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George L.

Cobb
~~~~~~
~~~ ~~~
~~~~
Piano Music
~~~~~~~~
Across The Hot Sands
March

George L. Cobb
 
Tempo di Marcia
             
1921

         
 


f   
Piano             fz

f
           
 

     
    
5
     
                   
  
   
mf
   
   
             
    

        
       
9

   
  
 
 

   

         
              

    
             
13

           


   

        
   
f mf

        

    

                   
17
    
1. 2.

                 


   

              
ff ffz f

         

 
Transcription by Tony Wilkinson 2016.
2
22
                           
                       
 
ff
     
        

            
          


    

 
                        
28
   
    
              

      


 
  
ffz
 
                
     
        
    
             2.
            
34

  
1.

       

          
ffz
 
             
          

39
  
              
           
 
       
 
        
mf
io

                 
2nd time ff
Tr

        
     
44
               
  
  
      
                                  

     
 
 
                  
           

50
      
 
           
     
  
      
    
           
   

        
     
     
3
56
   
                    
               
    
 
                    
    
    
                     
61


            
                         
  

              
       
 
66
    
 
           
              
 
   
 


 
         
Fine
     
       
     

   


71
   

       
f Drum and Fife

          
                        

          
77

        

          
                       

            

82 
         

  
ff
        
                       
 D.S.
Aggravation Rag

George L. Cobb
1910
   
Not too fast

                    
     
        
   
f ff

Piano
   
  
 

               
4

    
  

   
mf
 
ffz
   
      
  
  
     

   
7

                 
    
    
      
 
      
 

          
10

               

      


       
 
   
ffz
   
f
   
   

                  
   
14

         

   
  
            
  
    
     
  
Transcription by Tony Wilkinson 2015.
2

     
18

  
1. 2.

      
                
 ffz 

                     
    
   

             
     
22

            
      
 
ff

       
       
       

          
            
25

     

    
   
       
   
    

     

                 
28

 
    
        
  
     

                  
    
31

             
      
          
  
      
              
3

       


            
35 1. 2.

 

    
 
       
   
     

39
    

                
 
         
mf

          
       
 

     
43

              

       

       
    

ffz f
    
   
   



             
   
47

         

     

  
            
     
      
    

         
51

    
               
 
    
ffz
                
      
 

4

              
55

                       
        
 ffz
f
   mf

io

   
Tr

   


            
59

        
2nd time 8va.
      

2nd time f
      
      
       

      
62

                    
   
    
       


                     
65

        

    
  
     
     
 
 
68

                          


 
        
       
       


                      
72 1. 2.

            

 f ffz
      
            
    
Alhambra
One-Step

George L. Cobb

        
1919

             
  
 

        


     
ff
  
Piano

        
      

 
5

      
   
  
         
 
              
 f 
            
       
   
10

                  
     
          
     
    

            
    
  
15

                   
 
   
           
ff
   
cresc.
    
      
    
20 1.  2.

          
   
     
           
 
ffz
              
   
     
Transcription by Tony Wilkinson 2016.
2

          
23

                    


     
mf–ff
       
        
  
       
27

                        


                   

       
     
   
     

32

                        


     
    
           
       
       
       
37

                       


 
               
      
  
 
42

                        


         
      
      
       
  
47

                         


                    
     
        
       

52

                        
1. 2.


                      
f ffz
               
   
     
  
3
55
 
                     
         


          
 
               
f

          
    
 
                    
61

              


  
                   
mf ff
                  
      
             
67

                           


  
ff
         
          
    
   
73

                             


             

         
 
        
      
 
    
79

                            


      
                 
           
    
 
86

                             


                      
        
       
         

92
 
                               


                           
ffz
              
      
        
Almond Eyes
Fox-Trot

George L. Cobb

        
1921

         
         
         



f  
Piano
 
ff
    
   

 
5

                        


   
     


    
mf
   
      
     
  
     
11

          
            
                     


  
  
 
           
  

16
               
                        
          

      


  

   

      

f




21

                       
            

  

p–ff
    

 
  
 
  
 
  
 
  









    

26

           
              


        

       
                  





     
Transcription by Tony Wilkinson 2016.
2

         
31

                  

          


     

                    
      
   

36

               


        
      


   
   
 
  
 
  
 
  
 
  







    
      
41

                          


             
 
                       
       





       
47

                 
1.

 
     

        

 

         


  
  
 






    
        
53

              


2.

        

        
  
ffz



f      



   
               
58

    
            


 

  
     
   



  
63

          
     
     


    
mf
 
 
          
     
3


68

                
            


 

f ff
 
           
        




        

73

             
               


  

        
            
   

 









    

78

            
                       


       
                     
   


     
 
83

     
          

            
 




                
           
  
        
88

       
                    


  
                   
     










   
  
93

         
                        


 
              
        
 

     
98

      
        

  


    
    
ffz

       
      


 
Full Score
Asia Minor
Fox-Trot

George L. Cobb
1921

        
  

 


       

Piano mf mf
  
              
     

7

      

 


  
 
 
 

   
    
              

       
    
 
13

   

  
 
  
 


  


 
 
 
  
                     
   
       
 
19

   



 

   
 
  


 
  
f mf  
       
                          


25

    
 
  




 
 
 
  

 
 
      
           
  

31

         

  
    
  


 
  
 
                   
f

    
Transcription by Tony Wilkinson 2016.
2

   
37

  
     
   
      
  
     
    

 p–f

    
             
     
    
   

42

                       
                        



           
           
   
            
47

    
                   


 

            
     
      
  
  
52

                       


     
                    
       
  

57

                         


                 
                  
     
   
 
62

                          


      
             
                
   
  
67

                      
  
1. 2.


   

mf fz
            
      

3


71

       
  

 


       

mf mf
  
             
     

77

      
 


   
 
 
 

   
      
          
             
  
 
83

   

 
 
 
  
 





 
  
 
  
                       
    
 
 
89

   

 


 
  
 


 
  
f mf

      
                        

94

    
 


 
   
 
 

  
 
                           
   

99

   

  
 
 
 


 
 
 
 

poco a poco dim. p
     
               
    
  

104

      




 
 
 
 
 Morendo    fz
 
pp ppp

                
     
Barbary
Valse Algerienne
George L. Cobb

  
Intro. 1915

   
Andante

       

   

          
             
Piano mf poco rit.

   

 Valse   
5
       

            
 
 
         
  
   
ff
       
      
 
  

10
         
 
     
       
     
   
  
      
     
    
 
  
    
15

              
     

  
      
        
mf
   
  

       
21

        
          
            

        
       

Transcription by Tony Wilkinson 2016.
2
27
       
              
       
   
     
ff
  

    
       
   


1.
 
2.

 
      
32

         
         
   
mf
         
         
   
 

38
 
             

              


           
   
 

   
44

    
           

 
f     
      
     
 



49

    
1. 2.
  
  
             
      
mf

   
         
   
D.S. al 
then Trio
    3

         
55

            
   
  
      
mf
io

2nd time f

           
Tr

   
  


61

      
         
  

    
     

       
   
    


66

            
   
       
     
     
  
    

   
        
71

        
           

         
             
   
  
77
 

            
   


          
          

           
 
   
    


83 1. 2.

             
 
    

        

   
f
   
 

          
   
Blue Sunshine
Waltz

George L. Cobb
Valse Moderato 1917
           
                    
 
       
  


Piano mf
            
      

7
     
                 



     

    

       
cresc.
            
  



           
13

         
   
                

f mf
         
   


          
19

                           

       
   

  

cresc.
          
      
 




                     
    
26

                 
 
 
 
f
 mf
 
       
          
     
Transcription by Tony Wilkinson 2016.
2
33
                
      
         
                                  

     

      
 
  
  
f cresc. ff

      
            
        


                              
39
 
       
 
                          
 
 

      
f cresc.
        
       
      
 
    
     1.     
   
45
          
                    
2.


  
ff
  
               
          
   

   

    
49

                    
         
         
  
mf
           
     

 
                   
55

         

  
            
cresc. f
  
 
          
 

  
62

                             
    
         
mf
      
      

3

                   


68

          
        
 
cresc.

        
       




   
                  

75
   
           
 
  
 

f
 mf
 
         
         
    

81

        
   
 
             
      
  
p–ff
    
       
     

87
       
    
               
  
 
      

  
   
      

   
   


 
94
       
      
                       



  
      
     
  
  

101

              
           
             
    
       
  
 
 
 
 
  
4

     
108 1. 2.

                       


       f      

                
   
     

          
113

                    
 
      
  

mf
 
           
    


         
119

                   
              
cresc.
            
  


125
        
                     
  
            


f mf
         
   


   
131

                         


 
               

cresc.
          
     
  



                     
138

                    
 
  
 
f
 mf
 
     
    
        
     
Bohunkus
Novelty One-Step

George L. Cobb
1920

                  
       
               
Piano ff
     
        
   
 
    
5
  
                 
      
 
 
     
mf
      
   
    
9
  
    
    
 
       
       
    
      
     
       
 
 
   
13

              


              
 

     
f
        
   
    


18 1. 2.

               

   
  
       

 
  
  
ff
           
    
     
Transcription by Tony Wilkinson 2016.
     
2

  
22
  
                    

         
               

           
26
 
      
  
   
  
   
    
           
f

             
       
31

                        
1. 2.

         
  
ff
      
    
  
 
      
35

             
         
            
  
 

     
mf
    
         
         
 
41
            
      
                     
  
   
      
    
  
      
         
 
46
  
       
  
                  
      f 
        
  
fz
               
      
    
3

   
51
 
                              
      
mf–ff
io

       
Tr

           

      
57

          
        
              
     
              
      

  
63

                         
                 

      
        

    
69

                         

         
       
          
 


75
      
               
    
p (both times) mf–ff
                 
     
80
  
  
                         
1. 2.

 
                   
f ffz
 
        

Brass Buttons
March and Two-Step
George L. Cobb
1915

        
              
    
f
     ffz
           
Piano
   
    

5
    
           
          

  
  
mf
                   
     
  

      
9

            
              

                  
     

13
     
     
     
           
   

              


 
  
   

      
17

      
1. 2.

                
  
   
     
f ff ffz f 
            
  

    
 
     Octaves ad lib.
Transcription by Tony Wilkinson 2016.
2

                
22
           
             

 
             
    

    
  

                  


26

                      

      
        
    
  
   
 

 
30
                   
                  
      

            
    
cresc. ff
         
        

       


 
35

1. 2.

         

   

    
      
f  ffz
    
            
 

   

      
                              
              
mf            

                  

 
44

                           
  
  
         
            
 
                
     
 
3

                            


49

         
                  
        
             
                
   

       
55

           
   
              
           
   
            


 
  

              
      

 
61

                  
                       
            
 
      
 
   
    
 
66
    
 
      
                       

     
 
                   
 
     
  
          
71

            


 
 
     
   
f ff f ff

         
           
     
      
   
 
77

      
     
 
       
    
D.S. al 

     f       
R.H.
 
mf
                      
      
   
Broken China
Oriental Novelty

George L. Cobb

 
Moderato
 1922

   


   
   
  
 
      
Piano

  
ff 






  
         
 
f


  
mf


     
7

  
     


 
 
 
  
  


  

   

 

12 

  


  


 

  

                      


  


  
f mf
      
    
     
           


17
     
                   


     fz
ff      
f
  
mf
   
                  
       
23
     
                           

  
                      

  


   

 
  

 


   


  
 
 

  


                                    
30 

                 

  

  

   
     
  
   
 
Transcription by Tony Wilkinson 2016.

    f
   
 
 
2
37

                   



     

 

  

43

mf


 
 
 

 



  

  
  

      
    
            


  
 
             


f mf
       
       
   
 
  
48


    

 
 
        
            
     

 f mf
  fz
                
  
      
 
53

                    


       
       
mf–ff
io


Tr

   
    
 
57

                        


           
         
     

     
62

  
                        


             
        
      

 
67

                 


     
      


 

           
    
       
3


72

                       


  
            
    
         
     

77

                          


         
           
   
    
82
  
1.
        2.  
 
              
   
         


 
         ffz
   
f
            
   
87
    
            
   
 
 
   



92
mf


  


  
  



 


    
 


  
 
  

                

            



97

       
f





mf

  
   

                   

     

 f mf
 

                 
     
 
      
102

      

                 


      
  
p
     ffz  ffz
           
Silent

    
Buds and Blossoms
Waltz
George L. Cobb
Intro. 1915

   
         
Andante
   
          


    
Piano p      rit.
         
 
5

               
Waltz

        


     
mf

   
  
   

      
    

 

 

11
 
                            


            

                 
     
 
18
      
         
         


     
  
   
     
        
  
24

                               


             
   
   

  
  
   

 
   
              
31

     


  
f
       
             
    
    
Transcription by Tony Wilkinson 2016.
                      
2 38

  

   
mf


       
 

   ff


 
 

     

mf
   
  

  
43

      

49
 
    

 


 

         

 
 

1.

  

      2.
ff
 
  

      


D.C. Waltz al 
mf
      

then Trio

        
  

55

                                     


          
p
                           
io

2nd time f
Tr

       
         
64


    
     
                
    


               
                
        
  
           
73
 
                                  


     

f– ff
                    
     
   

81
                1.   2.
                           


  
     
          
          
      
  
Buffalo Means Business
March Two-Step


George L. Cobb

    
1909
  
Moderato

       
   
 
  
Piano f fz
             
     

     

   
5

              
mf
      
            
   
  

                
9


         
      
               
 

   
13


            
       
         
   
  


       
17
 
1. 2.

                        


       
                    
  

Transcription by Tony Wilkinson 2016.
2

                     
22
   
            
   
f– ff
      
              
  
         

     
      
28

                  
 
  
                 
           

              
33

        
1. 2.

      
       
               
    
      
   
39
        
              
mf
        
     
 
    


        

             


44

          
        
        
 

 
        

  
49

                  
       
           
              
         
   

3


55

   
         
 
         
   
       
p– f
 
io


Tr

           
 
 
  
59

                        

       


       
 


63

   
         
 
         
   
          
          
 
 

67
 
1. 2.
                             

      
        
     
  
   


             

                
72

           
      
  
ff
     
       
      
 
             
 
       
76
 

     
          
  
     
         
 
         
 
         
4
80
  
                   
           
      
            
    
     

          
                
84

        
  
          
      
   
      


          
88


          
   
f
   
fz mf 
 
              
  
        

94
        
                
        
              
  
99
           
          
        
         
       
   

  
104

           
           
         
                 
      

Bunny Hug Rag
Two Step
George L. Cobb


1913
  Moderato  
                  


             
f
 
Piano sfz
  
 
  


          
5

 
                  
 
   
             
mp

   


  
   

  
           
9

             


       
    
 
           

    
   
     


         
13

 
                 

          
mf
   
              
     

    
              
17
          
1. 2.

               





  
                     
             



Transcription by Tony Wilkinson 2016.


  
2

                    


22
  
      
    
 

                 


f
 
     
  

         


26

             


         
              
  
         
    
30
           
                     

   
               
    
      
  
        
                    
34
      
1. 2.

          


 
     
                    
              
  

     
39

                     



   
            
mp

    
      

  
           
43

       
             
 

 
         

 
    
          

3
47
       
        
                

              
mf

            
   
  
            
51


                         
 
    
 
 
                 
sfz

        


   
      
55


            
     
mf      
          
mf
io

         
Tr

      
  
 

60

                           


       
  
       
     
 
     

     
65

                         


     
     
            
  
       

 
70
 
                       
   
       
sfz
    
       
   

4

           
75

       
          
f
 
mf
    
f
     
 
                

               
80

           
 
   
ff
   
          
mf

     

Slower   
    
85
         


             

ff  
         
sfz

   
 
    
   
 



                              
89


       
   

 

  
 
   

                   
93
                     
  
       
  
 
       
 

 

      

98
                                
 

         sffz
              
      
 

Burglar Blues
Eccentrique Fox-Trot

George L. Cobb


1922

                 
            
     
Piano f
      
  

  
 
        
5

    


3

     
3

        
   
             

3
       3      


9

                              
 
          
mf
               
      


14

                          
   

      
               
 

19

                                


         

               


  

   
 
  
 
24

                                 


       

fz p f
        
    
   
Transcription by Tony Wilkinson 2016.
2
29
    
                                

   
p–ff
    
             
     


33

    
 
         
                     

            
    
     
  
             
37

                            


                 

           
    
  
                 
41


        
                
      

  
     

 
   

           
45
              
             

          
         
     


49

   
 
           
                  
  
        
                 

   
  

53

                              
       

             
       
     
  2.     
3

                         
 
58 1.

 
             
 

                
fz
        
     
  

61

         
     
  
  
         

     
p 3

         
 
                    
65 3

             


  
 
  

  
mf
 
 
     


70

                              


                     

                
      


75

                       
       
   
  
                   

                
80

                 
       

             


fz
    
    


   

85

                       
        
p
    
f
     
   
  
D.S. al 
Calcutta
Oriental Fox-Trot
George L. Cobb
1918

          
             
       
 
Piano f mf–f
           
 
 
 
  

                   
4

  
     
     
      
     

      
    
7





      
   

    
      
     
     

           
10

     


  

       


    
     
     
13
      
       
            

     
      
     

      
16

        
         
  
     
        

Transcription by Tony Wilkinson 2016.
2
19

           


            
      
 
    
mf
        
       
23

            
          


        
    
        
       
27

         
       
    


     
f
             
          
     
32

                  
   


      
         
       
             
35

 
             
 



ff
     
      
     
                   
38
 
 


   





        
     

41

     

   




      
   


      
    
    
     
3

              
44

        
   


     
      
     
    
              
47

                 

  

51

 

   
  


 


  

    
  


           
  
 
f

mf
   
  
io

              


Tr


      
       
55

          
                


         
      
      
         
   
   
    
59

   
          
                  


  
              
      

      
63

        
          

         


         
     
 



67      
 
               
  
1. 2.



 
  mf f   

f
     
ffz
          
         
Canned Corn
Rag


George L. Cobb


1910

     
    
Moderato
      
   
Piano f
 fz
 
          
   
  

                 
5

 
             

               
mf

      
    
  

             
         
9
            
     

     
  
 
 

     

     
  

13
                 
                

   
  


         
      
  

          1.  2. 
       
17
  
       
  
  
                   
    

Transcription by Tony Wilkinson 2016.
2
                 
22

 
 
f
         
               
   

           


          
26

 

          
  
             
    

                 
30

  
         
       
       
  


 
                  
34

1. 2.

           

              
fz
     
           
  

                       
39

          

               


mf
     
    
  
     
3
43
              
               

                 
      
  

                       
47

         
  
  

        
      
      


       
51
  
       

 

     
fz
   

  
      
 

  
   
       
55 Not too fast.

       
       
             

p

io

   
Tr

          
  

     
60

               
   
              
         
     
        
 
 
              
65
   
   
        

                 
fz
              
     
 

  
4
            
               
71

 
   

L.H. L.H.

        
f
 
  

 
76
 
           
       
                      
 
    
ff
         
               
 
 
      
       
                   
82

               

ff 
    
                    
sff

         
     
 
       
   
87 8va ad lib.
       
                  
ff
                
              
           

   
 
93
   
         


 
 
   
   


    
         
          
  

     
       
98

       
    
     
            
  
sffz
         
       
 
Cheops
Egyptian Intermezzo
(Two-Step)
George L. Cobb
         
Allegretto Moderato

              
1916
   
                 

         
        
Piano ff

      
             
 
 
 
7

   
              
          
p
                     

       

14

         
   
 

              
  

                  


       

21
            
           
           
     
  

         


fz 

mf    
         
 

 
   

                         


  
27
            
   
     
           
               
     
     
Transcription by Tony Wilkinson 2016.
  
                        
2
33

    

 



 

        
       
       

         
    
38

             


 
 
     
ffz mf
             
    
   

   
     
44

       

              


         

                       


   
51

              

      f
          
 
57 
                          
             

ff
     
            


                       
63

       

     
mf rit.
          
             
      
3
                        
  
69
                
     
ff          
           
        

                      

74
       
    
         
               
    
    

                       
 
    
79

               
           
            
ffz
 
     


85

                       
       
         
p    

  
            

            
93

        
                           
      
  
  
        
 
         
     
101
                  

                 
      
                  
          

   
4

 
109

                            


     
   
    
fz
 
    
               
        
             
117

 

    
     
    
            
     
f

                  
 
          
      
124
              
     
    
       
              
     
       

130
        
        
            
        

  
    
      
 
         
              
  
       
  
137

                  
 
 
      
           
        
        

         
        
143

     
         
  
        
 
ffz
            
        
        
 
"Dimples"
Characteristic March (Two-Step)

George L. Cobb

        
Tempo di Marcia
    1905

       
     

   
Piano ff
            



   
5


           
    

    
3

     
mf
   
            

         


9

        
 
 

         
3

             
  

                   
14

         

   
             
  
  
   

  2.       
   
19
       
1.

       

  f
   
               
    
Transcription by Tony Wilkinson 2015.

2

 
    
24
 
              

        
         
 
    
    

  
   
29
   
3

             
 
     
     
f
    
         

33
     

     
                
    
       
                
  

      
38

         
           
    
3

     
 
          
  
    
 

       
43

                      

         
3


    
     

 
   

 

    
                 
48
    
     

 
    
           
  
  
     
 
3


54

                           
                    
p
io

       
Tr

      
        


59

                           
                      
                 
      
  


65

                  


                
             
      
    


71

                            


                      
         
       
      

 
77
 
        
 





     
 
     
                 

       
4

    
   
83 1. 2.

              
 

 
   

         

 
      


               
88

     
    

   
mf
 
             
  

    
93

   
           

        
                  
  

      
98

                
        
                   
  



     
  
103

                
 
       
            
 
    

Drift-Wood
Novelette
Andante moderato George L. Cobb
1916

  
3

      
3

        
3 3

      
Piano mf
  
p rall.
   
 

  3   3  
3
  
3

                  


3 3 3 3
 
   

3 3

    
mf a tempo
         
  
              

6
                         
    
      
3

     
3


 
3 3 3 3 3 3

   
3

    
   
  
 
   
3
 
9 3
    
3 1. 2.

        
3

      





 
        
    
poco rit. 3 3 3 3

        
  




       
     
3


3
  
12 3
  
3

      
3 3 3

   
f a tempo
  
       

 
       
    
15

 
3 3 3

               


3 3 3
 
3 3  
          3 
poco rit. molto rall.
   
         
3
Transcription by Tony Wilkinson 2016.
2

  3           3
18 3
3 3

             


 
3 3 3 3

    
mf a tempo
       
  
 
  
21
               
            
3 3

 3 3 3 3

   
    
  

  
                  
3 3
 
23 3

3

        


3 3 3

        
poco rit. 3 3

         
   


 
26
       3  3         
      
3
    
3
 
  3


f a tempo
 mf   p  
       

    
  

3                  3   3
29

    
        
3

 

3

  f
  mf
 
        
     

                       
3


32 3 3 3
3 3

     
      


 
f a tempo

    
poco rit.

       
     

3
35
 3 3                        
        
      
3

3 3
 
  p  
3
mf
  f   
             
 
  

    2. 
  
3
                     
39 3 1.
  
3
  
3
          
mf
 
p

poco rit.
    
f molto rall.
 
         
        
  
 

  
       
43 3
 3 3
 
3

    
3

 
3 3 3
      
     
a tempo
mf

p rall.

mf

a tempo

     
  
 
                  
46
   
3 3
 
3

         
3 3
 
    

3 3

    
     
    
 
   
                      
  
3 3
 
49

3


3

      


3 3 3 3
 
3 3

3
     
poco rit.
        
   


     

52 3
    
3

          
 
    
f

3

    
3

   
   
 
Dust 'Em Off
Rag

George L. Cobb

  
1920

            
       

Piano f
      
ff
  
           
     

                         
5

   

mf 
          
          

      
     

        
      
9

       
      
             
 

             
      
 

         
                 
13


 
   
            
              
        
 

          
1. 
 
             
17 2.

     
            
     

            

             
       

Transcription by Tony Wilkinson 2016.

     
2
 
    
22
 
           
      

 
   
ff
        
   
         

  
     
26
      
  

      
 

     
        
        
  

    
       
30
 
          
      

 
            
   
     
  
34
  
      2.
         
1.

 

 
  
  
   
      
        
            
     

         
                 
39


 
   
mf 
     

  

    
 
 

  
    
     

      
            
  
43

    
           

     
             
      

3

      
                 
47

       
           
                
   
     
             
                       
  
51

    
   

          fz 


           
     

           


55


       
         
        
p

            
      
 

 
59

          

        
   

    
               
        

          


63

       
        
      
          
   
     

 1.   
       
67
     
       
2.
      
  
             fz 
fz
              
      
   
   
4

                  
72

       
      
f L.H.
            
ffz

  
         

   
  
             
76

   
           
 
L.H.

               
f ffz
          

80
 
           
             
   
f
           
ffz

             
      
             

         
  
                           
84
 


   

                


ff

              
    
 
         
       
         
             
           
89
   
 

     
                       
          
 
     
              
  
95
            
          
 

                ffz


               
     
    
Fleet Foot
Intermezzo Two-Step
George L. Cobb
1906

   
Allegro Moderato

                       
  
mf    
    
 
Piano rit. . . . . . . . . . mf
  
       a tempo

     

   
6

       
   
 
 
     
 
p
     
                


11

 
    


         
              

   
         
        
17
 
       
           
 
     

  

   

mf

  

   
    
      

       
23

      
  
    
  
   

           
fz f
            
   
Transcription by Tony Wilkinson 2015.
2

     
29

             
     

         
               
 
  
  

            
35
  
    
      
         
  a tempo
     
mf

rit. . . . f
             
        
   

           
41

           
   
           
     

       
             
f- ff

     
    

47
          
     
       
         

 

     
 


    
     
      

 
    
53

1. 2.

          

                

f
  
      
fz

            

   


3

       
58

        
  
  
  
       

                      
f

   
63

         


    

                  
   
    

68
      
     

                 
  


 mf  
     
     

     
rit. . . . . f
           

  

         


74

Legato
             

   
p- ff
 
a tempo
io

     
rit. . . .
Tr

     
        
 

 

        
80

                  


        

             
           


4
86
     2. 
 
                 
1.

    
   
fz
         
          
     

   
92
    
        
ad lib.

      
      
  
    
 
     ff  
  
f rall.
          
    
    

 
               
97 
                 

    
       




     
      
 

 
          
          
   
102

    
 
        
           
      
    

             


 
               
107

  
     
 
ffz
       

      

Golden Dawn
A Tone Picture

George L. Cobb

    
Moderato 1915
 
                       
   
mf rit.
   
Piano

        
  

           


  
5

                 


       
     
p

a tempo
   
mf
         
       
 

                1. 


      
  
9


2.

                    
  
              
rit.
  
p f

             
 

     
14

        
       

p
             
     
     
   
 
18
                
   
           
   

mf molto rall. f

  
 
  

Transcription by Tony Wilkinson 2016.
2

               


22

                    
     
  
p mf
 
a tempo

        
      
 

                       


26
      
         
 
            
p

f

 
 
     
    
 

                 
  
30

                               

      
       
p–f

       




    
  

           
              
34

                




    

          
    
    
   
        
   
  

                



39
 
                              
 

         


       
     
     

3
43
           2.  

1.

                 
 
 


mf
            
            
 




      
47
 
                      
   
mf rit.

   


       
  

           


51

                   
    
  
p mf

a tempo

 
    
      

            


54

                     
      
    
p

f

     
   
  

  
         


57

            

 
        
 
p f fz

    
    
   

A Happy Group
Barn Dance - Schottische

George L. Cobb

                    
1908
      
                          
Piano 
f
          
         
  
5
                  
          
       

    
mf
       
         
    

 
          
9
  
3 3
    
                  
      
  

     
      
       
 

                            
13

         
  
       
          
   

                  2.  


17
               
1.

          
  
3 3

               
              
  
Transcription by Tony Wilkinson 2016. 
  
2
22
                        
                  
  

f– ff    
    
       

 

  
  
26                              
                        
       
           
    

30
      
              
                  
  
       
      

 

  
   

                         


1. 2.
 
34

              
       
                   
      
   
39
                        
             
mf
       
       
     

                            


43

     
3 3

    

       
            
 
3
47
                            
         
       
         
    


51
                  

       
     
3 3

         
      
      

55
        
                   
 

 
    
mf– ff

io

    
Tr

   
       
59
           
           
          
 
     
 
         
    
63
           
                      
 
   
     
  
      
  
   
                          
67 1. 2.

                    


    
       
                    
 
      
   
4

                      
72

 
 
    

               


          
f
   
      
        
  
 
 2.
                
      
77 1.

                       



     
        
         
      

                      
 
81

           
       
       
   
ff
          
   
85                              
                          
       
           
    

89
                  
  
                 
 
       
      

 

  
   
    
      
         
    
93 
         

   
             
       
 

Here's How
One-Step

George L. Cobb

   
1918

      
      
       
  
 
             
  

      
Piano ff ffz f

            

       
 
7
     
                    
                     
  

               
       
   
13

                          
          
   
    
        
       
       
   
19

              


      
                     
 
    
           
       
  
      
25


                  
 
          
   
       
      
        
  

31

                          
                   

        
fz
     
        
    
Transcription by Tony Wilkinson 2016.
2

               
37

          
       


  
ff
                
            
    
43

               
       


       
               
     
      
     2.  
       
49

               



1.

                    

  
53
 

   


     
 

    

  


              
   
  
   


                     
f   
            
    
      

59

            
                           

   

  
               
       
       

    
66

                       


     


                

    
        
 
       
  
 
72


     
     
 
    
   
      
        
           


    
    
                
          
  
3

  
79

                 


                   


      
 
         
fz
        
      
   
   

                     



             
mf–ff
io

  
Tr

     
       
 
90

            
       
   
  


               

      
       
     

96

               


           


        
         

  
 
 
       
    
         
102

    
              
      
  
       


           
      
           


108

                
      
    


             
        
    
       
113
 

                      
1. 2.

   
   


                 
ffz
                  
   

Hop-Scotch
Fox-Trot

George L. Cobb


1921

                      


           
 
          
  

f
     
ffz

           
Piano
  
    
                     
5

                  
  
 

 mf          
        
    

            
                                 
8

   
  
    
     
   
cresc. f
       
    


  

             
           
12

        
  
mf 
         
    
 

                     


15


      
      
cresc.
    
       
      
 



18
               
                              
1. 2.

      


    
f
       
       
  
Transcription by Tony Wilkinson 2016.
2
22
              
     
          
    
       
  
 
    
ff
 
     

      
    

                     
    
26
    
                  
  
 
          
     

                      
30


                 
     

      
      


     
 

                            


34

1. 2.

           
    
           
          
         

                              


39


          
 
             
mf
         

     
     

                                      


43


                        

  
     
cresc. f
          
 





3
47
                             

                
  
             
mf
     
     
   

                     
51

                           


cresc.
      
 

f
  
fz
              
 
    
        


 

               
55

            
       

mf–ff
io

       
Tr

    
      

           
                 
59

        
   

     
   
   
  


          
            
63

             

            
    

                 


        
 

        
67 1. 2.
 
           
                  
   
  
f ffz
                 
       



Huskin' Time
A Rural One-Step

With Moderation. George L. Cobb


 
     
1914
 
   
  
                
L.H.

       
Piano f
 
 

 
                      
5

 
    
  
mf
            
  


            
    
9

       
 

     
            
     
 
                    
13


    
         

  
   

 
      
17

                  
1. 2.

 
 
          
  
             
 
Transcription by Tony Wilkinson 2015.
2
22
        
                
  

    
               
f
   
   

27
  
                     

 
        
   
       
    

32
     
                        

           
          
       
   
 
                      
38

 
  
   
         
mf
   
      

       

         

           
43

     

         


    
    
    
  
 
                                 
48

   
            
        
      


3
54

        
             
 
    
mf

io

    
Tr

  
          


58

                       
 
   
    
p
           
 
  
62
 
                    
            
     
     
     

      


66

                       
  
   


  
      
 
    
70
 
   
             
        
           
          
 

74

            

           


f
              
      

 
4

         
78

            

         


     
 
 
 

                
    
82


 
                   
 cresc.
ff
        
         
       

                    
86 With utter abandon.

   
     
    
ff
             
 
  
                     
          
90
 
  
     
              
      
94
                   
    
    
      
                
   
  
 2. 
98
             
1.
    

    
            

              

           
          


Idylia
Novelette - Intermezzo

George L. Cobb

     


1907
Andante
      
  
 
 
               
 
Piano mf
  p mf 
 

p
           
    

   
5 a tempo
           
                  
rit.
  
f p
     
        

                  


11 Moderato quasi stacc.

                


mf
      
     
           
     

         
                  
16

            
 f
 
    mf





 
          
 
   

                  


    
22 1. 2.

                  
             a tempo  
rit.
   

     
 
Transcription by Tony Wilkinson 2016.
 
            
2

 
 
     
28 Più mosso
  
                

         
      
f

  
          
      
  
34
     
                       
     

                     
f

    
 1.
             2.
 

  
40

          
             
f f

            

                 


46 Tempo primo

                
 
mf
      
    
          
 
    

                  


51

               
   
       

mf

         
f
      
  

                


56

                      
 
        
 
a tempo
 
rit.
      
       
3


62 Sognando.

                         
                  
io

marcato mf
       
Tr

    
     
      

         
67
       
                                 
       
           
    
                  
73

                       


    
             
  
          

          
79

                     
              
 
f ff
 
          
           

         
    
85

                       


 


 
           
ff

             
         
91
    3    
          
            
      
  
  
 
           
    
ff
        
fz
 3   
     
   
4

                 


97

                

mf     
  
               
    

                


102

                
      
       

f
     
mf
             
  

                  


107

                         
   
 

rit.
          
     


     
   

 
113 Più mosso
           
                 
f
         
             
  

 

    
        
118

                    


    
  f
   
             
     

                
5
123

         
    
   
f

         

     
  

  
                  
128 Tempo primo

               
 
 mf
    
 
     
   
  
   

       
          
133

          
 
       
   
f
   mf
 
      

     
  

           


138

  
                         

    
        
rit.
         
    

  
143

       
 
    pp
     
dim.
p
        

                
   
  
Javanola
Oriental Fox-Trot and One-Step

George L. Cobb

     
1919

 
   
                           
              


Piano ff ffz mf
     
              
 

               
    
    
8

  
 
   
            
     
           
          

          
         
       
        
15
 1. 
 
     
                  
2.

  

    
f ffz mf
                     
         

22

                            

                                

         
2nd time ff

        
           
29

                      


               
                          

              
        
  
Transcription by Tony Wilkinson 2016.
2
36

                
                                

            

         

  
42
                        
      
             
      
                
     
  

 
    
48
      
1. 2.

                                
            
        
ff ffz Fine
               
    
      

  
       
   
55


              
   
             
           
f

                

  

62
    
                    
   
                   
    
    
ffz
      
                        
   
D.S. al Fine
Jolly Dancers Ostende
(Latest Ball Room Dance)

George L. Cobb

 Moderato   1912
            
           
       
      
Piano mf
    
     


    
       
               
5

            

    
      
  
      
     
   
9
         
           
           

    
           
  
      

             


13

 
    
                 

             


    
    
 
17
       
           
       
   

    
     
           

     
Transcription by Tony Wilkinson 2016. 
           
2

                    


21

                  
         
p– ff
         
         
   
  

 
  

      
                       
26

                    



     
                
        
   

  
                          
31

              

   
          
            
        
      

 
          
               
36 1. 2.

            
            
  
p
 
Fine

           
             
     
   

41
      
        
     
                       
     
               
    
       
3

      
        
46

 
       
               
         

                


        
       

     
  
8va ad lib.

         
51

                
       
   
             

 
         

  

         
             
56

       
     







    
     
 

        
         
    

      

                    
61

 
          



 
           

           

 
      
      
  

              


        
1. 2.
   
66

                



 
  
       
D.S.
                
 
       


Knock Knees
One-Step or Two-Step
George L. Cobb

    
1914

        
          

   
f
  
Piano ff
       
  

     
5

             


       
        
    
 
mf
                 3   
  
       

       
10

                      


                

                    
3
  
         

     
     
16

          
1. 2.
 
         
           
 
 
ff
   ffz
   3              
   
       


           
22


            

             


p

                
         
 
Transcription by Tony Wilkinson 2015.
2

                   
28


           
  
f   p        
          
         
   

  
    
34
 
          
    

            
fz f
         
      
  

   
40

            
            
      
p cresc. ff
         
        
                   
   
    

46

   
               
        
     
 
mf
        
          
3

        
51
       
                       
               
 
                    
3

           

    

57

                
      
      
 
 ffz
                 

3
 
       

3


62

                     
       
mf    
     
   
io

 
Tr

           


66

                       


      
        
            

        
  

             
               
72

           
               
f
          
  
     
                   
78

        
   
ff
         
      
       
  
83
   
    
                 

                       
           
                 
   
           
         
89

              
 
      
      
ffz
    
    
 
  
   
Law and Order
March
George L. Cobb
1916

   
          
        
     
         
f ff ffz mf
  
Piano

     

                
5

        

     
   



  
  
   
  

                   


9

        
 
 
      
    
    
 
  

              
13

             


  
   
f
         
            

      
    
18

     
1. 2.
     
         

ffz mf
      
           
  
Transcription by Tony Wilkinson 2016.
2


22

  






    
 
      
 

           
ff
   
                

  
27

3

 
                        
     
     
f
           
cresc.
         
 
   
33

              


1. 2.

      
   
      

 
ff f ffz
                     
     
39

                         
             


mf
io

  
Tr

     
    
 

                            
44

                            

                   
      
 
50
     
                          
      
   
    
    
3
55

              
                         

   
         
  

    
60

            
 
 
 

        
         
 

            
       

 
                 
65
   
          
 
    
     
ffz
   
              
  

 
     
71

     


f R.H.
            
             
ff f R.H.

            

     


                  
77

            
             
 

                 
ff f

          
D.C.Trio al 
Love Lessons
Waltz

Tempo di Valse George L. Cobb

       


     
1921

          
      
Intro.

  

p 
   
     
   
ff

      
 
     
8


                      
           


           
Waltz mf
               
  
  
15
          
                       


 
cresc.
 
f 
           
        
  
     
22

                   
         


       
 mf
             
     
  
              
  
29

 
         
         


  
    
     
  
f
       
          

36
          1.     
 
                    
2.

         
 


  
        
mf
          
       

Transcription by Tony Wilkinson 2016.
2
       
      
43

   
   

 
p
   
48








     
  
   
  




 
  
  

 


 cresc.


       


  
54






f



   p         
   


 

  2.
          
             
1.

       


 
                     
f

  

               
60

     
                       


        
mf
      
          
  
   
           
68

                        


      
     
cresc. f mf
     
         
    
               
76

                                 


       
           
          
   
   
                
                     
84

                

 
         
  

f 




  
         

 
  
  
3

 
   
92
       
                   



     
ff
    
io

f
      
Tr

    
    
98

           
       
    
     


    
          
       

104

        
                 
        


 
 
           
   
 
                    
110

        

 

   







 
 
       
     

cresc. poco a poco

 
 


 

                     
116

          
   



     
ff
         
    
 
 
123

                        
1. 2.

   
               


   
mf
                 
   
 D.S. al Ø
 
             
  
130

         

       

 

     

   
ff
      
da

molto rall. accel.


    
Co

          

March of the Walking Dolls

George L. Cobb
1922
Moderato (Not too fast)
          
        
         
f
 
Piano
          

    
      
   
4

       

ffz fp
      
mf

                  
    
8
       
 
                   
     
          
       
  
12

                        
        
mf
  
             
  

 
16

                


        
 
  
f
        
    
  
             
 
20

1. 2.
 
                    
 
  
ff f
                        
       
Transcription by Tony Wilkinson 2016.
                 
24

     
2

            


  
   
        

      
 
                     
28 1. 2.

       


            
   


        
             
      
     

          
33

        

 
 
      
f
    
      

    

      
ffz
   


   
37

             


  
mf
   

   

fp

   
    
   
      

41

               
           


   
  





fp

  

  

         


45

         
      
   


      
mf
       
       
       
50
      
                
      
  
       
          
   


  
    
f
  
   

 
    
 


ffz

   

       
55 3
            
        
     


    
ff p
     
io

 
Tr

               
         
60
            
  
          
             

     

 



 











 










   


       
65

                      




     
 



















 

 
 

  

                
70 3

                        



  
       
mf f
            
      
   

3
75
           
             
          

  

  






 




   
      

            
80


         
                     

      
 
         




         
  
   


    
86

              


1. 2.
     

     


  
       
ffz ffz
                 
ff

          
     





Mister Melody Man
Words & Music
George L. Cobb


1912

          
Moderato
   
                       
  

        
mf

Piano

fz
    
 
        
 
  

   
5

     
In a rest - au - rant,
Aw - ful scand - a - lous,

Till ready

                 
  
       
 


  

        
p
       
   
8
            
              
In a rest - au - rant Misa E - li - za John - son used to
Aw - ful scand - a - lous, Lord - y! how she hugged him on the

      
       
   

  


 


 






 
10

         
  
take a seat and wait Till


stool right while he played She
                  


      



         
          
 
Transcription by Tony Wilkinson 2016.
2

  
      
13

   
late Till her mu - sic man,

      
stayed Till a wait - er man,
       
          




       
          
  
 
16
            
               
Till her mu - sic man Start - ed in a play - in', then she
Till a wait - er man, Nas - ty, hor - rid crea - ture with a

      
       

  


 


 
<