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n by flicking through the news channels; earth quakes, tsunamis and nuclear disa
ster in Japan, famine and AIDS epidemic in Africa, religious genocide and persec
ution in the middle east, the conversion of vast stretches of wild habitat into
natural resource refineries, the exponential extinction of species, the toxifica
tion of our soils and water sources, the death of untold millions in Darfur and
countless other catastrophes. Morbidly watching these travesties night after ni
ght in front of my flickering blue screen, I can't help but become consumed by d
ownheartedness. My thoughts quickly spiraled out of control... What good are th
e scribblings of a painter, the musings of a poet or the improvisations of a mus
ician when our world is increasingly saturated by suffering souls and tragedy?
There are helpless victims out there that need our help. They need clothes, the
y need food, they need doctors, they need shelter and yet here I am, day after d
ay, expending great sums of energy writing music, conjuring images with paint an
d trying to rhyme words. Isn't it all just a sweeping waste of time and energy
that could so much more effectively be toward helping those in need?...
Soon enough I found myself in that place all artists have become ever so familia
r with - the path way to the "dark night of the soul." It is a place where one
comes to resent his art. Where he entirely discounts his creative talents and t
he usefulness of all artistry. But on the other side of that dark night lies a
place of deep conviction. I say this not out of blind optimism but out of real
experience. After what seemed like an endless "dark night" I've emerged bathed
in hope and conviction with an indelible truth all artists must urgently learn.