AMC V ATT

REDACTED - FOR PUBLIC INSPECTION
Before the
FEDERAL COMMUNICATIONS COMMISSION
Washington, D.C. 20554
In the Matter of )
)
AMC NETWORKS INC., )
Complainant, ) File No.:______________
)
v. )
)
AT&T INC., )
Defendant. )
TO: Chief, Media Bureau
PROGRAM CARRIAGE COMPLAINT OF AMC NETWORKS INC.
Tara M. Corvo
Alyssia J. Bryant
MINTZ, LEVIN, COHN, FERRIS, GLOVSKY
AND POPEO, P.C.
701 Pennsylvania Avenue, NW
Suite 900
Washington, DC 20004
(202) 434-7300
Scott A. Rader
MINTZ, LEVIN, COHN, FERRIS, GLOVSKY
AND POPEO, P.C.
Chrysler Center
666 Third Avenue
New York, NY 10017
(212) 935-3000
Counsel to AMC Networks Inc.
August 5, 2020
TABLE OF CONTENTS
INTRODUCTION .......................................................................................................................... 1
STATEMENT OF FACTS ............................................................................................................. 5
1. Jurisdiction ........................................................................................................................ 5
2. AMCN ................................................................................................................................ 5
3. AT&T ................................................................................................................................. 6
4. AT&T’s Public Assurances During the Civil Antitrust Litigation .............................. 7
5. AT&T’s Discriminatory Conduct ................................................................................... 9
i. The Networks................................................................................................................ 9
ii. Competition for and the Cost of Content Is Increasing ........................................... 12
iii. Significance of Distribution Over Online Video Services and Platforms to the
Success of a Network ................................................................................................. 13
iv. Carriage Negotiations with AT&T ............................................................................ 16
ARGUMENT ................................................................................................................................ 17
1. AMC and AMC+ Are Similarly Situated to TNT and HBO. ..................................... 19
i. Genre .......................................................................................................................... 19
ii. Targeted Programming .............................................................................................. 23
iii. Target Audience ......................................................................................................... 27
iv. Targeted Advertising .................................................................................................. 28
v. Actual Audience/Ratings ........................................................................................... 32
vi. Other Factors ............................................................................................................. 34
2. AT&T Is Discriminating Against AMC and AMC+ on the Basis of Non-Affiliation...
…………………………………………………………………………………………………35
i. AT&T treats its own networks very differently from how it seeks to treat AMCN and
AMC+ ......................................................................................................................... 35
ii. There is no legitimate business reason for this difference in treatment; AT&T is
discriminating against AMC and AMC+ to promote its affiliates ........................... 38
3. AT&T’s Discrimination Unreasonably Restrains AMC’s Ability to Compete Fairly.
……………………………………………………………………………………………47
REQUEST FOR RELIEF ............................................................................................................. 51
EXHIBITS
A. Transcript, United States v. AT&T, Inc., No. 1:17-cv-02511-RJL (D.D.C. Mar. 22,
2018, 11:30 a.m.)
i
B. Letter from Tara M. Corvo, Member, Mintz to Bruce R. Byrd, Senior Vice President
and Assistant General Counsel, AT&T (July 22, 2020)
C. Letter from Bruce R. Byrd, Senior Vice President and Assistant General Counsel,
AT&T, to Tara M. Corvo, Member, Mintz (July 24, 2020)
D. Complaint, United States v. AT&T, Inc., No. 1:17-cv-02511-RJL (D.D.C. Nov. 20,
2017)
E. Defendants’ Proposed Findings of Fact and Conclusions of Law, United States. v.

AT&T, Inc., No. 1:17-cv-02511-RJL (D.D.C. Aug. 3, 2018)
F. AMC Weekly Programming Schedule (3/30/20-4/5/20 through 7/6/20-7/12/20)
G. TNT Network Economics, S&P Global (last accessed July 27, 2020)
H. {{ }}
I. {{ }}
J. TNT Programming Schedule (8/1/20 through 8/14/20)
K. {{ }}
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iii
Before the
In the Matter of )
)
Complainant ) File No.:______________
)
v. )
)
AT&T INC., )
Defendant. )
INTRODUCTION
1. Over the last decade, multiple mega mergers and acquisitions in the video
programming industry have resulted in numerous multichannel video programming distributors
(“MVPDs”) becoming programming conglomerates with massive market share and bargaining
power by acquiring networks and programmers. Foremost among these is AT&T Inc. (“AT&T”),
which acquired Time Warner Inc. (“Time Warner”) and its programming networks in 2018. This
merger combined AT&T, the nation’s second largest MVPD, and Time Warner, which operates
many of the nation’s most popular programming networks, including TNT, TBS, CNN, and HBO.
Against this backdrop of increasing consolidation between programmers and distributors, AMC
Networks Inc. (“AMCN”) is one of the few remaining independent programmers.
2. AMCN’s flagship network, AMC (“AMC”), is among the most successful
networks available for distribution today. AMC is well-known and highly valued by consumers
for its award-wining original scripted dramas, such as Mad Men, Breaking Bad, The Walking
Dead, Into the Badlands, Killing Eve and Better Call Saul, along with its slate of acquired movies.
1
AMC also is one of an increasing number of networks traditionally delivered only as linear
networks that have recognized that the future for video content lies with distribution over
innovative online video services and platforms that can evolve with and attract prudent viewers to
enhance the strength of their linear television offering. AMC has thus begun offering its networks
and content in myriad ways via cutting-edge products, services and apps, including by offering
unique subscription video on demand (“SVOD”) products and offering video content on an
increasing number of online platforms.
3. AT&T is now attempting to stifle AMC’s ability to compete fairly by using its
colossal market power as a vertically integrated MVPD to disadvantage AMCN’s linear networks,
AMC and AMC+,1/ in favor of AT&T’s own affiliated networks that are similarly situated to and
compete with AMC and AMC+. These affiliated networks include HBO (which competes with
and is similarly situated to AMC and AMC+) and TNT (which also competes with and is similarly
situated to AMC).
4. AT&T is engaging in this discriminatory conduct even though it repeatedly
promised during the civil antitrust litigation filed by the United States Department of Justice
challenging its acquisition of Time Warner (the “Civil Antitrust Litigation”) that it would not use
its bargaining leverage as a vertically integrated MVPD to cause harm to other MVPDs, evolving
online platforms, or programming networks. Now, however, AT&T is attempting to do exactly
that. It is attempting to cause severe harm to the smaller and independent network AMC, which
offers a fresh, independent and diverse voice on MVPDs’ channel lineups that is highly valued by
subscribers, for the benefit of AT&T’s competing and similarly situated networks, TNT and HBO.
1/
See ¶ 23, infra, for a description of AMC+, AMCN’s newest linear network.
2
5. Specifically, AT&T has presented AMCN with an offer that is clearly
discriminatory in light of AT&T’s treatment of its own networks: AMCN either (i) has to {{
}}. Either result would have a severe impact on
AMC’s ability to compete fairly. The most egregious terms in AT&T’s offer include: {{
;2/
}}. These terms are extremely atypical in the marketplace, where AMC
is widely distributed and compensated fairly.
6. AT&T claims that the terms it has proposed for its affiliation agreement with
AMCN are economically motivated. AT&T cannot plausibly assert, however, that economics
justify the onerous and stifling terms and restrictions that it is seeking to impose on AMCN,
because AT&T does not appear to impose such terms and restrictions on its own similarly situated
affiliated networks that compete with AMC and AMC+. The only plausible justification for
2/
Specifically, AT&T is requiring AMCN to agree that {{
}}
3
AT&T’s disparate treatment is discrimination on the basis of affiliation, in which AT&T is seeking
to unfairly advantage its own networks, which is precisely what the Commission’s program
carriage rules are designed to prevent.
7. Ironically, AT&T itself has lauded the robustness of the Commission’s rules
prohibiting anticompetitive behavior in carriage agreements – rules that are designed to prohibit
and remedy the very conduct in which it is now engaging. During the Civil Antitrust Litigation,
AT&T repeatedly cited the Commission’s rules as a sufficient measure to ensure that no abuse of
its market power would occur as a result of the merger. For example, AT&T’s counsel told the
United States District Court for the District of Columbia that “the entire merged company [AT&T]
is going to be subject to the FCC’s rules,” which “deal with vertically integrated companies in this
business” and would “take care of” any anti-competitive conduct after the merger.3/
8. This instant action requires AT&T to be held to its word that the Commission can
use its regulatory powers – in this case, the program carriage rules – to address AT&T’s
discriminatory and anticompetitive use of the disproportionate bargaining power that it now has
as a result of the AT&T-Time Warner merger to unlawfully disadvantage a programming
competitor.
9. AMCN thus brings this program carriage complaint to seek relief from AT&T’s
discriminatory conduct that violates Section 616 of the Communications Act of 1934, as amended,
and the Commission’s program carriage rules. The Commission should order AT&T to carry
AMC and AMC+ (along with AMCN’s other programming networks) on fair, reasonable and
nondiscriminatory rates, terms and conditions, including barring imposition of the {{
3/
Tr., United States. v. AT&T, Inc., No. 1:17-cv-02511-RJL at 67:11-19 (D.D.C. Mar. 22, 2018,
11:30 a.m.) (“Tr., AT&T Opening Statement”), Ex. A.
4
}}, and order AT&T to pay a monetary forfeiture penalty to the
Commission for its violation of the program carriage rules.
STATEMENT OF FACTS
1. Jurisdiction
10. This Complaint is brought in accordance with and pursuant to the jurisdiction
provided by Section 616 of the Communications Act of 1934, as amended (“Act”) and Section
76.1302 of the Commission’s rules.4/ The notice required by 47 C.F.R. § 76.1302(b) was provided
by letter to AT&T from AMCN’s outside counsel, Tara M. Corvo of the Mintz law firm, on July
22, 2020.5/
2. AMCN
11. AMCN is a “video programming vendor” engaged in producing, creating and
distributing video programming content for sale to MVPDs and other distribution services and
platforms, as defined in 47 C.F.R. § 76.1300(e).6/ AMCN owns and operates the following
domestic linear programming networks and SVOD products: AMC; AMC+; BBC America
(through a joint venture); IFC; Sundance TV; WEtv; WEtv+; IFC Films; Acorn TV; Cocina On;
4/
47 U.S.C. § 536 (2020); 47 C.F.R. § 76.1302(b) (2020).
5/
See Letter from Tara M. Corvo, Member, Mintz, to Bruce Byrd, Senior Vice President and
Assistant General Counsel, AT&T (July 22, 2020), Ex. B. AT&T acknowledged receipt of the pre-filing
notice. See Letter from Bruce R. Byrd, Senior Vice President and Assistant General Counsel, AT&T, to
Tara M. Corvo, Member, Mintz (July 24, 2020), Ex. C.
6/
See AMC Networks Inc., Annual Report (Form 10-K) (Feb. 27, 2020), at 5 (“AMC 2020 10-K”)
(“AMC Networks is a global entertainment company known for its groundbreaking and award-winning
original content. We own and operate a suite of focused and targeted video entertainment products that are
delivered to viewers on an ever-expanding array of platforms. These include: our linear TV channels
carried by traditional and virtual multi-channel video programming (MVPD) distributors; our targeted
subscription video on demand (SVOD) services; our digital platforms; and on various social media
platforms.”).
5
Shudder; Sundance Now; UMC and IFC Films Unlimited.7/ Its mailing address is 11 Penn Plaza,
New York, NY 10001, and its telephone number is (212) 324-8500.
3. AT&T
12. AT&T is a communications conglomerate and the second largest MVPD in the
country.8/ It is engaged in the business of making available for purchase multiple channels of
video programming as defined in 47 C.F.R. § 76.1300(d).9/ In particular, AT&T distributes video
programming through DIRECTV (a Direct Broadcast Satellite MVPD)10/ and U-verse TV (which
AT&T refers to as an “Internet Protocol TV MVPD”)11/ to approximately 20 million subscribers.12/
Its mailing address is 208 S. Akard St., Dallas, Texas, 75202, and its telephone number is (210)
821-4105.
13. In 2018, AT&T acquired Time Warner,13/ and as a result, AT&T now owns several
networks that are similarly situated to, and directly compete with, AMC and AMC+, including
7/
See id.
8/
Industry Data, NCTA, https://www.ncta.com/industry-data/top-10-video-subscription-services
(last visited July 30, 2020).
9/
See AT&T Inc., Annual Report (Form 10-K) (Feb. 20, 2020), at 1 (“AT&T 2020 10-K”) (AT&T
“provides video, including over-the-top (OTT) services, internet and voice communications services to
residential customers.”).
10/
See 47 U.S.C. § 522 (13) (2020) (The term “multichannel video programming distributor” means
a person such as, but not limited to, a cable operator, a multichannel multipoint distribution service, a direct
broadcast satellite service, or a television receive-only satellite program distributor, who makes available
for purchase, by subscribers or customers, multiple channels of video programming); see also Assessment
and Collection of Regulatory Fees for Fiscal Year 2019, Report and Order and Further Notice of Proposed
Rulemaking, 34 FCC Rcd 8189, ¶ 25 (2019) (identifying AT&T as one of the two DBS operators in the
United States).
11/
What is IPTV, AT&T, https://www.att.com/Common/about_us/files/pdf/IPTV_background.pdf
(“AT&T is the only national service provider to offer a 100-percent IP-based TV service, AT&T U-verse
TV.”) (last visited July 30, 2020).
12/
See AT&T 2020 10-K at 5.
13/
Id. at 1.
6
TNT (which is similarly situated to and competes with AMC) and HBO (which is similarly situated
to and competes with AMC and AMC+).14/
4. AT&T’s Public Assurances During the Civil Antitrust Litigation
14. Analysts predicted that the $85 billion AT&T and Time Warner merger would lead
“to a troubling level of consolidation among already big business and potentially eliminate what
few independent [media] players remain.”15/ The United States Department of Justice had similar
concerns and filed the Civil Antitrust Litigation seeking to block AT&T’s acquisition of Time
Warner.16/ The Department of Justice argued that AT&T’s acquisition of the plethora of Time
Warner’s programming networks, including TNT and HBO, would substantially lessen
competition, hinder Time Warner’s programming rivals, and slow the video programming
industry’s transition to new video distribution models that provide greater choice for customers.17/
15. AT&T successfully defended its acquisition in part on the basis that the
Commission’s carriage rules were sufficiently robust to prevent AT&T from favoring its own
affiliated networks over unaffiliated networks, which is exactly the circumstance that is being
tested here. Among other statements, AT&T represented:
[A]s a vertically merged company, Time Warner, Turner, AT&T,

the entire merged company is going to be subject to the FCC’s
program access rules, Your Honor. Congress enacted the statute.
The FCC promulgated rules. That is a deliberate judgment of
Congress, how to deal with vertically integrated companies in this
14/
Id. at 1, 71; see also Defendants’ Proposed Findings of Fact and Conclusions of Law, U.S. v. AT&T,
Inc., No. 1:17-cv-02511-RJL ¶ 297 (D.D.C. May 3, 2018) (“Defendant’s Proposed Findings of Fact”)
(“HBO competes not only with several other premium networks (including Showtime and The Movie
Channel, owned by CBS, and Starz, owned by Lionsgate), but also with other cable networks (such as FX,
A&E, and AMC).”), Ex. E; see also ¶ 18, infra.
15/
Richard Levik, The AT&T-Time Warner Merger: Is Bigger Better?, FORBES (July 10, 2018),
https://www.forbes.com/sites/richardlevick/2018/07/10/the-att-time-warner-merger-is-bigger-
better/#13d731ef69b4.
16/
Complaint, United States v. AT&T Inc., No. 1:17-cv-02511-RJL (D.D.C. Nov. 20, 2017), Ex. D.
17/
Tr., AT&T Opening Statement, at 9:3-5, Ex. A.
7
business. And these rules take care of any kind of pricing abuse of
the sort alleged by the government.18/
16. In addition, AT&T argued throughout the litigation that it is critical for networks
to have the ability to offer programming through a broad array of distributors – both traditional
MVPDs and new online platforms and services, as well as keeping DTC options open – in light of
the changing competitive video programming landscape.19/ AT&T even argued that this was the
purpose of the acquisition from Time Warner’s perspective, because Time Warner needed to be
able to offer its programming networks more broadly in order to compete.20/
17. Now, however, AT&T is seeking to impose the {{ }}
on AMC and AMC+ as a condition of carriage, even though AT&T’s similarly situated networks
are not subject to any similar restrictions. The harm that this will cause AMC is apparent from
AT&T’s own statements during the Civil Antitrust Litigation, in which AT&T explained the
importance of programming networks having access to all of these options:
[C]ompanies, like Google and Facebook and Amazon and Hulu and
Netflix . . . . are running away with the industry, Your Honor. They
have radically transformed it. And they are directly competing with
the distributors you’re going to hear in this case, the programmers
you're going to hear in this case. They're all a part of the same
business. . . . And if you’re not trying to keep up with these people,
you're not going to be in business very long.
. . .
[T]his is one of the drivers of acquiring Time Warner: In order to
take the content which has been generally available throughout
the traditional pay-TV system and take that mobile so that anybody
with their cell phone or their iPad or some tablet can watch
television, whether it's a single show, whether it's a live channel,
18/
Id. at 67:11-19. While AT&T’s statement concerned the program access rules, those rules are the
mirror image of the program carriage regime, and the same underlying principles of preventing a vertically
merged distributor from using its predatory market power to harm other operators or other programming
networks on the basis of lack of affiliation apply to both.
19/
See, e.g., id. at 51:9-52:25; 55:7-56:12.
20/
See, e.g., id. at 55:23-56:5.
8
wherever they are, however they want it. . . . And that’s what’s
driving this transaction.
. . .
In the middle there is the network, Turner, and other networks
situated just like Turner. They’re a trapped wholesaler. And it
worked for years. It was fine. But the world has changed. It’s a
brave, new world. And you can’t be a trapped wholesaler
anymore.21/
18. Finally, AT&T acknowledged during the Civil Antitrust Litigation that AMC was
a primary competitor to HBO. Specifically, AT&T stated that “HBO competes not only with
several other premium networks (including Showtime and The Movie Channel, owned by CBS,
and Starz, owned by Lionsgate), but also with other cable networks (such as FX, A&E, and
AMC), as well as online distributors such as Netflix and Amazon.”22/ Consequently, there can be
no doubt that AMC and HBO are competitors and that AT&T’s discriminatory treatment of AMC
and AMC+ on the basis of its non-affiliated status will serve to benefit AT&T’s affiliated
networks, including HBO and TNT, to the detriment of AMC and AMC+.
5. AT&T’s Discriminatory Conduct
i. The Networks
19. AMC is AMCN’s flagship programming network that was launched in 1984. It is
broadly distributed with penetration of {{ }} to all MVPD subscribers; each MVPD
usually distributes AMC on its popular “expanded basic” tier. AMC’s long-time advertising
tagline is “Premium on Cable” and the network is well-recognized as on par with premium
networks such as HBO with respect to the caliber of scripted high-end original programming
series.
21/
Id. at 44:6-13; 44:24-45:1; 50:3-9; 50:13-14; 52:5-10.
22/
Defendants’ Proposed Findings of Fact at ¶ 297 (emphasis added), Ex. E.
9
20. AMC’s history includes continued success in various award categories, including
in outstanding drama. In particular, AMC’s Mad Men made history when it became the first basic
cable series ever to win an Emmy for Outstanding Drama Series in four consecutive years.23/
Overall, Mad Men was nominated for 116 Emmy awards and won 16.24/ AMC’s other critically-
acclaimed award-winning shows include Breaking Bad (58 Emmy nominations and 16 Emmy
awards),25/ The Walking Dead (16 Emmy nominations and 2 Emmy awards),26/ and Killing Eve
(11 Emmy nominations, and 1 Emmy award).27/
21. AMC also airs classic films and blockbuster hits such as Ghost, Home Alone, Top
Gun and Mad Max.28/
22. As of December 31, 2019, AMC reached {{ }} million subscribers.
23. AMC+ is a newly-launched, ad-free, premium linear programming network that is
presently offered a la carte, along with complementary on demand content, to video and
broadband subscribers of Comcast, DISH, and SlingTV.29/ The content offered on AMC+ includes
23/
See AMC's ‘Mad Men’ Has Repeated As Winner of the Best Drama Series Emmy, THE WALL
STREET J. (Sept. 21, 2009), https://www.wsj.com/articles/SB125350314478427055; Emmy Awards 2011:
‘Modern Family’ Wins Big, ‘Mad Men’ Takes Top Prize, TIME (Sept. 19, 2011),
https://newsfeed.time.com/2011/09/19/emmy-awards-2011-modern-family-wins-big-mad-men-takes-top-
prize/; Mad Men, AMC, https://www.amc.com/shows/mad-men/exclusives/about.
24/
Mad Men, The Television Academy, https://www.emmys.com/shows/mad-men.
25/
Breaking Bad Ends Its Emmy Run on a High Note, TIME (Aug. 25, 2014),
https://time.com/3179800/emmys-2014-breaking-bad-bryan-cranston/ (“The hit series, which concluded
its fifth and final season last fall, took home most of the night’s most important trophies on the drama side,
including Outstanding Drama Series, Outstanding Lead Actor (Bryan Cranston), Outstanding Supporting
Actress (Anna Gunn), Outstanding Supporting Actor (Aaron Paul) and Outstanding Writing.”).
26/
The Walking Dead, The Television Academy, https://www.emmys.com/shows/walking-dead.
27/
Killing Eve, The Television Academy, https://www.emmys.com/shows/killing-eve.
28/
See, e.g., AMC Weekly Programming Schedule (3/30/20-4/5/20 through 7/6/20-7/12/20), Ex. F.
29/
Discover AMC+, https://www.xfinity.com/learn/digital-cable-tv/svod/amc-plus; Watch AMC+
Online, https://www.sling.com/channels/amc-plus; Discover AMC+, https://my.dish.com/subscription-on-
demand/amcplus.
10
selections from AMC’s premier original programming as well as top titles from AMCN’s other
networks and products, such as IFC Films Unlimited, Sundance and Shudder.30/ AMCN is deep in
negotiations to launch AMC+ on a number of other MVPDs and online distributors.
24. HBO is a premium linear programming network which also offers on-demand
content to subscribers. It is well-known for offering award-winning original scripted dramas that
compete with AMC’s scripted dramas,31/ such as The Sopranos (112 Emmy nominations and 21
Emmy awards),32/ Game of Thrones (160 Emmy nominations and 59 Emmy awards),33/ and
Westworld (43 Emmy nominations and 9 Emmy awards).34/ As of December 31, 2019, HBO had
approximately 43 million subscribers.35/
25. Similar to AMC, TNT is a broadly-distributed ad-supported linear programming
network that includes original and acquired series and movies among its offerings. Its high-end
scripted content includes The Alienist (6 Emmy nominations and 1 Emmy award) and
Snowpiercer. TNT’s library of acquired movies includes classics and contemporary blockbusters
as Saving Private Ryan, Star Trek, Avengers, The Book of Eli, and The Longest Yard.36/ As of
30/
See Press Release, AMC Networks, AMC Networks Offers New Subscription Video on Demand
Bundles to Comcast’s XFINITY Customers, (June 10, 2020), https://www.amcnetworks.com/press-
releases/amc-networks-offers-new-subscription-video-on-demand-bundles-to-comcasts-xfinity-
customers/.
31/
Defendants’ Proposed Findings of Fact, ¶ 297 (“HBO competes not only with several other
premium networks (including Showtime and The Movie Channel, owned by CBS, and Starz, owned by
Lionsgate), but also with other cable networks (such as FX, A&E, and AMC).”), Ex. E.
32/
The Sopranos, The Television Academy, https://www.emmys.com/shows/sopranos.
33/
Game of Thrones, The Television Academy, https://www.emmys.com/shows/game-thrones.
34/
Westworld, The Television Academy, https://www.emmys.com/shows/westworld.
35/
See AT&T 2020 10-K at 7. HBO’s reported subscriber figure includes subscribers to HBO NOW.
36/
TNT Programming Schedule (8/1/20 through 8/14/20) (accessed on Aug. 1, 2020 at
https://www.tntdrama.com/schedule).
11
December 31, 2019, TNT reached nearly 87 million subscribers.37/
ii. Competition for and the Cost of Content Is Increasing
26. The video programming distribution industry today includes myriad new players
beyond traditional broadcast and cable networks – online video distributors such as YouTube TV
and Hulu with Live TV, online subscription video on demand services such as Netflix, and online
technology platforms such as Roku, Apple TV and Amazon. Each is researching new ways to
offer more personalized viewing experiences to attract and retain viewers. One main means of
competing is to offer the best possible cutting-edge content. With so many new players competing
for rights to the best content, the video programming industry is engulfed in an ongoing “war” for
content rights.38/
27. As one of the nation’s truly independent programmers, AMCN’s networks face
unique challenges in maintaining access to the top content that distinguishes their programming
line-ups. Its networks are forced to compete with the numerous networks affiliated with MVPDs,
which often have access to greater resources, as well as networks affiliated with major film studios
or sports teams, which are able to obtain preferential licensing arrangements for popular movies
and sporting events.39/
28. Another significant challenge is that because of the increased competition for
content, content costs are on the rise, with numerous trade press articles reporting on the increased
cost that programmers must pay to acquire rights to develop high-quality content.40/ The costs of
37/
TNT Network Economics, S&P Global (accessed July 27, 2020), Ex. G.
38/
Marc Emmer, Amazon, Apple, Netflix and The War for Content, Forbes (May 23, 2019),
https://www.forbes.com/sites/forbeslacouncil/2019/05/23/amazon-apple-netflix-and-the-war-for-
content/#5187c17b1791.
39/
AMC 2020 10-K at 16-17.
40/
See, e.g., supra note 38; Taylor Telford, Netflix Raises Prices to Pay for Original Content, WASH.
POST (Jan. 15, 2019), https://www.washingtonpost.com/business/2019/01/15/netflix-raises-prices-pay-
12
purchasing and producing quality content that attracts viewers is the single largest cost of operation
for a programming network, and these costs are increasing.
29. In order to be able to successfully meet these challenges, it is essential that
independent programmers be able to play on a level playing field and receive fair market value for
their programming from all distributors, regardless of their size, market concentration or
affiliation.
iii. Significance of Distribution Over Online Video Services and Platforms

to the Success of a Network
30. The video programming market has evolved since AMCN and AT&T last executed
an affiliation agreement on terms which reflected the video programming market at the time. In
particular, there have been marked advancements in the types and quality of content, along with
modes of exhibition and distribution.41/ In recent years, most programming networks have
recognized the importance of distributing through innovative new online distribution services and
platforms to strengthen their linear television networks, and some have begun to experiment with
offering video programming DTC, to stay relevant to and compete for a savvy audience that is
turning to streaming platforms and other methods of distribution for video content in increasing
numbers.42/ Indeed, as an article in Variety.com reported at the end of 2019:
original-content/; Apple Reportedly Ups TV Spending by $5 Billion to Compete with Amazon and Netflix,
VERGE (Aug. 19, 2019), https://www.theverge.com/2019/8/19/20813005/apple-tv-plus-original-video-
spending-6-billion-the-morning-show-amazon-netflix-streaming-wars.
41/
See Blaine Roth, Tuning into On-Demand Streaming Culture—Hollywood Guilds’ Evolution
Imperative in Today’s Media Landscape, 27 UCLA Entertainment L. Rev. 141, 152 (2020).
42/
Tr., AT&T Opening Statement at 44:6-45:1 (Mar. 22, 2018) (“[V]ertically integrated companies,
like Google and Facebook and Amazon and Hulu and Netflix. But all of these companies are running away
with the industry, Your Honor. They have radically transformed it. And they are directly competing with
the distributors you're going to hear in this case, the programmers you're going to hear in this case. They’re
all a part of the same business. And they pose competitive challenges in two important respects. First of
all, they're offering lower-priced pay-TV services. Hulu does. Google does. Others are offering SVOD
services. Those are subscription on-demand services, where you cannot get a live channel, but you can get
a show you want and you can binge it and you can watch 10 or 20 in a row, all weekend if you want. This
13
It’s tough out there for a linear network. Even inside the major
media conglomerates, the buzz is all about a company’s new digital
platform, not its legacy channels. . . . [B]roadcast and cable
networks are struggling to maintain relevance in the digital age, to
the point where they’re suffering their own existential crises: HBO
will soon be a major pillar of WarnerMedia’s HBO Max service,
while most of FX’s new series are premiering on Hulu
first. . . . [T]he streaming world is where viewers – particularly the
younger ones – are flocking, and this year’s ranker of most-watched
TV networks demonstrates that.43/
In fact, Time Warner’s former Chief Executive Officer, Jeffrey Bewkes, emphasized the
need for all programming networks to be able to compete in this changing landscape, publicly
stating: “We are building a foundation for the transformation of television networks, so that they
will be available on demand and on mobile devices with a seamless interface for search. . . . This
is leading the way for everybody.”44/
31. A recent analysis conducted by AMCN confirmed the need for programmers to
have the ability to distribute their services through MVPDs and online services. The analysis
showed that residential MVPD subscribers were down by {{ }} in
broadcast season 2019/20 compared to the 2015/16 season.45/ By contrast, subscribership to
Amazon Prime Video was up by {{ }} and Netflix subscribership had increased {{
}} during this same timeframe.46/ SVOD penetration grew particularly rapidly among the 25-
is pulling people out of the pay-TV system to sign up for these terrific innovative offerings, oftentimes at
much, much lower prices. So they are directly a part of this competitive landscape. And if you're not trying
to keep up with these people, you're not going to be in business very long.”), Ex A.
43/
Michael Schneider, Most-Watched Television Networks: Ranking 2019’s Winners and Losers,
VARIETY (Dec. 26, 2019), https://variety.com/2019/tv/news/network-ratings-top-channels-fox-news-espn-
cnn-cbs-nbc-abc-1203440870/.
44/
John Koblin and Emily Steel, At the Head of the Pack, HBO Shows the Way Forward, NY TIMES
(Apr. 13, 2015), https://www.nytimes.com/2015/04/13/business/media/at-the-head-of-the-pack-hbo-
shows-the-way-forward.html (emphasis added).
45/
{{ }}, Ex. H.
46/
Id.
14
54 demographic, reaching a penetration of {{ }} of people in this demographic in 2019,
compared to {{ }} in 2015.47/ And SVOD penetration grew to {{ }} in 2019 among all
households, compared to {{ }} in 2015.48/
32. Because of these changing video viewing habits, numerous programmers now
provide content through a variety of online platforms and services. These attract new viewers, and
also drive some viewers back to the linear television network, where they find other similar content
that they enjoy. AT&T is no different with regard to its plans for its affiliated networks. In
particular, earlier this year, AT&T stated that it would focus on HBO Max – which launched on
May 27, 2020 – to “capitalize on our premier network, technology and distribution capabilities to
provide our premier content in this unique offering.”49/ AT&T’s CEO, John Stankey, subsequently
stated on a July 23, 2020 earnings call that HBO Max “is available to consumers through nearly
every content distributor in the United States” and that AT&T has “tried repeatedly to make HBO
Max available to all customers using Amazon Fire devices, including those customers that have
purchased HBO via Amazon.”50/ Stankey then complained, without a hint of irony, that
“[u]nfortunately, Amazon has taken an approach of treating HBO Max and its customers
differently on how they’ve chosen to treat other services and their customers.”51/ Even so, Stankey
noted that AT&T has “agreements in place with, among others, Apple TV and Google Chromecast
to give customers the right to stream HBO Max on those devices.”52/ Therefore, AT&T’s {{
47/
Id.
48/
Id.
49/
See AT&T 2020 10-K at 2.
50/
See AT&T Inc. Q2 2020 Earnings Call Tr. (July 23, 2020), at 7, THOMSON REUTERS
STREETEVENTS, https://investors.att.com/~/media/Files/A/ATT-IR/financial-reports/quarterly-earnings/
2020/q2-2020/Final%202Q20%20earnings%20transcript%2072320.pdf (last visited Aug. 1, 2020).
51/
Id. at 7-8.
52/
Id. at 8.
15
}} is inconsistent with current industry practices, including its own
practices with respect to its own networks.
iv. Carriage Negotiations with AT&T
33. Given the importance of AT&T distribution to AMCN’s financial well-being,
AMCN sought to start renewal discussions early, to avoid any last-minute time crunches. It sent
a carriage proposal to AT&T on {{ }}.
34. AMCN did not receive an official response until {{ }}. In a drastic
departure from prior carriage terms, the proposal contained {{
}}.
35. AMCN responded to AT&T’s carriage proposal on {{
}}.
36. AT&T responded that {{
}}.
37. AT&T also stated that {{
}}.
16
38. On July 22, 2020, faced with {{
}} and the need to give the Commission adequate time to consider a standstill petition,
AMCN sent AT&T notice of its intent to file a program carriage complaint. AT&T responded on
July 24, 2020 that it had received the notice, but did not substantively engage on AMCN’s concerns
of discriminatory conduct.
39. AMCN had discussions with AT&T on {{
}}.
40. On {{
}}. This Complaint followed.
ARGUMENT
41. Pursuant to Section 616 of the Communications Act, as amended,53/ the
Commission has adopted rules prohibiting an MVPD from engaging “in conduct the effect of
which is to unreasonably restrain the ability of an unaffiliated video programming vendor to
compete fairly by discriminating in video programming distribution on the basis of affiliation or
non-affiliation of vendors in the selection, terms, or conditions for carriage of video programming
provided by such vendors.”54/
53/
47 U.S.C. § 536(a)(2) (2020).
54/
47 C.F.R. § 76.1301(c) (2020).
17
42. The Commission’s rules require that a complainant alleging a violation of the
program carriage rules must establish a prima facie case.55/
43. First, to establish a prima facie case of a program carriage violation on the basis of
discrimination, a complainant must provide direct or circumstantial evidence of discrimination
on the basis of affiliation or non-affiliation.56/ Circumstantial evidence of discrimination includes
proof that the video programming vendor “is similarly situated to video programming provided
by a programming vendor affiliated with the defendant MVPD, based on a combination of factors,
such a genre, ratings, license fee, target audience, target advertisers, target programming, and
other factors.”57/ The Commission has stated that “no single factor is necessarily dispositive,
[but] the more factors that are found to be similar, the more likely the programming in question
will be considered similarly situated to the affiliated programming.”58/
44. Second, the complainant must submit “evidence that the defendant MVPD has
treated the video programming provided by the complainant programming vendor differently than
the similarly situated video programming provided by the programming vendor affiliated with
the defendant MVPD with respect to the selection, terms, or conditions for carriage.”59/
45. Third, the complainant must show that the differential treatment “has the effect of
unreasonably restraining the ability of an unaffiliated video programming vendor to compete
55/
47 C.F.R. § 76.1302(d) (2020).
56/
Revision of the Commission’s Program Carriage Rules, Leased Commercial Access; Development
of Competition and Diversity in Video Programming Distribution and Carriage, Second Report and Order
in MB Docket No. 07-42 and Notice of Proposed Rulemaking in MB Docket No. 11-131, 26 FCC Rcd
11494, ¶ 14 (2011) (“Second Report and Order”).
57/
Id.
58/
Id.
59/
Id.
18
fairly.”60/ This prong is subject to an “expansive interpretation,” and a complainant need not show
that without carriage it “cannot compete at all, i.e., would exit the industry, operate at a loss, or
suffer some similar major disadvantage.”61/ Rather, the complainant must point to any conduct
that has the effect of restraining its ability to compete fairly.62/
46. If the Commission finds that an MVPD has violated the program carriage rules, it
will “order appropriate remedies, including, if necessary, mandatory carriage of a video
programming vendor’s programming on defendant’s video distribution system, or the
establishment of prices, terms, and conditions for the carriage of a video programming vendor’s
programming.”63/
1. AMC and AMC+ Are Similarly Situated to TNT and HBO.
47. Under the first prong of the governing standard, AMC and AMC+ clearly are
similarly situated to AT&T’s affiliated networks, HBO and TNT, based on a number of factors,
including genre, targeted programming, target audience, targeted advertising, actual audience,
ratings and other factors.64/
i. Genre
48. Genre is one of many clear similarities between AMC and HBO. AMC’s core,
defining genre is premium, scripted, original dramas. Shows on AMC that fall within this genre
60/
47 C.F.R. § 76.1302(d)(3)(iii)(A).
61/
TCR Sports Broad. Holding, L.L.P. v. Time Warner Cable Inc., Order on Review, 23 FCC Rcd
15783, ¶ 30 (MB 2008), rev'd on other grounds, 25 FCC Rcd 18099 (FCC 2010).
62/
47 C.F.R. § 76.1302(d)(3)(iii)(A).
63/
47 C.F.R. § 76.1302(j).
64/
While the Commission will look to the similarity of license fees as a factor, this information is
generally proprietary. AT&T is attempting to reduce the license fees of AMC, while the publicly available
evidence suggests that the license fees of HBO and TNT are remaining constant or increasing; but prior to
discovery, the precise license fees of HBO and TNT are unknown to AMCN.
19
include award-winning shows such as Mad Men (a drama following the lives of competitive men
and women of Madison Avenue advertising set in the 1960s),65/ The Walking Dead (a drama that
follows a group of survivors set in a post-apocalyptic America of walkers/zombies and other
villains),66/ Breaking Bad (a drama following a man’s transformation from mild family man to a
kingpin of the drug trade),67/ Killing Eve (a dark comedy-drama spy thriller),68/ and Better Call
Saul (a spin-off of Breaking Bad).69/ AMC also features a slate of classic and popular movies from
the last 20-30 years to supplement this core of original programming.
49. AMC+ has the same genre as AMC. AMC+ offers everything from AMC’s premier
content such as The Walking Dead to horror and thriller genre-focused content available on
AMCN’s other programming networks and offerings, such as Shudder.
50. HBO’s core programming falls within the same premium, scripted, original drama
genre as AMC and AMC+. Examples of HBO’s recent shows that fall within this genre include
Game of Thrones (a drama following various characters’ battle for the Iron Throne),70/ Westworld
(a dystopian drama following the evolution of artificial intelligence and its impact on humanity),71/
Big Little Lies (a dark comedy following three mothers’ lives that unravel to the point of murder),72/
Succession (a drama following a family that controls one of the biggest media and entertainment
65/
Mad Men, AMC, https://www.amc.com/shows/mad-men/exclusives/about.
66/
The Walking Dead, AMC, https://www.amc.com/shows/the-walking-dead/exclusives/about.
67/
Breaking Bad, AMC, https://www.amc.com/shows/breaking-bad/exclusives/about.
68/
Killing Eve, AMC, https://www.amc.com/shows/killing-eve.
69/
Better Call Saul, AMC, https://www.amc.com/shows/better-call-saul/exclusives/about.
70/
Game of Thrones, HBO, https://www.hbo.com/game-of-thrones.
71/
Westworld, HBO, https://www.hbo.com/westworld.
72/
Big Little Lies, HBO, https://www.hbo.com/big-little-lies.
20
conglomerates);73/ and Euphoria (a drama following a group of high school students as they
navigate life in a world of drugs, sex and mental and emotional trauma).74/ Similar to AMC, HBO
fills much of its surrounding programming slate with movies.
51. The television awards that AMC and HBO have been nominated for and won over
the past five years confirm the similarity in genre. Both networks are regular competitors in the
Outstanding Drama Series category at the Emmy Awards. For example:
a. In 2015, AMC’s Better Call Saul and Mad Men were nominated for Outstanding
Drama Series and competed against HBO’s Game of Thrones;75/
b. In 2016, AMC’s Better Call Saul was nominated for Outstanding Drama Series and
competed against HBO’s Game of Thrones;76/
c. In 2017, AMC’s Better Call Saul was nominated for Outstanding Drama Series and
competed against HBO’s Westworld;77/ and
d. In 2019, AMC’s Better Call Saul was nominated for Outstanding Drama Series and
competed against HBO’s Game of Thrones and Succession.78/
e. In 2020, AMC’s Better Call Saul and Killing Eve have each been nominated for
73/
Succession, HBO, https://www.hbo.com/succession.
74/
Euphoria, HBO, https://www.hbo.com/euphoria.
75/
67th Emmy Awards Nominees and Winners, Television Academy,
https://www.emmys.com/awards/nominees-winners/2015/outstanding-drama-series.
76/
77/
78/
71st Emmy Awards Nominees and Winners, Television Academy,
21
Outstanding Drama Series and will be competing against HBO’s Succession.79/
52. Because AMC and HBO both feature high quality scripted original dramas as their
core programming, it is not surprising that in 2015, 2017 and 2019, AMC and HBO each had an
actor/actress nominated for Outstanding Lead Actor/Actress in a drama series.80/ Likewise in
2020, two actors/actresses on AMC shows and three actors/actresses on HBO shows have been
nominated for Outstanding Lead Actor/Actress in a Drama Series, accounting for nearly half of all
nominations in this category (5 out of 12). Moreover, half of the total nominations for Outstanding
Supporting Actor/Actress in a Drama Series are from AMC or HBO shows (8 out of 16). Similarly
with respect to directors, from 2015 through 2019, HBO had 12 nominations for Outstanding
Directing for a Drama Series, with directors on HBO and AMC shows competing against each
other in this category.81/ These nominations powerfully confirm that both AMC and AMC+ (which
features AMC programming) and HBO compete directly against each other in the high-end,
premium, original scripted drama space and offer premium shows in this genre.
53. In addition, AMCN’s contemporaneous research studies reflect that its original
scripted shows are viewed by television customers as falling within the same genre as HBO’s
79/
72nd Emmy Awards Nominees and Winners, Television Academy,
80/
https://www.emmys.com/awards/nominees-winners/2015/outstanding-drama-series; 69th Emmy Awards
Nominees and Winners, Television Academy, https://www.emmys.com/awards/nominees-winners/2017;
71st Emmy Awards Nominees and Winners, Television Academy, https://www.emmys.com/awards/
nominees-winners/2019.
81/
th
https://www.emmys.com/awards/nominees-winners/2015/outstanding-drama-series; 68 Emmy Awards
Nominees and Winners, Television Academy, https://www.emmys.com/awards/nominees-winners/2016;
https://www.emmys.com/awards/nominees-winners/2017; 70th Emmy Awards Nominees and Winners,
Television Academy, https://www.emmys.com/awards/nominees-winners/2018; 71st Emmy Awards
Nominees and Winners, Television Academy, https://www.emmys.com/awards/nominees-winners/2019.
22
original scripted programming. For example, a survey conducted by Hub Entertainment Research
in October 2019 contacted 2,016 television customers who watched at least one hour of television
per week in October 2019 and asked them to identify which networks would make them most
interested in trying out a new hour-long drama if they were to announce they were airing one.82/
HBO and AMC were two of the top three programming networks selected as networks that would
most pique a customer’s interest in watching a new drama.83/
54. TNT is also a strong competitor to AMC with respect to the genre of content that it
airs. TNT has described its core genre as encompassing “a dynamic portfolio of thrilling genre
fare with new action-adventure, sci-fi/fantasy, mystery/suspense and crime dramas.”84/ Among
other recent shows on TNT falling within this drama, TNT’s shows The Last Ship (a drama
following survivors in a post-apocalyptic world after a global pandemic wipes out 80% of the
world’s population),85/ The Alienist (a thriller set in 1896 about the hunt for a serial killer in New
York City),86/ and Snowpiercer (a dystopian thriller following inhabitants of a perpetually moving
train that circles the globe carrying the remnants of humanity after the world has frozen) 87/ fall
within the same high-end scripted original drama genre as the shows aired by AMC.
ii. Targeted Programming
55. AMC has spent over a decade building a reputation for high-quality, can’t miss
television that gives life to a passionate, engaged following. AMC’s targeted original
82/
{{ }}, Ex. I
83/
Id.
84/
Press Release, BOOM: TNT Unveils Dramatic Programming Evolution and Brand Refresh at
Upfront, WARNERMEDIA (May 6, 2014), https://www.warnermediagroup.com/newsroom/press-
releases/2014/05/06/boom-tnt-unveils-dramatic-programming-evolution-and-brand-refresh.
85/
The Last Ship, TNT, https://www.tntdrama.com/shows/the-last-ship.
86/
The Alienist, TNT, https://www.tntdrama.com/shows/the-alienist.
87/
Snowpiercer, TNT, https://www.tntdrama.com/snowpiercer.
23
programming consists primarily of high-end original scripted drama that captivates customers and
results in deep customer audience engagement. Although AMC is a basic programming network,
it is premium in the sense that it offers pedigreed original dramas. AMC has regularly marketed
itself as “Premium Television on Basic Cable.”
56. With regard to AMC’s high-end scripted original programming, HBO is the
primary competitor to AMC. AMC is regularly compared to HBO as the “best-in-class” in original
scripted programming. In this regard, AMC and HBO compete for talent, writers, development,
and programming frequently. There are numerous instances of programming that was originally
submitted to AMC, but ultimately aired on HBO, reflecting the similarity in the two networks’
targeted programming. As examples, the following shows that were sold to and aired on HBO
were previously proposed to AMC:
a. Young Pope (aired on HBO on October 21, 2016);
b. Camping (aired on HBO on October 14, 2018);
c. My Brilliant Friend (aired on HBO on November 18, 2018);
d. Gentleman Jack (aired on HBO on April 22, 2019);
e. Years and Years (aired on HBO on June 24, 2019);
f. His Dark Materials (aired on HBO on November 3, 2019);
g. I Know this Much is True (aired on HBO on May 10, 2020);
h. I May Destroy You (aired on HBO on June 16, 2020); and
i. We Are Who We Are (premiers on HBO in September 2020).
57. In addition, as a result of the similarity in targeted programming, there is significant
fluidity with talent, producers and writers between AMC and HBO. For example:
24
a. AMC worked for many years with Matt Weiner, who served as the creator,
executive producer, writer and director of AMC’s Mad Men and also produced and
wrote The Sopranos for HBO.88/
b. Max Borenstein, Melissa Bernstein, Jonathan Lisco, Jami O’Brien, Tom Brady,
George Mastras and Alex Woo and are all examples of writers, on-air talent, and/or
producers who have pitched and/or worked with both HBO and AMC throughout
their careers.
c. AMC recently attempted to work with {{ }}, but he
ultimately decided to work with HBO.
d. AMC buys content from AT&T-owned WarnerMedia, and WarnerMedia has a
holiday movie package that AMC purchases every year. {{
}}
58. Mirroring AMC’s objectives with respect to its scripted original programming,
HBO has publicly stated that its intention is to increase customer engagement through high-quality
scripted original content. As media outlets have reported, after AT&T bought Time Warner, it
immediately made known its intentions for HBO: “ramp up the production of original TV shows
and movies.”89/ Another HBO executive has emphasized that HBO’s targeted programming
88/
Matthew Weiner, AMC, https://www.amc.com/shows/mad-men/cast-crew/matthew-weiner
(“Matthew Weiner most recently served as creator, executive producer, writer and director on the critically
acclaimed drama Mad Men. . . . Weiner’s additional credits include serving as an executive producer and
writer on The Sopranos”).
89/
Travis Clark, Netflix and HBO are Fighting over the Original TV Crown, but the Number of Hours
Netflix is Putting out is Overwhelming, BUSINESS INSIDER (Feb. 8. 2019)
25
involves not only volume, but also high-end quality, similar to AMC’s sought-after high-end
quality scripted drama: “Every show that we’re putting on is of . . . ‘Sunday night quality
programming’ . . . [A]ll of these shows that we’re programming are worthy of the HBO brand or
we wouldn’t do it.”90/
59. Similarly, TNT is one of the networks that AMC regularly identifies in the
marketplace as a competitor for acquired programming. TNT’s focus for original programming is
“broad-appeal dramas” as well as “edgy drama series” like Claws and Animal Kingdom.91/
60. TNT’s focus on dramas for its programming content dates back many years. In
2016, TNT rebranded and incorporated the tagline, “TNT Drama. Boom” to reflect “the kind of
powerful emotional moments that make for great drama, moments that can be found in such TNT
hits as Falling Skies, Rizzoli & Isles and Major Crimes; this summer’s new dramas The Last Ship,
Legends, Murder in the First; the recently announced series Public Morals, Proof and The
Librarians.”92/ The purpose of this new tagline was to make it clear to viewers that TNT delivers
https://www.businessinsider.in/netflix-and-hbo-are-fighting-over-the-original-tv-crown-but-the-amount-
of-hours-netflix-is-putting-out-is-overwhelming/articleshow/67905340.cms.
90/
John Koblin, HBO Made Sunday Night a Showcase. It Wants the Same on Monday, NY TIMES
(Feb. 3, 2019) https://www.nytimes.com/2019/02/03/business/media/hbo-monday-
night.html#:~:text=the%20main%20story-,HBO%20Made%20Sunday%20Night%20a%20Showcase,
Wants%20the%20Same%20on%20Monday.&text=PASADENA%2C%20Calif.&text=With%20HBO's%
20programming%20slate%20growing,scripted%20series%20to%20Monday%20nights.
91/
Nellie Andreeva, Brett Weitz Upped To General Manager Of TNT, TBS, & truTV; Thom Hinkle
Named Head Of Original Content For The 3 Networks, DEADLINE (Oct. 1, 2019)
https://deadline.com/2019/10/brett-weitz-upped-general-manager-of-tnt-tbs-trutv-qa-future-of-the-3-
turner-brands-thom-hinkle-head-of-original-content-1202665925/; Michael Schneider, Warner Media
Blurs the Line Between TNT and TBS as It Preps for Its Streaming Future, VARIETY (May 15, 2019)
https://variety.com/2019/tv/news/warnermedia-tbs-tnt-snowpiercer-upfronts-1203215822/.
92/
Supra note 84.
26
thrilling dramas.93/ Most recently, AT&T moved Snowpiercer from TBS to TNT because it is a
better fit for the type of programming that TNT seeks to acquire.94/
61. TNT also competes with AMC for acquired content and broad-based genre shows,
and TNT airs movies comparable to AMC.95/ AMC and TNT have crossover in talent due to the
similarities between the networks.
iii. Target Audience
62. In internal marketing materials, AMCN emphasizes that AMC’s original
programming targets and attracts: {{
.96/}} AMC’s target audience includes viewers who typically are younger and more affluent
than the typical television viewer and are drawn to AMC’s original scripted series.97/ AMC’s
research materials observe that while AMC’s core audience does “love a great relationship drama,
they’re always on the lookout for a thought-provoking twist. They’re drawn to dynamic characters
and love dissecting complex relationships. . . . Their adventurous tendencies often land them
93/
Id.
94/
“Did it make sense for TBS? Sure, it made sense in a way where we have young males and it’s a
great robust audience. But really, it is an incredibly thrilling ride that belongs on TNT. It’s the epitome of
what the TNT brand is … so we put it back on TNT, where it belongs.” Michael Schneider,
TBS/TNT/TruTV’s Brett Weitz on Defining Networks’ Brands After ‘Snowpiercer’ Dislocation, VARIETY
(Jan. 15, 2020) https://variety.com/2020/tv/news/tbs-tnt-trutv-brand-identity-snowpiercer-1203468729/.
95/
Compare, e.g., AMC Programming Schedule, Ex. F, to TNT Programming Schedule (8/1/20
through 8/14/20) (accessed on Aug. 1, 2020 at https://www.tntdrama.com/schedule), Ex. J.
96/
{{ }}, Ex. K.
97/
{{ }}, Ex. H.
27
hooked on the latest mold-breaking and buzz-worthy dramas across a wide range of networks.”98/
AMC’s original programming typically targets all viewers in the 25-54 age range.
63. Similarly, HBO typically targets viewers in the 25-54 age range who will become
heavily engaged in the programming that they consume. As AT&T’s new CEO has stated, “[A]s
technology improves and provides more opportunities to consume content, the battle on the content
front is for customer engagement. If you think about the battle we’re in right now, it’s a battle for
customer engagement.”99/ TNT similarly is focused on appealing to viewers in these same
demographics as AMC and HBO.100/ AMC’s internal research studies have identified multiple
shows airing on TNT and HBO that would appeal to the same type of passionate target audience
that AMC seeks to attract, including {{
}}.
iv. Targeted Advertising
64. AMC and TNT are similar with respect to their targeted advertising, as
demonstrated by an advertising marketing survey that AMCN commissioned in 2019 of people
who are actively making decisions about media brand selection.101/ In the survey, TNT was
identified as a competitor.102/ The study demonstrated that AMC and TNT are viewed similarly
98/
{ }}, Ex. L.
99/
See Mike Farrell, Stankey: New AT&T in ‘Battle for Customer Engagement’, MULTICHANNEL
NEWS (June 18, 2018) https://www.multichannel.com/news/stankey-new-at-t-in-battle-for-customer-
engagement.
100/
See, e.g., supra note 84.
101/
{{ }}, Ex. M. (Pages within the
survey pertaining solely to networks other than AMC have not been included within this Exhibit.)
102/
Id. at 27. The 2019 survey grouped together “Turner Entertainment (TBS/TNT Net)” and
references in this Paragraph to TNT with respect to the survey are based thereupon. In other years, TNT
and TBS were broken out separately. See, e.g. Ex. M, last two pages (containing the first page and page
33 of 2018 Survey).
28
by advertisers with respect to their targeted advertising and how closely they compete. For
example:
a. {{ }} percent of respondents stated that they were strongly considering
advertising on AMC in the next six months, with {{ }} percent of respondents
stating that they were strongly considering advertising on TNT in the same time
period.103/ No other networks in AMC’s competitive set ranked closer to AMC in
this category.104/
b. {{ }} percent of respondents replied that they were strongly intending to advertise
on AMC over the next six months, with {{ }} percent of respondents replying the
same about TNT.105/
c. Of the {{ }} networks included as part of AMC’s competitive set, AMC ranked
{{ }} in the list of respondents’ most prioritized brands, and TNT ranked
{{ }}, with a very small percentage separating them on the list ({{ }}
versus {{ }}).106/
d. When respondents were asked what opinion they would share with others regarding
AMC and its competitors, {{ }} of respondents said they would share a
neutral opinion for both AMC and TNT; and {{ }} of respondents
indicated they would share a positive opinion if asked or would speak positively
103/
Id. at 29.
104/
Id.
105/
Id. at 30.
106/
Id. at 33.
29
without being asked about TNT, with {{ }} of respondents indicating this
about AMC.107/
e. The media sales teams of AMC and TNT received similar ratings from respondents
with respect to their knowledge and creativity/innovation, with both networks
ranking in the top half of these categories.108/
f. AMC and TNT received identical scores from respondents with respect to how they
rate on the criterion of Value for Money, and both ranked in the top {{ }} among
AMC’s competitive set in the criteria of Ad Results and Programming.109/
g. AMC and TNT were both ranked in the top half of networks within AMC’s
competitive set with respect to how TV respondents considering the media brand
answered that each network rated on the criteria of Integration Within Content and
Cost/Price.110/
65. Moreover, on a list of 84 ad-supported programming networks based on data from
Standard Media Index (which accesses and aggregates advertising expenditure data from
numerous media buying groups), TNT ranked {{ }} among programming networks (excluding
sports, news, and kids) in 2019-20 with roughly {{ }} gross dollars spent in advertising
on the network, and AMC ranked {{ }}, with roughly {{ }} gross dollars spent in
advertising on the network in 2019-20.111/
107/
Id. at 37.
108/
Id. at 86.
109/
Id. at 100.
110/
Id. at 104.
111/
{{
}}, Ex. N.
30
66. In addition, TNT ranked sixth in video-on-demand transactions per title in 2019-
20, and AMC ranked seventh.112/ This is a metric that advertisers view to determine the scale and
size of their advertising purchases, and the data reflects great similarity between AMC and TNT.
67. Further reflecting the similarities between AMC and TNT with respect to their
appeal to advertisers, a research study commissioned by AMC {{
113/
}}.114/
68. HBO does not air advertisements, but because AMC and HBO are so similar, over
the last decade, AMC has regularly marketed itself to advertisers as a premium network on basic
cable providing a premium advertising environment and premium storytelling time and time
again.115/ In this regard, AMC touts that, that unlike HBO, an advertiser can build its brand in
AMC’s premium environment.116/ AMC further pitches itself to advertisers by emphasizing that:
If you are trying to reach elusive, discerning, often SVOD oriented

viewers, AMC Networks is here for you. We offer the most ad-
supported scripted premium drama in cable. Subscribers to Netflix,
HBO, DisneyPlus, Apple and other top streaming services watch
AMC Networks more than any other television network group, in
fact they do so at a rate that is 65% higher than the next media
company. This is a direct result of the continued investment and the
highly curated environment we have built for discriminating
112/
{
}}, Ex. O.
113/
{ }}, Ex. P.
114/
Id.
115/
See, e.g., {{
}}, Ex. Q; {{
}}, Ex. R.
116/
{{ }}, Ex. R.
31
viewers. The kinds of viewers your brands should be looking to

align with and reach.117/
69. AMC’s marketing approach only works because HBO and AMC offer the same
type of premium dramas, seek to acquire the same types of programming, and seek to attract and
do attract the same types of audiences, making it viable for AMC to tell advertisers that advertising
on AMC is the best way to reach HBO’s audience.
v. Actual Audience/Ratings
70. The same types of engaged and devoted viewers who watch AMC’s award-winning
original programming also watch HBO’s original programming. HBO’s Game of Thrones is the
closest competition to AMC’s hit show The Walking Dead that attracts passionate super fans who
will watch everything available from the franchise.
71. Ratings data reflects that AMC’s actual audience is comparable to HBO’s and
TNT’s actual audience in numerous significant ways. {{
}}118/
72. In addition, AMC, HBO and TNT had comparable viewership in {{
117/
Id.
118/
{
}}, Ex. S.
32
}}119/
73. Moreover, in the 2019/2020 television season ratings to date (Sept. 23, 2019
through July 12, 2020), {{

120/
}}.121/
74. AMC, HBO and TNT also were all ranked {{
122/
}}.123/
75. {{
119/
{
}}, Ex. T.
120/
{{
}}, Ex. U.
121/
{{
}}, Ex. V.
122/
{
}},
Ex. W.
123/
{
}},
Ex. X.
33
124/
}}.125/
76. Confirming that AMC, HBO, and TNT are attracting similar actual audiences, a
monthly survey conducted by the research and analytics firm Screen Engine/ASI asked video
content consumers who self-identified as fans of AMC which networks or streaming services they
watched on a monthly basis in 2020.126/ Each month, Netflix ranked {{ }}, AMC ranked
{{ }}, Amazon Prime Video ranked {{ }}, and HBO ranked {{ }}.127/ This
demonstrates that, out of all self-identified AMC fans responding to the survey, more such viewers
watched HBO every month than any other cable network (besides AMC), speaking volumes about
the similarity in audiences between the two networks. In addition, TNT ranked {{ }} out of
the listed cable networks, further demonstrating the similarity in audience between AMC and TNT,
as self-identified fans of AMC were more likely to watch TNT than all but {{ }} other listed
networks.
vi. Other Factors
77. AMC regularly monitors HBO and TNT as among its primary competitors. For
example, in weekly competitive tracking reports circulated by AMCN’s Ad Sales Research team,
124/
{
}} Ex. Y.
125/
{
}} Ex. Z.
126/
{{ }}, Ex. AA.
127/
Id.
34
the Ad Sales team regularly references and highlights the performance of TNT and HBO
programming as two of the primary networks in AMC’s competitive set.128/
2. AT&T Is Discriminating Against AMC and AMC+ on the Basis of Non-

Affiliation.
78. The second prong of the Commission’s program carriage discrimination test asks
whether the MVPD is treating the unaffiliated network less favorably than its similarly-situated
affiliated networks because of affiliation.129/ There can be no doubt of that treatment in this case.
AT&T’s treatment of its affiliated networks stands in stark contrast to its treatment of AMC and
AMC+. That this difference in treatment is due to a lack of affiliation – and AT&T’s desire to
promote the development of its own networks while stifling that of their competitors – could not
be plainer.
i. AT&T treats its own networks very differently from how it seeks to treat
AMCN and AMC+
79. AT&T Funds Its Networks Fully and Demands that Other Distributors Do the
Same. While it is attempting to {{ }} AT&T is simultaneously
increasing what it pays its own networks. AT&T has been pouring money into HBO’s
programming content since its acquisition, and AT&T has made it extremely clear recently that,
far from reducing its networks’ budgets, it is substantially increasing them, so that they can
compete fully in the ongoing war for content. In 2019 alone, AT&T spent a whopping $14.2
billion on original content, and HBO “expanded its production of original content by 50%, to 150
128/
See, e.g., {{
}}, Ex. BB; {{
}}, Ex. CC; {{

}}, Ex. DD;
{{
}}, Ex. EE.
129/
47 C.F.R. § 76.1302(d)(3)(iii)( B)(2).
35
hours,”130/ to the tune of “about $1.5 billion.”131/ A year earlier, “HBO spent roughly $2.2 billion
on content . . . , and their 137 [Emmy] nominations cost the network just under $16 million
each.”132/ Reportedly, $500 million was just added “to HBO’s existing $2 billion to $2.5 billion
annual content spend.”133/
80. AT&T also seeks to treat AMC differently from the terms it is willing to accept for
its own affiliated networks from other MVPDs. AT&T’s 2020 10-K notes that both HBO and
TNT’s “license agreements with its distributors are typically multi-year arrangements that provide
for annual service fee increases.”134/
81. AT&T Does Not Subject Its Own Networks to Online Distribution
Restrictions. Although AT&T seeks to impose the {{ }} on AMC
and AMC+, it imposes no such restrictions on its own similar networks. To the contrary, HBO
and TNT are already carried on a wide variety of online platforms, {{
}} For example, HBO
130/
See Gavin Bridge, Entertainment Companies Spend $121 Billion on Original Content in 2019,
VARIETY (Jan. 6, 2020), https://variety.com/2020/biz/news/2019-original-content-spend-121-billion-
1203457940/ (also noting that, to “maintain its market share, Netflix increased their content spend by $3
billion as the streamer increased its content volume by over 50% versus 2018”).
131/
See Adam Levy, Will HBO Max Grow Into Its Content Budget?, THE MOTLEY FOOL (July 22,
2020), https://www.fool.com/investing/2019/10/24/will-hbo-max-grow-into-its-content-budget.aspx.
132/
See Helen Back, Here’s How Much Netflix, Hulu, Amazon, and HBO Spent Per Emmy Nomination,
KILL THE CABLE BILL, (July 29, 2019) https://www.killthecablebill.com/cost-per-emmy-nomination/; see
also Timothy Green, You Won't Believe How Much Netflix Spent on Each Emmy Nomination, THE MOTLEY
FOOL (Sept. 1, 2018) https://www.fool.com/investing/2018/09/01/you-wont-believe-how-much-netflix-
spent-on-each-em.aspx (“[E]ach of HBO’s 108 Emmy nominations cost the network just $23 million in
terms of content spending.”); Adam Epstein, HBO’s “Watchmen” is weird and dangerous, just like it needs
to be, QUARTZ (Oct. 17, 2019) https://qz.com/1729339/hbos-big-watchmen-risk-totally-pays-off/) (noting
that the show Watchmen “cost HBO about $15 million per episode”).
133/
See id.; see also Brandon Katz, WarnerMedia to Add an Extra $500 Million to HBO’s Budget,
OBSERVER (July 30, 2019) https://observer.com/2019/07/hbo-budget-warnermedia-invest-extra-500-
million/ (“WarnerMedia is set to increase HBO’s programming budget—currently $2.5 billion per year—
by an additional $500 million for 2019 and 2020.”).
134/
See AT&T 2020 10-K at 7.
36
content is carried on Hulu135/ and Amazon Prime.136/ TNT content – often, current season content
– is carried on Amazon Prime.137/
82. Moreover, AT&T has explained at length that it understands the importance of a
programming network being on online platforms, stating in various forums:
a. “The success of these SVOD and virtual MVPD platforms has meant that video
consumption is increasingly taking place outside of traditional MVPD
services . . . ”138/
b. “[T]he value of a content company is a function of how many people watch the
content. Period. It’s no more complex than that. So content valuations are a
function of distribution. Wide broad distribution. The more distribution, the better
you are.”139/
c. “I believe that distribution is the most important variable for success for any
programmer.”140/
d. “When you’re in distribution it’s all about the scale and reach. You have to be on
all the platforms. Otherwise you don’t have a chance of being successful in this
business, you have to be on every platform.”141/
135/
See HBO on Hulu, https://www.hulu.com/hboclassic (last visited July 30, 2020).
136/
See How to add HBO as a Prime Video Channel, https://help.hbonow.com/Answer/Detail/235 (last
visited July 30, 2020).
137/
See Watch TNT on Amazon Prime, https://www.amazon.com/Turner-Entertainment-Networks-
Watch-TNT/dp/B00BI583GE (last visited July 30, 2020).
138/
Defendants’ Proposed Findings of Fact, ¶ 44, Ex. E.
139/
Id. ¶ 72.
140/
Id. ¶ 80.
141/
Id.
37
e. “We believe it is critical that we extend our brand leadership as a premium pay-TV
provider in the marketplace by providing a direct to consumer video experience
both at home and on mobile devices. . . . We expect our upcoming streaming
platform HBO Max to provide an attractive offering of video options as well as
bundling opportunities for our wireless customers and will drive our direct to
consumer strategy.”142/
f. “Our new HBO Max streaming platform is another component of our strategy to
reach nontraditional video customers and we are investing heavily to launch a
competitive and attractive offering. If we are unable to restrain these costs or
provide programming desired by our customers, it could impact margins and our
ability to attract and retain customers.”143/
ii. There is no legitimate business reason for this difference in treatment;

AT&T is discriminating against AMC and AMC+ to promote its
affiliates
83. The explanations that AT&T has offered for its proposal do not stand up to scrutiny.
First, {{
}} None of these explanations withstands closer examination.
84. With regard to the {{ }}, as explained above, AT&T
has been extremely public about the fact that it is paying HBO substantially more this year. AT&T
142/
See AT&T 2020 10-K at 5-6.
143/
Id. at 18.
38
also announced in 2020 that, because its “programming costs went up,” it had “to raise our monthly
prices for select packages.”144/ Overall, AT&T has noted repeatedly that it is paying more for
programming in 2020, using that excuse as a reason to institute a price increase for DIRECTV and
U-Verse subscribers.145/
85. While AT&T may be attempting to pay certain networks less in licensing fees, it
would not make good business sense to {{ }} for a must-have network like AMC
absent a discriminatory motivation. To the contrary, in the absence of owning and seeking to favor
competitive affiliated networks, AT&T would be motivated to help AMC and AMC+ succeed and
pay an appropriate price for the networks, because of the immense value they contribute to the
AT&T channel line-up.146/ Indeed, MVPDs frequently acknowledge that the value of their service
offering and their ability to attract and retain customers depends on their ability to offer the most
popular programming to customers.147/ When engaging in cost-cutting, MVPDs typically target
144/
See Jon Brodkin, AT&T raises DirecTV prices again despite losing millions of customers, ARS
TECHNICA (Dec. 10, 2019), https://arstechnica.com/information-technology/2019/12/att-raises-directv-
prices-again-despite-losing-millions-of-customers/; see also Mae Abdulbaki, DirecTV Is Raising Prices
Again After Already Losing Customers In Droves, CINEMABLEND (Dec. 12, 2019),
https://www.cinemablend.com/television/2486622/directv-is-raising-prices-again-after-already-losing-
customers-in-droves (DIRECTV explaining that because “our programming costs went up, we have to raise
our monthly prices for select packages.”).
145/
Dade Hayes, AT&T Sets DirecTV And U-Verse Price Hikes In 2020, Citing Higher Program Costs,
DEADLINE (Dec. 9, 2019) https://deadline.com/2019/12/att-sets-directv-and-u-verse-price-hikes-in-2020-
citing-higher-program-costs-1202804956/.
146/
Indeed, as discussed below, AT&T claims that it is imposing the {{
}}
147/
See, e.g., AT&T 2020 10-K at 5; Altice U.S.A, Inc., Annual Report (Form 10-K) (Feb. 14, 2020),
at 8, 21 (“Disputes with programmers and the inability to retain or obtain popular programming can
adversely affect our relationship with customers and lead to customer losses, which could materially
adversely affect our business, financial condition and results of operations.”); Charter Communications,
Annual Report (Form 10-K) (Feb. 7, 2020), at 16 (“Our failure to carry programming that is attractive to
our customers could adversely impact our customer levels, operations and financial results.”); DISH
Network Corp., Annual Report (Form 10-K) (Feb. 19, 2020), at 30, 71 (“Our ability to compete successfully
will depend, among other things, on our ability to continue to obtain desirable programming.”).
39
the lesser-known and lesser-watched networks, not the most highly-valued networks on which they
depend to attract subscribers.148/
86. AMCN operates several of the most popular household name-brand programming
networks today, including its flagship network, AMC, which has produced award-wining original
scripted dramas such as The Walking Dead, Killing Eve, Mad Men, Breaking Bad, Better Call Saul
and others. AMC consistently ranks high on the list of programming networks that viewers
consider to be “must have” and its viewers are considered to be “superfans,” the most loyal viewers
a network can win.149/ Indeed, in a publicly reported summary of the 2019 Beta Research Cable
Subscriber Study, 32% of all female viewers identified AMCN as a channel they “must have.”150/
87. Among AMC’s many acclaimed shows, several have a very large following. In its
tenth season, The Walking Dead {{
}}151/ Both
The Walking Dead and Better Call Saul have been {{
}}152/
88. Numerous studies have confirmed that AMC is among the most popular networks,
and that viewers see AMC as essential:
148/
See, e.g., Redacted Answer to Program Carriage Complaint, Game Show Network v. Cablevision
Systems Corp., File No. CSR-8529-P, ¶¶ 53-55 (filed Dec. 12, 2011) (noting that “customer satisfaction,
acquisition, and retention … are primary MVPD concerns in licensing a network because those factors
drive subscription revenue.”).
149/
See ¶ 88, infra.
150/
See 09/19/19: Escape rebrands to Court TV Mystery, CYNOPSISMEDIA,
https://www.cynopsis.com/09-19-19-escape-rebrands-to-court-tv-
mystery/#:~:text=According%20to%20the%202019%20Beta,%25)%20and%20ESPN2%20(35%25). (last
visited July 24, 2020).
151/
See {{ }}, Ex. II.
152/
Id.
40
a. A public summary of the 2019 Beta Basic Network Evaluation Study ranked AMC
as being a “must have” channel among total women.153/ When adults were asked
for which networks they would definitely switch their cable provider if it was
dropped from their channel lineup, AMC made the short list.154/
b. In an October 2019 viewer survey done by Hub Entertainment Research to examine
how “viewers discover new shows, and why they choose some content over others,”
researchers concluded that viewers “have clear network preferences by genre” and
found that AMC was on the list of “Top 10 Networks” for two different genres,
Hour Drama and New Original Show.155/
c. E-Score® Brand conducted an online survey of 1,500 randomly selected
respondents ages 13 and above and asked those who were aware of a brand “to
evaluate that brand in more depth.”156/ AMC ranked above average among cable
networks in topics including brand awareness and view of the network as “bold,”
“entertaining,” “fun,” “high-quality,” “one-of-favorites,” and “relevant to me.”157/
d. {{
}}
89. {{
153/
See supra note 150.
154/
See id.; see also Michael Balderston, ESPN Most Valued Network Among Viewers, Per Beta
Research, TV TECHNOLOGY (Sept. 19, 2019), https://www.tvtechnology.com/news/espn-most-valued-
network-among-viewers-per-beta-research (“Beta Research conducted its survey with a national sample of
1,400 cable subscribers age 18 and older, using three questions to measure 45 basic cable networks.”).
155/
See {{ }}, Ex. I.
156/
{{ }} Ex. FF.
157/
Id.
41
r
158/
}}159/
90. AMC’s programming has consistently earned many top awards and accolades.
While these awards are too numerous to list, the most notable include The Walking Dead, which
received the Emmy Award each year between 2011 and 2017, the Screen Actors Guild Award in
2019 and 2020, the Saturn Award in 2019, and multiple Gracie Awards in 2019 and 2020.160/
AMCN’s show Mad Men likewise received multiple Emmy Awards each year between 2009-2015
and Golden Globe Awards in 2007-2010, 2012, and 2015.161/ This year, The Terror: Infamy
received the Best Pilot Made for Television from ASC Awards.162/ The show Breaking Bad was
nominated for 49 Primetime Emmy Awards this decade and won 12 of them. The show Better Call
Saul “has garnered many nominations, including a Peabody Award, 23 Primetime Emmy Awards,
eleven Writers Guild of America Awards, five Critics’ Choice Television Awards, a Screen Actors
158/
{
}}, Ex. W.
159/
See {{
}}, Ex. GG.
160/
See The Walking Dead, The Television Academy, https://www.emmys.com/shows/walking-dead.
161/
See Mad Men, The Television Academy, https://www.emmys.com/shows/mad-men.
162/
See Competition Awards, ASC https://theasc.com/awards/34th-annual-asc-awards (last visited July
24, 2020).
42
Guild Award, and two Golden Globe Awards.”163/ Finally, the highly prestigious International
Emmy Awards recognized McMafia as the Best Drama Series in 2019.164/
91. All in all, AMC finished the decade as the #1 destination for original programming
in all of cable for eight consecutive years between 2012 and 2019. It had an Outstanding Drama
Series Emmy nomination for 9 of 10 years this decade and won 4 of them.
92. AT&T’s only response to AMC’s overwhelming popularity with viewers is that
{{ }} This is untrue: AMC’s popularity remains strong
in 2020.
93. In a July 2020 survey, respondents who indicated that they watch either AMC,
HBO, or TNT were asked about the value they place on AMC. Over 46% responded that having
AMC as part of their service offering was “critical” or “had a strong impact” on their enjoyment
of the service.165/ 40% stated that they would “definitely” or “probably” switch providers if AMC
were not available.166/
94. In addition, AMC saw “one of [its] largest spikes in viewership [levels] in March
once national social distancing measures were put in place.”167/ And AMCN just learned that 2020
also was another tremendous showing for AMC in Emmy nominations—18 in total. Better Call
Saul received its 5th Outstanding Drama Series nomination and seven Emmy nominations in total;
Killing Eve secured eight Emmy nominations, including for Outstanding Drama Series; Better Call
163/
See Better Call Saul, WIKIPEDIA https://en.wikipedia.org/wiki/Better_Call_Saul (last visited July
24, 2020) (emphases added).
164/
See Jill Goldsmith, International Emmy Awards: ‘McMafia’ Wins Drama Series Prize, DEADLINE
(Nov. 25, 2019), https://deadline.com/2019/11/international-emmy-awards-mcmafia-wins-drama-series-
prize-1202795209/.
165/
{{ }}, Ex. HH.
166/
Id.
167/
See {{ }}, Ex. II.
43
Saul Employee Training: Legal Ethics with Kim was nominated for best Outstanding Short Form
Comedy or Drama; and Doctor Who: The Runaway secured several nominations, including for
Outstanding Derivative Interactive Program.168/
95. Moreover, while there have been brief periods in which AMC’s ratings have fallen,
TNT’s ratings have done the same, and HBO’s have plummeted far more.169/ Thus, changes in
ratings cannot be the basis for any legitimate difference in treatment.
96. It is, therefore, unsurprising that AMC is carried by all major MVPDs on their most
widely distributed tier and paid carriage fees that reflect its popularity and the value that AMC
contributes to the MVPD offering, including in renewal agreements AMC recently concluded with
several major distributors.
97. AMCN recently launched a new programming network, AMC+.170/ AMC+ is an
ad-free, premium linear programming network that is presently offered a la carte, along with
complementary on demand content, to video and broadband subscribers of Comcast, DISH, and
SlingTV.171/ The content offered on AMC+ includes selections from AMC’s premier original
programming as well as top titles from AMCN’s other networks and products, such as IFC Films
168/
See 2020 Emmy Nominations Announcement, at https://www.emmys.com/events/72nd-emmy-
nominations-announcement (last visited July 28, 2020).
169/
{{
}} Ex. JJ. This data reflects that {{
}}
170/
AMC+ is available on the MVPD channel lineup, and also as a streaming video-on-demand service
to broadband subscribers, through Comcast, DISH, and Sling TV.
171/
Discover AMC+, https://www.xfinity.com/learn/digital-cable-tv/svod/amc-plus; Watch AMC+
Online, https://www.sling.com/channels/amc-plus; Discover AMC+, https://my.dish.com/subscription-on-
demand/amcplus.
44
Unlimited, Sundance and Shudder.172/ AMC+ was immediately touted as “likely to appeal to a
large audience,”173/ and distributors have been eager to carry it. AMCN is deep in negotiations to
launch AMC+ on a number of other MVPDs and online distributors.
98. AT&T’s attempt to impose the {{ }} on AMC and
AMC+ similarly makes no economic sense apart from a discriminatory motive.
99. While there was a time while online competition was developing when MVPDs
commonly attempted to prevent programmers from agreeing to distribute their content via online-
based services, such attempts have been largely abandoned by other MVPDs since the Commission
and the Department of Justice made quite clear that such behavior is anticompetitive.174/ Today,
while MVPDs commonly ask programmers to refrain from making popular content available on
the Internet for free, they do not seek to bar programmers from being part of online services,
recognizing, as AT&T has elsewhere and for its own networks,175/ that programmers need to have
the ability to be on those platforms to remain funded, competitive and relevant.176/ AMCN has not
been required by any other MVPD to refrain from {{
}} It makes no business sense absent anticompetitive
172/
See id.
173/
Ben Munson, AMC+ is a big new streaming service, but it’s only on Comcast for now,” FIERCE
VIDEO (June 11, 2020), https://www.fiercevideo.com/video/amc-a-big-new-streaming-service-but-it-s-
only-comcast-for-now.
174/
See, e.g., Applications of Comcast Corporation, General Electric Company and NBC Universal,
Inc. For Consent to Assign Licenses and Transfer Control of Licensees, Order, 26 FCC Rcd 4238, ¶ 73
(2011) (“demand of restrictive online rights in exchange for carriage may also cause harms to consumer
choice, diversity, and broadband investment”).
175/
Complaint ¶¶ 4, 16, 30-32, supra.
176/
See Cynthia Littleton and Brett Lang, Inside CEO John Stankey’s ‘Action-Oriented’ Approach to
Reposition WarnerMedia, VARIETY (July 30, 2019) https://variety.com/2019/biz/features/john-stankey-
warnermedia-ceo-hbo-warner-bros-1203281473/ (“‘If you’re going to be relevant in entertainment
distribution moving forward, you’re going to have to have a scaled product that gets into the most
households,’ Stankey says.”).
45
motives for AT&T to seek to impose such an outdated restriction.
100. Given everything that AMC has to offer to AT&T and to its viewers, any reasonable
MVPD would do everything possible to enable AMC to continue to attract new viewers and to
produce new and excellent content. In the absence of anticompetitive intent, it would make no
business or economic sense whatsoever to cut off the lifeline of the network by preventing it from
{{
}}
101. Moreover, examination of AT&T’s asserted rationales reveals an inconsistency that
betrays the credibility of their argument: if AT&T believes that AMC and AMC+ have the power
to draw subscribers to its video service offering, thus justifying its attempt to {{
}}, then it must recognize that value when negotiating license fees for
linear carriage.
102. It makes no business sense for AT&T to hinder the development of networks on
which it depends to attract and retain subscribers, unless AT&T’s actions are designed and
intended to give its affiliated networks a substantial competitive edge in the marketplace. While
{{ }}, AT&T is heavily funding its own networks. While {{
}}, AT&T is allowing its own
networks to have the widest possible distribution. This disparate treatment will benefit HBO and
TNT tremendously – in terms of less competition for content (driving prices down), less
competition for viewers, and a greater opportunity to gain substantial early leverage in the online
video marketplace. These financial incentives are precisely the kind proscribed by Section 616.
46
3. AT&T’s Discrimination Unreasonably Restrains AMC’s Ability to Compete

Fairly.
103. As the final prong of the Commission’s discrimination analysis, the complainant
must show that the differential treatment “has the effect of unreasonably restraining the ability of
an unaffiliated video programming vendor to compete fairly.”177/ This element is subject to an
“expansive interpretation,” in furtherance of the policy underlying Section 616 and the “concern[s]
about the incentive and ability of vertically-integrated MVPDs . . . to favor their affiliated
programming services . . . .”178/ Here, AMC and AMC+ do not need show that, “without carriage,
[they] cannot compete at all, i.e., would exit the industry, operate at a loss, or suffer some similar
major disadvantage.”179/ Rather, they must point to any conduct that has the effect of restraining
their ability to compete fairly.180/
104. Here, AT&T’s anticompetitive actions – {{
}} – will directly harm AMC’s and
AMC+’s ability to compete fairly, causing long-term effects on AMC’s ability to continue to
thrive, and AMC+’s ability to grow a subscriber base.
105. First, a {{ }} from one of its largest distributors
could have severe repercussions on AMC’s ability to compete in the television marketplace both
now and far into the future. AMC relies on a steady flow of license fee-based income in order to
pay for the content it already has acquired (for which payments are due over time), and to continue
177/
47 C.F.R. § 76.1302(d(3)(iii)(A).
178/
TCR Sports Broad. Holding, L.L.P. v. Time Warner Cable Inc., Order on Review, 23 FCC Rcd
15783, ¶ 30 (MB 2008), rev'd on other grounds, 25 FCC Rcd 18099 (FCC 2010).
179/
Id.
180/
Id. (emphasis added).
47
to compete for and produce the top new content that defines the network, the rights to which are
often secured months before airing – as AT&T is well aware, since it does the same.181/
106. In addition, the revenue loss from this new agreement would be even greater, since
AT&T insists on {{
}} Associated advertising revenues, which are calculated based
on the number of subscribers, will also drop.
107. Moreover, securing the rights to a top show when it becomes available not only
results in the rights to that content, but often leads to spin-off shows, associated content,
merchandising, and other opportunities that provide an income flow for many years. 182/ If AMC
cannot bid today on the programs that it believes would best keep the network popular and
valuable, because it is not assured of the necessary income stream from license fees, the
repercussions of that lack of funding will last far into the future.183/
181/
See AT&T 2020 10-K at 19 (“We must continually add new subscribers both to replace canceled
subscribers and to grow our business. If we do not grow as expected, given, in particular, that a significant
portion of our content costs are committed and contracted over several years based on minimum subscriber
delivery levels, we may not be able to adjust our expenditures or increase our (per subscriber) revenues
commensurate with the lowered growth rate such that our margins, liquidity and results of operations may
be adversely impacted.”).
182/
AT&T, in fact, touts this as one way of making programming more valuable, saying “Our television
programming also supports Warner Bros.’ key brands and franchises, which helps generate consumer
product and brand licensing revenues based on the programming for years beyond the initial airing of the
programming on television.” AT&T 2020 10-K at 8.
183/
It is widely recognized that networks like AMC, which define themselves by offering high end
scripted drama, face growing pressure to procure new and exciting content to compete with streaming
services that are seeking to distinguish themselves by spending more on content. The “streaming industry
requires unfathomable investments” and there “will be upwards of $35 billion spent on content across the
board” in 2020 alone. See Brandon Katz, How Much Does It Cost to Fight in the Streaming Wars?,
OBSERVER (Oct. 23, 2019) https://observer.com/2019/10/netflix-disney-apple-amazon-hbo-max-peacock-
content-budgets/ (noting that $500 million was just added “to HBO’s existing $2 billion to $2.5 billion
annual content spend” and its new platform is expected to launch “upwards of 10,000 hours of
programming.”); see also Levy, supra note 131 (noting that AT&T “is pouring a lot of money into content”
generally, and it further “committed to increasing HBO’s original productions budget by 50% to about $1.5
48
108. Second, {{
}}
109. Third, AT&T’s insistence on {{
}}
110. Fourth, {{
billion” in 2020); Bridge, supra note 130 (stating that U.S, media and entertainment companies “spent over
$120 billion on original content” in 2019, which is a “whopping sum fueled by the increasing investment
of players including AT&T’s HBO, which expanded its production of original content by 50%, to 150
hours;” and that Netflix, likewise, “increased their content spend by $3 billion as the streamer increased its
content volume by over 50% versus 2018.”).
49
}}
111. Fifth, the launch of a new network like AMC+ is an especially critical time to build
subscribers, reputation and “buzz.” If AMC+ is unable to attract sufficient viewership because it
is {{ }}. Even a delay in launch
would deprive AMC and AMC+ of a “first to market” opportunity to attract subscribers, and so
would benefit HBO and TNT, who could capture subscribers looking for similar channels.
112. Finally, federal media policy has long recognized the importance of promoting
diverse viewpoints, even well before Congress identified the promotion of diversity of views and
information as one of the main purposes of the 1992 Cable Act.184/ As some of the few remaining
independent programmers, AMC and AMC+ add a unique and innovative voice to the channel
line-up that should be protected. AT&T’s actions are threatening AMC and AMC+ with the loss
of that voice.
113. Each of these harms hinders AMC and AMC+’s ability to compete fairly in the
marketplace. As acquiring high-end content becomes more expensive and the battle to obtain it
more competitive,185/ and as more and more Americans watch video over multiple platforms,186/
these harms will be compounded.
184/
See 47 U.S.C. § 521(4). Congress emphasized this priority throughout the Communications Act.
See, e.g., 47 U.S.C. § 257(b) (“[T]he Commission shall seek to promote the policies and purposes of this
chapter favoring diversity of media voices . . . .”). The Commission on numerous occasions has
acknowledged the importance of “viewpoint diversity,” see, e.g., Cross-Ownership of Broadcast Stations
and Newspapers, Report and Order, 18 FCC Rcd 13620, ¶ 19 (2003); A National Broadband Plan for Our
Future, Notice of Inquiry, 24 FCC Rcd 4342, ¶ 101 (2009) (noting “the policies and purposes of the Act
favoring, among other things, a diversity of media voices”). Courts have also found that promoting media
diversity is a proper Commission goal and, further, that the Commission is authorized to apply rules
promoting source diversity. See FCC v. NCCB, 436 U.S. 775, 794 (1978).
185/
The “streaming industry requires unfathomable investments from deep-pocketed backers” and
there “will be upwards of $35 billion spent on content across the board” in 2020. See Katz, supra note 183.
186/
See Todd Spangler, Cord-Cutting Keeps Churning: U.S. Pay-TV Cancelers to Hit 33 Million in
50
REQUEST FOR RELIEF
114. The fundamental facts set forth in this Complaint are indisputable. There can be
no legitimate disagreement as to whether AMC and AMC+ are similarly situated to HBO and
TNT, or whether AT&T is treating its own affiliated networks differently from AMC and AMC+
on no basis other than non-affiliation. It would be advantageous for AT&T’s affiliated networks
for AMC and AMC+ to be severely impaired in their ability to compete. The Media Bureau should
not let this happen and should grant the request for relief based on the pleadings.
115. Because AMCN has established that AT&T violated Section 616 of the
Communications Act of 1934, as amended, and the Commission’s program carriage rules, by
attempting to discriminate against AMC and AMC+ in the rates, terms and conditions of
carriage, the Media Bureau should order AT&T to carry AMC and AMC+ on fair, reasonable
and nondiscriminatory rates, terms and conditions, and should further bar AT&T from imposing
the {{ }}. The Bureau also should impose the maximum
permissible forfeiture on AT&T for violation of Section 616 and the Commission’s rules.
116. If AT&T seeks Commission review of the Media Bureau’s order requiring non-
discriminatory carriage of AMC, AT&T should be required, at AMCN’s option, to carry AMC
and AMC+ on the terms ordered by the Media Bureau for an additional period equal to the time
elapsed between the staff decision and the Commission’s ruling.
117. Alternatively, if the Bureau determines that it cannot resolve this case on the
pleadings, it should expedite resolution of this dispute by making all factual and legal findings
that can be made without a hearing and designating for hearing only the limited issues that
2018 (Study), VARIETY (July 24, 2018) https://variety.com/2018/digital/news/cord-cutting-2018-estimates-

33-million-us-study-1202881488/ (while the traditional MVPD “universe shrinks, the number of viewers
accessing over-the-top, internet-delivered video services keeps growing.”).
51
require further fact finding. See Second Report and Order ¶ 18 (encouraging the Media Bureau
“to either resolve cases on the merits based on the pleadings without referring the matter to an
ALJ, or narrow the factual issues in dispute that warrant discovery or referral to an ALJ”).
Respectfully submitted,
/s/ Tara M. Corvo

Tara M. Corvo
Alyssia J. Bryant
MINTZ, LEVIN, COHN, FERRIS,
GLOVSKY AND POPEO, P.C.
701 Pennsylvania Avenue, NW
Suite 900
(202) 434-7300
Scott A. Rader
MINTZ, LEVIN, COHN, FERRIS,
GLOVSKY AND POPEO, P.C.
Chrysler Center
666 Third Avenue
New York, NY 10017
(212) 935-3000
Counsel to AMC Networks, Inc.
August 5, 2020
52
VERIFICATION
I, Clifford A. Bail, Executive Vice President-Deputy General Counsel, AMC Networks Inc.,
have read the foregoing Program Carriage Complaint of AMC Networks Inc. and hereby declare
under penalty of perjury, that the factual information contained herein is true and correct to the
best of my knowledge, information and belief.
_____________________________________
Clifford A. Bail
1
CERTIFICATE OF SERVICE
I, Tara M. Corvo, hereby certify that on this 5th day of August, 2020, I caused a true and
correct copy of the foregoing Program Carriage Complaint of AMC Networks Inc. to be served
by first class mail, postage prepaid, and by electronic mail upon:
Bruce Byrd
Senior Vice President and Assistant General Counsel
AT&T Communications
208 S. Akard St.
Dallas, Texas, 75202
g00130@att.com
/s/ Tara M. Corvo

Tara M. Corvo
1
Before the
In the Matter of )
)
Complainant, ) File No.:______________
)
v. )
)
AT&T INC., )
Defendant. )
EXHIBITS TO THE
TABLE OF CONTENTS
EXHIBIT PDF Page No.
Exhibit A. Transcript, United States v. AT&T, Inc., No. 1:17-cv-02511-RJL (D.D.C.

Mar. 22, 2018, 11:30 a.m.)...............................................................................................................5
Exhibit B. Letter from Tara M. Corvo, Member, Mintz to Bruce R. Byrd, Senior Vice
President and Assistant General Counsel, AT&T (July 22, 2020) ................................................16
Exhibit C. Letter from Bruce R. Byrd, Senior Vice President and Assistant General
Counsel, AT&T, to Tara M. Corvo, Member, Mintz (July 24, 2020) ...........................................20
Exhibit D. Complaint, United States v. AT&T, Inc., No. 1:17-cv-02511-RJL (D.D.C.

Nov. 20, 2017) ...............................................................................................................................23
Exhibit E. Defendants’ Proposed Findings of Fact and Conclusions of Law, United

States. v. AT&T, Inc., No. 1:17-cv-02511-RJL (D.D.C. Aug. 3, 2018) .........................................25
Exhibit F. AMC Weekly Programming Schedule (3/30/20-4/5/20 through 7/6/20-

7/12/20)………….. ....................…………………………………………………………………29
Exhibit G. TNT Network Economics, S&P Global (last accessed July 27, 2020) ...................45
Exhibit H. {{ }} ..................................................................48
Exhibit I. {{ }} ..........................................50
Exhibit J. TNT Programming Schedule (8/1/20 through 8/14/20) ........................................52
Exhibit K. {{
}} ................................................................................................................................67
Exhibit L. {{ }} ...........................................69
Exhibit M. {{ }}............................................71
Exhibit N. {{
}} .................................................73
Exhibit O. {{
}} ................................................................................75
Exhibit P. {{ }} ..............................77
Exhibit Q. {{ }} .............................................................................79
Exhibit R. {{ }} ...........................................................81
Exhibit S. {{
}} .......................................................................................................83
Exhibit T. {{
}}........................................................................................................85
Exhibit U. {{
}} ..............................................................................87
Exhibit V. {{
}} ...........................................................................................................89
Exhibit W. {{
s}} ..........................................................................................91
Exhibit X. {{
}} ..........................................................................................93
Exhibit Y. {{
}} ..........................................................................................95
Exhibit Z. {{
}} ..........................................................................................97
Exhibit AA. {{ }} .................................................................99
Exhibit BB. {{
}} ..............................................................................................................................101
Exhibit CC. {{
}} ..................................103
Exhibit DD. {{
}} ........................................................................................................................105
Exhibit EE. {{
}} .....................................................................................107
Exhibit FF. {{ }}..................................109
Exhibit GG. {{
}} .......................................................................................................111
Exhibit HH. {{ }} .....................113

Exhibit II. {{ }} ..........................115
Exhibit JJ. {{
}} .............................117
EXHIBIT A
Case 1:17- age 1 of 72
IN THE UNITED STATES DISTRICT COURT

FOR THE DISTRICT OF COLUMBIA
UNITED STATES OF AMERICA, )

)
Plaintiff, ) CV No. 17-2511
)
) Washington, D.C.
vs. ) March 22, 2018
) 11:30 a.m.
AT&T, INC., ET AL., )
) Day 1
Defendants. )
___________________________________)
TRANSCRIPT OF BENCH TRIAL PROCEEDINGS

BEFORE THE HONORABLE RICHARD J. LEON
UNITED STATES SENIOR DISTRICT JUDGE
APPEARANCES:
For the Government: Craig W. Conrath
Eric D. Welsh
Jared A. Hughes
Donald G. Kempf, Jr.
Lisa A. Scanlon
Alexis K. Brown-Reilly
U.S. DEPARTMENT OF JUSTICE
Antitrust Division
450 Fifth Street, NW
(202) 532-4560
craig.conrath@usdoj.gov
eric.welsh@usdoj.gov
jared.hughes@usdoj.gov
donald.kempf@usdoj.gov
lisa.scanlon@usdoj.gov
alexis.brown-reilly@usdoj.gov
WilliamPZaremba@gmail.com
Case 1:17- age 9 of 72
9
1 cable TV bill goes up is a dollar they can't spend on
2 something else.
3 The evidence will show that this merger will hurt
4 those pay-TV consumers, would harm competition in the market
5 for pay TV. Prices would go up; innovation would go down.
6 That's why this merger would violate the antitrust
7 laws, Section 7 of the Clayton Act, to be specific.
8 What does Clayton Act, Section 7, ask the Court to
9 do?
10 Well, we talked about that maybe a day or so
11 ago --
12 THE COURT: Yeah.
13 MR. CONRATH: -- a couple times. It asks the
14 Court to make a prediction. The statute says no company can
15 acquire another company if the effect "may be substantially
16 to lessen competition."
17 Now, no one could know for sure what would happen
18 in the future, but Congress has tasked the Court with the
19 responsibility to look at the specific group of consumers
20 who are affected by the merger and ask whether they'll be
21 harmed by it.
22 The Courts, including the Supreme Court, have been
23 clear about what this directive means. It means if there's
24 even a reasonable probability or appreciable danger of harm
25 to consumers in the affected market, the merger should not
Case 1:17-c ge 44 of 72
44
1 conditions.
2 Let me start with the market condition.
3 If you could put that up.
4 We talked about this a couple of days ago.
5 Mr. Conrath was attempting to suggest that we
6 shouldn't look at all these vertically integrated companies,
7 like Google and Facebook and Amazon and Hulu and Netflix.
8 But all of these companies are running away with the
9 industry, Your Honor. They have radically transformed it.
10 And they are directly competing with the
11 distributors you're going to hear in this case, the
12 programmers you're going to hear in this case. They're all
13 a part of the same business. And they pose competitive
14 challenges in two important respects.
15 First of all, they're offering lower-priced pay-TV
16 services. Hulu does. Google does. Others are offering
17 SVOD services. Those are subscription on-demand services,
18 where you cannot get a live channel, but you can get a show
19 you want and you can binge it and you can watch 10 or 20 in
20 a row, all weekend if you want.
21 This is pulling people out of the pay-TV system to
22 sign up for these terrific innovative offerings, oftentimes
23 at much, much lower prices. So they are directly a part of
24 this competitive landscape. And if you're not trying to
25 keep up with these people, you're not going to be in
Case 1:17-c ge 45 of 72
45
1 business very long.
2 But, secondly, and most importantly -- and,
3 frankly, the government ignores this entirely -- they are
4 dominating the world of advertising. And they are competing
5 with cable and satellite television for ad dollars. And
6 it's because they have massive amounts of customer
7 information; they know what their customers want; they know
8 their preferences; and they can feed customers very relevant
9 ads.
10 I'm a big sports fan. They feed me sports ads,
11 okay? So they don't give me ads about artwork, okay?
12 They're now moving into the TV business and taking
13 away ad dollars out of the TV business.
14 Now, look what happens, because it has a direct
15 effect on consumers.
16 As the television industry -- I mentioned this a
17 couple of days ago -- now has a dual-revenue stream and has
18 had for years. The networks like Turner and others get
19 money from the distributors for all the subscriptions that
20 they sell to subscribers; but, secondly, they get money from
21 advertisers, a dual-revenue stream.
22 It used to be they only got it from advertisers.
23 Now, and in the case of Turner, it's typically been
24 50 percent advertising revenue, 50 percent subscription
25 revenue.
Case 1:17-c ge 50 of 72
50
1 large part, what is driving this transaction. And you are
2 going to hear Randall Stephenson, the chairman and CEO, and
3 other witnesses testify that this is one of the drivers of
4 acquiring Time Warner: In order to take the content which
5 has been generally available throughout the traditional
6 pay-TV system and take that mobile so that anybody with
7 their cell phone or their iPad or some tablet can watch
8 television, whether it's a single show, whether it's a live
9 channel, wherever they are, however they want it. On a
10 train, on a subway, even on an airplane, you can get the
11 WiFi.
12 That's their world, and that's the world that
13 they're moving to. And that's what's driving this
14 transaction.
15 I mean, the government is accusing us of trying to
16 buy Time Warner to impede the growth of some of these new
17 delivery systems.
18 Your Honor, that's preposterous.
19 AT&T and DirecTV are directly involved in these
20 new systems.
21 You'll see there, DirecTV Now, that is a virtual
22 MVPD. That's the very type of service that the government
23 is claiming we're trying to suppress by this merger. That
24 makes no sense.
25 The more people can watch these channels on a
Case 1:17-c ge 51 of 72
51
1 device, the more they're using the device, the more they're
2 connected to AT&T's wireless network, the better it is for
3 AT&T's business.
4 The wireless part of their business is the biggest
5 part. The more Time Warner's content, the more Turner's
6 networks can be exploded out into the mobile environment,
7 the more money they make, because these other companies pay
8 license fees. It generates enormous advertising revenue.
9 We're not trying to suppress or impede this
10 transformation. It's the government's theory, Your Honor,
11 that that is fundamentally stuck in the past.
12 The government is pretending that we're trying
13 this case back in 1980 or '90 before any of this came along.
14 This transformation is what makes this merger an imperative.
15 Your Honor, from Time Warner's perspective, you
16 have to ask yourself: Why would they be interested in
17 merging?
18 Very importantly, Time Warner has been a great,
19 great company for many, many years, producing all kinds of
20 content: movies, television shows, the Turner networks.
21 But they are a wholesaler.
22 If you look at Turner, for example, right in the
23 middle of that chart, they are a wholesaler. They don't
24 have a direct relationship with the customer. They've got
25 to go through one of those distributors in order to have
Case 1:17-c ge 52 of 72
52
1 their networks delivered directly to the customer.
2 The customer has the direct relationship with the
3 distributors: with Charter, with DirecTV, with Cox and all
4 those other companies.
5 In the middle there is the network, Turner, and
6 other networks situated just like Turner. They're a trapped
7 wholesaler. They're a trapped wholesaler. And it worked
8 for years. It was fine. But the world has changed.
9 It's a brave, new world. And you can't be a
10 trapped wholesaler anymore. Why not? A couple of reasons.
11 Number one, you need to have a direct relationship
12 with your customer these days. That's why all those other
13 vertically integrated companies are running away with it.
14 They have a direct relationship.
15 They acquire the content. They aggregate it.
16 They deliver it. They have your billing records. They have
17 customer information about you. They can create what it is
18 you want and give it to you where you want it. That's the
19 beauty of vertical integration.
20 When you're a wholesaler, you're just selling to a
21 retailer, and the retailer has the relationship.
22 So from Time Warner's perspective, what's
23 imperative is to now have that direct relationship with the
24 customer, to get the information from the customer so they
25 can make better programming.
Case 1:17-c ge 55 of 72
55
1 growing rapidly.
2 And there are many others. As you can see in that
3 box right there, you have YouTube TV, you have
4 PlayStation Vue, and you have several others. It is a
5 growing part of the business, and AT&T and Time Warner want
6 to grow right along with it.
7 The second part of Mr. Stephenson,
8 Randall Stephenson's vision, in addition to buying DirecTV
9 and taking that out to the Internet world, was to now buy
10 some content that he could then enable for mobile users.
11 And the problem with what you're going to hear in
12 the trial, Your Honor, is that distributors like DirecTV
13 have been trying hard to obtain the rights from people who
14 own content to do new and innovative things.
15 Imagine you picking up your mobile phone and
16 watching a five-minute clip of your favorite new show or all
17 your favorite television shows reduced down to a highlight
18 reel or something like that so you can catch up real quick.
19 You can't get the rights from content owners to do
20 that. They won't let you experiment with their content.
21 They call that bargaining friction. And you're going to
22 hear about bargaining friction.
23 But when you own the content, you've eliminated
24 the friction. You can now do what you want with the
25 content, and you can make new innovative uses of it.
Case 1:17-c ge 56 of 72
56
1 And as people start to see it, others will follow;
2 and then the content becomes even more valuable.
3 And so that is very much part of the rationale for
4 this merger, is to be able to do things with content that
5 you can't do unless you own it.
6 And Mr. Bewkes of Time Warner, Mr. Stephenson of
7 AT&T are going to get on that witness stand there,
8 Your Honor, and they're going to tell you exactly why they
9 made this deal and why it's a perfect fit for both companies
10 and why all the things the government is saying make no
11 economic sense and are the very opposite of what they're
12 trying to do with this merger.
13 Now, let me turn to what I previously called the
14 government's shrinking case. And the reason I called it
15 that, Your Honor, is because if a vertical merger were to be
16 a rare horse, a rare breed of horse, it would be the kind of
17 case where you control a critical input.
18 Imagine that a company that makes airplanes bought
19 the company that made the navigation software for the
20 airplane. And they bought that and they controlled it, and
21 nobody else could get their hands on it. That would be a
22 problem, okay? Because they were foreclosing it or
23 withholding from the rest of the market.
24 There is no claim of withholding content in this
25 case. Despite everything that you heard from Mr. Conrath,
Case 1:17-c ge 67 of 72
67
1 This is a rough-type estimate. And even if you
2 accepted everything he said as true, 45 cents a month is
3 within the range that it might as well be zero, because
4 there's no level of confidence associated with that
5 calculation.
6 So even if you took the 45 cents, you can't use it
7 as an accurate predictor of what would happen. In reality,
8 Your Honor, if you correct for any number of these flaws,
9 you're going to end up with a number well below zero, giving
10 everybody a price decrease.
11 Another important thing Professor Shapiro
12 disregarded, as a vertically merged company, Time Warner,
13 Turner, AT&T, the entire merged company is going to be
14 subject to the FCC's program access rules, Your Honor.
15 Congress enacted the statute. The FCC promulgated rules.
16 That is a deliberate judgment of Congress, how to deal with
17 vertically integrated companies in this business.
18 And these rules take care of any kind of pricing
19 abuse of the sort alleged by the government. And if there's
20 any problem there, any mischief, the program access rules
21 prevent that.
22 If you're going to model what people are going to
23 do in the future, you have to take into account the law that
24 governs their business. He did not take into account the
25 law.
EXHIBIT B
Tara M. Corvo 701 Pennsylvania Avenue, NW

202 434 7359 Suite 900
tmcorvo@mintz.com Washington, DC 20004
202 434 7300
mintz.com
July 22, 2020
VIA FIRST CLASS MAIL AND ELECTRONIC MAIL
Bruce Byrd
Senior Vice President and Assistant General Counsel
AT&T Communications
208 S. Akard St.
Dallas, Texas, 75202
g00130@att.com
Re: Pre-filing Notice of Program Carriage Violation
Dear Mr. Byrd:
We are writing on behalf of our client, AMC Networks Inc. (“AMC”), to bring your
attention to AT&T’s discriminatory behavior in the ongoing negotiations between AMC and
AT&T Services, Inc. and DIRECTV, LLC (collectively, “AT&T”) to renew the parties’
affiliation agreements that are set to expire August 31, 2020.
Section 616 of the Communications Act of 1934, as amended, and the rules and
regulations of the Federal Communications Commission (“FCC”), prohibit vertically integrated
distributors such as AT&T from discriminating against unaffiliated programmers on the basis of
affiliation in the rates, terms and conditions of carriage in a manner that restrains the ability of an
unaffiliated programming vendor to compete. AT&T’s current carriage offer fails to meet these
required standards.
Specifically, by both insisting on drastic fee reductions for AMC’s networks and barring
AMC from distributing its networks either directly to consumers or by making them widely
available through online video platforms, AT&T is interfering with AMC’s ability to generate
revenue and remain relevant to today’s consumers. These terms would reduce AMC’s ability to
invest in the quality content that distinguishes AMC’s networks in the marketplace and to
continue to attract and retain viewers. Given that AT&T does not impose these restrictions on its
own networks, such behavior is a flagrant attempt to give AT&T’s own networks a competitive
advantage over AMC’s networks. Because AMC’s flagship network, AMC Network (“AMCN”)
and its newest offering, AMC+, compete for content and viewers directly with AT&T’s similarly
situated network HBO, and AMCN competes for content, advertising, and viewers with AT&T’s
similarly situated network, TNT, AT&T’s carriage offer cannot survive program carriage
scrutiny.
BOSTON LONDON LOS ANGELES NEW YORK SAN DIEGO SAN FRANCISCO WASHINGTON
MINTZ, LEVIN, COHN, FERRIS, GLOVSKY AND POPEO, P.C.
MINTZ
July 22, 2020

Page 2
Pursuant to 47 C.F.R. § 76.1302(b), AMC hereby provides notice of its intent to file
a program carriage complaint with the FCC based on AT&T’s discrimination on the basis
of affiliation or non-affiliation in the selection, terms and conditions of carriage of AMC’s
networks AMCN and AMC+ in violation of Section 616 of the Communications Act of
1934, as amended, and Section 76.1301(c) of the FCC’s regulations.
AMC has asked us to communicate its earnest desire that the parties work in good faith to
find a constructive resolution to these issues so that the parties execute an affiliation agreement
beneficial to both AMC and AT&T and avoid the need for AMC to take any further steps.
Please inform us promptly of your response.
Sincerely,
/s/
Tara M. Corvo
cc: Jamie Gallagher

General Counsel
AMC Networks Inc.
Jamie.Gallagher@AMCNETWORKS.com
Clifford Bail
EVP and Deputy General Counsel
AMC Networks Inc.
Cliff.Bail@AMCNETWORKS.COM
Joshua Reader
President, Distribution & Development
AMC Networks Inc.
Josh.Reader@AMCNETWORKS.COM
Robert Thun
Senior Vice President, Content and Programming
AT&T Communications
rt3765@att.com
David McAtee,
Senior Executive Vice President and General Counsel
AT&T Inc.
david.mcatee@att.com
MINTZ
July 22, 2020

Page 3
Brooke Mallette
Vice President – Associate General Counsel
AT&T Communications
Bm5370@att.com
EXHIBIT C
Bruce R. Byrd AT&T T: 214.757.3748
Senior Vice President and 208 S. Akard Street M: 202.286.2676
Assistant General Counsel Dallas, TX 75202 bruce.byrd@att.com
CONFIDENTIAL
Via E-mail
TMCorvo@mintz.com
July 24, 2020
Tara Corvo
Mintz, Levin, Cohn, Ferris, Glovsky and Popeo, P.C.
701 Pennsylvania Ave., NW, Suite 900
Re: Prefiling Notice of Program Carriage Complaint
Dear Ms. Corvo:
This will acknowledge receipt of your letter notifying me of AMC Network Inc.’s intent to file a
program carriage complaint against DIRECTV, LLC and AT&T Services, Inc. The assertions in
your letter are unfounded, but AT&T will continue to negotiate in good faith to attempt to reach
an agreement for continued carriage of AMC’s programming services.
We reserve all rights and remedies with respect to this matter.
Sincerely,
Bruce R. Byrd
cc:
Jamie Gallagher
General Counsel
AMC Networks Inc.
Jamie.Gallagher@amcnetworks.com
Ms. Tara Corvo REDACTED - FOR PUBLIC INSPECTION
July 24, 2020
Page 2
Clifford Bail
EVP and Deputy General Counsel
AMC Networks Inc.
Cliff.Bail@amcnetworks.com
Joshua Reader
President, Distribution & Development
AMC Networks Inc.
Josh.Reader@amcnetworks.com
Robert Thun
Senior Vice President, Content and Programming
AT&T
rt3765@att.com
EXHIBIT D
Case 1: 1 of 23
UNITED STATES DISTRICT COURT

UNITED STATES OF AMERICA

450 Fifth Street, NW
Washington, DC 20530;
Plaintiff,
v.
AT&T INC.
208 South Akard Street,
Dallas, TX 75202;
DIRECTV GROUP HOLDINGS, LLC

2260 E. Imperial Hwy,
El Segundo, CA 90245; and
TIME WARNER INC.

One Time Warner Center,
New York, NY 10019;
Defendants.
COMPLAINT
AT&T/DirecTV is the nation’s largest distributor of traditional subscription television.
Time Warner owns many of the country’s top TV networks, including TNT, TBS, CNN, and
HBO. In this proposed $108 billion transaction—one of the largest in American history—AT&T
seeks to acquire control of Time Warner and its popular TV programming. As AT&T has
expressly recognized, however, distributors that control popular programming “have the
incentive and ability to use (and indeed have used whenever and wherever they can) that control
as a weapon to hinder competition.” Specifically, as DirecTV has explained, such vertically
integrated programmers “can much more credibly threaten to withhold programming from rival
1
EXHIBIT E
Case 1:17-cv-02511-RJL Document 120 Filed 05/03/18 Page 1 of 179
** PUBLIC VERSION – REDACTED **
UNITED STATES DISTRICT COURT

)
UNITED STATES OF AMERICA, )
)
Plaintiff, )
)
v. )
Case No. 1:17-cv-02511-RJL
)
AT&T INC., DIRECTV GROUP HOLDINGS, )
LLC, and TIME WARNER INC., )
)
Defendants. )
DEFENDANTS’ PROPOSED FINDINGS OF FACT AND CONCLUSIONS OF LAW

have Netflix, we have Google coming in, you have Amazon Prime. These are all big firms,
Apple and Facebook we know are coming in.”).
44. The success of these SVOD and virtual MVPD platforms has meant that video
consumption is increasingly taking place outside of traditional MVPD services like those offered
by DIRECTV and U-verse. See Tr. 3449:12-18 (Stephenson (AT&T)); Tr. 1829:3-9 (Merrill
(AT&T)); Tr. 891:18-25 (Rigdon (Comcast)). AT&T is now competing for customers’ attention
with Facebook, Amazon, Apple, Netflix, and Google (sometimes called the “FAANG”
companies) and other vertically integrated technology giants. See Tr. 3214:8-14 (Stankey
(AT&T)) (“The time-and-attention competition now from the likes of Facebook, from the likes
of Google, from the likes of Netflix, they’re distracting people from other things they used to do.
And somehow, we have to build products that continue to command customers’ time and
attention. That’s the battle here.”). This trend is likely to continue, as the tech giants focus more
and more on premium video to drive engagement. See Tr. 3387:25-3388:3 (Stephenson
(AT&T)) (“The one area that drives engagement like no place else . . . is premium content.
Premium video . . . . That drives engagement so the [FAANG], if you will, are all focused on
premium video.”).
45. As a result, AT&T/DIRECTV’s position as a traditional video distributor is
declining at an accelerated pace. See PX455-136 to -37. “DirecTV[] lost 1.2 million [traditional
pay-TV] subscribers in 2017” alone. Tr. 3450:7-8 (Stephenson (AT&T)); see Tr. 3369:13-16
(Stankey (AT&T)) (discussing the “inflection change” where the “decline of the traditional pay-
TV bundle started faster than [AT&T] assumed”); Tr. 3004:6-7 (Christopher (AT&T)) (“In 2016,
our traditional video business lost 133,000 customers.”). For this reason, it is unsurprising that
AT&T has been concerned that it is not receiving rights to innovative features like split-screen
- 19 -
programming, we had to get people to subscribe to it, the more, the better. And that’s how we
paid for what we were doing.”). The majority of MVPD subscribers—more than two-thirds—do
not subscribe to HBO. See Tr. 1529:16-17 (Patel (AT&T)) (reporting 30% penetration
nationally); Tr. 3073:22-23 (Bewkes (Time Warner)) (“I think the national average is in the 30,
low 30 percent range.”).
297. HBO competes not only with several other premium networks (including Showtime
and The Movie Channel, owned by CBS, and Starz, owned by Lionsgate), but also with other
cable networks (such as FX, A&E, and AMC), as well as online distributors such as Netflix and
Amazon. See Tr. 886:16-22 (Rigdon (Comcast)) (acknowledging that he has characterized
Netflix “as a competitor to HBO and a substitute for HBO” because it “is another offering that
you can give to consumers instead of HBO or Showtime”); Tr. 1493:18-1494:3 (Sutton (HBO))
(HBO competes with SVODs like Netflix for viewers’ time, for distribution, and for
programming content); see also DX709.0003 ([REDACTED]). And Netflix has a programming
budget over twice that of HBO’s. See Tr. 3099:13-15 (Bewkes (Time Warner)). As HBO
executive Simon Sutton testified, “There was a time when very few people were making the kind
of shows we make. Now, it seems that almost every week, there’s an announcement of
somebody else making it.” Tr. 1494:16-18; see also DX709.0003 ([REDACTED]).
298. The government does not argue that the merged firm would have an incentive to
withhold HBO from either MVPDs or virtual MVPDs or that the merger would produce any
incentive to raise prices for the service. See Tr. 2290:15-23 (Shapiro). Instead, it has alleged
narrowly that the merged company will gain the incentive and ability to prevent rival distributors
from using HBO as a promotional tool to attract and retain subscribers and that such conduct will
substantially lessen competition. See Compl. ¶ 39.
- 132 -
EXHIBIT F
AMC Linear ~ From 03/30/2020 to 04/05/2020 Exported On: 03/26/2020 11:12 AM

Mon, March 30 Tue, March 31 Wed, April 1 Thu, April 2 Fri, April 3 Sat, April 4 Sun, April 5
06:00 AM Paid Programming Paid Programming Paid Programming Paid Programming Paid Programming Mad Max Walking Dead, The: 10-001: 06:00 AM
06:00 AM 1979 HD Lines We Cross
06:30 AM Walking Dead, The: 10-002: We 06:30 AM
Are The End of The World
07:00 AM 06:34 AM HD 07:00 AM
07:30 AM Walking Dead, The: 10-003: 07:30 AM

Ghosts
08:00 AM Mad Max Beyond Thunderdome 07:37 AM HD 08:00 AM
08:00 AM 1985 HD
08:30 AM Walking Dead, The: 10-004: 08:30 AM
Silence The Whisperers
09:00 AM Three Stooges, The: 080: Back From Three Stooges, The: 069: Three Three Stooges, The: 42M & 49M: 9:00 Rudy The Three Stooges: 003: 9:00 08:45 AM HD 09:00 AM
The Front Missing Links Three Stooges, The: 052: 9:15 09:00 AM 1993 HD AM HD
09:00 AM HD 09:00 AM HD
09:30 AM Green Mile, The Few Good Men, A AM HD Runaway Bride 09:30 AM
09:30 AM 1999 HD 09:30 AM 1992 HD Sahara (2005) (This title will be joined in 09:30 AM 1999 HD Walking Dead, The: 10-005:
10:00 AM 09:45 AM 2005 HD progress) What It Always Is 10:00 AM
09:49 AM HD
10:30 AM Two and a Half Men: 04-013: 10:30 AM
Don't Worry Speed Racer Walking Dead, The: 10-006:
11:00 AM Ace Ventura: When Nature Calls Two and a Half Men: 04-014: Bonds 11:00 AM
11:00 AM 1995 HD That's Summer Sausage, Not 10:56 AM HD
My Damn Stalker
12:00 PM Ghost Two and a Half Men: 04-016: Walking Dead, The: 10-007: 12:00 PM
12:00 PM 1990 HD Young People Have Phlegm Open Your Eyes
12:30 PM Speed Two and a Half Men: 04-017: I 12:02 PM HD 12:30 PM
12:30 PM 1994 HD Killers (2010) Merely Slept with a Commie
01:00 PM 12:45 PM 2010 HD Ace Ventura: Pet Detective Two and a Half Men: 04-018: Walking Dead, The: 10-008: The 01:00 PM
01:00 PM 1994 HD It Never Rains in Hooterville World Before
01:30 PM Few Good Men, A Two and a Half Men: 04-019: 01:06 PM HD 01:30 PM
01:30 PM 1992 HD Smooth as a Ken Doll
02:00 PM Two and a Half Men: 04-020: 02:00 PM
Aunt Myra Doesn't Pee a Lot Walking Dead, The: 10-009:
02:30 PM Two and a Half Men: 04-021: Squeeze 02:30 PM
Tucked, Taped and Gorgeous 02:25 PM
03:00 PM Book of Eli, The Laugh Out Loud Marathon Home Alone Footloose Outsiders, The 03:00 PM
03:00 PM 2010 HD Ace Ventura: When Nature Calls 03:00 PM 1990 HD 03:00 PM 1984 HD 03:00 PM 1983 HD Walking Dead, The: 10-010:
03:30 PM 03:00 PM 1995 HD Stalker 03:30 PM
03:29 PM HD
04:00 PM 04:00 PM
04:30 PM Book of Eli, The Walking Dead, The: 10-011: 04:30 PM

04:30 PM 2010 HD Morning Star
05:00 PM Laugh Out Loud Marathon Top Gun 04:35 PM HD 05:00 PM
Ace Ventura: Pet Detective 05:00 PM 1986 HD
05:30 PM Road House 05:00 PM 1994 HD Jumanji Major League Walking Dead, The: 10-012: 05:30 PM
05:30 PM 1989 HD 05:30 PM 1995 HD 05:30 PM 1989 HD Walk With Us
06:00 PM 05:39 PM HD 06:00 PM
06:30 PM Walking Dead, The: 10-013: 06:30 PM

What We Become
07:00 PM Action Month Laugh Out Loud Marathon 06:42 PM HD 07:00 PM
Transporter 2 Home Alone
07:30 PM 07:00 PM 2005 07:00 PM 1990 HD Gran Torino 07:30 PM
07:30 PM 2008 HD Walking Dead, The: 10-014:
08:00 PM Action Month Major League AMC Double Feature: Tom Look at the Flowers 08:00 PM
Taken 08:00 PM 1989 HD Cruise 07:54 PM HD
08:30 PM 08:00 PM 2008 HD Top Gun 08:30 PM
08:00 PM 1986 HD
09:00 PM Better Call Saul: 05-007: JMM Walking Dead, The: 10-015: 09:00 PM
09:00 PM HD [P] The Tower
09:30 PM Laugh Out Loud Marathon 09:00 PM HD [P] 09:30 PM
Jumanji
10:00 PM Dispatches from Elsewhere: Taken 09:30 PM 1995 HD Line of Duty: 01-001 Talking Dead: 10-015 10:00 PM
01-006: Everyone 10:00 PM 2008 HD 10:00 PM HD [P] 10:02 PM [P]
10:30 PM 10:08 PM HD [P] Footloose AMC Double Feature: Tom 10:30 PM
10:30 PM 1984 HD Cruise
11:00 PM Better Call Saul: 05-007: JMM Outsiders, The Walking Dead, The: 10-015: The 11:00 PM
11:10 PM HD 10:30 PM 1983 HD Gran Torino Tower
11:30 PM 11:25 PM 2008 HD 11:02 PM HD 11:30 PM
12:00 AM Speed Laugh Out Loud Marathon Ride with Norman Reedus: 04- 12:00 AM
Dispatches from Elsewhere: 01- 12:00 AM 1994 HD Ace Ventura: Pet Detective 005: Uruguay with Becky
12:30 AM 006: Everyone 12:00 AM 1994 HD Walking Dead, The: 10-014: Goebel 12:30 AM
12:18 AM HD Look at the Flowers 12:03 AM HD [P]
01:00 AM Lodge 49: 01-007: Solemn Duty 12:30 AM HD Walking Dead, The: 10-015: The 01:00 AM
Better Call Saul: 05-007: JMM of the Squirem, The Tower
01:30 AM 01:20 AM HD 01:00 AM HD Talking Dead: 10-014 01:04 AM HD 01:30 AM
01:36 AM Line of Duty: 01-001
02:00 AM Lodge 49: 01-004: Sunday Lodge 49: 01-008: Something 01:55 AM HD Talking Dead: 10-015 02:00 AM
Dispatches from Elsewhere: 01- 02:00 AM HD from Nothing 02:05 AM
02:30 AM 006: Everyone Lodge 49: 01-001: As Above, So 02:06 AM HD Better Call Saul: 05-007: JMM 02:30 AM
02:28 AM HD Below 02:36 AM HD
03:00 AM 02:30 AM HD Lodge 49: 01-005: Paradise Lodge 49: 01-009: Apogee Ride with Norman Reedus: 04- 03:00 AM
03:01 AM HD 03:10 AM HD Mad Max 005: Uruguay with Becky
03:30 AM Better Call Saul: 05-007: JMM Lodge 49: 01-002: Moments of Dispatches from Elsewhere: 01- 03:20 AM 1979 HD Goebel 03:30 AM
03:30 AM HD Truth in Service 006: Everyone 03:05 AM HD
04:00 AM 03:41 AM HD Lodge 49: 01-006: Mysteries, Lodge 49: 01-010: Full Fathom 03:44 AM HD Walking Dead, The: 10-015: The 04:00 AM
The Five Tower
04:30 AM Ride with Norman Reedus: 04- Lodge 49: 01-003: Corpus 04:07 AM HD 04:12 AM HD 04:06 AM HD 04:30 AM
004: Costa Rica with Dom 04:44 AM HD Walking Dead, The: 10-014:
05:00 AM Rocket Three Stooges, The: 054: 5:11 Look at the Flowers The Three Stooges: 114: 05:00 AM
04:38 AM HD AM HD The Three Stooges: 056: 5:27 04:46 AM HD Walking Dead, The: 10-001: 05:07 AM HD
05:30 AM Three Stooges, The: 42M: 5:39 AM HD Three Stooges, The: 055: 5:35 AM HD Lines We Cross The Three Stooges: 115: 05:30 AM
Three Stooges, The: 52M &57M: 5:49 AM HD The Three Stooges: 9M & 10M: 05:48 AM HD The Three Stooges: 057M: 5:55 Three Stooges, The: 150M: 5:52 05:20 AM HD 05:33 AM HD

Mon, April 6 Tue, April 7 Wed, April 8 Thu, April 9 Fri, April 10 Sat, April 11 Sun, April 12
06:00 AM Paid Programming Paid Programming Paid Programming Paid Programming Paid Programming Karate Kid, The Ender's Game 06:00 AM
06:00 AM 1984 HD 05:15 AM 2013 HD
06:30 AM 06:30 AM
07:00 AM 07:00 AM
07:30 AM 07:30 AM
Lord of the Rings, The: The Two
08:00 AM Towers 08:00 AM
07:50 AM 2002 HD
08:30 AM 08:30 AM
09:00 AM Ace Ventura: Pet Detective Coach Carter The Three Stooges: 32M & Ride with Norman Reedus: 04- Three Stooges, The: 014: 9:00 Two and a Half Men: 04-022: 09:00 AM
09:00 AM 1994 HD 09:00 AM 2005 HD Three Stooges, The: 035: 005: Uruguay with Becky AM HD Mr. McGlue's Feedbag
09:30 AM Horses' Collars Goebel Road Warrior, The Two and a Half Men: 04-023: 09:30 AM
Eraser 09:00 AM HD 09:30 AM 1981 HD Anteaters. They're Just Crazy-
10:00 AM 09:45 AM 1996 HD Blade: Trinity Two and a Half Men: 04-024: 10:00 AM
10:01 AM 2004 HD Prostitutes and Gelato
Three Girls and a Guy Named
11:00 AM Karate Kid Part III, The Two and a Half Men: 08-002: 11:00 AM
11:00 AM 1989 HD A Bottle of Wine and a
11:30 AM Mad Max Beyond Thunderdome Two and a Half Men: 08-003: 11:30 AM
11:30 AM 1985 HD A Pudding-Filled Cactus Hunger Games, The
12:00 PM Stripes Two and a Half Men: 08-004: 11:50 AM 2012 HD 12:00 PM
12:00 PM 1981 HD Blade: Trinity Hookers, Hookers, Hookers
12:30 PM 12:15 PM 2004 [P] Fantastic 4: Rise of the Silver Two and a Half Men: 08-005: 12:30 PM
Surfer The Immortal Mr. Billy Joel
01:00 PM 12:31 PM 2007 HD Two and a Half Men: 08-006: 01:00 PM
Twanging Your Magic Clanger
01:30 PM Coach Carter Lord of the Rings Marathon 01:30 PM
01:30 PM 2005 HD Lord of the Rings, The: The Two
02:00 PM Under Siege Towers 02:00 PM
02:00 PM 1992 HD 01:30 PM 2002 HD
02:30 PM Caddyshack Fantastic 4 02:30 PM
02:30 PM 1980 HD Blade 02:31 PM 2005 HD Hunger Games, The: Catching
03:00 PM 02:45 PM 1998 Fire 03:00 PM
02:55 PM 2013 HD
03:30 PM 03:30 PM
04:00 PM 04:00 PM
04:30 PM Stripes Eraser Top Gun 04:30 PM

04:30 PM 1981 HD 04:30 PM 1996 HD 04:30 PM 1986 HD
05:00 PM Star Trek 05:00 PM
05:00 PM 2009 HD
05:30 PM Blade II Lord of the Rings Marathon 05:30 PM
05:30 PM 2002 Lord of the Rings, The: The
06:00 PM Return of the King AMC Premiere Event 06:00 PM
05:30 PM 2003 HD White House Down
06:30 PM 06:00 PM 2013 HD [P] 06:30 PM
07:00 PM Caddyshack Blade AMC Double Feature: The 07:00 PM

07:00 PM 1980 HD 07:00 PM 1998 HD [P] Karate Kid
07:30 PM Karate Kid, The 07:30 PM
07:00 PM 1984 HD
08:00 PM Star Trek Top Gun 08:00 PM
08:00 PM 2009 HD 08:00 PM 1986 HD
08:30 PM 08:30 PM
09:00 PM Better Call Saul: 05-008: Killing Eve: 03-001: Slowly 09:00 PM
Bagman Slowly Catchy Monkey
09:30 PM 09:00 PM HD [P] 09:00 PM [P] 09:30 PM
Blade II
10:00 PM 09:45 PM 2002 [P] AMC Double Feature: The Line of Duty: 01-002 Killers (2010) 10:00 PM
Dispatches from Elsewhere: Karate Kid 10:00 PM [P] 10:01 PM 2010 HD
10:30 PM 01-007: Cave of Kelpius Under Siege Karate Kid Part II, The 10:30 PM
10:15 PM HD [P] Fantastic 4 10:30 PM 1992 HD 10:00 PM 1986 HD
11:00 PM 10:59 PM 2005 HD 11:00 PM
Better Call Saul: 05-008: Lord of the Rings, The: The
11:30 PM Bagman Return of the King 11:30 PM
11:15 PM HD 11:20 PM 2003 HD
12:00 AM 12:00 AM
Walking Dead, The: 10-015: The Ride with Norman Reedus: 04-
12:30 AM Dispatches from Elsewhere: 01- Tower Walking Dead, The: 10-015: The 006: Kentucky with Clifton 12:30 AM
007: Cave of Kelpius 12:15 AM HD Tower Collins Jr.
01:00 AM 12:30 AM HD Walking Dead, The: 09-008: 12:32 AM HD 12:16 AM HD [P] 01:00 AM
Dispatches from Elsewhere: 01- Walking Dead, The: 09-004: Evolution Killing Eve: 03-001: Slowly
01:30 AM Better Call Saul: 05-008: 007: Cave of Kelpius Obliged, The 01:00 AM HD Talking Dead: 10-015 Slowly Catchy Monkey 01:30 AM
Bagman 01:16 AM HD 01:29 AM HD 01:33 AM 01:17 AM
02:00 AM 01:30 AM HD Walking Dead, The: 09-009: 02:00 AM
Walking Dead, The: 09-001: Adaptation Ride with Norman Reedus: 04-
02:30 AM New Beginning, A Walking Dead, The: 09-005: 02:03 AM HD Ride with Norman Reedus: 04- 006: Kentucky with Clifton 02:30 AM
Dispatches from Elsewhere: 01- 02:16 AM HD What Comes After 005: Uruguay with Becky Collins Jr.
03:00 AM 007: Cave of Kelpius 02:33 AM HD Goebel 02:18 AM HD 03:00 AM
02:45 AM HD Walking Dead, The: 09-010: 02:33 AM HD Killing Eve: 03-001: Slowly
03:30 AM Walking Dead, The: 09-002: Walking Dead, The: 09-006: Omega Line of Duty: 01-001 Slowly Catchy Monkey 03:30 AM
Better Call Saul: 05-008: Bridge, The Who Are You Now? 03:16 AM HD 03:34 AM HD Line of Duty: 01-002 03:19 AM
04:00 AM Bagman 03:41 AM HD 03:38 AM HD 03:55 AM 04:00 AM
03:45 AM HD Walking Dead, The: 09-011: Better Call Saul: 05-008:
04:30 AM Bounty Bagman 04:30 AM
Walking Dead, The: 09-003: Walking Dead, The: 09-007: 04:22 AM HD Walking Dead, The: 10-015: The 04:20 AM HD
05:00 AM The Three Stooges: 005: An Warning Signs Stradivarius Tower 05:00 AM
Ache In Every Stake 04:46 AM HD 04:57 AM HD Killing Eve: Previously on Killing 04:59 AM HD Ender's Game
Three Stooges, The: 007: Back Eve
Three Stooges, The: 103: Three Stooges, The: 104: Punch
05:30 AM 05:15 AM 2013 HD 05:30 AM
To The Woods Three Stooges, The: 033M: Hoi Three Stooges, The: 104M: Drunks
AMC Linear ~ From 04/13/2020 to 04/19/2020 Exported On: 4/14/2020

06:00 AM Paid Programming Paid Programming Paid Programming Paid Programming Paid Programming Departed, The Line of Duty: 01-003 06:00 AM
06:03 AM 2006 HD 05:12 AM HD
06:30 AM Under Siege 06:30 AM
06:32 AM 1992 HD
07:00 AM 07:00 AM
07:30 AM 07:30 AM
08:00 AM 08:00 AM
08:30 AM 08:30 AM
09:00 AM Three Stooges, The: 016: Crash Three Stooges, The: 017: Dizzy Saving Private Ryan Ride with Norman Reedus: 04- Karate Kid, The Troy 09:00 AM
Goes The Hash Detectives 09:00 AM 1998 HD 006: Kentucky with Clifton 09:00 AM 1984 HD 09:00 AM 2004 HD
09:30 AM Firm, The (1993) Few Good Men, A Collins Jr. Perfect Storm, The 09:30 AM
09:30 AM 1993 HD 09:30 AM 1992 HD 09:00 AM HD 09:31 AM 2000 HD
10:00 AM Ace Ventura: When Nature Calls (This title will be joined in 10:00 AM
10:01 AM 1995 HD progress)
10:30 AM 10:30 AM
11:00 AM 11:00 AM
11:30 AM Ace Ventura: Pet Detective 11:30 AM

11:30 AM 1994 HD
12:01 PM 1984 HD
12:30 PM Few Good Men, A Saving Private Ryan Two and a Half Men: 08-007: Ocean's Marathon 12:30 PM
12:30 PM 1992 HD 12:30 PM 1998 HD The Crazy Bitch Gazette Ocean's Eleven
01:00 PM Mad Max Two and a Half Men: 08-008: 12:30 PM 2001 01:00 PM
01:00 PM 1979 HD Springtime on a Stick
01:30 PM Home Alone Two and a Half Men: 08-009: 01:30 PM
01:30 PM 1990 HD A Good Time in Central Africa
Ow, Ow, Don't Stop
Dead from the Waist Down
03:00 PM Speed Karate Kid Part II, The Two and a Half Men: 08-012: Ocean's Marathon 03:00 PM
03:00 PM 1994 HD 03:00 PM 1986 HD Chocolate Diddlers or My Ocean's Twelve
03:30 PM White House Down Two and a Half Men: 08-013: 03:00 PM 2004 HD 03:30 PM
03:30 PM 2013 HD Skunk, Dog Crap and Ketchup
04:00 PM Jumanji Two and a Half Men: 08-014: 04:00 PM
04:00 PM 1995 HD Lookin' for Japanese Subs
04:30 PM Gran Torino Two and a Half Men: 08-015: 04:30 PM
04:30 PM 2008 HD Three Hookers and a Philly
That Darn Priest
05:30 PM Top Gun Major League Ocean's Eleven 05:30 PM
05:30 PM 1986 HD 05:30 PM 1989 HD 05:30 PM 2001 HD
06:00 PM Ocean's Marathon 06:00 PM
Ocean's Thirteen
06:30 PM Gran Torino AMC Double Feature: Mark 06:00 PM 2007 06:30 PM
06:30 PM 2008 HD Wahlberg
07:00 PM Top Gun Departed, The 07:00 PM
07:00 PM 1986 HD 06:30 PM 2006 HD
07:30 PM 07:30 PM
08:00 PM Major League Jumanji Ocean's Twelve 08:00 PM

08:00 PM 1989 HD 08:00 PM 1995 HD 08:00 PM 2004 HD
08:30 PM 08:30 PM
09:00 PM Better Call Saul: 05-009: Bad Killing Eve: 03-002: 09:00 PM
Choice Road Management Sucks
09:30 PM 09:00 PM HD [P] Speed 09:00 PM [P] 09:30 PM
09:30 PM 1994 HD
10:00 PM Friday Night In with The Killing Eve: 03-002: 10:00 PM
Dispatches from Elsewhere: Morgans: 01-001 Management Sucks
10:30 PM 01-008: Lee Karate Kid Part II, The Home Alone AMC Double Feature: Mark 10:00 PM 10:30 PM
10:25 PM HD [P] 10:30 PM 1986 HD 10:30 PM 1990 HD Wahlberg
11:00 PM Perfect Storm, The Line of Duty: 01-003 Ocean's Thirteen 11:00 PM
Better Call Saul: 05-009: Bad 10:30 PM 2000 HD 11:00 PM HD [P] 11:00 PM 2007 HD
11:30 PM Choice Road 11:30 PM
11:28 PM HD
12:00 AM Killing Eve: 03-001: Slowly 12:00 AM
Slowly Catchy Monkey Under Siege
12:30 AM 12:00 AM 12:20 AM 1992 HD 12:30 AM
Dispatches from Elsewhere: 01-
01:00 AM 008: Lee Line of Duty: 01-002 Dispatches from Elsewhere: 01- Ride with Norman Reedus: 04- 01:00 AM
12:53 AM HD 01:01 AM 008: Lee 006: Kentucky with Clifton Fear the Walking Dead: 03-004:
01:30 AM 01:00 AM HD Collins Jr. 100 01:30 AM
Better Call Saul: 05-009: Bad 01:00 AM HD 01:29 AM HD
02:00 AM Choice Road Walking Dead, The: 09-014: Fear the Walking Dead: 03-001: Inferno (2016) 02:00 AM
01:56 AM HD Better Call Saul: 05-009: Bad Scars Eye of the Beholder 02:00 AM 2016 [P]
02:30 AM Choice Road 02:03 AM HD 02:01 AM HD Fear the Walking Dead: 03-005: 02:30 AM
02:21 AM HD Burning in Water, Drowning in Line of Duty: 01-003
03:00 AM Walking Dead, The: 09-015: Fear the Walking Dead: 03-002: Flame 02:49 AM HD 03:00 AM
Dispatches from Elsewhere: 01- Calm Before, The The New Frontier 02:30 AM HD
03:30 AM 008: Lee 03:09 AM HD 03:10 AM HD Fear the Walking Dead: 03-006: 03:30 AM
03:21 AM HD Walking Dead, The: 09-012: Red Dirt
04:00 AM Guardians 03:31 AM HD Dispatches from Elsewhere: 01- 04:00 AM
Better Call Saul: 05-009: Bad 03:46 AM HD Fear the Walking Dead: 03-003: 008: Lee
04:30 AM Choice Road Walking Dead, The: 09-016: TEOTWAWKI Fear the Walking Dead: 03-007: 04:09 AM HD 04:30 AM
04:24 AM HD Walking Dead, The: 09-013: Storm, The 04:20 AM HD The Unveiling
05:00 AM Chokepoint 04:33 AM HD 04:32 AM HD Line of Duty: 01-003 Killing Eve: 03-002: 05:00 AM
04:50 AM HD Three Stooges, The: 088: Grips, 05:12 AM HD Management Sucks
05:30 AM Walking Dead, The: Season 10 Grunts And Groans Friday Night In with The 05:00 AM 05:30 AM
Three Stooges, The: 40M: 5:49 Three Stooges, The: 093M: I'm Three Stooges: 64M & 66M & Three Stooges, The: 074M: Morgans: 01-001

06:00 AM Paid Programming Paid Programming Paid Programming Paid Programming Paid Programming Fear the Walking Dead: 03-016: Road Warrior, The 06:00 AM
Coach Carter 04:55 AM 1981 HD
06:30 AM 06:28 AM 2005 HD 06:30 AM
07:00 AM Hunt for Red October, The 07:00 AM

07:00 AM 1990 HD
07:30 AM 07:30 AM
08:00 AM 08:00 AM
08:30 AM 08:30 AM
09:00 AM Three Stooges, The: 062: Se7en Blade II Three Stooges, The: 030: Half- Rudy 09:00 AM
Squareheads Of The Round 09:00 AM 1995 HD 09:00 AM 2002 HD Wits Holiday 09:00 AM 1993 HD
09:30 AM Three Stooges, The: 069: Three Firm, The (1993) Two and a Half Men: 09-001: 09:30 AM
Missing Links (This title will be joined in 09:30 AM 1993 HD (This title will be joined in Nice to Meet You, Walden
10:00 AM Along Came a Spider progress) progress) Two and a Half Men: 09-002: Departed, The 10:00 AM
10:00 AM 2001 HD People Who Love Peepholes 10:00 AM 2006 HD
Big Girls Don't Throw Food
11:00 AM Coach Carter Two and a Half Men: 09-004: 11:00 AM
Blade 11:00 AM 2005 HD Nine Magic Fingers
11:30 AM 11:15 AM 1998 HD Two and a Half Men: 09-005: 11:30 AM
A Giant Cat Holding a Churro
12:00 PM Speed Two and a Half Men: 09-006: 12:00 PM
12:00 PM 1994 HD The Squat and Hover
12:30 PM Se7en The Departed Two and a Half Men: 09-007: 12:30 PM
12:30 PM 1995 HD 12:30 PM 2006 HD Those Fancy Japanese Toilets
Thanks for the Intercourse
01:30 PM Two and a Half Men: 09-009: Walk Among the Tombstones, A 01:30 PM
Frodo's Headshots 01:30 PM 2014 HD
02:00 PM Ender's Game Perfect Storm, The Two and a Half Men: 09-010: 02:00 PM
02:00 PM 2013 HD 02:00 PM 2000 HD A Fishbowl Full of Glass Eyes
02:30 PM U.S. Marshals Unforgiven 02:30 PM
02:30 PM 1998 HD 02:30 PM 1992 HD
03:00 PM 03:00 PM
03:30 PM Speed 03:30 PM

03:30 PM 1994 HD
04:00 PM Lord of the Rings, The: The Two American Sniper 04:00 PM
Towers 04:00 PM 2014 HD
04:30 PM Lord of the Rings, The: The 04:00 PM 2002 HD 04:30 PM
Return of the King
05:00 PM 04:30 PM 2003 HD Top Gun 05:00 PM
05:00 PM 1986 HD
05:30 PM Under Siege Gran Torino 05:30 PM
05:30 PM 1992 HD 05:30 PM 2008 HD
06:00 PM U.S. Marshals 06:00 PM
06:00 PM 1998 HD
06:30 PM 06:30 PM
07:00 PM Taken 07:00 PM

07:00 PM 2008 HD
07:30 PM AMC Double Feature: Clint 07:30 PM
Eastwood
08:00 PM Lord of the Rings, The: The Top Gun Gran Torino American Sniper 08:00 PM
Return of the King 08:00 PM 1986 HD 07:30 PM 2008 HD 08:00 PM 2014 HD
08:30 PM 08:00 PM 2003 HD 08:30 PM
09:00 PM Better Call Saul: 05-010: Lord of the Rings, The: The Two Killing Eve: 03-003 09:00 PM
Something Unforgivable Towers 09:00 PM [P]
09:30 PM 09:00 PM HD [P] 09:00 PM 2002 HD 09:30 PM
10:00 PM Friday Night In with The Killing Eve: 03-003 10:00 PM

Dispatches from Elsewhere: Morgans: 01-002 10:01 PM
10:30 PM 01-009: The Creator Perfect Storm, The AMC Double Feature: Clint 10:30 PM
10:25 PM HD [P] 10:30 PM 2000 HD Eastwood
11:00 PM Unforgiven Line of Duty: 01-004 Taken 11:00 PM
10:30 PM 1992 HD 11:00 PM HD [P] 11:01 PM 2008 HD
11:30 PM Better Call Saul: 05-010: 11:30 PM
Something Unforgivable
12:00 AM 11:30 PM HD 12:00 AM
Hunt for Red October, The
12:30 AM Under Siege 12:25 AM 1990 HD 12:30 AM
Dispatches from Elsewhere: 01- 12:30 AM 1992 HD
01:00 AM 009: The Creator Killing Eve: 03-002: Walk Among the Tombstones, A 01:00 AM
12:55 AM HD Management Sucks 01:01 AM 2014 HD
01:30 AM 01:00 AM Fear the Walking Dead: 03-012: Dispatches from Elsewhere: 01- 01:30 AM
Brother's Keeper 009: The Creator
02:00 AM Better Call Saul: 05-010: Better Call Saul: 05-010: 01:30 AM HD 01:31 AM HD 02:00 AM
Something Unforgivable Something Unforgivable
02:30 AM 02:00 AM HD 02:00 AM HD Fear the Walking Dead: 03-013: Ride with Norman Reedus: 04- 02:30 AM
This Land is Your Land 006: Kentucky with Clifton
03:00 AM Fear the Walking Dead: 03-008: 02:30 AM HD Collins Jr. 03:00 AM
Dispatches from Elsewhere: 01- Children of Wrath Fear the Walking Dead: 03-010: 02:37 AM HD
03:30 AM 009: The Creator 03:00 AM HD The Diviner Fear the Walking Dead: 03-014: Friday Night In with The Line of Duty: 01-004 Killing Eve: 03-003 03:30 AM
03:25 AM HD 03:25 AM HD El Matadero Morgans: 01-002 03:30 AM HD 03:31 AM
04:00 AM Fear the Walking Dead: 03-009: 03:32 AM Three Stooges, The: 042M: Men 04:00 AM
Minotaur Fear the Walking Dead: 03-011: Fear the Walking Dead: 03-015:
04:30 AM Better Call Saul: 05-010: 04:13 AM HD La Serpiente The Three Stooges: 011: Busy Things Bad Begun Dispatches from Elsewhere: 01- 04:30 AM
Something Unforgivable 04:27 AM HD Buddies 04:19 AM Road Warrior, The 009: The Creator
05:00 AM 04:30 AM HD The Three Stooges: 012: Cactus 04:55 AM 1981 HD 04:31 AM HD 05:00 AM
Three Stooges, The: 102: Pain The Three Stooges: 010: Booby Three Stooges, The: 013: Fear the Walking Dead: 03-016:
05:30 AM In The Pullman, A Dupes Calling All Curs Sleigh Ride Three Stooges, The: 107: Sing 05:30 AM
Three Stooges, The: 173M: 5:55 Three Stooges, The: 184M The Three Stooges: 032M: Three Stooges, The: 052M: 5:53 05:26 AM HD A Song Of Six Pants

Mon, April 27 Tue, April 28 Wed, April 29 Thu, April 30 Fri, May 1 Sat, May 2 Sun, May 3
06:00 AM Paid Programming Paid Programming Paid Programming Paid Programming Paid Programming Patriot, The Mad Max 06:00 AM
04:00 AM 2000 HD 05:45 AM 1979 HD
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07:00 AM 07:00 AM
07:30 AM Few Good Men, A 07:30 AM

07:30 AM 1992 HD Road Warrior, The
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09:00 AM Death Warrant Three Stooges, The: 048: Oily Three Stooges, The: 080: Back Knight's Tale, A 5th Wave, The 09:00 AM
09:00 AM 1990 HD To Bed, Oily To Rise From The Front 09:00 AM 2001 HD 09:00 AM 2016 HD
09:30 AM Lord of the Rings, The: The Ace Ventura: Pet Detective 09:30 AM
(This title will be joined in Return of the King 09:30 AM 1994 HD Knight and Day
10:00 AM progress) 09:30 AM 2003 HD 09:55 AM 2010 HD 10:00 AM
10:30 AM Troy Two and a Half Men: 10-001: I 10:30 AM

10:30 AM 2004 HD Changed My Mind About the
A Big Bag of Dog
11:30 AM Knight's Tale, A Aliens vs. Predator: Requiem Two and a Half Men: 10-003: 11:30 AM
11:30 AM 2001 HD 11:30 AM 2007 HD Four Balls, Two Bats and One
12:00 PM Inferno (2016) Two and a Half Men: 10-004: 12:00 PM
12:00 PM 2016 HD You Do Know What the Rock, The
12:30 PM Two and a Half Men: 10-005: 12:25 PM 1996 HD 12:30 PM
That's Not What They Call It in
Ferrets, Attack!
01:30 PM Star Trek Two and a Half Men: 10-007: 01:30 PM
01:30 PM 2009 HD Avoid the Chinese Mustard
02:00 PM Lord of the Rings, The: The Gladiator Two and a Half Men: 10-008: 02:00 PM
Return of the King 02:00 PM 2000 HD Something My Gynecologist
02:30 PM 02:00 PM 2003 HD Jumanji Two and a Half Men: 10-009: I 02:30 PM
02:30 PM 1995 HD Scream When I Pee
03:00 PM Gangster Squad Two and a Half Men: 10-010: 03:00 PM
03:00 PM 2013 HD One Nut Johnson
03:30 PM Cocktail G.I. Jane 03:30 PM
03:30 PM 1988 HD 03:30 PM 1997
04:00 PM 04:00 PM

04:30 PM 1998 HD
05:00 PM Perfect Storm, The 05:00 PM
05:00 PM 2000 HD
05:30 PM Eraser Gran Torino Top Gun 05:30 PM
05:30 PM 1996 HD 05:30 PM 2008 HD 05:30 PM 1986 HD
06:00 PM 06:00 PM
06:30 PM AMC Celebrates Twister 06:30 PM

Gladiator 06:30 PM 1996
07:00 PM 06:30 PM 2000 HD 07:00 PM
07:30 PM Flashback Friday 07:30 PM

Top Gun
08:00 PM Jumanji Gran Torino U.S. Marshals 07:30 PM 1986 HD G.I. Jane 08:00 PM
08:00 PM 1995 HD 08:00 PM 2008 HD 08:00 PM 1998 HD 08:00 PM 1997
08:30 PM 08:30 PM
09:00 PM Killing Eve: 03-004: Still Got It 09:00 PM

09:00 PM [P]
09:30 PM 09:30 PM
10:00 PM Dispatches from Elsewhere: Friday Night In with The Killing Eve: 03-004: Still Got It 10:00 PM
01-010: The Boy Morgans: 01-003 10:01 PM
10:30 PM 10:00 PM [P] Perfect Storm, The Gangster Squad Flashback Friday 10:30 PM
10:30 PM 2000 HD 10:30 PM 2013 HD [P] Cocktail
11:00 PM Dispatches from Elsewhere: 01- Star Trek 10:30 PM 1988 HD [P] Line of Duty: 01-005 Twister 11:00 PM
010: The Boy 11:00 PM 2009 HD 11:00 PM HD [P] 11:02 PM 1996 HD
11:30 PM 11:14 PM 11:30 PM
12:00 AM 12:00 AM
Eraser Rock, The
12:30 AM 12:28 AM 1996 HD Few Good Men, A 12:20 AM 1996 HD 12:30 AM
12:30 AM 1992 HD
01:00 AM Dispatches from Elsewhere: 01- 01:00 AM
010: The Boy
01:30 AM Son, The: 01-001: First Son of 01:00 AM HD Knight and Day 01:30 AM
Texas 01:32 AM 2010 HD
02:00 AM 01:30 AM HD Son, The: 01-005: No Prisoners Son, The: 01-008: Honey Hunt 02:00 AM
02:14 AM HD 02:00 AM HD
02:30 AM Son, The: 01-002: Plum Tree, 02:30 AM
Dispatches from Elsewhere: 01- The
03:00 AM 010: The Boy 02:39 AM HD Son, The: 01-006: Buffalo Son, The: 01-009: Prophecy, 03:00 AM
02:58 AM Hunter, The The Killing Eve: 03-003
03:30 AM Son, The: 01-003: Second 03:14 AM HD 03:00 AM HD Friday Night In with The 03:25 AM 03:30 AM
Empire Morgans: 01-003
04:00 AM Line of Duty: 01-004 03:39 AM HD Son, The: 01-007: Marriage Son, The: 01-010: Scalps Patriot, The Killing Eve: 03-004: Still Got It 04:00 AM
04:12 AM Bond 04:00 AM HD 04:00 AM 2000 HD Line of Duty: 01-005 04:02 AM
04:30 AM Son, The: 01-004: Death Song 04:14 AM HD 04:25 AM HD 04:30 AM
04:39 AM HD
05:00 AM Three Stooges, The: 084: Even Three Stooges, The: 092: I'll Three Stooges, The: 058: Sock- 05:00 AM
As I.O.U. Never Heil Again A-Bye Baby
05:30 AM Three Stooges, The: 050: 5:37 Three Stooges, The: 064M: Three Stooges, The: 085: Three Stooges, The: 098: Three Stooges, The: 059: So 05:30 AM
AM HD Three Stooges, The: 66M & Fuelin' Around Monkey Businessmen Mad Max Long, Mr. Chumps

Mon, May 4 Tue, May 5 Wed, May 6 Thu, May 7 Fri, May 8 Sat, May 9 Sun, May 10
06:00 AM Paid Programming Paid Programming Paid Programming Paid Programming Paid Programming Punisher: War Zone Inside Man 06:00 AM
04:55 AM 2008 HD 05:21 AM 2006 HD
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07:00 AM 2016 HD
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Walk Among the Tombstones, A
08:30 AM 08:19 AM 2014 HD 08:30 AM
09:00 AM Poseidon Three Stooges, The: 079: Three Stooges, The: 087: Sniper Three Stooges, The: 098: 09:00 AM
09:00 AM 2006 HD 09:00 AM HD 09:00 AM HD 09:00 AM 1993 HD 09:00 AM HD
09:30 AM Three Stooges, The: 080: Three Stooges, The: 088: Patriot, The Two and a Half Men: 10-011: 09:30 AM
09:30 AM HD 09:30 AM HD 09:30 AM 2000 HD Give Santa a Tail-Hole
10:00 AM Firm, The (1993) Saving Private Ryan Two and a Half Men: 10-012: 10:00 AM
10:00 AM 1993 HD 10:00 AM 1998 HD Welcome to Alancrest
Grab a Feather and Get In Killers (2010)
11:00 AM Halloween Marathon Blackhat Two and a Half Men: 10-014: 10:49 AM 2010 HD 11:00 AM
Halloween II 11:00 AM 2015 HD [P] Run, Steven Staven! Run!
Paint It, Pierce It or Plug It
Advantage: Fat, Flying Baby
Throgwarten Middle School
01:00 PM Hunt for Red October, The Unforgiven Two and a Half Men: 10-018: Mission: Impossible 01:00 PM
01:00 PM 1990 HD 01:00 PM 1992 HD The 9:04 from Pemberton 01:03 PM 1996 HD
01:30 PM Halloween Marathon Two and a Half Men: 10-019: 01:30 PM
Halloween Big Episode. Someone Stole a
02:00 PM 01:30 PM 2007 HD U.S. Marshals Perfect Storm, The Two and a Half Men: 10-020: 02:00 PM
02:00 PM 1998 HD 02:00 PM 2000 HD Bazinga! That's from a TV
02:30 PM Shawshank Redemption, The 02:30 PM
02:30 PM 1994 HD
03:00 PM 03:00 PM
03:30 PM Mission: Impossible II 03:30 PM

03:32 PM 2000 HD
04:00 PM Halloween Marathon Saving Private Ryan Tombstone 04:00 PM
Halloween 4: The Return of 04:00 PM 1998 HD 04:00 PM 1993 HD
04:30 PM Michael Myers 04:30 PM
04:00 PM 1988 HD
05:00 PM American Sniper Fury 05:00 PM
05:00 PM 2014 HD 05:00 PM 2014 HD
05:30 PM Erin Brockovich 05:30 PM
05:30 PM 2000 HD
06:00 PM Halloween Marathon 06:00 PM
Halloween 5: Revenge of
06:30 PM Michael Myers, The Con Air 06:30 PM
06:00 PM 1989 HD 06:30 PM 1997 HD
Shawshank Redemption, The
07:30 PM 07:00 PM 1994 HD 07:30 PM
08:00 PM Halloween Marathon American Sniper Fury Tombstone 08:00 PM

Halloween 08:00 PM 2014 HD 08:00 PM 2014 HD 08:00 PM 1993 HD
08:30 PM 08:00 PM 1978 HD Twister 08:30 PM
08:30 PM 1996 HD
09:00 PM Killing Eve: 03-005 09:00 PM
09:00 PM [P]
09:30 PM 09:30 PM
10:00 PM Creepshow: 01-001: Gray Friday Night In with The Killing Eve: 03-005 10:00 PM
Matter/House of the Dead Morgans: 01-004 10:00 PM
10:30 PM 10:00 PM HD [P] Flashback Friday 10:30 PM
Erin Brockovich
11:00 PM Creepshow: 01-001: Gray U.S. Marshals Perfect Storm, The Unforgiven 10:30 PM 2000 HD Line of Duty: 02-001 Con Air 11:00 PM
Matter/House of the Dead 11:05 PM 1998 HD 11:00 PM 2000 HD 11:00 PM 1992 HD 11:00 PM HD [P] 11:00 PM 1997 HD
11:30 PM 11:04 PM HD 11:30 PM
12:00 AM Halloween 12:00 AM

12:08 AM 1978 HD Twister
12:30 AM 12:25 AM 1996 HD 12:30 AM
01:00 AM 01:00 AM
01:30 AM Son, The: 02-008: All Their Mission: Impossible II 01:30 AM

Guilty Stains 01:30 AM 2000 HD
02:00 AM Halloween Creepshow: 01-001: Gray Line of Duty: 01-005 Son, The: 02-005: Hot Oil 01:33 AM HD 02:00 AM
02:08 AM 2007 HD Matter/House of the Dead 02:05 AM HD 02:00 AM HD
02:30 AM 02:05 AM HD Son, The: 02-009: Bear, The 02:30 AM
02:34 AM HD Killing Eve: 03-004: Still Got It
03:00 AM Son, The: 02-001: Numunuu Son, The: 02-006: Blue Light, 02:55 AM 03:00 AM
03:09 AM HD Son, The: 02-003: Blind Tiger, The
03:30 AM The 03:01 AM HD Son, The: 02-010: Legend 03:30 AM
03:25 AM HD 03:35 AM HD Line of Duty: 02-001
04:00 AM Son, The: 02-002: Ten Dollars Son, The: 02-007: Somebody 03:56 AM HD 04:00 AM
and a Plucked Goose Son, The: 02-004: Scalped a Get a Shovel
04:30 AM Creepshow: 01-001: Gray 04:14 AM HD Dog 04:06 AM HD Three Stooges, The: 064M: Killing Eve: 03-005 04:30 AM
Matter/House of the Dead 04:26 AM HD Three Stooges, The: 066M: 04:30 AM
05:00 AM 04:38 AM HD Three Stooges, The: 091: Punisher: War Zone 05:00 AM
Three Stooges, The: 079: Ants Three Stooges, The: 089: 05:07 AM HD 04:55 AM 2008 HD Inside Man
05:30 AM Three Stooges, The: 074M: In The Pantry Higher Than A Kite Three Stooges, The: 093: 05:21 AM 2006 HD Three Stooges, The: 102: 05:30 AM
Three Stooges, The: 075M &92M: 5:50 Three Stooges, The: 93M & 99M: Three Stooges, The: 104M: 05:34 AM HD 05:30 AM HD

06:00 AM Paid Programming Paid Programming Paid Programming Paid Programming Paid Programming Stir Crazy Line of Duty: 02-002 06:00 AM
05:00 AM 1980 HD Sniper
06:30 AM 06:15 AM 1993 HD 06:30 AM
07:00 AM Longest Yard, The 07:00 AM

07:00 AM 2005 HD
07:30 AM 07:30 AM
08:00 AM 08:00 AM

08:30 AM 1992 HD
09:00 AM Three Stooges, The: 105: The Three Stooges: 003: Three Stooges, The: 104M &109M: Line of Duty: 02-001 Gangster Squad 09:00 AM
09:00 AM HD 09:00 AM HD Spider-Man 3 09:00 AM HD 09:00 AM 2013 HD
09:30 AM Mission: Impossible The Three Stooges: 005: 09:15 AM 2007 HD Two and a Half Men: 10-021: 09:30 AM
09:30 AM 1996 HD 09:30 AM HD (This title will be joined in Another Night with Neil
10:00 AM Karate Kid, The progress) Two and a Half Men: 10-022: 10:00 AM
10:00 AM 1984 HD Fantastic 4: Rise of the Silver My Bodacious Vidalia
10:30 AM Surfer Two and a Half Men: 10-023: 10:30 AM
10:25 AM 2007 HD Cows, Prepare to Be Tipped
Longest Yard, The Nangnangnangnang
11:30 AM 11:15 AM 2005 HD Two and a Half Men: 11-002: I Saving Private Ryan 11:30 AM
Think I Banged Lucille Ball 11:30 AM 1998 HD
12:00 PM Karate Kid Part III, The Two and a Half Men: 11-003: 12:00 PM
12:00 PM 1989 HD Fantastic 4 Gangster Squad This Unblessed Biscuit
12:30 PM 12:15 PM 2005 HD 12:25 PM 2013 HD Two and a Half Men: 11-004: 12:30 PM
Clank, Clank, Drunken Skank
01:00 PM Karate Kid Part II, The Two and a Half Men: 11-005: 01:00 PM
01:00 PM 1986 HD Alan Harper, Pleasing Women
Major League Justice in Star-Spangled Hot
02:00 PM 01:45 PM 1989 HD Gladiator 02:00 PM
02:00 PM 2000 HD
02:30 PM 1984 HD Legion Hitman
03:00 PM 02:45 PM 2010 HD 02:55 PM 2007 HD 03:00 PM
03:30 PM Beetlejuice Top Gun 03:30 PM

03:30 PM 1988 HD 03:30 PM 1986 HD
04:00 PM 04:00 PM
Hangover, The
04:30 PM 04:15 PM 2009 HD 04:30 PM
White House Down
05:00 PM Star Trek 04:55 PM 2013 HD 05:00 PM
05:00 PM 2009 HD
05:30 PM Karate Kid Part II, The Fantastic 4 Perfect Storm, The 05:30 PM
05:30 PM 1986 HD 05:30 PM 2005 HD 05:30 PM 2000 HD
06:00 PM G.I. Jane 06:00 PM
06:00 PM 1997
Gladiator
07:00 PM 06:30 PM 2000 HD 07:00 PM
07:30 PM 07:30 PM
08:00 PM Beetlejuice Star Trek White House Down Hangover, The 08:00 PM
08:00 PM 1988 HD [P] 08:00 PM 2009 HD 08:00 PM 2013 HD 08:00 PM 2009 HD
08:30 PM Top Gun 08:30 PM
08:30 PM 1986 HD
09:00 PM Killing Eve: 03-006 09:00 PM
09:00 PM [P]
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10:00 PM Creepshow: 01-002: Bad Wolf Friday Night In with The Killing Eve: 03-006 10:00 PM
Down/The Finger Major League Morgans: 01-005: Episode 5 10:00 PM
10:30 PM 10:00 PM HD [P] 10:20 PM 1989 HD Flashback Friday 10:30 PM
Perfect Storm, The
11:00 PM Creepshow: 01-002: Bad Wolf Legion Hitman 10:30 PM 2000 HD Line of Duty: 02-002 G.I. Jane 11:00 PM
Down/The Finger 11:00 PM 2010 HD [P] 11:05 PM 2007 HD 11:00 PM HD [P] 11:00 PM 1997
11:30 PM 11:01 PM HD 11:30 PM
12:00 AM Bride of Chucky 12:00 AM

12:02 AM 1998 HD Brick Mansions
12:30 AM 12:25 AM 2014 HD [P] 12:30 AM
Creepshow: 01-002: Bad Wolf
01:00 AM Preacher: 02-007: Pig Down/The Finger 01:00 AM
Preacher: 02-003: Damsels 01:05 AM HD 12:50 AM HD
01:30 AM 01:20 AM HD Sahara (2005) 01:30 AM
Preacher: 02-011: Backdoors 01:30 AM 2005 HD
02:00 AM Creepshow: 01-002: Bad Wolf Preacher: 02-008: Holes 01:51 AM HD Few Good Men, A 02:00 AM
Down/The Finger Preacher: 02-004: Viktor 02:08 AM HD Line of Duty: 02-002 02:00 AM 1992 HD
02:30 AM 02:02 AM HD 02:24 AM HD 02:25 AM HD 02:30 AM
Preacher: 02-012: On Your
03:00 AM Preacher: 02-001: On the Road Preacher: 02-009: Puzzle Piece Knees 03:00 AM
03:03 AM HD Preacher: 02-005: Dallas 03:10 AM HD 02:55 AM HD
03:30 AM 03:28 AM HD 03:30 AM
Killing Eve: 03-005
04:00 AM Preacher: 02-002: Mumbai Sky Preacher: 02-010: Dirty Little Preacher: 02-013: End of the 03:50 AM 04:00 AM
Tower Preacher: 02-006: Sokosha Secret Road, The
04:30 AM 04:06 AM HD 04:28 AM HD 04:10 AM HD 04:00 AM HD Friday Night In with The 04:30 AM
Morgans: 01-005: Episode 5 Line of Duty: 02-002
05:00 AM Friday Night In with The Three Stooges, The: 008: Stir Crazy 04:50 AM HD Killing Eve: 03-006 05:00 AM
Morgans: 01-004 05:13 AM HD Three Stooges, The: 016: 05:00 AM 1980 HD 05:00 AM
05:30 AM Three Stooges, The: 094: Three Stooges, The: 006: The Three Stooges: 011: 05:17 AM HD 05:30 AM
05:37 AM HD 05:33 AM HD 05:37 AM HD Three Stooges, The: 10M &23M: 5:47

06:00 AM Paid Programming Paid Programming Paid Programming Paid Programming Paid Programming Along Came a Spider Line of Duty: 02-003 06:00 AM
04:30 AM 2001 HD Cocktail
06:30 AM 06:20 AM 1988 HD 06:30 AM
07:00 AM Inferno (2016) 07:00 AM

07:00 AM 2016 HD
07:30 AM 07:30 AM
08:00 AM 08:00 AM
The Godfather Marathon
08:30 AM Godfather, The: Part III 08:30 AM
08:20 AM 1990 HD
09:00 AM Three Stooges, The: 52M &57M: 9:00 The Three Stooges: 110: Snitch Three Stooges, The: 033: Walk Among the Tombstones, A 09:00 AM
The Three Stooges: 118: 09:00 AM HD 09:00 AM 2013 HD 09:00 AM HD 09:00 AM 2014 HD
09:30 AM 09:15 AM HD Fantastic 4: Rise of the Silver Three Stooges, The: 035: 09:30 AM
Spider-Man 3 Surfer (This title will be joined in 09:30 AM HD (This title will be joined in
10:00 AM 09:45 AM 2007 HD 09:30 AM 2007 HD progress) Saving Private Ryan progress) Two and a Half Men: 11-007: 10:00 AM
10:00 AM 1998 HD Some Kind of Lesbian Zombie
Mr. Walden, He Die. I Clean
11:00 AM Longest Yard, The Inferno (2016) Two and a Half Men: 11-009: 11:00 AM
11:00 AM 2005 HD 11:00 AM 2016 HD Numero Uno Accidente
11:30 AM Fantastic 4 Two and a Half Men: 11-010: 11:30 AM
11:30 AM 2005 HD On Vodka, on Soda, on
Tazed in the Lady Nuts The Godfather Marathon
12:30 PM Two and a Half Men: 11-012: Godfather, The 12:30 PM
Legion Baseball. Boobs. Boobs. 12:22 PM 1972 HD
01:00 PM 12:45 PM 2010 HD Two and a Half Men: 11-013: 01:00 PM
Bite Me, Supreme Court
01:30 PM Gladiator Two and a Half Men: 11-014: 01:30 PM
01:30 PM 2000 HD Three Fingers of Creme de
02:00 PM Snitch U.S. Marshals Hitman Two and a Half Men: 11-015: 02:00 PM
02:00 PM 2013 HD 02:00 PM 1998 HD 02:00 PM 2007 HD Cab Fare and a Bottle of
How to Get Rid of Alan Harper
03:00 PM Fantastic 4: Rise of the Silver G.I. Jane 03:00 PM
Surfer 03:00 PM 1997 HD
03:30 PM 03:00 PM 2007 HD 03:30 PM
04:00 PM Fury 04:00 PM

04:00 PM 2014 HD The Godfather Marathon
04:30 PM Gladiator Godfather, The: Part II 04:30 PM
04:30 PM 2000 HD 04:25 PM 1974 HD
05:00 PM Fantastic 4 Shawshank Redemption, The Tombstone 05:00 PM
05:00 PM 2005 HD 05:00 PM 1994 HD 05:00 PM 1993 HD
05:30 PM 05:30 PM
06:00 PM Knight and Day 06:00 PM

06:00 PM 2010 HD
06:30 PM 06:30 PM
07:00 PM Flashback Friday: Double Demi 07:00 PM

G.I. Jane
07:30 PM Dawn of the Dead 07:00 PM 1997 HD 07:30 PM
07:30 PM 2004 HD
08:00 PM Shawshank Redemption, The Tombstone Fury 08:00 PM
08:00 PM 1994 HD 08:00 PM 1993 HD 08:00 PM 2014 HD
08:30 PM Con Air 08:30 PM
08:30 PM 1997 HD
09:00 PM Killing Eve: 03-007 09:00 PM
09:00 PM [P]
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10:00 PM Creepshow: 01-003: All Friday Night In with The Killing Eve: 03-007 10:00 PM
Hallows Eve/The Man in the Morgans: 01-006: Episode 6 10:01 PM
10:30 PM Suitcase Flashback Friday: Double Demi 10:30 PM
10:00 PM HD [P] Ghost
11:00 PM Creepshow: 01-003: All Hallows Longest Yard, The U.S. Marshals Hitman 10:30 PM 1990 HD Line of Duty: 02-003 Godfather, The: Part II 11:00 PM
Eve/The Man in the Suitcase 11:00 PM 2005 HD 11:00 PM 1998 HD 11:00 PM 2007 HD 11:00 PM HD [P] 11:02 PM 1974 HD
11:30 PM 11:02 PM HD 11:30 PM
12:00 AM Dawn of the Dead 12:00 AM

12:04 AM 2004 HD Con Air
12:30 AM 12:25 AM 1997 HD 12:30 AM
01:00 AM Lodge 49: 02-007: Exile 01:00 AM

01:05 AM HD
01:30 AM Lodge 49: 02-001: All Circles Knight and Day 01:30 AM
Vanish 01:30 AM 2010 HD
02:00 AM 01:30 AM HD Lodge 49: 02-004: Conjunctio Lodge 49: 02-008: Zugzwang 02:00 AM
02:00 AM HD 02:12 AM HD
02:30 AM Aliens vs. Predator: Requiem Lodge 49: 02-002: The Slide 02:30 AM
02:34 AM 2007 HD 02:40 AM HD Killing Eve: 03-006
03:00 AM Lodge 49: 02-005: Estrella y 02:55 AM 03:00 AM
Mar Lodge 49: 02-009: Le Reve
03:30 AM 03:06 AM HD Impossible Killing Eve: 03-007 03:30 AM
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05:00 AM 04:34 AM HD 04:54 AM HD 04:56 AM HD 05:00 AM
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West Side Story Karate Kid, The
11:00 AM Two and a Half Men: 11-019: 10:48 AM 1984 HD 11:00 AM
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12:00 PM Poseidon Two and a Half Men: 11-021: 12:00 PM
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04:00 PM 1994 HD Footloose
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08:00 PM 2013 HD 08:00 PM 1997 HD 08:00 PM 1994 HD
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09:00 PM The Transporter Killing Eve: 03-008 09:00 PM

09:00 PM 2002 HD 09:00 PM [P]
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11:30 PM Half 11:30 PM
11:00 PM HD
12:00 AM Legion Quiz: 01-001 12:00 AM
12:00 AM 2010 HD The Transporter 12:09 AM HD
12:30 AM 12:25 AM 2002 HD 12:30 AM
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Half The Wrong Side of Where You
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06:00 AM Paid Programming Paid Programming Paid Programming Paid Programming Paid Programming National Lampoon's European Quiz: 01-001 06:00 AM
Vacation 05:51 AM HD
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11:00 AM Longest Yard, The Two and a Half Men: 12-008: 11:00 AM
11:00 AM 2005 HD Family, Buble, Deep-Fried
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05:00 PM 2002 HD 05:00 PM 2004 HD 05:00 PM 1992 HD
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08:30 PM 08:00 PM 1983 HD 08:30 PM
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Scary U, The Honor 03:15 AM HD
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06:00 AM Paid Programming Paid Programming Paid Programming Paid Programming Paid Programming Fear the Walking Dead: 05-015: Line of Duty: 02-006 06:00 AM
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Brick Mansions
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Mad Max 001: The Shorter Way 09:00 AM 1989 HD 09:00 AM 1985 HD 09:00 AM 2007 HD
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01:30 PM 01:15 PM 1990 HD NOS4A2: Bonus Edition: 01- Two and a Half Men: 01-006: 01:30 PM
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TURN: Washington's Spies: 03-
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007: Judgment 03:10 AM HD
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003: Benediction TURN: Washington's Spies: 03-
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004: Hearts and Minds TURN: Washington's Spies: 03- Zombieland
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Pilots Alarms 05:34 AM 2007 HD Playing The Ponies

06:00 AM Paid Programming Paid Programming Paid Programming Paid Programming Paid Programming Caddyshack Fury 06:00 AM
05:25 AM 1980 HD 05:30 AM 2014 HD
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Sniffling, No Wowing
My Doctor Has a Cow Puppet
08:30 AM Two and a Half Men: 01-023: Lethal Weapon 08:30 AM
Just Like Buffalo 08:30 AM 1987 HD
09:00 AM Three Stooges, The: 069: Three Three Stooges, The: 058: Sock- Aliens vs. Predator: Requiem Three Stooges, The: 64M Footloose Two and a Half Men: 01-024: 09:00 AM
Missing Links A-Bye Baby 09:00 AM 2007 HD Secret Life of Walter Mitty, 09:00 AM 1984 HD Can You Feel My Finger?
09:30 AM Stir Crazy Summer Rental The Two and a Half Men: 02-001: 09:30 AM
09:30 AM 1980 HD 09:30 AM 1985 HD 09:15 AM 2013 HD [P] (This title will be joined in Back Off Mary Poppins
10:00 AM progress) Two and a Half Men: 02-002: 10:00 AM
Enjoy Those Garlic Balls
10:30 AM Major League II Two and a Half Men: 02-003: A 10:30 AM
10:30 AM 1994 HD Bag Full of Jawea
11:00 AM Snitch Two and a Half Men: 02-004: Lethal Weapon 2 11:00 AM
11:00 AM 2013 HD Go Get Mommy's Bra 11:00 AM 1989 HD
11:30 AM Summer Rental Knight and Day Two and a Half Men: 02-005: 11:30 AM
11:30 AM 1985 HD 11:30 AM 2010 HD Footloose Bad News from the Clinic?
12:00 PM 11:45 AM 1984 HD Two and a Half Men: 02-006: 12:00 PM
The Price of Healthy Gums is
12:30 PM Lethal Weapon Marathon 12:30 PM
Lethal Weapon
01:00 PM National Lampoon's European 12:30 PM 1987 HD 01:00 PM
Vacation
01:30 PM National Lampoon's Vacation Star Trek 01:00 PM 1985 HD Lethal Weapon 3 01:30 PM
01:30 PM 1983 HD 01:30 PM 2009 HD 01:30 PM 1992 HD
02:00 PM Man on Fire 02:00 PM
02:00 PM 2004 HD Major League II
02:30 PM 02:15 PM 1994 HD 02:30 PM
03:00 PM National Lampoon's Vacation Lethal Weapon Marathon 03:00 PM

03:00 PM 1983 HD Lethal Weapon 2
03:30 PM Vegas Vacation 03:00 PM 1989 HD 03:30 PM
03:30 PM 1997 HD
04:00 PM Lethal Weapon 4 04:00 PM
04:00 PM 1998 HD
04:30 PM Gladiator 04:30 PM
04:30 PM 2000 HD National Lampoon's Christmas
05:00 PM White House Down Vacation Vegas Vacation 05:00 PM
05:00 PM 2013 HD 04:45 PM 1989 HD 05:00 PM 1997 HD
05:30 PM Knight and Day Lethal Weapon Marathon 05:30 PM
05:30 PM 2010 HD Lethal Weapon 3
06:00 PM 05:30 PM 1992 HD 06:00 PM
06:30 PM 06:30 PM
07:00 PM National Lampoon's Vacation Crazy 80s Independence Day 07:00 PM

07:00 PM 1983 HD Karate Kid, The 07:00 PM 1996 HD
07:30 PM 07:00 PM 1984 HD 07:30 PM
08:00 PM White House Down Gladiator Day After Tomorrow, The Lethal Weapon Marathon 08:00 PM
08:00 PM 2013 HD 08:00 PM 2000 HD 08:00 PM 2004 HD Lethal Weapon 4
08:30 PM 08:00 PM 1998 HD 08:30 PM
09:00 PM Vegas Vacation 09:00 PM

09:00 PM 1997 HD
09:30 PM 09:30 PM
10:00 PM Friday Night In with The NOS4A2: 02-002: Good 10:00 PM

Morgans: 01-010: Episode 10 Father
10:30 PM Day After Tomorrow, The Crazy 80's 10:00 PM HD [P] 10:30 PM
10:30 PM 2004 HD Caddyshack
11:00 PM Man on Fire National Lampoon's European 10:30 PM 1980 HD Line of Duty: 03-002 NOS4A2: 02-002: Good Father 11:00 PM
11:00 PM 2004 HD Vacation 11:00 PM HD [P] 11:07 PM HD
11:30 PM Star Trek 11:00 PM 1985 HD 11:30 PM
11:30 PM 2009 HD
12:00 AM White House Down 12:00 AM
Fury 12:14 AM 2013 HD
12:30 AM Karate Kid, The 12:25 AM 2014 HD 12:30 AM
12:30 AM 1984 HD
01:00 AM NOS4A2: 02-001: Bad Mother National Lampoon's Christmas 01:00 AM
01:00 AM HD Vacation
01:30 AM 01:00 AM 1989 HD 01:30 AM
02:00 AM NOS4A2: 02-001: Bad Mother Halt and Catch Fire: 03-006: 02:00 AM
02:00 AM HD And She Was
02:30 AM Halt and Catch Fire: 03-003: 02:06 AM HD 02:30 AM
Flipping the Switch
03:00 AM Halt and Catch Fire: 03-001: 02:30 AM HD Halt and Catch Fire: 03-007: NOS4A2: 02-002: Good Father 03:00 AM
Valley of the Heart's Delight Threshold, The Halt and Catch Fire: 03-009: Brick Mansions 03:14 AM HD
03:30 AM 03:06 AM HD Halt and Catch Fire: 03-004: 03:08 AM HD NIM Friday Night In with The 03:25 AM 2014 HD 03:30 AM
Rules of Honorable Play 03:15 AM HD Morgans: 01-010: Episode 10
04:00 AM Halt and Catch Fire: 03-002: 03:31 AM HD Halt and Catch Fire: 03-008: Line of Duty: 03-001 04:00 AM
One Way or Another You Are Not Safe Halt and Catch Fire: 03-010: 04:00 AM HD Line of Duty: 03-002
04:30 AM 04:08 AM HD Halt and Catch Fire: 03-005: 04:14 AM HD NeXT 04:21 AM HD 04:30 AM
Yerba Buena 04:19 AM HD
05:00 AM The Three Stooges: 024: From 04:33 AM HD 05:00 AM
Nurse To Worse Three Stooges, The: 062: Caddyshack
05:30 AM The Three Stooges: 025: A Gem Three Stooges, The: 117M: Squareheads Of The Round The Three Stooges: 073: Uncivil 05:25 AM 1980 HD Fury 05:30 AM
Of A Jam Three Stooges, The: 118M Three Stooges, The: 066M: Warriors 05:30 AM 2014 HD Three Stooges, The: 104M

Mon, June 29 Tue, June 30 Wed, July 1 Thu, July 2 Fri, July 3 Sat, July 4 Sun, July 5
06:00 AM Paid Programming Paid Programming Paid Programming Paid Programming Paid Programming Two and a Half Men: 02-007: A NOS4A2: 02-002: Good Father 06:00 AM
Kosher Slaughterhouse Out in Batman Marathon
06:30 AM Two and a Half Men: 02-008: Batman Forever 06:30 AM
Frankenstein and the Horny 06:20 AM 1995 HD
Yes, Monsignor
The Salmon Under My Sweater
Last Chance to See Those
08:30 AM Two and a Half Men: 02-012: A 08:30 AM
Lungful of Alan Batman Marathon
09:00 AM Line of Duty: 03-002 Three Stooges, The: 007: Back Three Stooges, The: 074: Mad Max Three Stooges, The: 079: Ants Two and a Half Men: 02-013: Batman & Robin 09:00 AM
09:00 AM HD To The Woods Violent Is The Word For Curly 09:00 AM 1979 HD In The Pantry Zejdz Zmoich Wlosow (Get Off 08:55 AM 1997 HD
09:30 AM Ocean's Eleven Lethal Weapon Three Stooges, The: 080: Back Two and a Half Men: 02-014: 09:30 AM
09:30 AM 2001 09:30 AM 1987 HD From The Front Those Big Pink Things with
10:00 AM Blackhat Two and a Half Men: 02-015: 10:00 AM
White House Down 10:00 AM 2015 HD Smell the Umbrella Stand
Can You Eat Human Flesh with
11:00 AM Punisher: War Zone Rambo 11:00 AM
11:00 AM 2008 HD 11:00 AM 2008
11:30 AM 11:30 AM
Batman Marathon
12:00 PM Lethal Weapon 2 Batman 12:00 PM
Ocean's Twelve 12:00 PM 1989 HD 11:55 AM 1989 HD
12:30 PM 12:15 PM 2004 HD 12:30 PM
01:00 PM Zombieland Total Recall (2012) Independence Day Marathon 01:00 PM

01:00 PM 2009 HD 01:00 PM 2012 HD Independence Day
01:30 PM Independence Day 01:00 PM 1996 HD 01:30 PM
01:30 PM 1996 HD
02:00 PM 02:00 PM

02:30 PM 1992 HD
03:00 PM Ferris Bueller's Day Off Batman Marathon 03:00 PM
Ocean's Thirteen 03:00 PM 1986 HD Batman Returns
03:30 PM 03:15 PM 2007 Demolition Man 03:00 PM 1992 HD 03:30 PM
03:30 PM 1993 HD
04:00 PM Independence Day Marathon 04:00 PM
Independence Day
04:30 PM Ocean's Eleven 04:00 PM 1996 HD 04:30 PM
04:30 PM 2001
05:00 PM 1998 HD
05:30 PM Major League 05:30 PM
05:30 PM 1989 HD
06:00 PM Lethal Weapon Rambo Marathon Batman Marathon 06:00 PM
06:00 PM 1987 HD First Blood Dark Knight Rises, The
06:30 PM 06:00 PM 1982 HD 06:00 PM 2012 HD 06:30 PM
07:00 PM Independence Day Marathon 07:00 PM

Ocean's Twelve Independence Day
07:30 PM 07:15 PM 2004 HD 07:00 PM 1996 HD 07:30 PM
08:00 PM Major League Demolition Man Rambo Marathon 08:00 PM

08:00 PM 1989 HD 08:00 PM 1993 HD Rambo
08:30 PM Lethal Weapon 2 08:00 PM 2008 08:30 PM
08:30 PM 1989 HD
09:00 PM 09:00 PM
09:30 PM 09:30 PM
10:00 PM Friday Night In with The Independence Day Marathon NOS4A2: 02-003: The Night 10:00 PM
Ocean's Thirteen Morgans: 01-008: Episode 8 Independence Day Road
10:30 PM 10:15 PM 2007 Ferris Bueller's Day Off Total Recall (2012) Rambo Marathon 10:00 PM 1996 HD 10:00 PM HD [P] 10:30 PM
10:30 PM 1986 HD 10:30 PM 2012 HD Rambo: First Blood Part II
11:00 PM Lethal Weapon 3 10:30 PM 1985 HD NOS4A2: 02-003: The Night 11:00 PM
11:00 PM 1992 HD Road
11:30 PM 11:06 PM HD 11:30 PM
12:00 AM Batman 12:00 AM

12:11 AM 1989 HD
12:30 AM Rambo Marathon 12:30 AM
Rambo III
01:00 AM Into the Badlands: 03-001: Enter Preacher: 03-001: Angelville Preacher: 03-005: Coffin, The 12:30 AM 1988 HD X-Men 2 01:00 AM
the Phoenix 01:00 AM HD 01:00 AM HD 01:00 AM 2003 HD
01:30 AM 01:00 AM HD Into the Badlands: 03-005: Carry 01:30 AM
Tiger to Mountain
02:00 AM Into the Badlands: 03-002: 01:30 AM HD Preacher: 03-002: Sonsabitches Preacher: 03-006: Les enfants 02:00 AM
Moon Rises, Raven Seeks 02:00 AM HD du sang
02:30 AM 02:01 AM HD Into the Badlands: 03-006: Black 02:04 AM HD 02:30 AM
Wind Howls
03:00 AM Into the Badlands: 03-003: 02:31 AM HD Preacher: 03-003: Gonna Hurt Preacher: 03-007: Hilter Friday Night In with The Walking Tall 03:00 AM
Leopard Snares Rabbit 03:02 AM HD 03:04 AM HD Morgans: 01-008: Episode 8 03:10 AM 2004 HD
03:30 AM 03:02 AM HD Into the Badlands: 03-007: Preacher: 03-009: Schwanzkopf 03:30 AM
Dragonfly's Last Dance 03:30 AM HD
04:00 AM Into the Badlands: 03-004: Blind 03:32 AM Preacher: 03-004: Tombs, The Preacher: 03-008: Tom/Brady, Three Stooges, The: 150M: 04:00 AM
Cannibal Assassins 04:03 AM HD The NOS4A2: 02-001: Bad Mother
04:30 AM 04:03 AM HD Into the Badlands: 03-008: 04:08 AM HD Preacher: 03-010: Light Above, 04:09 AM HD 04:30 AM
Leopard Catches Cloud The NOS4A2: 02-003: The Night
05:00 AM The Three Stooges: 031: 04:33 AM HD Three Stooges, The: 074: The Three Stooges: 077: Yes, 04:30 AM HD NOS4A2: 02-002: Good Father Road 05:00 AM
Healthy, Wealthy And Dumb Violent Is The Word For Curly We Have No Bonanza 05:14 AM HD 04:55 AM HD
05:30 AM Three Stooges, The: 032: Three Stooges, The: 034: Hold The Three Stooges: 076: We The Three Stooges: 078: The 05:30 AM
Heavenly Daze That Lion Want Our Mummy Yoke's On Me Three Stooges, The: 117M

Mon, July 6 Tue, July 7 Wed, July 8 Thu, July 9 Fri, July 10 Sat, July 11 Sun, July 12
06:00 AM Paid Programming Paid Programming Paid Programming Paid Programming Paid Programming Young Guns Dances With Wolves 06:00 AM
04:30 AM 1988 HD 06:00 AM 1990 HD
06:30 AM 06:30 AM
07:00 AM Road House 07:00 AM

07:00 AM 1989 HD
07:30 AM 07:30 AM
08:00 AM 08:00 AM
08:30 AM 08:30 AM
09:00 AM Punisher: War Zone Three Stooges, The: 082: Crime Erin Brockovich Better Call Saul: Bonus Marauders 09:00 AM
09:00 AM 2008 HD On Their Hands 09:00 AM 2000 HD Edition 05-001: Magic Man 09:00 AM 2016
09:30 AM (This title will be joined in Three Stooges, The: 087: Gents 09:00 AM HD [P] Two and a Half Men: 02-017: 09:30 AM
progress) Without Cents (This title will be joined in (This title will be joined in Woo-hoo, a Hernia Exam!
10:00 AM Inception progress) progress) Two and a Half Men: 02-018: Braveheart 10:00 AM
Batman Returns 10:00 AM 2010 HD Better Call Saul: Bonus It Was 'Mame,' Mom 10:00 AM 1995 HD
10:30 AM 10:15 AM 1992 HD Edition 05-002: 50% Off Two and a Half Men: 02-019: 10:30 AM
10:16 AM HD [P] A Low Guttural Tongue-
11:00 AM Two and a Half Men: 02-020: I 11:00 AM
Better Call Saul: Bonus Few Good Men, A Always Wanted a Shaved
11:30 AM Christine Edition 05-003: The Guy For 11:15 AM 1992 HD Two and a Half Men: 02-021: 11:30 AM
11:30 AM 1983 HD This A Sympathetic Crotch to Cry
12:00 PM 11:20 AM HD [P] Two and a Half Men: 02-022: 12:00 PM
That Old Hose Bag Is My
12:30 PM Better Call Saul: Bonus Two and a Half Men: 02-023: 12:30 PM
Edition 05-004: Namaste Squab, Squab, Squab, Squab,
01:00 PM Erin Brockovich 12:35 PM HD [P] Two and a Half Men: 02-024: 01:00 PM
Dark Knight Rises, The 01:00 PM 2000 HD Does This Smell Funny to
01:30 PM 01:15 PM 2012 HD The Silence of the Lambs Two and a Half Men: 03-001: 01:30 PM
01:30 PM 1991 HD Better Call Saul: Bonus Weekend in Bangkok with Two
02:00 PM Edition 05-005: Dedicado a Two and a Half Men: 03-002: Clear and Present Danger 02:00 PM
Max Escape Plan Principal Gallagher's Lesbian 02:00 PM 1994 HD
02:30 PM 01:40 PM HD [P] 02:15 PM 2013 HD Jack Ryan Marathon 02:30 PM
The Hunt for Red October
03:00 PM Better Call Saul: Bonus 02:30 PM 1990 HD 03:00 PM
Edition 05-006: Wexler v.
03:30 PM Goodman 03:30 PM
02:50 PM HD [P]
04:00 PM Dances With Wolves The Green Mile Better Call Saul: Bonus 04:00 PM
04:00 PM 1990 HD 04:00 PM 1999 HD Edition 05-007: JMM
04:30 PM 04:00 PM HD [P] 04:30 PM
Point Break (1991)
05:00 PM 04:45 PM 1991 HD Jack Ryan: Shadow Recruit 05:00 PM
Godzilla (2014) Better Call Saul: Bonus 05:00 PM 2014 HD
05:30 PM 05:15 PM 2014 HD [P] Edition 05-008: Bagman Jack Ryan Marathon 05:30 PM
05:07 PM HD [P] Clear and Present Danger
06:00 PM 05:30 PM 1994 HD 06:00 PM
06:30 PM Better Call Saul: Bonus 06:30 PM

Edition 05-009: Bad Choice
07:00 PM Road 07:00 PM
06:22 PM HD [P]
07:30 PM Crazy 80s I Am Number Four 07:30 PM
Better Call Saul: Bonus Road House 07:30 PM 2011 HD
08:00 PM Wakefield The Green Mile Rambo Edition 05-010: Something 07:30 PM 1989 HD 08:00 PM
08:00 PM 2016 HD [P] 08:00 PM 1999 HD 08:00 PM 2008 Unforgivable
08:30 PM 07:48 PM HD [P] Jack Ryan Marathon 08:30 PM
AMC Premiere Event
09:00 PM Jack Ryan: Shadow Recruit 09:00 PM
Point Break (1991) 08:30 PM 2014 HD [P]
09:30 PM 09:15 PM 1991 HD 09:30 PM
10:00 PM First Blood Friday Night In with The NOS4A2: 02-004: The Lake 10:00 PM
10:00 PM 1982 HD Morgans: 01-011: Episode 11 House
10:30 PM Godzilla (2014) Crazy 80s 10:00 PM HD [P] 10:30 PM
10:30 PM 2014 HD Young Guns
11:00 PM 10:30 PM 1988 HD Line of Duty: 03-003 NOS4A2: 02-004: The Lake 11:00 PM
11:00 PM [P] House
11:30 PM 11:06 PM HD 11:30 PM
12:00 AM The Silence of the Lambs Hunted, The Escape Plan I Am Number Four 12:00 AM
12:00 AM 1991 HD 12:00 AM 2003 HD 12:00 AM 2013 HD The Hunt for Red October 12:11 AM 2011 HD
12:30 AM 12:25 AM 1990 HD 12:30 AM

Preacher: 04-001: Masada 01:00 AM 1992 HD
01:30 AM 01:15 AM HD 01:30 AM
02:00 AM Preacher: 04-008: Fear of the 02:00 AM

Preacher: 04-002: Last Supper Lord
02:30 AM 02:15 AM HD Preacher: 04-005: Bleak City 02:00 AM HD Marauders Warriors, The 02:30 AM
02:30 AM HD 02:30 AM 2016 [P] 02:41 AM 1979 HD
03:00 AM Preacher: 04-009: Overture 03:00 AM
Preacher: 04-003: Deviant 03:00 AM HD
03:30 AM 03:15 AM HD Preacher: 04-006: The Lost NOS4A2: 02-003: The Night 03:30 AM
Apostle Road
04:00 AM 03:33 AM HD Preacher: 04-010: End of the Friday Night In with The 03:30 AM HD 04:00 AM
Preacher: 04-004: Search and World Morgans: 01-011: Episode 11
04:30 AM Rescue Preacher: 04-007: Messiahs 04:05 AM HD Young Guns Line of Duty: 03-003 NOS4A2: 02-004: The Lake 04:30 AM
04:16 AM HD 04:33 AM HD 04:30 AM 1988 HD 04:35 AM House
05:00 AM Three Stooges, The: 098: 04:41 AM HD 05:00 AM
Three Stooges, The: 082: Crime Three Stooges, The: 088: Grips, Monkey Businessmen
05:30 AM On Their Hands Three Stooges, The: 089: Grunts And Groans Three Stooges, The: 018: Dizzy 05:30 AM
Three Stooges, The: 173M Higher Than A Kite Three Stooges, The: 190M: Up Doctors The Three Stooges: 8M & 9M:
EXHIBIT G
TNT (US) | Network Economics Page 1 of 2
TNT (US) | Network Economics
Periods : Eight Years

2017Y 2018Y 2019Y 2020Y 2021Y 2022Y 2023Y 2024Y
Subscribers 90.4 89.6 86.8 79.5 72.5 66.5 61.9 58.1
(M)
Average 90.7 90.0 88.2 83.2 76.0 69.5 64.2 60.0

Subscribers
(M)
Affiliate 2.12 2.38 2.57 2.20 2.92 3.09 3.28 3.47

Revenue per
Avg Sub/
Month ($)
Gross 1,264,330 1,202,355 1,091,732 744,518 935,670 929,358 874,477 832,872

Advertising
Revenue
($000)
Net 1,074,681 1,022,002 927,972 632,840 795,320 789,954 743,306 707,941

Advertising
Revenue
($000)
Affiliate 2,303,499 2,570,540 2,721,206 2,196,834 2,660,467 2,578,067 2,522,936 2,499,092

Revenue
($000)
Other 37,915 40,380 42,803 45,371 48,093 50,979 54,037 57,280

Operating
Revenue
($000)
Operating 3,416,095 3,632,922 3,691,981 2,875,045 3,503,880 3,419,000 3,320,279 3,264,312

Revenue, Net
($000)
Operating 218,130 221,947 217,508 206,633 196,301 186,486 177,162 168,304

SG&A
Expense
($000)
Total 1,666,059 1,781,017 1,681,017 1,335,638 1,642,516 1,609,666 1,577,472 1,545,923

Programming
Expense
($000)
Total 1,884,189 2,002,965 1,898,526 1,542,271 1,838,817 1,796,152 1,754,634 1,714,227

Operating
Expenses
($000)
Cash Flow 1,531,905 1,629,957 1,793,455 1,332,775 1,665,062 1,622,848 1,565,645 1,550,086
($000)
Cash Flow 44.84 44.87 48.58 46.36 47.52 47.47 47.15 47.49
Margin (%)
Average 24 0.56 0.52 0.46

Hour Rating
Average Prime 0.94 0.96 0.84

Time Rating
https://platform.marketintelligence.spglobal.com/SNL.Services.Export.Service/v2/Export/... 7/27/2020
TNT (US) | Network Economics Page 2 of 2
2017Y 2018Y 2019Y 2020Y 2021Y 2022Y 2023Y 2024Y
Average 24 505.0 470.0 404.0

Hour TVHH
Delivery (000)
Average Prime 852.0 866.0 742.0

Time TVHH
Delivery (000)
Operator or 4 4 4
Local Avails 30
per Hour
Network Avails 22 22 22
30 per Hour
30 Sec Avails 26 26 26
per Hour
Operator or 35,040 35,040 35,040

Local Avails 30
per Year
Natl 30 Sec 193,614 188,773 188,773

Avails per
Year
30 Sec Avails 228,654 223,813 223,813

per Year
Calculated 12.93 13.55 14.32

CPM ($)
Calculated 12.50 4.80 5.63

CPM Growth
(%)
Beginning in 2017, network economics methodology accounts for subscribers and revenue from virtual multichannel
services.
European broadcast network Subscriber values represent network reach.
© 2020 Kagan, a division of S&P Global Market Intelligence, estimates. All rights reserved.
This report and the financial metrics herein are estimates and projections prepared by Kagan, with portions based upon
data obtained from The Nielsen Company. The information contained in this report was obtained from various sources
which we believe to be reliable, but we do not guarantee its accuracy or completeness. Opinions and projections
contained in this report are the opinions and conclusions of Kagan based upon the data available to it and are not
intended to be statements of fact. The information, opinions and projections contained in this report speak only as of the
date of this report and are subject to change without notice.
Portions of data are © 2020 The Nielsen Company. The information contained herein is the copyrighted property of
Nielsen Media Research, Inc. Unauthorized use of this copyrighted material is expressly prohibited. All Rights Reserved.
Site content and design Copyright © 2020, S&P Global

Usage of this product is governed by the SNL Master Subscription Agreement or separate S&P Agreement, as applicable.
S&P Global, 55 Water Street, New York, NY 10041
Licensed to ajbryant@mintz.com
https://platform.marketintelligence.spglobal.com/SNL.Services.Export.Service/v2/Export/... 7/27/2020
EXHIBIT H
REDACTED
EXHIBIT I
REDACTED
EXHIBIT J
8/1/2020 Schedule | TNTdrama.com
SCHEDULE EASTERN
SATURDAY, AUGUST 1
+ Show Earlier Times
5:30 PM The Town
8:00 PM The Commuter
10:15 PM Star Trek
SUNDAY, AUGUST 2
1:00 AM The Commuter
3:00 AM NCIS: New Orleans

S4|E17: Treasure Hunt

S4|E18: Welcome To The Jungle

S4|E19: High Stakes

S3|E21: Krewe

S3|E22: Knockout

S3|E23: Down The Rabbit Hole

S3|E24: Poetic Justice
S4|E1: Rogue Nation
S4|E2: #1 Fan
12:00 PM Star Trek
2:45 PM Captain America: Civil War
5:45 PM Avengers: Infinity War
9:00 PM By using this site, you agree to TNT’s Terms of Use and Privacy Policy.
The Alienist: Angel Of Darkness ×
https://www.tntdrama.com/schedule S2|E5: Belly Of The Beast 1/14
S2|E5: Belly Of- The
REDACTED FORBeast
PUBLIC INSPECTION
10:02 PM The Alienist: Angel Of Darkness
S2|E6: Memento Mori
11:02 PM The Alienist: Angel Of Darkness

S2|E5: Belly Of The Beast
MONDAY, AUGUST 3
12:04 AM The Alienist: Angel Of Darkness

S2|E6: Memento Mori
1:04 AM Charmed
S6|E15: I Dream Of Phoebe
2:04 AM Charmed
S6|E16: The Courtship Of Wyatt's Father
3:04 AM Charmed
S6|E17: Hyde School Reunion
4:00 AM Charmed
S6|E18: Spin City
5:00 AM Charmed
S6|E19: Crimes And Witch-Demeanors
6:00 AM Charmed
S6|E20: A Wrong Day's Journey Into Right
7:00 AM Charmed
S6|E21: Witch Wars
8:00 AM Charmed
S6|E22: It's A Bad, Bad, Bad, Bad World, Part 1
9:00 AM Charmed
S6|E23: It's A Bad, Bad, Bad, Bad World, Part 2
10:00 AM
Supernatural
S10|E13: Halt & Catch Fire
11:00 AM
Supernatural
S10|E14: The Executioner's Song
12:00 PM
Supernatural
S10|E15: The Things They Carried
1:00 PM
Supernatural
S10|E16: Paint It Black
2:00 PM Pirates Of The Caribbean: Dead Men T

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×
https://www.tntdrama.com/schedule 2/14
4:45 PM REDACTED - FOR PUBLIC INSPECTION
Avengers: Infinity War
8:00 PM San Andreas
10:30 PM
The Longest Yard
TUESDAY, AUGUST 4
1:00 AM Bones
S11|E10: The Doom In The Boom
2:00 AM Bones
S11|E11: The Death In The Defense
3:00 AM Bones
S11|E12: The Murder Of The Meninist
4:00 AM Bones
S11|E13: The Monster In The Closet
5:00 AM Bones
S11|E14: The Last Shot At A Second Chance
6:00 AM Charmed
S7|E1: A Call To Arms
7:00 AM Charmed
S7|E2: The Bare Witch Project
8:00 AM Charmed
S7|E3: Cheaper By The Coven
9:00 AM Charmed
S7|E4: Charrrmed!
10:00 AM
Supernatural
S10|E17: Inside Man
11:00 AM
Supernatural
S10|E18: Book Of The Damned
12:00 PM
Supernatural
S10|E19: The Werther Project
1:00 PM
Supernatural
S10|E20: Angel Heart
2:00 PM
Supernatural
S10|E21: Dark Dynasty
3:00 PM
Supernatural
S10|E22: The Prisoner
4:00 PM By using this site, you agree to TNT’s Terms of Use and
The Longest Yard
Privacy Policy. ×
6:30 PM NBA On TNT 19-20
Boston Celtics @ Miami Heat

Houston Rockets @ Portland Trail Blazers

Inside The NBA
WEDNESDAY, AUGUST 5
12:30 AM NBA On TNT 19-20

Boston Celtics @ Miami Heat
S4|E20: Powder Keg
S4|E21: Mind Games
S4|E22: The Assassination Of Dwayne Pride
6:00 AM Charmed
S7|E5: Styx Feet Under
7:00 AM Charmed
S7|E6: Once In A Blue Moon
8:00 AM Charmed
S7|E7: Someone To Witch Over Me
9:00 AM Charmed
S7|E8: Charmed Noir
10:00 AM
Supernatural
S10|E23: Brother's Keeper
11:00 AM
Supernatural
S11|E1: Out Of The Darkness, Into The Fire
12:00 PM
Supernatural
S11|E2: Form And Void
1:00 PM
Supernatural
S11|E3: The Bad Seed
2:00 PM
Supernatural
S11|E4: Baby
3:00 PM 2 Guns
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AMC V ATT

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AMC V ATT

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REDACTED - FOR PUBLIC INSPECTION

TO: Chief, Media Bureau

PROGRAM CARRIAGE COMPLAINT OF AMC NETWORKS INC.

Counsel to AMC Networks Inc.

E. Defendants’ Proposed Findings of Fact and Conclusions of Law, United States. v.

F. AMC Weekly Programming Schedule (3/30/20-4/5/20 through 7/6/20-7/12/20)

J. TNT Programming Schedule (8/1/20 through 8/14/20)

TO: Chief, Media Bureau

PROGRAM CARRIAGE COMPLAINT OF AMC NETWORKS INC.

programming industry have resulted in numerous multichannel video programming distributors

Networks Inc. (“AMCN”) is one of the few remaining independent programmers.

2. AMCN’s flagship network, AMC (“AMC”), is among the most successful

increasing number of online platforms.

4. AT&T is engaging in this discriminatory conduct even though it repeatedly

online platforms, or programming networks. Now, however, AT&T is attempting to do exactly

5. Specifically, AT&T has presented AMCN with an offer that is clearly

}}. Either result would have a severe impact on

is widely distributed and compensated fairly.

carriage rules are designed to prevent.

as a result of the AT&T-Time Warner merger to unlawfully disadvantage a programming

nondiscriminatory rates, terms and conditions, including barring imposition of the {{

}}, and order AT&T to pay a monetary forfeiture penalty to the

Commission for its violation of the program carriage rules.

11. AMCN is a “video programming vendor” engaged in producing, creating and

New York, NY 10001, and its telephone number is (212) 324-8500.

video programming as defined in 47 C.F.R. § 76.1300(d).9/ In particular, AT&T distributes video

AT&T refers to as an “Internet Protocol TV MVPD”)11/ to approximately 20 million subscribers.12/

to and competes with AMC and AMC+).14/

4. AT&T’s Public Assurances During the Civil Antitrust Litigation

tested here. Among other statements, AT&T represented:

[A]s a vertically merged company, Time Warner, Turner, AT&T,

able to offer its programming networks more broadly in order to compete.20/

17. Now, however, AT&T is seeking to impose the {{ }}

importance of programming networks having access to all of these options:

5. AT&T’s Discriminatory Conduct

broadly distributed with penetration of {{ }} to all MVPD subscribers; each MVPD

(11 Emmy nominations, and 1 Emmy award).27/

Gun and Mad Max.28/

22. As of December 31, 2019, AMC reached {{ }} million subscribers.

23. AMC+ is a newly-launched, ad-free, premium linear programming network that is

negotiations to launch AMC+ on a number of other MVPDs and online distributors.

approximately 43 million subscribers.35/

25. Similar to AMC, TNT is a broadly-distributed ad-supported linear programming

December 31, 2019, TNT reached nearly 87 million subscribers.37/

ii. Competition for and the Cost of Content Is Increasing

and sporting events.39/

for a programming network, and these costs are increasing.

29. In order to be able to successfully meet these challenges, it is essential that

iii. Significance of Distribution Over Online Video Services and Platforms

numbers.42/ Indeed, as an article in Variety.com reported at the end of 2019:

is leading the way for everybody.”44/

showed that residential MVPD subscribers were down by {{ }} in

broadcast season 2019/20 compared to the 2015/16 season.45/ By contrast, subscribership to

Amazon Prime Video was up by {{ }} and Netflix subscribership had increased {{

54 demographic, reaching a penetration of {{ }} of people in this demographic in 2019,

compared to {{ }} in 2015.47/ And SVOD penetration grew to {{ }} in 2019 among all

households, compared to {{ }} in 2015.48/

}} is inconsistent with current industry practices, including its own

practices with respect to its own networks.

iv. Carriage Negotiations with AT&T

33. Given the importance of AT&T distribution to AMCN’s financial well-being,

a carriage proposal to AT&T on {{ }}.

departure from prior carriage terms, the proposal contained {{