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DISCOGRAPHY

Cinemagic 8
Track Titel / Title Time N° EMR N° EMR
N° (Komponist / Composer) Blasorchester Brass Band
Concert Band

1 Gladiator (Zimmer / Gerrard) 6’26 EMR 10010 EMR 2675


2 Troy (Horner) 6’58 EMR 10182 EMR 2933
3 War (Dicola) 3’53 EMR 10016 EMR 2937
From The Film «Rocky 4»
4 Who Wants To Live Forever (May) 3’49 EMR 1792 EMR 2710
From The Film «Highlander»
5 Bonanza (Livingston / Evan II) 2’24 EMR 10006 EMR 2672
6 Moon River (Mancini / Mercer) 2’53 EMR 10144 EMR 2938
7 The Entertainer (Joplin) 3’13 EMR 1992 EMR 2936
8 Un homme et une femme (Lai) 2’52 EMR 10032 EMR 2669
9 The Raiders March 4’52 EMR 10002 EMR 2681
«Indiana Jones And The Lost Ark» (Williams)
10 The Godfather (Rota) 3’52 EMR 10011 EMR 2688
11 Les Gendarmes de St. Tropez 2’28 EMR 10019 EMR 2642
(Lefebre / Raymond)

Zu bestellen bei • A commander chez • To be ordered from:


Editions Marc Reift • Route du Golf 150 • CH-3963 Crans-Montana (Switzerland) • Tel. +41 (0) 27 483 12 00 • Fax +41 (0) 27 483 42 43 • E-Mail: info@reift.ch • www.reift.ch
Recorded on CD / Auf CD aufgenommen / Enregistré sur CD

SOLO VOICE OR CHORUS


(optional)
Troy James Horner
Arr.: Scott Richards
Very slow and free q = 50
Poco più mosso q = 60
6 A 7 1 1 B
5 1 1
2 3 2 3
&b c ∑ ∑ n ∑ ∑ c
|
Photocopying 4 4 4 4
is illegal!
optional solo voice
(baritone or mezzo)
D Freely q = 72
1 4 1 7 1 5
23
C or unison chorus

43 42 43 42 Œ ‰ j bbb
mf
&c ∑ ∑ ∑ c Ó
œ
Re
43
E Con moto q = 116
b Œ œ œ œ. œj ˙
3
&b b ˙ Œ œ œ œœ ˙ Œ œ œ œ ‰ j ˙
3
˙ ˙ ˙ œ nw ˙. œ ˙
mem - ber, I will still be here as long as you hold me in your me -mo - ry. Re - mem - ber,
52 F f
b œ. œj ˙ Œ œ œ œ. œj ˙ ˙. œ œ
&b b Œ œ œ ˙ ˙ Œ œ œ œ. j nw
œ ˙. Œ
when your dreams have end - ed, time will be trans - cend -ed, just re- mem-ber me. I am the

œ œ nœj œ. œ. œj nœj œ. œ œ œ œ œj œ. œ. œJ œ œ œ œ œ. œ w j
60
b œ ˙ ˙.
&b b J œ œ. œ ˙
one star that keepsburn ing so bright, it is the first light to fade in- to the ris - ing sun. I’m with you
rit. rubato
68
b j œ j œ j A ˙. œ œ œ œ œ œ bœ œ j
(all) a tempo
& b b œ œ œ œ. œ . . . . œ œœœ˙ œŒ ‰ œj œ. œ w
J œ œ œ J œ œ œ ˙. Œ ∑
B
when ev - ver you tell my sto ry for I and all I’ve done
A = solo voice, B = chorus
75 G
b Œ œ œ œ. œj ˙
3 3
& b b ˙. ‰ j ˙ ˙ ˙ Œ œ œ œœ ˙ ˙ Œ œ œ œ
œ nw
œ
Re - mem - ber, I will still be here as long as you hold me in your me -mo - ry
83
b œ. œj ˙ Œ œ œ œ. œj ˙
& b b ˙. ‰ j ˙
œ ˙ Œ œ œ ˙ ˙ Œ œ œ œ. j nw
œ
Re - mem - ber when your dreams have end - ed time can be trans-cend - ed just re mem-ber me.
H f
œ œ nœj œ. œ. œj nœj œ. œ œ œ œ œj œ. œ. œJ œ œ œ œ œ. œ
91
b ˙. œ nœ œ ˙
& b b ˙. Œ
J
I am that one voice in the cold wind that whis pers and if you lis ten you’llhear me call a - cross the
rit. rubato
98
b w j j A ˙. œ œ œ œ œ œ bœ œ
&b b
˙.
œ œ. œ ˙ œ œ œ œ. œ œJ œ. œ. œj œJ œ. œ. œj ˙. Œ
œ œ œ œ˙
B
sky. As long as I still can reach out and touch you, then I
A = solo voice, B - chorus

a tempo Moderato q = 108 rit.


106
b j
(all) I 14 J 11 K 33 1 U
& b b œŒ ‰ œj œ. œ w ˙. Œ nn n ∑ ∑
will nev - er die.
www.reift.ch
© 2004 Warner Olive Music LLC, USA. Warner/Chappell North America, London W6 8BS
Reproduced by permission of International Music Publications Ltd. All rights reserved.
EMR 10182 EDITIONS MARC REIFT CH-3963 CRANS-MONTANA (SWITZERLAND) - ALL RIGHTS RESERVED
Recorded on CD / Auf CD aufgenommen / Enregistré sur CD
James Horner
|
Photocopying
is illegal!
2 3
Troy 4 5 6 7
Arr.: Scott Richards
8 9

   1 solo
Very slow and free q = 50 A Poco più mosso q = 60

   

  
           
  

       
1st & 2nd Flute     
p

Oboe           

 
 
       

Bassoon

         
mp


      
1st Bb Clarinet


pp

2nd Bb Clarinet           


3rd Bb Clarinet           


Bb Bass Clarinet          

 
 
mf

1st Eb Alto Saxophone           


2nd Eb Alto Saxophone           


Bb Tenor Saxophone           

    

Eb Baritone Saxophone         
  
mf

1st Bb Trumpet /
         
Cornet


2nd Bb Trumpet /
Cornet
          


          
3rd Bb Trumpet /
Cornet


1st F Horn               
mf
 
2nd F Horn              
mf
 
3rd F Horn              
mf

   
   
     
1st Trombone            
mf mf

      
2nd Trombone           
mf mp mf


Bass Trombone            
mp

     
   
  
Baritone             
mf mf


Tuba in C         
  
mp

         
String Bass  
             
mp
 
Timpani       
p mf p mf

           
Glockenspiel /


Xylophone

  
           
METAL CHIMES TENOR DRUM
Percussion 1
(Side Drum, Metal Chimes,         
Tenor Drum, Toms, Tamb.) ppp p mf p mf

         
TAM-TAM
Percussion 2
(Susp.Cym./Clashed Cyms./
Congas/Tam-Tam)
 
ppp pp p

© 2004 Warner Olive Music LLC, USA. Warner/Chappell North America, London W6 8BS www.reift.ch
Reproduced by permission of International Music Publications Ltd. All rights reserved.
EMR 10182 EDITIONS MARC REIFT CH-3963 CRANS-MONTANA (SWITZERLAND) - ALL RIGHTS RESERVED
4

  B                         
10 11 12 13 14 15 16 17 18

                  
                    
   
a2
Fl.1/2   

                
mf mf ff 3 3

   
             
Ob.         
mf mf ff 3 3

  
Bsn.    
       
        
 
                                                

  
mf ff

         

Cl.1

               
3 3
ff

3

           
mf mf
 
3

            
  
Cl.2

          
mf ff

        

mf

           
 
    
Cl.3

         

mf ff
        
mf
     
             
   
B.Cl.
 
    
             

mf mf ff
       
A.Sax.1                  

      
3

             
mf mf ff 3
            
A.Sax.2    

      



mf ff
                
mf

T.Sax.      
mp mf ff
mf
               
B.Sax.       

 
  
    
              
mp mf ff
         
            

Tpt./
Cnt.1

          
ff 3 3
mf
Tpt./

                  
Cnt.2
mf
 ff

                
    
        
Tpt./

   ff       
Cnt.3

       


mf
          
Hn.1               

  
mf mf ff 3 3

     
Hn.2                       
mf

   
mf mf ff


     
Hn.3            
         
  
ff


mf mf mf
 
       

     
Tbn.1   
    
mf ff

              
Tbn.2  
mp mf ff
  
  
       
B.Tbn.
          
mf 
        
       
ff

          
       
Bar.    
mf mf ff
  
Tba.      
      
        
  
    
mf ff
             
Str.B.
   

     
mf ff
  
Timp.            
 
f ff
 
p mf
       
        
GLOCK.
Glock./
Xylo.


f ff


mf

      
        
3 TOMS

Perc.1           


p mf f ff

  
 

CLASHED CYMS.

     
SUSP.CYM.

Perc.2 
p f ff
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EMR 10182
5
19 20 21 22 23 24 25 26

                                     a2                          



Fl.1/2       
   

                                                       
     
3 3

 
Ob.   
3 3
3 3

   
        
                    

                  
Bsn.

                                 

                    
  
Cl.1

  
3 3

                     
3 3

Cl.2                            
          

                   
Cl.3                                             

   
    
           

       
B.Cl.

                
    
     
A.Sax.1        

      
3 3

              
A.Sax.2       

T.Sax.                      
        

          
B.Sax.                    

                           
                                        

Tpt./
Cnt.1  

                                 
3 3

                         
Tpt./   
Cnt.2


                                                             
Tpt./     
Cnt.3

                           
Hn.1   
                  
    

                      
              
3 3

   
     
Hn.2
 

                         
   
        
   
   
 
     
Hn.3

  
                
Tbn.1     
            
Tbn.2
          

    
           
             
B.Tbn.

         
  
 
       
Bar.
     

 


            
            
 
Tba.
 
       

                
   
Str.B.

     
            
  
Timp.


                 
   
        
Glock./
Xylo.

  
                  
                          
TOMS
   
S.D. S.D.


Perc.1 
f ff

  
Perc.2          

www.reift.ch
EMR 10182
6
27 28 29 30 31 32 33 34

          
C                              
     
Fl.1/2    3 3

          
                    
Ob.        
3 3

  
Bsn.       

      
        
   


        
                                   
                        
     
Cl.1   
         
3 3

                
3 3 3 3

         
  
Cl.2         

Cl.3                    
            

            
      
 
 
         
                 
B.Cl.

                            
             
A.Sax.1  
     
3 3

            
    
A.Sax.2         

          
     
T.Sax.             

       
                 
B.Sax. 
                                              
Tpt./
Cnt.1                              

         
3 3

           
3 3 3 3

              
     
Tpt./
Cnt.2      

                     
            
 
        
      
Tpt./
Cnt.3

               
Hn.1        

                  
Hn.2  

 
Hn.3                      

  
                 
Tbn.1
 

                    
Tbn.2  




                        

B.Tbn.

                     
Bar. 

    
        
               
    
Tba.
          
        
Str.B.                  

   
Timp.           

   
 
Glock./
Xylo.           

        
                   
TOMS

      

Perc.1

 
       
TAM-TAM

Perc.2

f
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EMR 10182
7
35 36 37 38 39 40 41 42
optional solo voice
D Freely q = 72 (baritone or mezzo)
    
mf
        
or unison chorus
Voice
(optional)   


Re

Fl.1/2            
                          
solo   
  
Ob.        
mf 3 5 3

 
 
       
Bsn.
      

                   
f 3 3 p

      

Cl.1
f p
  
         
  
Cl.2

f p

         
Cl.3 
     
p

 
f
             
B.Cl.
 
      
f p

   
optional solo (replace oboe)

     
          
           
 
A.Sax.1  
p mf 3 5 3
f 3 3
        
A.Sax.2       
f p

    
        
T.Sax.   
f p

  

B.Sax.          


p
f
Tpt./
            
Cnt.1
mf

          
Tpt./
Cnt.2  
mf


            
Tpt./
Cnt.3

          
    
mf

Hn.1             
p


f 3 3

   
         
Hn.2  
p
f

 
 
   
      
Hn.3
 
p

  
f
   
solo

      
(tacet if solo voice)
Tbn.1       
f p mf

     

Tbn.2        
f p

 
B.Tbn.      
       

 
f p
    
Bar.         
f p

 
 
       
Tba.
      
f p
      
         
pizz.
Str.B.

  
p

f

Timp.          
p

Glock./
           
Xylo.

          
Perc.1 


Perc.2          

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EMR 10182
8
43 44 45 46 47 48 49 50 51 52

E Con moto q = 116




       
3
   
3
    
Voice
(optional)                  
mem - ber, I will still be here as long as you hold me in your me -mo - ry. Re - mem - ber, when your dreams have

             
  
Fl.1/2      
p
3

        
 
mf

              
play 2nd part if sax. takes solo

Ob.          
p (p )


 
Bsn.          


Cl.1                   

Cl.2            
 
    

  
       
Cl.3
       

 
p
B.Cl.          

        
    
 
A.Sax.1      
mf 3

A.Sax.2           

T.Sax.           


B.Sax.          

           
Tpt./
Cnt.1 

Tpt./
Cnt.2           

           
Tpt./
Cnt.3

           
Hn.1 


Hn.2           



Hn.3          

  

        
      
 
   
       
Tbn.1  
3 3

           
Tbn.2 


B.Tbn.            

           
Bar. 


  
            
Tba.
      
p
     
arco
Str.B.                  


p

Timp.                  
p


            
Glock./
Xylo.

            
TAMB.
 
Perc.1 
p

Perc.2           

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EMR 10182
9
53 54 55 56 57 58 59 60
F
 
     
f
Voice
                   
(optional)
end - ed, time will be trans - cend - ed, just re -mem - ber me. I am the one star that keeps

    
a2
      
   
 
Fl.1/2    
3 f

           
3


3

3
      mf
       
Ob.          
f

 

 
       
 
Bsn.

   
mf

            
Cl.1            
f

                
Cl.2
        
mf

    
     
Cl.3
              
mf

B.Cl.          

                 

all play

A.Sax.1    
mf 3 3 3 3 mp

A.Sax.2         
mp

T.Sax.         
mp

B.Sax.         

         
Tpt./
Cnt.1 

Tpt./
Cnt.2         

         
Tpt./
Cnt.3

       
Hn.1   
mp

Hn.2         
mp


     
Hn.3
 
            
mp
        
Tbn.1   
        
Tbn.2 


B.Tbn.          

 
(= 3rd horn)

       
Bar. 
mp

 

Tba.   



  



         mf

                    
Str.B.   

mf

Timp.        


 
Glock./        
Xylo.

                     


Perc.1         
mf

      
CONGAS

Perc.2        
mf
www.reift.ch
EMR 10182
10
61 62 63 64 65 66 67 68 69

             
          
       
Voice
(optional)            
  
burn ing so bright, it is the first light to fade in-to the ris - ing sun. I’m with you when ev - ver you tell my

            
   
          
      
Fl.1/2      

    
         
mf
            
Ob.      

 

  


mf

 

Bsn.     
  
     
 
    


          
                             
  
Cl.1       

         
mf
       
Cl.2        

        
    
      
 
Cl.3

B.Cl.           
        
      
mf
   
          
A.Sax.1      

 
f


  
     
             
A.Sax.2
   
    
mf

      
            
T.Sax.
  
mf

   
B.Sax.       
 

 


       
mf

              

Tpt./
Cnt.1
p f

 
 
Tpt./
Cnt.2       
 
      
p mf

                

Tpt./
Cnt.3
 
   
p mf
  
Hn.1     


Hn.2           

Hn.3           

  all play     
              
Tbn.1     

     
 
mp
      
  
         

Tbn.2 

   
mp
         
          
B.Tbn.
  
   
mp

play
     
Bar. 
mp

 

    
     
                    
Tba.
 
   
 
        
                  
Str.B.
  
         
Timp.


           
Glock./
Xylo.

                                    
Perc.1 


Perc.2    
       
       
   
            
www.reift.ch
EMR 10182
11
70 71 72 73 74 75 76 77 78 79
rit. rubato
G
 A         
        
 
a tempo
        
            
3
  
(all)
Voice
(optional)       
sto ry for B I and all I’ve done Re - mem - ber, I will still be here as long as you

     
A = solo voice, B = chorus
     
Fl.1/2        
p

 

Ob.              
p

  

     
  
        
Bsn.
mp
   
(tacet if solo voice)  
mf

        
 
1 solo
  
     
tutti
Cl.1          
    


f rubato

 
mf

             
 
Cl.2
 

mf 
Cl.3       
       
   

 
mf
B.Cl.        
         
     
mf
  
A.Sax.1           

    
mp
          
A.Sax.2   
         
mp

T.Sax.             
 
mp


B.Sax.
            

  
Tpt./
Cnt.1               

 
 
Tpt./
Cnt.2              

   

        
   
Tpt./
Cnt.3

               
Hn.1 
mp
  
Hn.2             
mp



Hn.3                

     
mp
                     
Tbn.1  

f 3

     
Tbn.2
  
                

 

f 3

B.Tbn.

  
 
                

    

   
f 3

                    
Bar.  
mp f 3

  

Tba.         
  
         
mp
 
mf
    
Str.B.                   

mp mf

Timp.              
mf


 
Glock./          
Xylo.

               
Perc.1 
                   
Perc.2              

mf
www.reift.ch
EMR 10182
12
80 81 82 83 84 85 86 87 88


         
3
Voice
(optional)        
 
  
      
hold me in your me -mo - ry Re -mem - ber when your dreams have end - ed time can be trans-cend - ed

       
 
                   
Fl.1/2  

Ob.   

                       


Bsn.                        
        
             
Cl.1            

       
             
    
   
  
Cl.2

         
             
     
Cl.3
 
     
   
 
           
B.Cl.
       
                  

A.Sax.1         
       

                  
f

           
A.Sax.2    

           
f

T.Sax.     
                
               
f

              

play
  
optional.

B.Sax. 

f f
(= horns)  
      
     
Tpt./         
Cnt.1
mf

  
      
(= horns)
Tpt./            
Cnt.2
mf
  

       
(= horns)
Tpt./      
     
Cnt.3
     
             
mf

Hn.1             

           
mf

Hn.2             
mf

           
   
Hn.3           

      
mf

Tbn.1 
               
       

   
3

Tbn.2
  

               
       

     
3

     
B.Tbn.              
    

      
3

Bar. 
               
       
3


Tba.                        

Str.B.
  
                     


Timp.                   


 
Glock./         
Xylo.

         
Perc.1 

Perc.2                     
        
           
      

www.reift.ch
EMR 10182
WIND BAND – HARMONIE – BLASORCHESTER Chorus (SATB) & Wind Band (Fortsetzung - Continued - Suite)
EMR 10727 Let My People Go PARSON
EMR 1765C March Of The Three Kings TRADITIONAL (Tailor)
CHORUS (SATB) & WIND BAND
EMR 10875 Memory WEBBER (Mortimer)
EMR 1579 1492 "The Conquest Of Paradise" VANGELIS (Mortimer) EMR 10532 Men Of Harlech TRADITIONAL (MacDuff)
EMR 10568 A Merry Christmas Arr.: PARSON EMR 1770C Merry Christmas SCHNEIDERS
EMR 10854 A Truthful Friend TAILOR EMR 10081 Money, Money, Money ABBA (Mortimer)
EMR 10450 Africana TAILOR EMR 1574 Moscow Nights TRADITIONAL (Richards)
EMR 10093 Alexandrie, Alexandra FRANCOIS (Richards) EMR 10718 Motherless Child PARSON
EMR 10976 Amazing Grace Arr.: TAILOR EMR 1576 Music MILES (Mortimer)
EMR 1342C Amen From "The Messiah" HÄNDEL (Michel) EMR 10940 My Bonnie PARSON
EMR 10137 Anvil Chorus VERDI (Hendriks) EMR 10848 Nearer, My God, To Thee MASON (Tailor)
EMR 10106C Around The World TRADITIONAL (Richards) EMR 11071 Nessun Dorma PUCCINI (Mortimer)
EMR 1674 Auld Lang Syne TRADITIONAL (Armitage) EMR 10580 New York, New York KANDER / EBB (Parson)
EMR 10430 Ave Maria SCHUBERT (Naulais) EMR 10720 Nobody Knows PARSON
EMR 11015 Ave Maria FRANCK (Naulais) EMR 10853 Now Thank We All Our God CRÜGER (Schneiders)
EMR 11070 Ave Maria SCHUBERT (Oliver) EMR 10570 O Christmas Tree Arr.: PARSON
EMR 11205 Ave Maria CACCINI (Oliver) EMR 10576 O Come, All Ye Faithful Arr.: SAURER
EMR 11544 Ave Maria NAULAIS EMR 1771C O Come, All Ye Faithful TRADITIONAL (Tailor)
PLAMONDON / COCCIANTE EMR 1764C O Du Fröhliche / Alle Jahre wieder TRADITIONAL (Schneiders)
EMR 10094 Ave Maria païen (Notre Dame de Paris)
(Richards)
EMR 10717 O Happy Day PARSON
EMR 11017 Ave Verum SAINT SAENS (Naulais)
EMR 1773C O Holy Night TRADITIONAL (Schneiders)
EMR 1573 Bohemian Rhapsody QUEEN (Mortimer)
EMR 10390 O Sole Mio TRADITIONAL (Naulais)
EMR 11013C Cabaret EBB / KANDER (Parson)
EMR 1762C O Tannenbaum / In Dulci Jubilo TRADITIONAL (Schneiders)
EMR 10967 Can't Take My Eyes Off You CREWE / GAUDIO (Saurer)
EMR 10156 Ode To Joy BEETHOVEN (Richards)
EMR 10461 Caro Mio ben GIORDANI (Naulais)
EMR 10041 Oh Happy Day TRADITIONAL (Armitage)
EMR 10512C Cha Cha N° 2 NORIS
HAMMOND / BETTIS
EMR 1578 Chess (Anthem) ANDERSSON (Mortimer) EMR 1575 One Moment in Time
(Mortimer)
EMR 1358C Choral / Sinfonie & Gavotte BACH / HÄNDEL (Michel) EMR 11707 Onward, Christian Soldiers Arr.: MORTIMER
EMR 10141 Chorus Of Hebrew Slaves VERDI (Hendriks) EMR 10578 Ox And Donkey Blues Arr.: SAURER
EMR 10575 Christmas Glory Arr.: PARSON EMR 10385 Panis Angelicus FRANCK (Naulais)
EMR 10579 Christmas Swing Arr.: PARSON Panis Angelicus (+ Tenor or Soprano
EMR 10389 Cielito Lindo Arr.: NAULAIS EMR 11016 FRANCK (Connors)
Solo)
EMR 10884 Clementine Arr.: NAULAIS EMR 10847 Passion Choral HASSLER (Schneiders)
EMR 10520C Close Together NORIS EMR 10324C Pie Jesu WEBBER (King)
EMR 10163 Conquistador MORTIMER EMR 10352 Plaisir d'Amour MARTINI (Richards)
EMR 11536A Conradiana MORRICONE (Mortimer) EMR 10543 Polka Hey! TRADITIONAL (Sedlak)
EMR 10824 Deep River PARSON EMR 10124 Pomp And Circumstance Nr. 1 ELGAR (Hendriks)
EMR 10524C Disco Lady NORIS EMR 10844 Praise To The Lord TAILOR
EMR 10846 Dix KOCHER (Schneiders) EMR 10845 Pray For A Better World TAILOR
EMR 11019 Domine Non Secundum FRANCK (Naulais) EMR 11020 Psaume 150 FRANCK (Naulais)
EMR 1545 Don't Cry For Me Argentina (+ Solo Voice) WEBBER (Tailor) HORNEZ / MISRAKI
EMR 1826 Qu'est-ce qu'on attend
EMR 1344C Dona Nobis Pacem BACH (Michel) (Mortimer)
EMR 10367 Dubinushka TRADITIONAL (Mortimer) EMR 11236 Red Is The Rose Arr.: MACDUFF
EMR 1951 Egyptian March STRAUSS (Mortimer) EMR 11229 Requiem MOZART (Mortimer)
EMR 10849 Ein' feste Burg ist unser Gott LUTHER (Schneiders) EMR 10085 Requiem Aeternam TAILOR
EMR 10851 Ellacombe Arr.: TAILOR EMR 10715 Riverside PARSON
EMR 10723 Everytime I Feel The Spirit PARSON EMR 10513C Rock Your Blues Away NORIS
EMR 10719 Freedom PARSON EMR 1843C Samba Olé NORIS
EMR 10979 Funeral Music Of Queen Mary PURCELL (Andrews) POURCEL / MAURIAT
EMR 10038 Sister Act (I Will Follow Him)
EMR 10392 Funiculi-Funicula TRADITIONAL (Suba) (Mortimer)
EMR 10007C Ghost (Unchained Melody) NORTH / ZARET (Mortimer) EMR 11003C Spente Le Stelle CAPDEVIELLE (Richards)
EMR 10726 Glory PARSON EMR 10569 Stille Nacht Arr.: SAURER
EMR 1547 Gloryland (+ Solo Voice) RICHARDS EMR 1757C Stille Nacht / Kommet Ihr Hirten TRADITIONAL (Schneiders)
EMR 10574 Go Tell It On The Mountain Arr.: PARSON EMR 1769C Süsser die Glocken nie klingen TRADITIONAL (Schneiders)
EMR 1535 Gospel Train TAILOR EMR 10510C Swing And Jive NORIS
EMR 10317C Greensleeves TRADITIONAL (Andrews) EMR 10716 Swing Low PARSON
EMR 1760C Hark, The Herald Angels Sing TRADITIONAL (Schneiders) EMR 10566 Swingle Bells Arr.: PARSON
EMR 11120C Heal The World JACKSON (Parson) EMR 10387 Take Me Home, Country Roads DANOFF / DENVER (King)
EMR 10185 Henry V (Non Nobis Domine) DOYLE (King) EMR 1761C The First Nowell TRADITIONAL (Schneiders)
EMR 1581 Highlights from Carmen BIZET (Mortimer) EMR 11711 The Lord's My Shepherd Arr.: MACDUFF
EMR 10850 Holy God, We Praise Thy Name IGNAZ (Schneiders) EMR 10539 The Lost Chord SULLIVAN (Richards)
EMR 10572 Holy Night Arr.: PARSON EMR 11703 The Old Ruggerd Cross Arr.: MORTIMER
EMR 10855 Hymn To Life TAILOR EMR 11672 The Rose Of Tralee Arr.: MACDUFF
EMR 10240 Hymn To Red October POLEDOURIS (King) EMR 10944 The Show Must Go On QUEEN (Parson)
EMR 10511C I Love Samba NORIS EMR 10970 Think FRANKLIN / WHITE (Saurer)
EMR 1766C Ihr Kinderlein kommet / Lasst uns TRADITIONAL (Schneiders) EMR 1577 Time To Say Goodbye SARTORI (Mortimer)
EMR 1768C Il est né, le divin enfant TRADITIONAL (Schneiders) EMR 11018 Tollite Hostias SAINT SAENS (Naulais)
EMR 10856 In Terra Pax RICHARDS EMR 10930 Tom Dooley Arr.: BELLINI
EMR 10329 Irish Eyes TRADITIONAL (Oliver) EMR 10126 Triumphal Scene From Aida VERDI (Hendriks)
EMR 10722 Jericho PARSON EMR 10182 Troy HORNER (Richards)
EMR 11699 Jerusalem Arr.: MORTIMER EMR 10516 Trumpet In The Night NORIS
EMR 10117C Jesu, Joy of man's desiring BACH (Mortimer) EMR 10523 Twisting Saxophones NORIS
Viva Verdi (Il Trovatore - La Traviata -
EMR 1758C Jingle Bells TRADITIONAL (Tailor) EMR 1582 VERDI (Mortimer)
Rigoletto - Nabucco - Aïda)
EMR 1772C Joy To The World TRADITIONAL (Schneiders)
EMR 10379 Vivo Per Lei PANCERI / MENGALI (Saurer)
EMR 10573 Joyful Christmas Arr.: PARSON
EMR 1763C Vom Himmel hoch / Leise rieselt TRADITIONAL (Schneiders)
EMR 10577 King's Blues March Arr.: SAURER
EMR 10721 Wade In The Water PARSON
EMR 10571 Kling Glöckchen Arr.: PARSON
EMR 1580 We Are The Champions QUEEN (Mortimer)
EMR 10713 Kumbaya PARSON
EMR 1865 We Are The World JACKSON / RICHIE (Mortimer)
EMR 11112 L'Ame de Notre Harmonie NAULAIS / GOMEZ
EMR 10057 We Have A Dream BOHLEN (Saurer)
EMR 10405 La Bamba TRADITIONAL (Saurer)
EMR 10852 We Plough The Fields SCHULZ (Tailor)
EMR 11531C La Califfa MORRICONE (Valta)
EMR 10724 We Shall Overcome PARSON
EMR 10331C La Mer TRENET (King)
EMR 1767C We Wish You A Merry Christmas TRADITIONAL (Schneiders)
EMR 10983 Largo from Xerxes HÄNDEL (Oliver)
EMR 10567 What Child Is This ? Arr.: PARSON
EMR 1759C Les anges dans nos campagnes TRADITIONAL (Schneiders)
EMR 10714 When The Saints PARSON
SARDOU / REVAUX
EMR 10082 Les Lacs du Connemara EMR 10318C Wiegenlied BRAHMS (Naulais)
(Mortimer)
EMR 10046 Les Trois Cloches (+ Solo Voice) GILLES (Richards)

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