Académique Documents
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PASSAGES
The Man
He Killed
Thomas Hardy
The Sniper
Liam O'Flaherty
1. Distribute the handouts for the poem and story. Give students time to
complete the anticipation guide and contextual pre-reading. Author
links follow:
https://www.poetryfoundation.org/poems-and-poets/poets/detail/thomas-hardy
https://www.britannica.com/biography/Liam-OFlaherty
Allow students to share by using a “turn and talk” or other partnering
strategy. Lead a whole class discussion of the pre-reading (key
provided).
2. Complete the think aloud and discuss their observations of the
annotation process. Give students instructions for annotating their
own texts.
Moving On
3. Distribute “The Man He Killed” and have students read the poem
silently for basic comprehension. Have them rate their understanding
on the accompanying handout. Have someone read it aloud and
ask them to rate their understanding again. If desired, use this online
reading of the poem.
4. Now ask students to complete the L.I.S.T. graphic organizer for the
poem and discuss their responses (key provided). Have them rate
their understanding of their reading a third time.
5. By the third reading, and after their analysis with the graphic
organizer, they should have increased their understanding
significantly. Use this to emphasize to the students the importance of
rereading poetry.
6. Distribute the story, “The Sniper,” and have students read the
selection silently for basic comprehension. Have them share their
annotations in partners, groups, or as a whole class.
7. Then direct them to complete a literature web analyzing the excerpt.
Discuss their responses after they have finished (key provided).
8. Direct students to complete a Venn Diagram (key provided) or other
graphic organizer comparing and contrasting the two texts and
discuss.
Wrapping Up
9. Distribute the on-demand writing task (set a time limit if desired). This
prompt has been developed to imitate the PARCC prototype. A short
literary analysis essay rubric is provided.
© 2016 K.Patrick (OCBeachTeacher
Anticipation Guide
Pre-Reading
Think Aloud
Listen as your teacher models how to make annotations during a think
aloud. What kinds of notes did he or she make?
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During Reading
As you read each selection silently, make your own notes (annotations)
about the text. For instance, you may write questions you have, draw a
star next to an important idea, underline key words or phrases, or make
any other notations that your teacher asks you to include. Be prepared
to share you annotations.
Rereading
First Reading
1 2 3 4 5 6 7 8 9 10
Second Reading
1 2 3 4 5 6 7 8 9 10
Third Reading
1 2 3 4 5 6 7 8 9 10
Historical Context
In the early 20th century, from 1921 – 1923, there was civil war in Ireland.
This violent time started in 1919, when the Irish Republican Army fought for
independence, hoping to free Ireland from the British. In 1921, England
signed the Anglo-Irish Treaty, creating an Irish Free State. However, the
agreement required all but six northern counties to recognize the British
monarch. As a result, not everyone in Ireland agreed with the treaty.
Fighters who had been united, now divided into two groups, the Irish
Republicans and the Irish Nationalists, causing a civil war. Liam O’Flaherty,
a veteran, wrote about the terrors of war and the effects it had on the
people.
Vocabulary
Use your background knowledge, look in a dictionary, or talk with a
partner to define the words from the story and poem below:
Ascetic: _______________________________________________________________
Parapet: ______________________________________________________________
Informer: ______________________________________________________________
Paroxysm: _____________________________________________________________
Ruse: __________________________________________________________________
Remorse: ______________________________________________________________
Gibber: _______________________________________________________________
The long June twilight faded into night. Dublin lay enveloped in darkness but for
the dim light of the moon that shone through fleecy clouds, casting a pale light as
of approaching dawn over the streets and the dark waters of the Liffey. Around
the beleaguered Four Courts the heavy guns roared. Here and there through the
city, machine guns and rifles broke the silence of the night, spasmodically, like
dogs barking on lone farms. Republicans and Free Staters were waging civil war.
On a rooftop near O'Connell Bridge, a Republican sniper lay watching. Beside
him lay his rifle and over his shoulders was slung a pair of field glasses. His face was
the face of a student, thin and ascetic, but his eyes had the cold gleam of the
fanatic. They were deep and thoughtful, the eyes of a man who is used to looking
at death.
He was eating a sandwich hungrily. He had eaten nothing since morning. He
had been too excited to eat. He finished the sandwich, and, taking a flask of
whiskey from his pocket, he took a short drought. Then he returned the flask to his
pocket. He paused for a moment, considering whether he should risk a smoke. It
was dangerous. The flash might be seen in the darkness, and there were enemies
watching. He decided to take the risk.
Placing a cigarette between his lips, he struck a match, inhaled the smoke
hurriedly and put out the light. Almost immediately, a bullet flattened itself against
the parapet of the roof. The sniper took another whiff and put out the cigarette.
Then he swore softly and crawled away to the left.
Cautiously he raised himself and peered over the parapet. There was a flash
and a bullet whizzed over his head. He dropped immediately. He had seen the
flash. It came from the opposite side of the street.
He rolled over the roof to a chimney stack in the rear, and slowly drew himself
up behind it, until his eyes were level with the top of the parapet. There was
nothing to be seen--just the dim outline of the opposite housetop against the blue
sky. His enemy was under cover.
Just then an armored car came across the bridge and advanced slowly up the
street. It stopped on the opposite side of the street, fifty yards ahead. The sniper
could hear the dull panting of the motor. His heart beat faster. It was an enemy
car. He wanted to fire, but he knew it was useless. His bullets would never pierce
the steel that covered the gray monster.
Then round the corner of a side street came an old woman, her head covered
by a tattered shawl. She began to talk to the man in the turret of the car. She was
pointing to the roof where the sniper lay. An informer.
The turret opened. A man's head and shoulders appeared, looking toward the
sniper. The sniper raised his rifle and fired. The head fell heavily on the turret wall.
The woman darted toward the side street. The sniper fired again. The woman
whirled round and fell with a shriek into the gutter.
© 2016 K.Patrick (OCBeachTeacher
Suddenly from the opposite roof a shot rang out and the sniper dropped his rifle
with a curse. The rifle clattered to the roof. The sniper thought the noise would
wake the dead. He stooped to pick the rifle up. He couldn't lift it. His forearm was
dead. "I'm hit," he muttered.
Dropping flat onto the roof, he crawled back to the parapet. With his left hand
he felt the injured right forearm. The blood was oozing through the sleeve of his
coat. There was no pain--just a deadened sensation, as if the arm had been cut
off.
Quickly he drew his knife from his pocket, opened it on the breastwork of the
parapet, and ripped open the sleeve. There was a small hole where the bullet had
entered. On the other side there was no hole. The bullet had lodged in the bone. It
must have fractured it. He bent the arm below the wound. the arm bent back
easily. He ground his teeth to overcome the pain.
Then taking out his field dressing, he ripped open the packet with his knife. He
broke the neck of the iodine bottle and let the bitter fluid drip into the wound. A
paroxysm of pain swept through him. He placed the cotton wadding over the
wound and wrapped the dressing over it. He tied the ends with his teeth.
Then he lay still against the parapet, and, closing his eyes, he made an effort of
will to overcome the pain.
In the street beneath all was still. The armored car had retired speedily over the
bridge, with the machine gunner's head hanging lifeless over the turret. The
woman's corpse lay still in the gutter.
The sniper lay still for a long time nursing his wounded arm and planning
escape. Morning must not find him wounded on the roof. The enemy on the
opposite roof covered his escape. He must kill that enemy and he could not use
his rifle. He had only a revolver to do it. Then he thought of a plan.
Taking off his cap, he placed it over the muzzle of his rifle. Then he pushed the
rifle slowly upward over the parapet, until the cap was visible from the opposite
side of the street. Almost immediately there was a report, and a bullet pierced the
center of the cap. The sniper slanted the rifle forward. The cap clipped down into
the street. Then catching the rifle in the middle, the sniper dropped his left hand
over the roof and let it hang, lifelessly. After a few moments he let the rifle drop to
the street. Then he sank to the roof, dragging his hand with him.
Crawling quickly to his feet, he peered up at the corner of the roof. His ruse had
succeeded. The other sniper, seeing the cap and rifle fall, thought that he had
killed his man. He was now standing before a row of chimney pots, looking across,
with his head clearly silhouetted against the western sky.
The Republican sniper smiled and lifted his revolver above the edge of the
parapet. The distance was about fifty yards--a hard shot in the dim light, and his
right arm was paining him like a thousand devils. He took a steady aim. His hand
trembled with eagerness. Pressing his lips together, he took a deep breath through
his nostrils and fired. He was almost deafened with the report and his arm shook
with the recoil.
After reading the text and making annotations, complete the Literature Web organizer
below to analyze the text. Be sure to reference specific words or lines.
Key Words
Feelings Structure
Themes
Images
Literary Devices
Use the Venn Diagram below to compare and contrast the two
texts.
Use what you have learned from Thomas Hardy’s poem “The Man He
Killed” and Liam O’Flaherty’s story, “The Sniper,” to write an essay that
provides an analysis for how the authors depict the relationships between
soldiers and their enemies in war.
As a starting point, you may want to consider what is emphasized,
absent, or different in the two texts, but feel free to develop your own
focus for analysis. Develop your essay by providing textual evidence from
both texts. Be sure to follow the conventions of standard English.
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Complete the following Anticipation Guide by circling your level of agreement for each statement.
Then provide specific reasons for your opinion on the lines below the statement. Be prepared to share.
• As a result of the American Civil War, there is a saying “brother against brother” to demonstrate
the conflicting loyalties between soldiers in border states.
• In general, civil wars can result in combat between friends, family, and neighbors.
• Here is an example: Capt. William Goldsborough of the Confederate 1st Maryland Infantry
captured his brother Charles Goldsborough of the Union 1st Maryland Infantry and took him
prisoner in1862 at the Battle of Front Royal,.
• Although it may be accidental, “friendly fire” is weapon fire coming from one's own side,
causing injury or death to one's own forces.
• Throughout history, there are numerous American citizens that have been identified as spies and
traitors to our country. Some names include Adam Yahiye Gadahn (aka, “Azzam the
American”), Aldrich Ames, Julius and Ethel Rosenberg, Robert Hanssen, and Benedict Arnold.
No doubt, they betrayed loved ones.
• However, some students may say that many American wars have been fought overseas, so
soldiers fight against enemies from other lands.
Think Aloud
Listen as your teacher models how to make annotations during a think
aloud. What kinds of notes did he or she make?
She circled end rhyme and identified the rhyme scheme. She also starred
some of the pronouns and identified the point of view. Additionally, she
wrote a question about a vocabulary word she didn’t know and looked
up the dictionary definition. Finally, she inferred and summarized what
she thought the speaker of the poem was saying.
During Reading
As you read each selection silently, make your own notes (annotations)
about the text. For instance, you may write questions you have, draw a
star next to an important idea, underline key words or phrases, or make
any other notations that your teacher asks you to include. Be prepared
to share you annotations.
Historical Context
In the early 20th century, from 1921 – 1923, there was terrible conflict and
civil war in Ireland. This violent time started in 1919, when the Irish
Republican Army fought for independence, hoping to free Ireland from
the British. In 1921, England signed the Anglo-Irish Treaty, creating an Irish
Free State. However, the agreement required all but six northern counties
to recognize the British monarch. As a result, not everyone in Ireland
agreed with the treaty. Fighters who had been united, now divided into
two groups, the Irish Republicans and the Irish Nationalists, causing a civil
war. Liam O’Flaherty, a veteran, wrote about the terrors of war and the
effects it had on the people.
Vocabulary
Use your background knowledge, look in a dictionary, or talk with a
partner to define the words from the story and poem below:
After reading the text and making annotations, complete the Literature Web
organizer below to analyze the text. Be sure to reference specific words or lines.
Key Words
Sniper
Cursed
Republicans
Free Staters
Parapet
Lifeless
Killed
Feelings Structure
Images
Literary Devices
“dim light of moon
Simile (like dogs that shone through
barking)
fleecy clouds”
Metaphor (gray
monster) “blood oozing
Personification (bitten through his sleeve”
by remorse) “bullet pierced the
Irony (brother’s face) center of the cap”
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