Académique Documents
Professionnel Documents
Culture Documents
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Special Thanks to:
My sister (Heidi Blackwood), My Father, Mother, Grandparents and Aunt,
The KCAI Grapic Design faculty, Peggy Noland, Maegan Stracy, Keanan
Duffty, Harley Sears, and Rachel Rolon.
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MY OBJ ECTIVE S
an innovative contribution to fashion My primary message is to clearly articulate the influence that graphic design can have
elements of clothing design? intentional relationship of form-making. How does graphic design translate to a three-
dimensional form like the human body? What about the human body in motion?
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MY P R I MARY AU DI E NCE C OM P ETITIVE LAN DSCAP E
My primary audience for this project is fashion designers, textile designers and There are many trailblazers in the use of print and pattern on clothing. Basso &
graphic designers. My secondary audience includes those who are fashionably Brooke, for example, is a label that is largely revered for their pioneering use of the
inclined and interested in clothing. I will be essentially making a line of menswear digital print technique within the fashion industry.
clothing. Gerlan Jeans is another leading print-based fashion line. It is the brainchild
of Gerlan Marcel, who creates extremely playful, bold, and bright prints as the most
expressive and essential part of her clothing.
Manish Arora is perhaps the most extreme case of two-dimensional prints in
fashion. The Indian designer uses extremely dense pattern work to create spectacular
fashion designs that often imitate nature. His designs are really over the top and
W H AT ’ S S O M E A N I N G F U L A B O U T C L O T H E S ? difficult to digest. A complete sensory overload.
But for me, The most inspiring fashion print pioneer is the late Alexander
McQueen. His genius and talent was supernatural and dark. McQueen’s women’s
What we wear each day is the external representation of ourselves; it’s how we present SS09 collection featured multi-coloured diamond facet prints which he applied to
ourselves to the outside world. Some of us chose to amplify that expression, and really leggings, dresses, and jackets. His lace and geometric print leggings are also incredibly
have fun with style and fashion, while others are content with something that just striking to me. His deep and twisted genius has had a profound effect on my work as a
allows them to feel comfortable. Whatever your tactic is for dressing yourself everyday, graphic designer embarking on a love affair with digital textile printing.
there is no denying that fashion is like an art piece that we wear on our bodies, instead
of exhibiting on a canvas or presenting as a printed artifact. It is the one aspect of our
lives that we can’t help but be even the least bit expressive with. Each garment that
you chose to wear says something about yourself.
In my exploration I am interested in
balancing functional and wearable
garments for men that are also highly
expressive. They will demonstrate an
ornamental form-making with a high
level of refinement, derived from my
visual communication training.
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FORMAL
I N S P I R AT I O N
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Gareth Pugh - Layered Silk Trench Jacket
Asger Juel-Larsen
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Songzio SS11
Qasimi Homme
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Bernhard Willhelm
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Bernhard Willhelm
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MODELS
D R E W B O LT O N M AT T H E W H U F F MICHAEL WIEHE
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GRAPHIC
E X P L O R AT I O N
& EXPERIMENT
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Leggings sketch #2
K W I K - S E W S E W I N G PAT T E R N S
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BIKE SHORTS
S E W I N G PAT T E R N
E X P E R I M E N T No. 2 — L E G G I N G S S E W I N G PAT T E R N
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E X P E R I M E N T No. 2 — C A P E S E W I N G PAT T E R N *
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E X P E R I M E N T No. 3 — L E G G I N G S D I G I TA L T E X T I L E P R I N T
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I have decided now that whatever final artifact(s)
I create, will be menswear garments only.
E X P E R I M E N T No. 4 — C R O Q U I S S K E T C H E S
cape shirt
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E X P E R I M E N T No. 3 — C R O Q U I S S K E T C H E S
trousers
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E X P E R I M E N T No. 3 — C R O Q U I S S K E T C H E S
on right: trousers
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Geometry Study #2
the penrose triangle
Geometry Study #1
Geometry Study #4
E X P E R I M E N T No. 3 — (S Y M M E T R I C A L ) G E O M E T R Y S T U D I E S
As a simple exercise in form making, I have created symmetrical geometry studies. The use
of symmetry in these abstract graphic forms is associated with the way that the human body is Geometry Study #3
built on a symmetrical structure, and therefore clothing is naturally partial to being created in
a symmetrical format.
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R E V I S E D P R OJ E CT P R O P O S A L Q U E S T I O N
TRANSFORM
How can my work transform,
enhance, compliment, disguise, and
ENHANCE
camouflage the human form through COMPLIMENT
graphic treatment?
DISGUISE
CAMOUFLAGE
S P E C U L AT E D T O O L S / M E D I A
TRANSFORM
& CAMOU F LAG E
TRANSFORM
& OPTICAL I LLUS ION
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V I S U A L S T H AT T R A N S F O R M , E N H A N C E , C O M P L I M E N T,
DI SG U I S E, OR CAMOU F LAG E TH E FOR M
CAMOU F LAG E
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V I S U A L S T H AT T R A N S F O R M , E N H A N C E , C O M P L I M E N T,
DI SG U I S E, OR CAMOU F LAG E TH E FOR M
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OPTICAL I LLUS ION
ENHANCE
I LLUS ION OF
MOVE M E NT
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GARMENTS
IN PROGRESS
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