Retrospect

written for Flute, Clarinet in Bb, Guitar, Saron, Slentam, Violin and Violoncello
Slentam

A. The Pendopo
28" 6"
Largo q = 50
blisbig. G.P
4' 4" 6
° >
U
Flute & í ™™ j j ™™î ‰ bœ œ œ œ œ œ ˙ Œ
w œ™ bœ œ ˙
p
p p mf p mf Cue G.P
enter anytime after the initial note (flute) G.P
6 U
Œ ‰ œœœœœœ˙ ˙ Œ
Clarinet in Bb ¢& &
blisbig. mf o
after Slentam, like an echo
(D Eb (+) F (-) G# (-) A Bb(+) C ) the smaller the value, the immidiate the echo l.v . G.P
°? in pelog tuning Bœ Bœ µœ
Saron ? ‰ ˜œ ‰ Bœ Ó ‰ Bœ ‰ ‰ ‰ Œ Œ ‰
4 3 2 6 6 7
(D Eb (+) F (-) G# (-) A Bb(+) C ) p l.v. G.P
in pelog tuning
˜œ Bœ Bœ µœ U
Slentam
? Bœ Bœ Œ Œ
¢&
4 3 2 6 6 7
mf
(D A D G# (-) BE) G.P
l.v. bw U
í ™™ w ™™î
∏∏∏∏∏∏∏∏

Guitar & ˜w Œ
w
w
‹ w f o
anytime after the initial note (clarinet) Clar. cues G.P
mf blisbig. G.P
° III IV III IV III IV U
Violin & & ‰ ≥ Œ
œœœœœœ˙
6
mf ppp Clar. cues G.P
simile
sul ponticello (until further indication) G.P
unmeasured tremolo 5"
? U
Violoncello æ í ™™ æ ææ ™™î æ æ Œ
¢ wæ wæ w wæ wæ
p p mf ppp
p mf p
 56"
2
blisbig. 3"
6
°
& ‰ b-œ -œ --
œœ -œ -œ ˙ Œ Ó ∑
mf p

enter anytime after the initial note (flute)

blisbig.
6
& ‰ Œ œ- œ- œ- œ- œ- œ- ˙ Œ Ó ∑
¢
mf p

simile to prior instructions

> l.v. l.v.
° ? ˜œ
‰ ‰ BœJ œ ≈œ ∑ œ Ó ∑
2 1 4 1
p

> l.v. l.v.

? Bœ œBœ ˜œ ∑
Bœ ˙
¢ ‰ ∑ ‰ œ œ Ó ∑
J
3
6 5 4 2 1 4 1
f
2"
bw b œ œ™ œ
í ™™ w ™™î œ œJ ‰ Ê ∑
&
f p 3
b >œ œ ˜œ œ bœ
mf sfz
œ

sul pont. blisbig.

unmeasured tremolo ord. spiccato
° ‰ 3 III IV III IV III IV #œ. œ. bœ. œ.
& ‰ ‰ æœ wæ ≥ Œ ‰ J ‰ ∑
æJ œ œœœœœ ˙
6 f 3
mp mp p p

blisbig. spiccato
ord. enter anytime after violin stops ord.
punta d' arco III IV III IV III IV # œ. œ. b œ. œ.
unmeasured tremolo æ 6
? ‰ ‰ ‰ æj æ ∑ ‰ œæ ‰ œ≥ œ œ œ œ œ ˙ Œ J ‰ Œ ∑
¢ œæ wæ 3
stop anytime after the start of (violin) blisbig. mp p mf p
3
mp p
 3
B. The Dalang
Tempo Justo, Slightly Faster q = 60 rit.
5
? 44 3
4 ∑ 4
4 ∑ 7
4 ∑ 4
4

9 A Tempo q = 60 l.v. until further indication

? 44 Ó™ ˜œ 5 B˙ Ó™ ˜œ Bœ ˜œ Bœ Bœ Bœ
4Ó Œ Œ
4 3 4 3 4 3 2 2
mp mf
13
? œ Bœ Bœ œ Bœ Bœ 4 Bœ
4 Œ œ Œ 4
4
1 2 3 1 2 3 2 1

15
? 44 ∑ Œ ‰ ˜œ ˜œ ˜œJ œ Bœ
J Bœ Bœ ‰ ‰ Bœ œ Bœ œ
J
mp 4 1 2 3

19
? <B>œ Bœ Bœ Bœ Bœ µœ
J œ œ œ Bœ Bœ ™ œ Bœ œ
J
J J J
2 1 3 1 2 3 2 1 3 6 7 3

22 3
? <B>œ œ Bœ Bœ Bœ œ œ ˙ 6 4 3 4 3 4
J Ó 4 ∑ 4 4 ∑ 4 ∑ 4 ∑ 4
J
1 2 3 2 3 5
mf

C. The Wayang Kulit

Con Moto q = 70
31 resume normal muting technique
µ œ µ -œ µœ ™ B>œ
? 44 Ó™ œ ˜œ œ œ Bœ œ Bœ ™ ˜œJ œ œ ˙™
Œ
J
5 4 1 3 2 3 6 4 7 7 7 1 6 3 5
f

36 like a soli
? œ ˜œ Bœ Bœ Bœ Bœ ™ Bœ Bœ œ Bœ
œ J
5 4 3 2 1 2 3 2 3 5 6
f

hit with backend of

mallets
38
? <B>œ µ œ Bœ œ ˜œ œ Bœ µ¿ ¿
‰
¿ ¿
‰ Œ
¿ ¿
‰ ∑
7 6 5 4 1 7 7 7 7 7 7
f
4 muted: hold key with LH while hitting with mallet head using RH
until further indication
41
? ˜O. ˜O. BO. BO. BO. BO. O. O. BO. BO. BO. BO. BO. O. O. O.
4 4 3 3 3 3 1 1 2 2 3 3 3 5 5 5

42
.
? O BO. BO. BO. BO. BO. BO. BO.
O. O. BO. BO. BO ≈ R ‰ 6
4
5 3 3 3 3 1 1 2 2 2 6 6 6

43 .
? 46 BO BO. BO. BO. O. O. BO. BO. BO.
≈ ‰ O. O. Ó 4
4
6 6 6 6 5 5 6 6 1 1 3

44
? 44 ‰ œ Bœ Bœ ≈ œ Bœ Bœ ˜œ œ œ Bœ Bœ ≈ œ Bœ Bœ ≈ œ Bœ Bœ ˜œ œ Bœ µ œ
R R R
5 5
1 2 3 1 2 3 4 5 1 2 3 1 2 3 1 2 3 4 5 6 7
mf

46 - -
? ‰ Bœ µ œ ‰ Bœ µ œ µ œJ Bœ Bœ Bœ Bœ ≈ œ Bœ œ ≈ œ Bœ œ Bœ œ B-œ B-œ -œ 46
J
3 5
6 7 6 7 3 3 3 6 2 1 6 2 1 7 6 3 2 2
f sub. mp f p ff

48
µœ B˙ 4 ‰ ˜œ U
? 46 œ ™ ≈ ˜œR Bœ Œ Bœ Bœ B˙ Ó 4 J
˙™
4 3 2 3 7 6 3 4
mp ff mf