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Follow this plan for exam success

Two hour
As Revision
April30
exam, including 2011
mins for viewing & notetaking.
Exam
17th May pm Section A
Textual Analysis and Representation
An ‘unseen’ 4-5 minute extract from a TV Drama with one

AS G322 Key Media Concepts


compulsory question dealing with textual
analysis of various technical aspects of the
languages and conventions of moving image
media. Link this analysis with a discussion of some
aspect of representation within the sequence.
Camera Angle, Shot, Movement and Composition
Mise-en-Scène
Editing
Sound
Focus on how these techniques create meaning &
representations of specific social types,
Gender
Age
Ethnicity
sexuality
Class and status
Physical ability/disability
Regional identity
groups,
Skills
events or places within the extract

Section B
Institutions and Audiences
One question on the British Film Industry.
The processes of production
distribution
marketing & exchange at local, national or international
level & British audience’s reception & consumption.
Continued on Page 2

Key Concepts
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Continued on Page 3
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Continued on Page 5

REVISION PLAN: IF YOU STICK TO THIS PLAN YOU WILL COVER EVERYTHING IN GOOD
TIME PAGE2

For all of these titles complete a timed


Revise the issues raised by
essay and email to me for feedback to media ownership in
shsgmedia@mac.com contemporary media
Get classpractice
notes &
hand outs
into order
Follow this plan! Blog & evaluation
Revise: How important Rhoncus tempor
is cross media Revise & answer
submitted on line placerat.
convergence and What are the issues raised in the targeting of
synergy in production. national and local audiences (specifically,
distribution and British) by international or global institutions?
Revise: What is the
marketing?
significance of proliferation in
hardware and content for
institutions and audiences?

Revise: What technologies


Revise & answer: How
have been introduced in recent
important is technological
What are the issues raised in years at the levels of
convergence for institutions
the targeting of national and production, distribution,
and audiences?
local audiences (specifically, marketing and exchange?
British) by international Back
or to
school institutions?
global institutions?
How do your own
How do your own experiences
experiences of media
of media consumption
Revise & answer: How doand
your own
Premier consumption illustrate
illustrate wider patterns
experiences of media consumption wider patterns and trends of
trends of audience e?
illustrate wider patterns and trends audience
Revise TV behaviour?
Drama throughly , every
behaviour?
of audience behaviour? time you watch TV
Summarise all your classnotes and
Exa
revision notes onto smaller cards, one
m
card for each topic

1/2 term
shsgmedia@mac.com | http://southendmedia.blogspot.com/ | ‘It’s on the blog!’
Camera Shots, Angle,
Movement and Composition
Shots: establishing shot, master
shot, close-up, mid-shot, long shot,
point of view shot, over the
shoulder shot, and variations of
these.
Angle: high angle, low angle,
canted angle.
Movement: pan, tilt, track, dolly,
AS REVISION
crane, steadicam, hand-held, PAGE 3
zoom, reverse zoom.
Composition: framing, rule of
thirds, depth of field – deep and
shallow focus, focus pulls.

TV Drama
Editing
Includes transition of image
and sound – continuity and
What you need systems.
non-continuity to know
Cutting: shot/reverse shot, eyeline
match, graphic match, action
match, jump cut, crosscutting,
parallel editing, cutaway; insert.
Other transitions, dissolve, fade-in,
fade-out, wipe, superimposition,
long take, short take, slow motion,
ellipsis and expansion of time,
post-production, visual effects.

Sound
• Diegetic and non-diegetic
sound;
synchronous/asynchronous
sound; sound effects;
sound motif, sound bridge,
dialogue, voiceover, mode
of address/direct address,
sound mixing, sound
perspective.
Soundtrack: score, incidental
music, themes and stings, ambient
sound.

Mise-en-Scène

Production design: location, studio,


set design, costume and make-up,
properties.
Lighting; colour design.

Not every one of the above


technical areas will feature
in equal measure in any
given extract. Therefore
discuss what is appropriate
to the extract provided and
to the discussion of the
representation asked for.

A study
You needof specific
to show
production companies,
how these
Working Title,
technical
elements
Momentum createtheir
specific
patterns of production,
representations
distribution, of
exhibition
and consumption
individuals, by
groups,
audiences.
events or places and
Along with an
help to articulate
examination of
specific messages
The Collector,
contemporary 1234
film Main Street, Any Town, State ZIP | 123-456-7890 | www.apple.com/iwork
and valuespractices
distribution that have
(digital significance.
social cinemas, DVD,
HD-DVD, downloads, etc)
and their impact upon
be
andof...
consumption.

You have to show that


Gender
you
Age understand and can
discuss
Ethnicitythe processes of
AS REVISION
production,
Sexuality distribution,
marketing and exchange
PAGE4
Class and status
as they relate to the Film
Physical ability/disability
Industry, as well as the
Regional identity
nature of audience
consumption of film and
the relationships

Film: Institutions &


between audiences and
film institutions.

Audiences
Possible question issues:

What are the issues raised by


media ownership in
contemporary media practice?

How important is cross media


convergence and synergy in
production, distribution and
marketing?

What technologies have been


introduced in recent years at
the levels of production,
distribution, marketing and
exchange?

What is the significance of


proliferation in hardware and
content for institutions and
audiences?

How important is technological


convergence for institutions Exercrure
and audiences? dolor in
reprehend
What are the issues raised in
the targeting of national and
incid idunt. Ut
local audiences (specifically, labore et
British) by international or dolore magna
global institutions? ali qua. Enim
ad minim
How do your own experiences
veniam, quis
of media consumption illustrate
wider patterns and trends of nostrud diam
audience behaviour? nobis sed
tellus suscipit
in.
The key assessment objectives

for Institutions and Audiences

and TV Drama are:


AO1: Demonstrate knowledge
and
The understanding of media
Collector, 1234 Main Street, Any Town, State ZIP | 123-456-7890 | www.apple.com/iwork
concepts, contexts and critical
debates, using tterminology

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