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By Karen Haid
We’ve all admired young children speaking what seemed to be the most elegant
French or a particularly articulate Chinese, thinking that the child in question must
certainly be exceptionally gifted. But upon reflection, we reason that this is obviously
the child’s mother tongue, and we realize that we, too, would have had the same
capacity to dazzle non-English speakers when we were toddlers.
Often the ability to speak two or more languages is reserved for those lucky few
raised in bilingual households, but that doesn’t have to be the case. Anyone with the
capacity to learn a first language has the aptitude to learn a second. So why does it
seem so daunting?
These historical, formalistic methods are often considered to be what one thinks of
as traditional language learning. The major disadvantages are that the target
language is not actively used, vocabulary and grammar are taught isolated from
context, and the texts themselves are treated as mere exercises. In the twentieth
century the focus of language learning shifted from academic reasons to
communicative necessity, prompting a plethora of theories, studies, and new
approaches. Many of these methods attempt to imitate or capture, each in its own
way, the process of mother-tongue language acquisition.
The Direct Method strives to replicate the total immersion of a child learning his
native language, but can this experience be duplicated at an older age and/or in a
classroom several times a week? Many of the principles of this method have validity;
however, strict adherence to a system of this sort, particularly outside the country of
the target language and with relatively minimal contact time, can sometimes lead to
frustration.
The Audio-Lingual Method, developed for American troops in Europe during World
War II, is based on behavioral theories from earlier in the century. Here, language is
seen as a mechanical activity, and learning occurs via the acquisition of linguistic
habits. Students practice language patterns through structured dialogues and drills,
with an abundant use of tapes (CDs) and visual aids; emphasis is placed on
pronunciation; memorization and mimicry are encouraged; explicit grammar
instruction isn’t given.
Contemporary Methodologies
Another valuable learning theory that has greatly influenced language teaching and
has led to new methodologies is the idea that students are all individuals with
differing strengths, weaknesses, and ways of learning. For example, Total Physical
Response is a method that purports language must first be internalized before verbal
participation is possible. In teaching, classroom roles would be similar to those of a
parent with a child in which the child must respond physically to the words of the
teacher. This type of teaching works well with students who need to be more
physically active. A good example of a TPR exercise would be the game called Simon
Says, and with some imagination, features of this method can be used with older
students as well.
The Silent Way Method focuses on problem solving, in which the student discovers
the language, its rules, and its functions through inductive reasoning. This method
could be considered the opposite of Audio-Lingualism as the teacher only prompts
the students, who must work out the problem for themselves. An everyday example
of this approach’s application occurs when a teacher doesn’t correct a student
outright but instead indicates that a mistake has been made by means of a gesture
or a question, thus allowing the pupil to come to the right answer on his own.
So what is the best approach? Teachers need to examine all methods and
incorporate the most effective aspects of each according to their particular situations.
Generally, a mix works best, and many find that the Communicative Approach is the
most successful all-around method. Furthermore, incorporating a variety of activities
within the focus of each lesson helps reinforce key points while maintaining interest,
particularly with beginner, intermediate, and younger students.
How to begin is always a difficult question, but when to start is sooner rather than
later. The first decision is which language to study—one from the family’s heritage,
one for future work or vacation possibilities, or one for which there is a good mother-
tongue teacher in the community? Are there siblings or friends studying the same
language for possible interaction and group activities? Is the parent/teacher already
familiar with a language to be able to start out and/or help the student?
But even with the most careful preparation, how a student reacts in a new language
situation is not easy to foresee. An otherwise confident, outgoing individual may
withdraw when suddenly faced with the prospect of expressing himself in an
unknown language. Therefore, correction should be gentle and criticism avoided. The
student shouldn’t be pushed to speak before he or she is ready, and an approach
compatible with his preferred learning style will increase motivation and
effectiveness.
Simon Says
Easy Card Games, i.e., Go Fish
Bingo with words and pictures
Matching games with words and pictures
Role-plays, i.e., with introductions using toys and stuffed animals
Pantomiming animals
Rhythmic chanting with clapping
Singing with hand motions
Tic/Tac/Toe and Hangman with vocabulary
Karen Haid is a certified ESL and Italian language teacher who, having learned two
foreign languages as an adult, wonders how many she would have spoken had she
begun her language odyssey sooner.
Copyright, 2011. Used with permission. All rights reserved by author. Originally
appeared in The Old Schoolhouse® Magazine, Winter 2010-11.