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Roumanian Folk Dances

I. Joc Cu Bata

Béla Bartók Adap. Marco Mazzini

Molto moderato q = 80          
Molto moderato q = 80



Clarinet 1 in Bb
f
espres.
Clarinet 2 in Bb
 
f
Clarinet 3 in Bb
 
f
Bass Clarinet
in Bb
 
f
 
9



 
Cl.
1
 
 
Cl.
2
Cl.
3
 
 
 
B.
Cl.
 
 
A
17
 
 
 
 
 
Cl.
1
 

3
Cl.
2
Cl.
3
 
 
B.
Cl.

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               

2

  25            
25
 
  
 
 
  
Cl.
1
mf
3
3
Cl.
2
mf
Cl.
3
mf
B.
Cl.
 
 
mf
32
 


 
 
 
 
 
Cl.
1

 

 

mf
f
3
Cl.
2
 
mf
Cl.
3
 
 
 
mf
B.
Cl.
 
mf
40
 
 
Cl.
1
3
Cl.
2
 
Cl.
3
B.
Cl.
 
 
 46             
46
 
 
 
 
 
 

 

 
 
Cl.
1




3
f
Cl.
2
 
 
f
Cl.
3
 
 
f
B.
Cl.
 

f

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II. Braul

3

Allegro q = 144

53

         Cl. 1    
Cl.
1
p
solo
5
Cl.
2
 
 
p
grazioso
Cl.
3
p
B.
Cl.
p
B
63
Cl.
1
 
 
mf
 
 
  
  
Cl.
2
 
 
  
  
mf
Cl.
3
mf
B.
Cl.
 
mf
73
Cl.
1
 
 
Cl.
2
Cl.
3
B.
Cl.

79

            Cl. 1 
Cl.
1
 
 
 
 
 
Cl.
2
Cl.
3
B.
Cl.
 

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4

III. Pe loc

Moderato q = 112

85

            Cl. 1 
 
 
Cl.
1
pp
Cl.
2
  
 
pp
Solo (play octava higher if possible!)
    
 
 
  
 
Cl.
3
  
p
 
B.
Cl.

94

pp

           Cl. 1  
 
 
Cl.
1
Cl.
2
  
 
  
   
 
 
 
 
 
 
 
Cl.
3
  
 
B.
Cl.
C  102          Cl. 1 
C
102
 
Cl.
1

p
Cl.
2
  

p
 
 
 
  
 
 
 

 

Cl.
3
 
mf
 

B.
Cl.
p

109

             Cl. 1
 
Cl.
1

più p
Cl.
2
  

più p
Cl.
3
 
  
 
 
 
 
 
    
 
p
più p
 
B.
Cl.


più p

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5

calando  117     Cl. 1      
calando
117
 
Cl.
1
 


pp
ppp
 

Cl.
2

 


ppp
pp
 
 
 

 
 
 
 
  
Cl.
3
 
pp
 
B.
Cl.



pp
ppp

IV. Buciumeana

Andante q = 100

125

              
 




Cl.
1
p
Solo
 
 

  
 
 

Cl.
2
3
3
mf
dolce
Cl.
3
 
 
 
p
B.
Cl.
 

 
 
 
 
p

132

       Cl. 1      


Cl.
1
 
 
 
  
  
 

  
  
 
Cl.
2
3
3
3
Cl.
3
 
 
 
 
B.
Cl.
 
 
D  138    Cl. 1       
D
138
Cl.
1
 
pp
più p
p
espr.
 
 
 

 
  

 
Cl.
2
3
p
p
espr.
Cl.
3
 
pp
p
più p
 
B.
Cl.
 
 
più p
pp
p

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6

 144             
144
 

 
  
 
 

 

  
1
 
Cl.
3
3
3
3
Cl.
2
  
 
  

 
 
  
  
 
3
3
3
3





Cl.
3
 
B.
Cl.
 150             
150
 
 
 



 
 
Cl.
1
3
mf
 
 
 

 
  

 
Cl.
2
3
mf
 
Cl.
3

mf
B.
Cl.
   
 
mf
 155             
155
 
 

 

 
Cl.
1
p
3
pp
 
 

 
 

Cl.
2
 
p
3
pp
Cl.
3
 
 
 
più p
pp
B.
Cl.
 
 
p

pp

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7

V. Poarga Romaneasca

Allegro qqqq = 152

159

              
 
 
 
  
 
  
 
  
 
  
 
Cl.
1
 
sf
f
Cl.
2
 
 
 
 
  
 
  
 
  
 
 
  
 
 
 
sf
f
solo
 
 
   
  
 
Cl.
3
 
 
 
 
sf
sf
3
f
sf
B.
Cl.
sf
f 
sf
sf
166
 
 
 
 

  

 
Cl.
1
 
 
 
sf
sf
Cl.
2
 
 
 
 
 
 
 
  
  
 
 
 
 
 
sf
 sf
   
 
  
 
Cl.
3
 
3
sf
sf
sf
B.
Cl.
 
 
  sf
sf
sf
sf
sf
sf
172
 
 
 


Cl.
1
sf
sf
 
 
Cl.
2
 
 
  
 
 
 
 
 
sf
sf
Cl.
3
 
sf
sf
sf
sf
solo
3
B.
Cl.
 
  
 

sf
sf
sf
sf
sf
178
 
 
 
  
Cl.
1
sf
sf
 
 
Cl.
2
sf
sf
Cl.
3
 
sf
sf
solo
3
B.
Cl.
 

 
 
 
sf
sf
sf

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8

182

              
 
 
 
  
 
 
Cl.
1
 
 
sf
sf
sf
sf
sf
 
 

 
  
 
Cl.
2
 
 
 
 
 
sf
sf
sf
sf
sf
 
Cl.
3
 
 
sf
sf
sf
sf
sf
B.
Cl.

 
 
 
  
  
 
sf
sf
sf
sf
sf

VI. Maruntel

L'istesso tempo

solo  187            
solo
187
 
  
 

  

Cl.
1
f
sf
Cl.
2
  
  
 
sf
sf
 sf
sf
sf
sf
sf
Cl.
3
 
 
 
 
 
sf
sf
sf
sf
sf
sf
sf
B.
Cl.
sf
sf
sf
sf
sf
sf
sf
 194             
194




 
1
Cl.
sf
 

 
Cl.
2
 
sf
sf
sf
sf
sf
Cl.
3
 
 
 
sf
sf
sf
sf
sf
B.
Cl.


sf
sf
sf
sf
sf
199




Cl.
1
sf
 

 

 
Cl.
2
 
sf
sf
sf
sf
Cl.
3
  
 
 
 
sf
sf
sf
sf
B.
Cl.
sf
sf
sf
sf

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9

VII. Maruntel

Allegro vivace q = 160

   203           
203
   
   
   
  
   
Cl.
1
3
5
3
3
5
3
f
3
sf
 
 
Cl.
2
f
Cl.
3
 
 
f
B.
Cl.
f 
210
 
 
 
 
Cl.
1
 
3
sf
5
sf
 
 
Cl.
2
 
 
 
Cl.
3
 
 
 
 
 
 
B.
Cl.
 
 
 
 
 
 
 
 
 
E
217
Cl.
1
3
5
3
3
sf
mf
3
sf



Cl.
2
 
 
mf
Cl.
3
 
 
mf
 
B.
Cl.
mf
224
 
 
Cl.
1
5
3
3
sf
5
sf


 
Cl.
2
sf
Cl.
3
 
 
sf
B.
Cl.

 

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10

F            231  
F
231
 
 
Cl.
1
  
3
3
3
3
sf
più f
 
Cl.
2
 
 
sf
più f
Cl.
3
 
 
 
 
 
 
 
 
 
più f
sf
B.
Cl.
sf
più f
238
 
 
 
Cl.
1
5
3
3
3
sf
sf
sf
 
Cl.
2
 
sf
sf
sf

Cl.
3
 
 
 
  
 
sf
sf
sf
B.
Cl.

 
sf
sf
sf
243


Cl.
1
sf
sf
ff
 
Cl.
2
sf
sf
ff


 


Cl.
3
ff
sf
sf
B.
Cl.
 
sf
sf
ff

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