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An investigation of acoustical
properties of the air cavity of
the violin
Jansson, E. V.
journal: STL-QPSR
volume: 14
number: 1
year: 1973
pages: 001-013
http://www.speech.kth.se/qpsr
STL-QPSR 1/1973
I. MUSICAL ACOUSTICS
Abstract
In a preliminary survey of experimental results, it was shown
that higher a i r modes in a violin-shaped cavity can be excited (l).
In the present report the experimental apparatus and the findings
a r e reported in detail, and a f i r s t analysis of the results a r e given.
It i s proved that resonance frequencies can be predicted by means
of f i r s t o r d e r perturbations, the losses a r e approximately three
times minimum (boundary layer losses), but considerably smaller
than calculated 10s se s calculated for a typical absorption coefficient
of architectual acoustics.
1. Introduction
The walls of the sounding box of the violin enclose almost entirely
the a i r volume. The total a r e a of the walls i s approximately 100
times l a r g e r than that of the f-holes. The zero-order resonance of
this cavity, i.e. the Helmholtz resonance, i s well known and has
been proved to be important for the low-frequency properties of the
violin ( 2 * 3). The size of the cavity i s large enough to support many
higher resonances in the frequency range of amplification(*). T r a c e s
of higher a i r modes have been found(5). It i s commonly accepted,
that the position of the f-holes "damps out" the higher a i r modes,
o r that these modes a r e ineffective sound radiators('). The small
a r e a of the f-holes compared to the enclosing surface a r e a suggests
that higher modes exist. Such modes may, however, still be irn-
portant a s coupling mechanisms between the places. In a prelimi-
nary presentation of this experimental work, it has been shown that .
a t least between the f i r s t top plate mode and the first higher a i r mode
there exists such coupling (7) .
This work was conducted to improve the understanding of the
properties of the enclosed a i r volume. The investigation is a natural
continuation of the detailed studies of plate vibrations. Although a
good understanding of the plates only was obtained, some phenomena
of the complete instrument was still not possible to explain.
The shape of the violin cavity is complex. The position and shape
of the f-holes a r e also complex. However, both the measures of the
STL-QPSR 1/1973
2. Theory
F o r r e a d i l y r e f e r e n c e and discussion, l e t u s f i r s t s u m m a r i z e
m o s t l y well known equations and formulas. The sound p r e s s u r e p
f o r a simple h a r m o n i c wave obeys the wave equation, which, ,with
the common t i m e dependent p a r t removed, can be written a s
cos
P = Po sin (my ) c o s ( ~ , z ) J , ( ~ , ~ )
a l m o s t constant c r o s s - s e c t i o n S
0
STL-QPSR 1/1973
F o r a rectangular room
2
-
Pthe r m a l
2
mg v*p0 Rs
Pviscous --•
- 2 2
9 Ex cy "z
29 Af
if Wk = -
const
then 0 = Wo 2Af + dW
(~nf)~ [-TI
0
W 0 )-I
and -
A fo = 1/2(1 t
AW -
0 P
where fo i s the resonance frequency of the unperturbed mode. In
the c a s e of a s m a l l hole perturbation ( s m a l l radiation l o s s e s )
-
radiation l o s s e s Pr can be calculated a s
3. Experiments
\r?
4. Results
RESONANCE D E N S I T I E S I N ENCASED V I O L I N
CLOSED and OPEN F-HOLES
IV l OL i NSHAPED
I
CYLINDRICAL
kHz
--
- -
[ I
MAX. SOUNDPRESSURE
M l N . SOUNDPRESSURE
PHASE 0
PMASEn I
I
i
0 >
2.0 kHz
RECTANGULAR ROOM
QmV=3,3n
a =0,33
I 1 I
0 . 4
2a
F L A T V I O L I N S H A P E D ROOM
(.
r
. C Y L I N D R I C A L ROOM
-
loo -
- a,,= 2,3e
a =0,15
I I 1 rn
0 1 2 3 4 kHz
Q-+ 10 J f '
f + 4 kHz
- 0,,=2,9Vf
U =0,42
I
1 1 I
2 3 4 kHz
0 I
150 -
100 -
50 -
6 =0,65
I
0 t 1 I 1
0 1 2 3 4 kHz
5. Conclusions
Acknowledgments
References
(1) E. J a n s son: "Recent Studies of Wall and Air Resonances in
the Violinff, paper QQ3 presented a t the 84th Meeting of
the Acoustical Society of A m e r i c a , Miami Beach, NOV.
28-Dec. i , 1972 and STL-QPSR 4/1972, pp. 34-39.
(2) F. A. Saunder s: "The Mechanical Actions of Violinstf, J.
Acoust.Soc. Am. 9 (1937), pp. 81 -98.
(3) J. C. Schelleng: "The Violin a s a Circuit", J. Acoust. Soc.
Am. 35 (i963), pp. 326-338 and p. 1291.
(4) E. Jansson: "Analogies between Bowed-String Instruments
and the Human Voice, Source F i l t e r Models", STL-QPSR
3/1966, pp. 4-6.
(5) F. A. Saunders: "Recent Work on Violins", J. Acoust. Soc.
Am. 25 (1953), pp. 491 -498.
( 6 ) s e e , for instance, ref. (3).
(7) see r e f . (I).
(8) J. W. Rayleigh: Theory of Sound, Vol. 11, pp. 66 -68 (Dover,
New York 1945).
(9) J. W . Rayleigh: Theory of Sound, Vol. I, pp. 336-338 (Dover,
New York 1945).
(10) L. Crerner: " e b e r die akustische Grenzschicht von s t a r r e n
Wanden", Archiv d. Elektr. Ubertragung 2 (1948), pp.-
136-139.
I