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Mario Ruíz Armengol

Música
para piano

Piezas Infantiles
I

-INDICE-

1.- Buenos Días …………………………………....… 1 8.- La Danza de las Negritas ..................... 8

2.- Nubecillas I ……………………….……....……… 2 9.- Cristy .................................................. 9

3.- Nubecillas II ………………….……………......... 3


10.- Sextas Alegres ................................. 10

4.- Claudia .................................................... 4


11.- Sextas Tristes ................................... 11

5.- Gina ………………………………….……....……… 5


12.- Joropo ............................................. 12

6.- Minueto ………………………………….....…….. 6

13.- El Espanto Espantado ..................... 13

7.- Mis Amigas las Negritas ........................ 7


II

14.- Little Jazz ....................................... 14 21.- La Chinita de Hong Kong .............. 22

15.- More Jazz ....................................... 15 22.- Juegos de Antaño ......................... 23

16.- Emociones ..................................... 16 23.- En el Jardín ................................... 25

17.- Polichinela ..................................... 17 24.- Aquellos Días ................................ 27

18.- ¡Una, y Ya! ..................................... 18 25.- En Coatepec ................................. 29

19.- A mi Veracruz ................................ 19 26.- Rocío ............................................. 30

20.- Pequeño Estudio ............................ 21 27.- Viejo Vals ...................................... 31


III

28.- Dos Corazones ................................... 33 34.- Sonatina I ........................................ 45

29.- Quazi Mazurca ................................... 35


35.- Sonatina II ..................................... 47

30.- Debussyana ....................................... 37

36.- Sonatina III ..................................... 49

31.- Rosas y Jazmines ............................... 40

37.- Crepuscular (a 4 manos) ................ 51

32.- Un Tierno Amor ................................. 41

38.- De Ti, de Mí (a 4 manos) ................ 55

33.-Canción sin Palabras ………………….…... 43


1
¡Buenos Días!



Mario Ruiz Armengol

  
Allº Moderato

            
         
  


 
6

       
    
       
   


       
11

       
     
     


  

             
16

   
               

rall.


Octubre 1984
2
Nubecillas
I


a la profesora Trini.


Mario Ruiz Armengol

    
      
  
       
     


 
    
5

  
1.

     
  

       
  


 
   
9
2. Fin
         
       
  
  
simile


    
13

         
      
    


      
17
1. 2.
D.C. y Fin

          
              
  
Veracruz.
Agosto 1984
3
Nubecillas


II

Mario Ruiz Armengol

  
           

       
   
    


 
 
5 Fin
         
      
        


 
   
9

       
legato   
          


 2.
 
 

13
1.

    
D.C y Fin
   
 
 
          

  
Veracruz
Agosto 1984
4


Claudia
Mario Ruiz Armengol


         
  
        



5

    
  
 
          
  


   
9

  
  
     
       


 
13

        

                  



17

    

        
 

             


5
Gina


Mario Ruiz Armengol

              
      
   
   
  


5

             
     
       


        
9

               


      
13

 
  
    
   
rall.
 
  


17 a Tempo

             
          
  


21

             
   
       
6
Minueto


Mario Ruiz Armengol

   

  

        
   
          


5

               
       
      


   

 
9

        
 
      
     


13 Fin
       
         

            
 



   
17


          
      
     


21 D.C.y Fin
  
 
          
  

          
7
Mis Amigas las Negritas


Mario Ruiz Armengol

   
      
Allegretto
       
 
   
             

     



                 
  
7

 
              
       




a
 
                      
13

  



                    
 

 
 


D.C. y
              


      
19



          
                    

rall. x 2ª vez

 


    2.
        
26
1.

       
               

  
rall. x 2ª vez

 
Octubre. 1984
8
La Danza de las Negritas


 
Mario Ruiz Armengol

         
Allegretto

           
              
       
 


simile

 a Tempo.
   
             
5

    

              
  


a
 
   
repetición

   
 
        
9
opcional


 
  
        
      


    
          
13

           
       



D.C. y
  
                     
17


     
            

rall.
         
 
Octubre 1984
9


Cristy
Mario Ruiz Armengol

   
               

        
      


      

5

    
  

              
   
 
  
    
 

   
 



9

            
 
         

        
        


 
       
    
13

    
     
        
            
  
 
 



M.I.

     
  
17

            
 
       
  
      
10
Sextas Alegres



Mario Ruiz Armengol



Allegretto

       
     
          
mf
      
         


      
5

          
  
    
               
 


 2. a
     
 1. 
9



     
       
      

   
   
      


      
  
        
13

   

            

 


D.S. repite y
   

  

17

      
     
      



    
f
       
    
   

11
Sextas Tristes


      
Mario Ruiz Armengol

      
Andante

     



             
 
 
p

   


         
        
     
5

         

               
   
  
   


                   
       
9

    
       




    
    


        
     
  
13

     

          
p

      
     



      
17

    
       
     
    
     
  
rall.
        
 
12
El Joropo


    
Mario Ruiz Armengol

    
Allegretto
 
               
f-p       
        
               


  
5

         
          
        

       
     
   


       
9

                 
  
        
        


 
13

                    
   
                



  
 
    
17



           
   
 

      

   
   
   




 


21 D.S.

             
     

 
 
   

 
         
        

Jungapeo, Mich.
Mayo 31-1982
13
El Espanto Espantado


   
Mario Ruiz Armengol


Lento misterioso

          

   
  

    
 
 

 


 


    

                       


      
            
                   
6


  
              3   
3
 

         


   

           
    
11

         
                         

cresc.
  f
  
f
   
p cresc.


   
 
            
16

           


            
   
     
f f
    


       

         
  
21

 
     
 
  
 

   
  
 

        
  

f pp
                   



 

D.S. y 
a
      
 
  
25

  
     
3
                 
p f

 
ff

                    
 

3 
14


Little Jazz

    

Mario Ruiz Armengol


 
Tempo de blues
      
       
3
     
       
   
     
  
  


 
4
 
     
        

          
              


                         


7

    

    


    

10  
   

  
    
   


                     
   


    
13

        
    
  
   
    
        
   


  

16

              
      
  




        

 

15


¡More Jazz!

    
Mario Ruiz Armengol

         
Tempo di blues
 

  
    
        

       
   
   
    


a
  
  
4

              
   

 
     
p rítmico
     
 


                
7

         

    
        
f

        


 
10
D.C. y
              
    
            
     
 
      

16
Emociones


Mario Ruiz Armengol

                   


  
           



     
5

  
            
 
  
      

        
poco rall.


    

         
9

                              


    
        
   
13

   
   
            
        
rall.
       


17 a Tempo

                 


 

             


             

     
 
21

        
  

   
 
       
           

17
Polichinela



Mario Ruiz Armengol

 
     
Allegretto

 




  

              
   



 
5    
                 

      

    
  
 



       
 
       
     
9

     
       
    
     
    



14
       
             
        

           


 
a Tempo
 
      
19

    
      
  

            
poco rall.


 
  

  
    
24

        
           

    

         
rall.

    
  
18


¡Una, y Ya!

                     
Mario Ruiz Armengol
Allº Moderato

   

                     
 


               
5

      
         
    

          


            
 
9

        
    
                        
   



 
 
    
13

            
    
                  
    


 

    
17

                
  
      
 
         



                
20 D.S. repite y 3.
1. 2.

   
  

     Coatepec,Ver.

  
Agosto 1984
19
A mi Veracruz




Mario Ruiz Armengol



   

         
    


  
 

    
 


a

4

 
      
   
       


      

  
   


  
7


1.

       
         
           



  


  
   

10


2.

            

 
    
    
    
 


 
13

    
      
 
  
    

       
 


 

16

        
1.

       
   
 
 

          
  
20


A mi Veracruz


repite y
D.S.

 
19

           
2.
            
       
    
 
   

  

     


   
   
  
23

    

        


 
         
    


   
a
 

          
26 x4

          
           
        


      
D.S. y
     
29

     
    
   
          

       
  
21


Pequeño Estudio
Mario Ruiz Armengol

    
Presto

                        


         
              




  


4

        
                     
   
 
                
      


                           
7

    
     
       
              
  


 
                        
10

  
   
  
    

      
   


     M.I. M.D.
13

                     


 
         
   
    



 


16 M.I.

 
   
 M.D.
 

22


La Chinita de Hong Kong
 Mario Ruiz Armengol


                                
  
        
     



a Tempo
                
6

 
         

           
rall.

    


  a Tempo   
 
                              
11


 

       

poco rall.

     
  


  

   

 
            
16


Fin.
   

       
   


 
  
21

   

      
            
  
       

     



 
          
25 D.S. al Fin

      
   

        poco



rall.

    

23
Juegos de Antaño


   
  
Mario Ruiz Armengol

  
Lento

    

     
p dulce

  
   


   
 

5

        

     
  
  
poco rall.



 q = 138 
      
   
         
9

             
    
           
p tierno

       


 
a
 
 
  
     
    
13

          
     



               
      

      
 


  
   
 
                    
17

    
 
        

 
      



                          

21


           
     

24


Juegos de Antaño

 

              
25


1.

       
  
  
  
      

     


  
repite y
D.S.

        
29
2.

      
   
molto rall.

        



   
32

     
     
 
 
    
          

25


En el Jardín
a la niña Claudia Corona
Mario Ruiz Armengol


                      

    
    


      
5

       
M.I.
         
 
     M.I.

 


 
9 a Tempo

     
M.I. M.I.
   
    
pochis rall.
  



13

   
                    

    
    


17
                   M.I.  
        
M.I.


   
    


a
Poco meno quasi rubato

21

          
M.I.

                

       
        

26


En el Jardìn

  
26

              
  
       
       


        
30

         

           
 
 


    M.I.
Tempo 1
  
34

         
M.I.
    
      
      


D.C. y

38 meno

               


tiernamente
 
rall.
        


 
42

       
 
      
rall.

         

27
Aquellos Días


Mario Ruiz Armengol


               
    
   






5

      
         
    
         


  
9

               

    
     




  
     
13


               
   
               
    



   

      
17

         
 
            
28


Aquellos Días

a Tempo.

21

         poco
        
   
rall.


   
   


   
      
26

         

    
    


 



 
30

            
  
        

   


a Tempo.
        
34
ten.
           


    
 
   
rall.


 


 
38

            


rall.

     
   
  

Veracruz
Diciembre 1984
29
En Coatepec


  
Mario Ruiz Armengol

                    

     
 


    


            
4

      

             

  


          
7

       
     
  
           
     


       
   


10

    
 
                  


 

    
           
13

       
 
               
     


 2.   
 

16
1.

        
        
   
       
           
  


30
Rocío
 
Mario Ruiz Armengol

   
Samba-Bossa-Lento
  
 
     
             
 
                    
      


   
 
 a

 


5

           



           
      
 
               
      


  

 
  
          
9

  

         
 
       
              


            

 


13

  
   
                
            
  
                    



    
 

                      
   
17

     

      
                  


   

 
D.C.
repite y 
         
21

        
   
 
   
              


     
     
 x4
   

25

  
      
        



       
  
dim. poco a poco
  
    

31


Viejo Vals


Mario Ruiz Armengol

  
             
          
    
    
  


    

    
  


     

 
6

     
           
          
      
     


     
  
      
11

  
         
    
      
   
    
rall.
  



                  
a Tempo

     
16

     

       
     
   



               
21

    
     
        

      


a
       
26

      
  
    
    
   
    

32


Viejo Vals


poco animato


 
  
31

    
              

       
   
    
 
  


                   
36

       
      
      
  


             
               
41

   
        

   


   

  D.C.y
                              
 
46
1. 2.


  
     
rall.

      
   


               
52

  
 
   
     
  
 
      
   
   


 

 
M.D.


58 M.I.

        

    
 
   
M.I.

 
   
M.D.


33


Dos Corazones

                        
Mario Ruiz Armengol
Lento

  

           


   
mf

  


             
       
4

   


            
          


   
         



7

         
         
 
       
    
  


  

     
      
   
10

  

       
  
 

  


        
        
13


      

             

34
Dos Corazones

a Tempo
      
16

       
          

 
poco rall.

          
     


  
     
            

19


  
 
       
       



           
22

 
    
  
 
poco rall.

                   


 
      
 
Poco meno


25

           

        
rall.
  
   
Mèxico D.F.
X.E.W.1984
35


Quazi Mazurca
a Claudia Corona y Fam.

 
Mario Ruiz Armengol


                   
    
 
    


          
 
    



  
  
6

                   




 
      

    
    
M.I.

 
  




                   
11

   
  
     
    
      


   

  
16

                    
 
       
poco rall.

  
  
 


 a Tempo

 2.
a Tempo
 

     
           

         

21
1.

   
  
       
 
 

     
   


                 
   
26

  

   
 
  
   







        
36


Quazi Mazurca


       
      

    
33


  

       
 
          
    
M.I.


   
    
         
38

           
 
 

    
       


a

              
 
43

           
  
             
  
  
   



     
49

                      
      
           
 
  
 
  
   


      
           
54


      
   
 
 
            
    
   


D.S. y    
        
              
  
59

 
      
rall.
      
rall.

       


 
37


Debussyana
Mario Ruiz Armengol


Lento

                
p
                          

 



4

               
                       



7

              
                      



10 a Tempo

                
   
poco rall.

                       


       

 
13

                      
                  

                      
   
rall. rall. molto

           


Poco piú mosso
         
17 M.I.

   
  
 
        rall.

   
       
38


Debussyana


Allegro

  
1 ten.
ten. ten.
  
    
    


   

    

  


  
  
7

   
 
     
    
    

       
 


          rit.
12 ten.

        

       

     
   
  

       
 


      
17

           
   
    
      
    


 
22


  
    
          
    
  
poco rall.
  
     


               
    
27

            

 
 
         
        
 
39



Debussyana

         
           
   

     

32

       


   
     
 
poco rall.


 


36 Tempo 1

                     
     
pp
                        


           


Allegro
     
 
39


M.I. M.D.
       
           

             
     


    
      

42


      
M.I.M.D.
   
 
      
  
 


    
   
     
    
    
46

 
 
   
 
  
rit.




40
Rosas y Jazmines
(canción de cuna) Mario Ruiz Armengol

   
Calmo

      
            

                 
  


       
6

             
  
     
 
       


   

11

               
  
        
 
    


     

         
16

       
   
    
     
   

 
 


  2.
     


21
1.

                        
                 
        

41


Un Tierno Amor

 
Mario Ruiz Armengol

                  

           

 


  
4

  
       
       
    

   
 
      

  



                           
7

     

          

     




 
                          
10

           
       
  


a
            
      
 
13

       
 

                   
  

42
Un Tierno Amor

  

16

                 
                     

      
           


          
19

       
             
             

    
 


D.C. y
          
22

     
      
             
   
rall.
    
  



      
    

25

 
 
  
 
     

            
   


 
  
      
28

   
     
 

          

Abril 1987
X.E.W.
43


Canción sin Palabras
a Claudia y sus manos
Mario Ruiz Armengol

    
Lento

   
   
       
   
p dolce

                
   


   
 
    
 
 
5

     
  
    
  
 
    
    


              
9

   

 
 

                      
       


 
                   
13

      
  
rall.

      
     


  
a Tempo

       
 
17

 
 

  
               
        
44


Canción sin Palabras

           


21


         
  
  
    

     
  


 
  
   
     
25

   
  

     

   

     



  
     

29



    

     
 
 

    
24 Diciembre 1989
X.E.W.
45


Sonatina
I Mario Ruiz Armengol


All° comodo

                  
   
   
      
mf


  
5

                 
 
          
    


    
9

     
          
  
     
          


13
               
         

                 
 


           
       
        
17

   
        
   

     


    
                
21

    
  
   
          

 

46
Sonatina I
  
          
 

    
25

    

               
    
 



     
             
29

  

        
 
     



                      
       
33


           

 


    
          
37

     
       


            


  
  
D.C. poco meno
       
41

   
      
    
   

          
   


   

                  
46

        
  
          
             
  
  Mèxico D.F.
X.E.W.
Mayo 1985
47


Sonatina
II Mario Ruiz Armengol

      
Andante, lento

               
    
 
p


     
      
 


  
              
5

         

       
    
 
poco rall.
   


         
a Tempo

              
9


       
    
  


    
    
          
13

 

  
               



a
 
     
  
17

    

   
                   
      
 
48


Sonatina II

            
20

           

  
       
 
   
 


         
  
23

    
   

                           


 


                  
26

                  


   
  
   
         


D.C. y
             
                       
 
29

     
 
   
 

  
rall.

       
 
49
Sonatina


III Mario Ruiz Armengol

          
Rondó
              
        

               
      


   
           
5

              


     


                              
9

  
          
            


                               
12

   
   
              


15
     
              
         

   
   


       
      
18

     

             
   

50
Sonatina III

                        
21

     
     
                


  
24

       
      
              
   


  
                             
27

     
      

  


 

                            
30


    
          
    


           
 
   
33

  

           
     


 
                          
36

       
                
  



          

39

   
   
    
 
rall.

 Mèxico D.F.
Mayo 1985

51
para piano a 4 manos
Crepuscular
pianista II


Mario Ruiz Armengol

                    
1

   
        

        
p

  
poco rall.

     


a Tempo a
   
9

  
             
 
      


f


 


    
14

          
   
       

     
f


      

 


        
20

   
  
     

 
f p cresc. poco rall. rit. e dim.


     
 

 


       
         
                 
25

  
   
  
mf
 
mf dulce

     
            
    


52
Crepuscular

para piano a 4 manos
pianista I

               
Mario Ruiz Armengol


  
 
1

        
mf poco rall.

   
     

 


a Tempo
    
           a   
9


    
         
p
    



                      
14

 

                    
mf

   




  
            
        
20

   
 
mf p cresc. poco rall. rit. e dim.
   
 

      

  


 
                        
26

    

      
f

          
p

    
     
 

53
Crepuscular
p. II

                       
31 Solo

                  

    
poco rall.


      
 



     
a Tempo
            
      
37

   

        
    
  
f
      

 
  


 


     

  
42

      
  
 
               f    

       
        


     
 
    

48

           
                     
 
     
 
      



poco rall.

      

 
D.C. y
 
                     
54


    

        
rit. mf dulce

        




                
59 poco meno




      
 
    
      


54

      
Crepuscular

   
p. I
    
a Tempo
  
31

     

              
p poco rall.

      


                   
40
         
        

  
f
             
p

         
   



    
               
46

  

             



   


 

                        
D.C. y

53

  

                        


poco rall. rit. p dulce


  





        
  
  
poco meno
  
       
58



    
             
     
   
 
Agosto 1986
X.E.W.
55
De Tí, de Mí


para piano a 4 manos pianista II


Mario Ruiz Armengol
Tranquilo

    
1

              
       p   
   
p
 
     



7

       
   
 
               

      
   
     


  

     
13

                    
                     
f

    


 
a
19

                      


       
       
   
 



 
24

           
                
          
   
 
f

    


29

                 

          
   
       
     
     

56


De Tí, de Mí
 
para piano a 4 manos pianista I

    
Mario Ruiz Armengol

 
Tranquilo
   
sempre
           
1


         
f
            



 
     
                      
11


 
p legato

     
                      




            a          
           
17

   
          
                 


  
       
    
              
           
24

 

          
      

f

     
      
        
 


                     
       
  
30


3 3 3 3 3

                  
       
   
3 3 3 3 3

57
De tí, de Mí
p. II

   
       
34

          


 
f
   
      


 


      
37

       


  

 
p

 
  


    


D.C. y 

40

            
    
    

 
rall. molto
  
     





poco meno

                        
44

   
rall.

    
 
  
    
Veracruz
Febrero 1987
58


De tí, de Mí


p. I

                
   
34

 
          
3 3 3

     
p

   
 


3 3 3

         
    
          
37

   
 
    
f
               
 


f

      
41
           D.C.

y
            
       
rall. molto
            
      



poco meno
           
44


      
rall.
           
       
Veracruz
Febrero 1987

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