrates that her wealth elevates her to a position of power. It is also
evident in the namelessness of most of the characters. Their identities and other
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characteristics are not important to Roxana, and so she does not relay them to her reader.
Her only focus is what these characters have to offer her, and so that is how she defines
them. We know her lovers only as their occupations, which directly indicate the amount
offers Roxana an escape from the needlessly promiscuous life that she leads The
Merchant represents financial stability, but he doesn’t offer an endless supply of jewels or
a bank account with an exponential interest rate. Instead, the Merchant offers true and
genuine love. If Roxana were still seeking comfort and survival as she initially sought,
the Merchant would be a wholesome and ideal choice. But Roxana has been tainted by
wealth. The Merchant offers love, but love won’t line Roxana’s bank account. She
admits, “He had indeed, remov’d… all my Objections… yet I wou’d not give up my
Money, which, tho’ it was true… was really too gross for me to acknowledge” (Defoe
147).
But even as Defoe condemns Roxana’s decisions and the manner in which she
views people in terms of what she can gain from them, he continues to acknowledge the
error of his own ways. The merchants that are present in his novels are reflective of his
own career, and the terrifying prospect of financial ruin is something he himself had
experienced (West 54). This technique is what makes Defoe’s novel so believable and
authentic. It takes tremendous skill to condemn others while admitting the error of one’s
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own way. Defoe translates his own misfortunes and discoveries into Roxana’s, and
away belonged to his wife (West 54). Roxana’s initial suffering and subsequent survival
mechanism is a result of her husband’s financial failures. The financial woes she
own life. This parallel is undoubtedly intentional on Defoe’s part, and its presence
possesses a dual functionality. First, Defoe expresses his regret for his mistakes and
acknowledges the harm he could have caused, for the struggle that Roxana endures could
have easily confronted his own wife. But he also acknowledges the downfall of men, and
qualities: “he was a Handsome Man, and a good Sportsman… a handsome, jolly Fellow”
(Defoe 7). But she is quick to denounce him as an “otherwise… weak, empty-headed,
untaught Creature, as any Woman could ever desire to be coupled with” (7). She urges
readers that if they desire a life of happiness, they should never marry a fool, for in doing
The words come from Roxana, but the reader knows that they truly belong to
Defoe. His perspective on the foolishness of men is so natural, so authentic and flawless,
that it is evident that the words are genuine. These proclamations are not just Roxana’s,
they are Defoe’s, as he acknowledges the flaws of the supposed greater sex. It was not at
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all common for men to express such viewpoints during Defoe’s time, but his voice is real
and credible. This expression is also a brilliant example of Defoe’s ability to intertwine
fact and fiction. He enhances his fictional tale by peppering it with subtle political
propaganda. He encourages the reader to consider the imperfection that is the male sex
and the flawed relationship that exists between the sexes, but does so without offending
his audience. If a reader were to be offended by such a radical viewpoint, Defoe can slip
back under the shield that is Roxana, and use her to absorb any potential backlash.
Roxana’s audience in the form of her conversations with the Merchant. Roxana has many
personal reasons behind her aversion to marriage, and Defoe uses his belief in women’s
rights to further support her. The Merchant repeatedly asks for Roxana’s hand in
marriage and is puzzled by her constant refusals. When her usual explanation continues
to puzzle the Merchant, Defoe introduces another reason for Roxana to reject the
proposals:
“I told him, I had, perhaps, differing Notions of Matrimony, from what the
receiv’d custom had given us of it; that I thought a Woman was a free Agent, as
well as a Man, and was born free, and cou’d she manage herself suitably, might
enjoy that Liberty to as much Purpose as the Men do; that the Laws of Matrimony
were indeed, otherwise, and Mankind at this time, acted quite upon other
Principles; and those such, that a Woman gave herself entirely away from herself,
in Marriage, and capitulated only to be, at best, but an Upper-servant, and from
the time she took the Man, she was no better or worse than the Servant…” (Defoe
147).
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It is apparent that these opinions are Defoe’s, and that he is utilizing Roxana’s tale
as a means of presenting his beliefs to the public. Defoe had appeared as an early
declared the censoring of women to be “unjust and too severe” (West 137). Here Defoe
supports “women’s rights in social behavior, the choice of a husband, education and the
control of women… he discerned… that women had minds of their own” (West 95).
Hastings writes that “[Defoe’s] views… often have a strikingly modern tone… his
times” (19). Defoe was indeed unique in his support for the respect and equality of
women. But though his views are radical, his writing ensures that they are not offensive.
In presenting his viewpoints through a female narrator, Defoe inspires his readers to
consider gender relations. Yet he permits them to dismiss the viewpoints as those of an
Defoe’s Roxana presents a brilliant mix of fact and fiction. The novel is a story
well as a call to action. Defoe’s work as a novelist came at the end of his career, at the tail
of his own mistakes and his exposure to the mistakes of society. The timing is
impeccable, for Defoe has crafted his writing as an art form, and has perfected a balance
between storytelling and teaching. Defoe’s personal life was not without errors, but he is
humble enough to learn from them, and is gracious enough to offer the error of his own
ways to society, to permit others to learn from his mistakes. Despite his personal
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struggles he lands on his feet, and stands as an example of learning mistakes. Roxana
hasthe opportunity to learn from Defoe’s mistakes, but ultimately succumbs to her greed.
Defoe utilizes his own personal experiences to educate his readers, but leaves any final
decisions to the readers’ own discretion. His personal experiences are certainly reflected
in Roxana, and serve to enhance the novel. Because Defoe has experienced the depths of
Roxana’s despair, he is able to present her story in an authentic voice. His experiences
also serve to give the novel a personal touch, which readers can actively respond to.
Defoe’s personal life played a crucial role in the development of the success that was
Roxana.
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Works Cited
Defoe, Daniel. Roxana. New York: Oxford University Press, 2008. Print.
Hastings, William T., ed. The Life and Strange Surprising Adventures of Robinson
Crusoe. Chicago: Scott Foresman Company, 1913. Google Books. Web. 12
December 2009.
West, Richard. Daniel Defoe: The Life and Strange, Surprising Adventures. 1st ed.
New York: Carroll and Graf Publishers, Inc., 1998. Print.