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q.

= 108
2nd Sonata for Solo Guitar Martin Grayson Op. 10
Allegro

      
 14          41   4  1 44   1 4 1  4 14  2  14  
1 2 2 
Guitar
2 1 2
mp2 2 2

           4 1  4 1                


      
Gtr.
2 2


1/2III 
4  4 
7 rit. Andante
 
              10 4  0  1  4  1  41    1  4 13   
1 

  3  
Gtr.
3 
2  
3  2  1
1
f
q. = 108
Allegro
           
                
9

                   
  
    
Gtr. 4

0  
1
2
p

4  
12

 4     1                                 


  
Gtr.

1 2
    
VII

                       


  Andante 
15 4

        
1              
 
3

  
2
Gtr.

  
f
q. = 108
   
f
 
18 Allegro

                                        


 
         
Gtr.
     
 
21 rit. rit.

Gtr.                      


           
   
 
Andante  Allegro
 
24

                       



         
        
 
Gtr.

 
      
f mf
f
 
27
  
Gtr.                             
     

 
     
30 secco

       
   
3 4 1 3 4 1 3

 1   


Gtr.
  2  
2 1
0
p
2 q = 40 II - Adagio
     
          
      4 41 14  131  1 4 
Adagio
 
 

Guitar             
    
1 2

pp   

4 4  
  4  1  1  4

0   1 1    1 
   4         
 023 
40

 00 12  12212   2      1 



1 1 1 1 4

0  0  0 
Gtr. 2 0
2
 
1

            4  
  
46 4

 
4 4 4 1 4
1 1

1 1
2 2 2
  
Gtr. 2
3 3
0 0

3 3      
             
   
50

 
 0 
Gtr.
pp    

q. = 104
III - Finale
56 allegro assai

      2   4   4     
  3     2   3     2 
Gtr.
3 3 3 0 1 3 1
2 0 1 1
f 1 2 3 1 2 3
0 0

63

             1  4  1  
  
Gtr.
    1   4 2 1 3 14
3 0 2
1
  4 2 3 f
0 mp

70

     
 1  3  2  3     1 
Gtr.
 1  1  
2
3 0 3
0 3 0

    1 3  
 0 2 1
 2   
74

4 3

   
1

1 
Gtr. 
    
3

Moderato q. = 76
0  
  0 3 1 0 0         0  3  2  0 0  2  0 3  1 0 0  4 0  

Gtr.79
2
 1   
0 
2
p  0 1

84
1    2  0  0  
  0   0  4 

2 
            3      3 1 3 2  3  0 3 1 3 2 3 
4 4

0 
Gtr. 0

3 1 3 1 3 0  1 3 2
0 2 0
mf

   1 
1/2II I

1  0 1  0  1  0  0     
89

  1 00  2 2 
1

       3   3                     
Gtr.
0 2 1 2 0 4 3 1 3 2 3  1 2 3
0 0
p f
 q. = 104
  12 4 1 4
 3    12 4 1  3       

       
95 4 4 2 1
 
  
  
2 2 4
Gtr.
 f mp

4

104

   010    010        0     


1

2 1      2     
Gtr.
2 0 0
p 2 2
4 4 1 1 4
2 0
0 3
0 f 1

      rit.
           
     
     
    
111

                    


0
1

   03                                     
Gtr. 0
2
2
0 0
3 3
3
ff

         
4 2 4 
 3  2 4    3  2 4    4  1 4  3  4 1 
4 4
       2 4 
a tempo 4

32 1 32 1
120

3 3 1 
Gtr.  
f

 1  4   1 1     4  1 14 2  1 4 3  1  1  3  4 1 2 


1   4
3 3
3  2 
127 1 1
4 2 
 
2
Gtr.  

mp

   
3 4 3  1  0  0     

      
134 

   3  2  3 2   1     
2        
0            
Gtr.

1  0  1 0  1  0   3 mf  
f ff
Suite of 5 Pieces - I - Prelude

Moderato 1 2 4 Martin Grayson Op. 1 No. 1

   134 
  
q = 138
0  

  3   
   4 0  0 
0 2
2 2
  
 0

0

0
 0 
2 2 2
   
4 4
 
Guitar 4

3 
1

3 3 2 0 0
1 1 1 1
1 0
mp

 

6 1


 02  0  2 4  02 
4

0

1  1  3  
1

 1 3  4 
Gtr.
  3 1 
2
1 0

0  0
pizz. pizz.

 
       
10
 
1 I 1 I

 
4 1 4 1

 
    
Gtr.
3
f 1  1 2 4 f 1      1 2
 0
p
0

pizz. pizz.

 1   4  1   4  1 
 11  1 
14
3 3 3 3

4
    
 2 3 4 0 1 2 
1

   
1
    
Gtr.
       
  3 4 2 3 4 0 1 2 3 4 1
1
0
3 1 2 ff

     24 


17

   
2

0 0 0

3 
0 0

      
2 4

 
2 2
    3
 1  3  1  3
Gtr. 1 1 1 3
1
1

1
1
1
1
 
0 1
 3
 1
1 1
0 ff
 mf
mp 3 mp 3
pizz. pizz.
3


 1    
  
0
 20    
2

21
    
4 2 4 4

2 0 2 2

   1          
0 2 0 0 0 1
4 3 3
 1  1       
4 4

Gtr. 4

 1  0 
3 3 1 3 2

3 1 1
1 1
0 4 3 2
mp
3 3
f

1  4 1 3      

1  4 2   1 2  4  0
1

 1  1  2
26
  1    
3

4
      
0
 
2
  
Gtr. 1 1 1 3
1 2 1 2 4
f 


1
 II

   
31

   

  
4 2 0 0

  1 2 4  1   
0

2 2

1   
4

Gtr. 4 1


3

2 3 1
1 1 1 1
 p f
0
II - Homage to Granados
2

   
q = 126
Allegretto4     
Martin Grayson Op. 1 No. 2
           
1/2V
  1   1
 
 
  
4

1 4 1 4
3 1 4 3 1 4
2 2
Guitar 3 3
2 2
       

 2 2  40 1   0 


3 0 1
0 
      12  2  
46
 1   1
1 3
 1 4 
1 3
  
4 1
1
1


0
3
2  3 
2 2 0 0
2
Gtr. 1 3 0 0
    
2 4

 
  3 14  3 1 3 1 1 4 2 1  12  4 2 1 4
  
4 0 0 0 3 0 2

 31   2     
53
  4
 1  2 
 
Gtr. 1

       

          
1/2VIII

      
2 4 2 0 3

0          


59
     
 3 
      
Gtr.
0

II

     


66
4 2 3

        
3
Gtr.            
              

 4
    
IV

   
72

      

 4 3 1 4 3 1 4 2 0 4 2 0 
              

  
Gtr.
      1 1
  
1

         


1 VII
1 3 4

        
80 
    
  

           
Gtr.

          
VII

          

 
1/2III

 
87
  
1

 00  
2
3

 
Gtr.
 0    

        

   
 
      
93

  
   
   
Gtr. 
      
III - Sunset in New Mexico Martin Grayson Op. 1 No. 3
q = 721 2 4 3
1 2 4

                  
2 2 2 2 1 2
Adagio
 
      
1 2 0 2
2 1 0
Guitar  1 
0


          
3 4 3 1 3 3 4 3 1 3 4 1 3 4 0
 
105 4 2 0 4 2

          
3 0
0 2 3
Gtr.

  

       4  4 
4
 
          3
3 3 4 2 4 2 4 1 4 1 1 1 1 1
111

 1 4 
Gtr.      
 

1 1
 4  3 
1 1 1

3 
       
3 1 3 2 1 0 1 2 3 1 0 2 1 1 0 3 0 1 0 3 1 0 3 0

3
115
     
                     
4

Gtr.   
   
1 4 2 1
     4   
3 2 1 3 4 3 4

                 34      
3 1 4 3 1 4 3 1 4 1

118

     

Gtr.     
 


2 4  4  
       
2 4 2 2 2
  2         
121

  1 
   
 
Gtr.

   3
3

  
                         
124
 
Gtr.     
   
rit.

           2 1 2 4 2
3 3
126   

   
1  
0 1  0
Gtr.
    
f   
p mf
IV - In the Phrygian Mode
4 Moderato
Martin Grayson Op.1 No 4

  1 2 4 1  1    1 2  
 32 12  2  23             3  4  

 
3 4
  3 
2 3

    
  
Guitar

mf pp

  1  1 4    4   1 24  1       
VIII VII

 2  1
2 3  3 2         
134 2

3

 3  
4 4


3
 0  2 
Gtr.
1 1
mf pp
 4 4 
        41  11 2 0  3 4 4    1  1
3 3 4   2 
 13 31 23 
II

 1  1 00 

139

  0  0   1   3 
3 1 3
Gtr.
  0  
4
 
3
 f p
mf

145
      3 4  3 4 1 24    4   4 2142        

    
3

 
1 2

 
Gtr.
mf p

 
 4  3  4  1  2          4  4  4 
   3  3 

149 3
2

 
3
4 1 1
Gtr. 2

f p f


  1   0  1       

2 4   
153 1

0
1
 1 2
1

3 
Gtr.
 
mp 
V - Improvisation Martin Grayson Op. 1 No. 5
1/2 IV 5

  1  2  
3 3 3

          
4/6 III 1
  
Moderato
2 
5

    1 
4 4

1
 
 43   00    
  
Guitar

 3 f  mf 
mf

   1 2   1 2     3   3   3  3 3 3 3 3
         
3

 3  3      


161

 4  4      
     
Gtr.

mp
f   
rit.

1/2IV

 
3 3 3 1/2VII 1/2IX 1/2V 1/2IV
       
Allegro
 
167
  
        
      
Gtr.

  p

 
1/2II 1/2IV 1/2VII 1/2IX 1/2V
  
174

   3  
  
2  a   
4

   p    
Gtr.
m
p i

mf
  
 rit.
    

3 

       
181
2       
 1 
     
Gtr.

     
f
 3
4
3 3
  11           1           
187Andante 3 3 3 3 3 3

   32  1 
          
3 1
 
0
  0
 
Gtr.

0
p     mf 

             2 3 11            


3 3 3 3 3 3
          
3 3 3
190 4

    
 
Gtr. 2

  f 
1
  

 
3
3 2 1 3  32
3
 
3 IV 3 IV 3
 
VII 3
193  
Allegro I 3
   
3 3
   
3
    
3
   
1

Gtr.    
mf 1  1
    0     

3 3

       3  11       1


VI 3 II 3 3 3 3 3 3 3
 1    1
196 3 3 3 3 3

4

      3
 0
0  
3

 
 
Gtr.
3
0
  
2
f 0
6
3 3 3 3
4             3   3    3
3 3

 3        
3
 
3

200
1   
3
  


1 4

 2 3  
  
Gtr.

  mf 
2
ff

 
3

3

   
3 3
 
3 3
 
3 3
  
203 3 3
   
3
   
3

      


Gtr.
     

3 3
  4      
X 3

VII 3
         
VI 3 3 3 3

               13      11      


IV 3 3
206 3 3

      
  
Gtr. 2

   ff

3 3
      3
3
3    4   1
3
3 3 3 3 3
            2       1
3 3
                      
209
3  2 
        
 0 
0    
Gtr. 4 3

3 3
 4  
3 3

           3   
3 3
      
3 3 3 3
     
3 3

        1  


212
1 
1

     
1


2

       
Gtr. 1 3

3

3

                   
3 3 3 12har3 3 3 3
  
3
 1 2 3

3
  
3
   
215 3
     
1
2 2
 
3

4
Gtr.
     4   
p subito


1/2IV

       3            


3 3 3 rit.
2
218 5 4

       
  
Gtr.
3 3 3 3 3 3

mf
I - Prelude Martin Grayson Op. 21 No. 1
Moderato 3          
   
         

             
  
Guitar 
3 3 3

6                             
                  
5
Gtr.
           
3 3 3 3 3 3 3 3 3 Rit
3 3 3

                 
3 3 3 A Tempo
11 3 3
       
3
 
                                   
 
Gtr.
 
   
16
         
                 
             
Gtr.


3 3 3

22
     
Allegro Moderato
              

         
Gtr.
 
p

                    
   
25

   
Gtr.    

28
                   
         
Gtr.
  

        


      
32
               
Gtr.           

 
          
                    
36
 
      
     
Gtr.
       

40
                                    
Gtr.         
        



2

                              


44

          
Gtr.
 


                                
                    
48

           
        
Gtr.
  

52
                             
    
              

Gtr.
      

                          
           
57

          


  
    
 
Gtr.
  

  
62 Rit. Molto Rit

       
       
     
Gtr.



65
   
A tempo
     
 

 
Gtr.        
 
      
    
 
II - Fourths 3

    
Martin Grayson Op. 21 No. 2

     
       
  
                
Guitar

   
                
73
 
        
    
         
       
   
Gtr.



          
3 3
77
  
                         
     
   
                           
            
Gtr.

 3 3 
                        
5 5


81

                 
  
 

  
  
   
              
Gtr.


     

85

       
      
       
      
  

   
Gtr.

    
        
R.H.harm



   
89

    
 
Gtr.
 
  

 
III - Tango

    
4
         
Martin Grayson op. 21 No. 3
     
Tango tempo 3

Guitar  
                 
  
    

         
3 3 3

          
                    
97

Gtr.   
    
 
              

3
        
                  
   
101

Gtr.  
   

          
                      
   
105

    
Gtr.
     

  
             
                
110

 


  


Gtr.

    
 

        
            
114

 


    


Gtr.
   
 
 

IV - Toccata
Martin Grayson Op. 21 No. 4
q = 80 5

                
     
            
3
   
        

Guitar

Laissez vibre
                           
123

 
Gtr.  
2

 
128
         
                    
Gtr.  
2 2

                
132 R.H. hars

                   


             
 
Gtr.
               
Laissez vibre f 
137
                  
       
 
          
Gtr.        
2
Laissez vibre
 q. = 100
141
                
Gtr.                  
2    
145

                                    

       
Gtr.
       
148
           
                        
         
Gtr.
      
         
151
    
            
                       
Gtr.

154
                 
             
       
Gtr.


       
157

                                    
       
Gtr.
     
160

                             
                       
Gtr.
6

 
                        
163

  

   
   
Gtr.


  
166
           
Gtr.        
                             

169
          
Gtr.                 
                  

           


172

                            


Gtr.  


176
                            

         
   
 
Gtr.
2 2

     
                               
181

   

     

Gtr.
  
    
    
186

           


Gtr.
     
  
    
                       
190

Gtr.       
     
    
       
195
                            
        



Gtr.
 

                
198

Gtr.   
  


200
      

Gtr.   
 
 
V - Oriental Martin Grayson Op. 21 No. 5


3 7
     
Moderato Sul tasto

     
    
    
    



      
    
Guitar
 ff 3
 
Adagio
p3 mp

                   
Moderato 3 7:4
 0 
208
 
3 3 3 3 3 3

           
2 4

3   
1   
Gtr.
 3
p f

 4                
p mf

212

Gtr.  2
 1 2                 
1

p 
 
      
216
   
       
3
Gtr.
    

    3
3

3

   
3
               
222
    
  
Gtr.      

 3   
 3 3 3

3 Poco rit. f A tempo violently
          3
   3
   3
  
         
227


3 3

           3   3   3  


       
Gtr.

3 3  ff
232
               
Gtr.                 
  

p Sul tasto
 
                              
237

       



   
Gtr.

         
rit.

                             


241

Gtr.   
f
 
    

Sul tasto Sul tasto

   
244

   
 







     
  
Gtr.
   
    
  
3

   


248

   
Gtr.
   
 
 
R.H.
8 q = 208
VI - Finale Martin Grayson Op. 21 No. 6


Allegro

                    
       



Guitar
 




256
                                       
Gtr.         
3 3 3 3 3 3 3 3

rit.
260
         to Coda

                                   
3 3 3 3 3 3 3 3

 
Gtr.
3 3 3 3 3 3 3 3  
q = 100
264

             
          
    
  
  
  
  
  
       
Gtr.

269

            
      
    
  
    
  
  
  
  
  
  
Gtr.
 

          
         
274

          
      


                 
Gtr.
 

                      
280

  
                 


Gtr.

           
283

                                      
 
Gtr.
       

           
285

Gtr.                                2    4  
           

                             
287

Gtr.       


           
9

                      
                    
289

Gtr. 
           

          


            
291

Gtr.       


           
   
        
Tremolando
            
293

Gtr.     
     
i m
    
m i m

            0  1  
295

 
 0 0   
Gtr.
   2    
0 3


297
    
        
          
   
Gtr.
   

             
299

     
Gtr.
       
D.C. al Coda
3 3 3 3 rit.
       
301

Gtr.                       


          
q = 108
III
304 
                            
Technique as bar 296

    
Gtr.
          

                
            
307

Gtr.       


 

          
3 3 3 3

ami
309

    
           
Gtr.
 
