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10 Techniques

in 10 Days
Nicholas Veinoglou
The “Chord Quake”

and Sliding Chords


10 Techniques in 10 Days

Day 1
Lesson

1. Chord quake technique


by Nicholas Veinoglou
#
a) Example 1
Transcription: Jan Jakut
E ²9 U C-

#### 4
7

V œ œ œ ‹œ œ œ #œ œ œ
œ ‹œ œ œ #œ œ œ
œ œ
4 œ œ œ ‹ œ œ #œ œ
œ
Hold chord Hold chord
sl. sl. sl. sl. sl. sl. sl. sl. sl. sl. sl. sl. sl. sl. sl. sl.
4
7 6 7 5 4 5 5
8 7 8 4 3 4
6 5 6 6 5 6
7 6 7 4 3 4
0


#### œ ‹œ œ œœœ
œ œ œ œ #œ œ œ œ œ
3 3

V œ
3 œ œ
Hold chord
sl. sl. sl. sl. sl. sl. sl. sl.
4 3 4 4
5 4 5 5
6 5 6 6
7 6 7 7
0 0

b) Practice

#### ww œ ‹œ œ œ #œ œ w
E ²9
V œœ œœ ww œ œ
œ œ œ œ œ ‹œ
œ œ œ œ w
Hold chord sl. sl. sl. sl. sl. sl. sl. sl.
7 7 6 7 7
8 8 8 7 8
6 6 6 6 5 6
7 7 7 7 7 6 7
0 0 0 0 0

c) Application: funk rhythm pattern with chord quake technique

D
#7 E 7
E7
#### n œœ .. œœ ¿¿ ¿¿ œ œœ .. œœ ‰ nœ œœ ¿¿ ¿¿ œ œœ
‹ œœœ œœ
j
V œ
‹ œœ œ. œœ œ. j œœ œ
œ œ œ
.. ..
sl.

¿¿ ¿¿ ‰ ¿¿ ¿¿
6 7
5 6
6 7
. 7
6
6
5
6
7
6
7
. 6
6
6
5
6
7
6
7
7
6
6
5
6
7
6
7
0 0 0
2

#
E7 D 7 E7
# # n œœ .. œœ .. n œœ ..
V # # œœ ¿¿ ¿¿ œ œœ œ ¿¿ ¿¿ œœ ¿¿ ¿¿ ¿¿ ¿¿ œ
j j
œ. œœ œ. œ. œ œ œ œ œ œ
œ œ
‹ œœ œ ‹ œœ
œ
. . .
sl. sl. sl. sl.

7. ¿¿ ¿¿ 7. ¿¿ ¿¿ 7. ¿¿ ¿¿ ¿¿ ¿¿
6. 6. 6.
6 7 6 7 6 7 7
5 6 5 6 6 5 6 6 5 6
6 7 6 7 7 6 7 7 6 7
0

2. Sliding chords
a) Shell voicings

C² D- 7
˙˙ ˙˙
V ˙˙˙ ˙ ˙˙ ˙˙
˙˙ ˙ ˙
Drop 2 voicing shell voicing Drop 2 voicing shell voicing
R-3-7 R - b3 - b7
3 5
5 6
4 4 5 5
5 2 7 3
3 3 5 5

b) Application

D- 7 E- 7 A- 7 C² D- 7 F²
œœ œœ œœ
V œœœ œ œ œœ œœ
œ
œœ
œ* œ
œ*
2 3 3 2

sl. sl. sl. sl.

5 7 12 4 5 5 9
3 5 10 2 3 3 7
5 7 12 3 5 5 8

* Fingering root note: put down ring / middle finger mid-slide


10 Techniques in 10 Days

Day 1
Chord shapes

E∆9 C#-7 A∆ E7
6fr. 4fr. 4fr. 6fr.

shell voicing

C∆ C∆ D-7 D-7
3fr. 2fr. 5fr. 3fr.

shell voicing shell voicing

E-7 A-7 F∆
5fr. 10fr. 7fr.

shell voicing shell voicing shell voicing


10 Techniques in 10 Days

Exercise 1
C to F chord quake

1. Basic harmonic progression

ww
C² F²
4
V 4 .. www ww ..
w
I IV
. .
. .
3 8
4 9
2 7
3 8

Ex. 1: practice individual chords first

œœ # # œœ œœ ¿¿
C² F²
œœ # # œœ œœ ¿¿ œ œ
V œ œ #œ œ œ œ œ # œ
œ œ
sl. sl. sl. sl. sl. sl. sl. sl. sl. sl. sl. sl.

2 1 2
3
4
2
3
3
4 ¿¿ 7 6 7
8
9
7
8
8
9 ¿¿
3 2 3 8 7 8

Ex. 2: combine the chords

œœ # # œœ œœ ¿¿
C² F²
V .. œ œœ # # œœ œœ ¿¿ œ œ ..
œ œ œ # œ œ œ œ œ #œ

. .
sl. sl. sl. sl. sl. sl. sl. sl. sl. sl. sl. sl.

¿¿ ¿¿
. .
3 2 3 8 7 8
4 3 4 9 8 9
2 1 2 7 6 7
3 2 3 8 7 8
10 Techniques in 10 Days

Day 1
Songsquad by Nicholas Veinoglou
Transcription: Lawson Kennard
= 137
C 7 A 7 G 7

0 X X
16 13 11 X X
14 14 X 11 11 X 9 9 X X
16 X 12 X 11 X X

A G 7 F 7
3

13 11 9 X X
11 11 X 9 9 X 7 7 X X
12 X 11 X 9 X X

5 C 7 A 7 G 7

P.M. P.M.

16 X 13 11 X X
14 14 X 11 11 9 9 X X
16 12 11 X X
0

A G 7 F 11
7

P.M. P.M. P.M.

0 0 0 0 0 0
0 0 0 0 0 0 0 0
13 11 9 9 9 9 9 9 9 9
11 11 X 9 9 7 7 7 7 7 7 7
12 X 11 9 9 9 9 9 9 9
0
2

9
F 7 G 7 A6 9 A 7

sl.
4 3 4
2 4 5 5 5 4 5 5
2 4 4 4 6 5 6 6
2 4 4 X 7 6 7 X
X X X X X X
2 X X 4 X X 5 X

B 7 D 7 C 7
11

2 4 9 7
4 7 5 9 8 7 5
2 5 4 6 4
4 X X 7 X X 6 X 6 5 4 2
3 X X 6 X X 4 X 4 2
4 2

13
F 7 G 7 A6 9 A 7

sl.
4 3 4 4
2 4 5 5 4 5 5
2 4 4 X X 6 5 6 6
2 4 4 X X 7 6 7 7 X X
X X X X X X X X
2 X X 4 X X 5

B 7 D 7 C 7
15

4 12 12 12 12
4 7 5
2 5 4 X X 9 9 9 9 X
4 X X 7 X X 6 X X X
3 X X 6 X X 4 X X

17
F 7 G 7 A6 9 A 7

sl.
4 3 4 4
2 4 5 5 4 5 5
2 4 4 X X 6 5 6 6
2 4 4 X X 7 6 7 X X
X X X X X X X X
2 X X 4 X X 5
3

B 7 D 7 C 7
19

H
2 4 9 7
4 5 7 5 9 8 7 5
2 5 4 6 4
4 X X 7 X X 6 X 6 5 4 2
3 X X 6 X X 4 X 4 2
4 2

21
F 7 G 7 A6 9 A 7

sl.
4 3 4
2 4 5 5 4 5 5
2 4 4 X X 6 5 6 6
2 4 4 X X 7 6 7 X X
X X X X X X X
2 X 4 X X 5

B 7 D 7 C 7 C 11

23
*

sl. sl. sl. sl.


2 5 4
4 6 7 5 7 6 7 19
2 5 4 8 7 8 20
4 X X 7 X X 6 6 5 6 6 18
3 X X 6 X X 4 7 6 7 7 19

* hold down fingers

C 7 A 9 F 11
25

0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0
16 16 13 13 X X 11 11 11 11 11 11 11 11 13
14 14 X 11 11 X X 9 9 9 9 9 9 9 9 11
16 16 X 12 12 X X 11 11 11 11 11 11 11 11 12

A 9 Eadd9 G F 11
27

0 0 0 0 0 0 0
0 0 0 0 0 0 0 0
13 13 X 11 11 X X 9 9 9 9 9 9 X 16
11 11 X 9 9 X X 7 7 7 7 7 7 X X
12 12 X 11 11 X X 9 9 9 9 9 9 X X

* let E and B strings ring through bar


4

C 7 A 9 F 11
29

0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0
16 16 13 13 X X 11 11 11 11 11 11 11 11 X 13
14 14 X 11 11 X X 9 9 9 9 9 9 9 9 X 11
16 16 X 12 12 X X 11 11 11 11 11 11 11 11 X 12

A 9 Eadd9 G F 11
31
*

0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0
13 13 X 11 11 X X 9 9 9 9 9 9 9 9 2
11 11 X 9 9 X X 7 7 7 7 7 7 7 7 2
12 12 X 11 11 X X 9 9 9 9 9 9 9 9
0 2
*bend neck to produce vibrato
Lenny Breau
“Waterfall”
Harmonics
10 Techniques in 10 Days

Day 2
Lenny Breau "Waterfall" harmonics

1. Basic technique
a) Creating harmonics b) Combining harmonics with open strings

‚ ‚
‚ ‚ ‚
i+p

4 œ ‚
i+p m i+p m

‚ ‚ .. ..
V4 ‚
Harm. Harm. Harm.
12
. 0 0
.
. .
12
12 12 12
12
12
12

Touch the string lightly with the index finger of your picking hand
and move it away from the string after plucking the string with
your thumb.
10 Techniques in 10 Days

Exercise 1
C Maj7

1. Waterfall harmonics

C² ‚ ·
‚ ‚
4
V4 ‚
*Harm.

3
5
4
5
3

* Waterfall harmonics: pluck with index and thumb + 12 frets


[ 3 = 15 ]

Exercise

C² ‚ ‚ ‚ ‚
‚ ‚
V .. ‚ ‚ ..
Harm.

. .
. .
5 5
4 4
5 5
3 3
10 Techniques in 10 Days

Exercise 2
Adding notes

Preparation


‚ · ‚ ·
4
V 4 .. ‚ ‚ ..
Harm.

. .
. 3
5
4
3
5
4
.

Harmonics and regular notes combined



‚ œ ‚ œ
V .. ‚ œ ‚ œ .. .. ‚ œ Œ ..
Harm. Harm. Harm. Harm. Harm.

. . . 3
Π.
. . . .
5
4 4 4 16
17
15 15 15
10 Techniques in 10 Days

Day 2
Songsquad by Nicholas Veinoglou
Transcription: Lawson Kennard

C 7
= 73

let ring throughout


3 3
5 5(17) 5
4 4(16) 4(16) 4
5(17) 5(17)
3(15)

3 C7

3 3
5 5(17) 5
3 3(15) 3(15) 3
5(17) 5(17)
3(15)

F
5

1 1
1 1(13) 1
2 2(14) 2(14) 2
3(15) 3(15)
3(15)

Fm
7

1 1
1 1(13) 1
1 1(13) 1(13) 1
3(15) 3(15)
3(15)
2

C 7 Dm7
9

5 6
4 5
3(15) 5(17)

Em7 Am11
11

7
8 5
7 5(17) 5
5(17)
7(19) 5(17)
5(17)
Introduction
to classical
Tremolo
10 Techniques in 10 Days

Day 3
Introduction to Classical Tremolo
p - thumb
i - index
m - middle
a - ring

Application example by Nicholas Veinoglou


Transcription: Jan Jakut

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
4 œ œ œ œ
V 4 .. œ œ
p a m i simile

. 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7

.
8 8
9 9 9 9
10 10

A- 9
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œ ..
V
œ œ
p a m i simile

7 7 7 7 7 7 7 7 7 7 7 7 5 5 5 5 5 5 5 5 5 5 5 5
.
.
8 8
9 9 9 9
0 0
10 Techniques in 10 Days

Exercise 1
Basic movements

1. Fundamental movements
a) p - a - m - i

4 œ œ œ
Practice very slowly !

V 4 .. œ .. p - thumb
i - index
p a m i m - middle

. .
0 0 0 a - ring

. .
0

b) Tremolo exercise
Slow to mid-tempo

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ .
V .. œ .
p a m i simile

. 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
.
. .
0 0 0 0 0 0 0 0
10 Techniques in 10 Days

Exercise 2
Arpeggio and tremolo

p - thumb
i - index
m - middle
a - ring

1. Fundamental movements
a) Preliminary exercise

A- 9
A-9
3 œ œ œ
V 4 .. œ œ .. 5fr.
œ
p

. .
. .
5
5 5
5 5
0

b) Tremolo exercise

A- 9
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œ œ
V .. œ œ ..
œ
p a m i simile

. 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
.
. .
5
5 5
5 5
0
10 Techniques in 10 Days

Day 3
Songsquad by Nicholas Veinoglou
= 170
Transcription: Lawson Kennard
G

10 10 10 10 10 10 10 10 10
12 12
12

Bm
3

10 10 10 10 10 10 10 10 10
12 12
11

B
5

10 10 10 10 10 10 10 10 10
12 12
10

Am
7

8 8 8 8 8 8 8 8 8
10 10
9
2

A
9

8 8 8 8 8 8 8 8 8
10 10
8

G
11

7 7 7 7 7 7 7 7 7
8 8
7

D
13

5 5 5 5 5 5 5 5 8 8 8 7 7 7 5 5 5
7 7 5 5
7 7 7

G
15

3 3 3 3 3 3 3 3 3
3 3
4

B
17

7 7 7 7 7 7 7 7 7
7 7
8
3

Em
19

7 7 7 7 7 7 7 7 7
8 8
9

Am A
21

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5
5 5 6

D
23

5 5 5 5 5 5 5 5 5
7 7
7

G
25

3 3 3 3 3 3 3 3 3
3 3
4

G
27

sl.
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
3 3 3 3
0 0
4

G
29

sl.
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
4 4 4 4 4
0 0

G6
31

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
5 5 5 5 5
0 0

G7
33

7 7 7 7 7 7 7 7 7
6 6
0

C
35

8 8 8 8 8 8 8 8 8
8 8
9

Cm
37

8 8 8 8 8 8 8 8 8
8 8
8
5

G Am
39

7 7 7 7 7 7 7 7 7 5 5 5 5 5 5 5 5 5
8 8 5
7 5 5

G
41

3 3 3 3 3 3 3 3 3
3
4
5
3
10 Techniques in 10 Days

Exercise 3
Trem with lead lines

1. Pentatonic box a) Motif

#### 4 œ œ œ œ œ Œ
9fr. V 4

12 9
11 9 Œ
11

b) Approach note from below w / bar b) "Crying sound" w / bar

####
j œ j
#œ #œ œ j
œ n œj œ n œj œ œj œ
#œ nœ nœ
j j œ j
#œ Œ
#œ j
Œ
V œ nœ nœ

w / bar * w / bar **

11 12 8 9
10 11 8 9 Π12 11 9 8
11 10 9 8 Œ
10 11 11 10

* Press bar down before attack, then release ** Press bar down after attack, then release
Trem Bar 101
(Whammy)
10 Techniques in 10 Days

Day 4
Songsquad by Nicholas Veinoglou
Transcription: Lawson Kennard

= 90 7 7
C E

w/ bar
vibrato w/bar throughout

P
9 12
9 11 9

-1½

3 A 7 A 13

P P w/ bar
9
13 11 9
11 9
0

5 C 7 E 7

w/ bar

P
9 12
9 11 9

7 A 7 A 13

P P
9
13 11 9
11 9
2

C 7 E 7

17 17 16 16 14 14 12 12 17 17 16 16 14 14 12 12

* bar flutter

-½ -½ -½ -½
A 7 A 13
11

-½ -½ -½ -½

12 12 9 9 7 7 9 9 12 12 9 9 7 7 5 5 5 5 5

C 7 E 7

13

17 17 16 16 14 14 12 12 17 17 19 19 21 21 19 19

A 7 A 13

15

full 1½

w/ bar
17 21

17 C 7 E 7

9 12
9 11
3

A 7 A 13
19

P P H
9 9 9
13 11 9 9
11 9 9 11

21 C 7 E 7

9 12
9 11

A 7 A 13
23

P P
9
13 11 9
11 9

25 C 7 E 7

9 9

27 A 7 A 13
How to Slide

Without a Slide
10 Techniques in 10 Days

Day 5
How to slide without a slide
by Nicholas Veinoglou
Transcription: Jan Jakut

a) Ascending Major pentatonic

#### 4 œ œ œ
œ œ
V 4 œ
0 2 5 7 9 12

b)Emulating slide guitar sounds: legato techniques, vibrato and Derek Trucks-inspired picking technique

#### ~ œ œ œ œ œ œ œ œ œ œ œ n œ ~œ
V ‰ œ œ œ œ
j œ œ œœœ œ
w / fingerstyle [ i - m ]


H sl. sl. sl.

0 2 2 5 5 5 7 7 9 12 7 9 7 5 7 5 3 5 2 3 2 0 0

~
c) Exercise
throughout

#### œ œ ˙
V
sl.

5 7 9
10 Techniques in 10 Days

Day 5
Songsquad by Nicholas Veinoglou
Transcription: Lawson Kennard

E
= 82

9
0 2 5 7 9 12 12 12 12 12 14 9
9 9 9 9
9
0 0 0

E 7
3

0
9 9 9 9 8 7
8 8 7
9 9
0 0 0

A6 Am
5

7 7 5 5 5
6 5
7 7
0 0 0 0

E AE E
7

5 5 5 5 0 2 5 7 9 12
4 6 4
6 7 6
0 0 0
2

E
9

9
12 12 12 14 9
9 9 9 9
9
0 0 0

E 7
11

0
9 9 9 9 8 7
8 8 7
9 9
0 0 0

A6 Am
13

7 7 5 5 5
6 5
7 7
0 0 0 0

E G 7
15

4
5 5 5 7 5
4 5
6 6
6
0 0 0 4 4
3

C m C m(maj7)
17

5 5 5 5 5 5
6 5
6 6
4 4 4 4

C m7 C m6
19

5 5 5 5 5
4 3
6 6
4 4 4 4

A 9 AB
21

0
0 0 5 5 4 5
6 6
6 7
0
0 7 7

23
E AE E

5 5 5 0 2 5 7 9 12
4 6 4
6 7 6
0 0 0
4

E
25

9
12 12 12 14 9
9 9 9 9
9 9
0 0 0 0

E 7
27

0
9 9 9 9 8 7
8 8 7
9 9
0 0 0

A6 Am
29

7 7 5 5
6 5
7 7
0 0 0
5

31
E

5 5 0 2 5 7 9 12
4 4 4
6 6
0 0
5

E
33

9
12 12 12 14 9
9 9 9 9
9 9
0 0 0 0

E 7
35

0
9 9 9 9 8 7
8 8 7
9 9
0 0 0

rit.
A6 Am E
37

7 7 5 5
6 5 5 4
7 7 7 6
0 0 0 0 7
0
Nicholas’

Acoustic Toolkit
10 Techniques in 10 Days

Day 6
Songsquad by Nicholas Veinoglou
Transcription: Lawson Kennard

= 84
C E F

P sl. P H H
0 3 0 0 0
1 1 0 4 3 1 1 1 1 1
0 0 0 2 2 0 2 0
2 0 2 3 3 3
3 3 2
0 0 1 1

3
C E F

H P sl. P H
P P
3 0 0 3 0 0
1 0 4 3 1 1 1 3 1 1
0 0 2 2 2 0
0 2 2 2 2 3 3 3
3 2 2 3
0 0 1 1 1

5
C E F

H P sl. P H H
3 0 0 0
1 1 0 4 3 1 1 1 1
0 0 0 0 0 2 2 0 2 0
0 2 2 0 2 2 3 3 3
3 2 2 0
0 1 1

C E F F 7
7

P sl. P
H H
3 0 0 0 0 0 0 X
1 1 0 4 3 1 1 1 1 1 1 1 1 1 X
0 0 0 2 2 2 2 2 2 2 2 X
0 2 2 2 2 3 3 3 3 3 3 3 3 X
2 2
0 1 1 1 1 1 1 1 1 X
2

9
CE F G A7

1 1 1 3 5 5 5
0 2 2 4 5 5 5
X X 3 3 3 X 5 5 X 5 5 5 X X
0 X X 3 3 3 X 5 X X X X
0 X X 1 1 1 3 X X 5 5 5 X X

CE F F 7 G G 7 A7
11

P sl. P P
0
1 1 5 6 5
0 2 2 X 4 4 5 X 8 7 5
X 3 3 X X 5 X 3 X X 5 X 7 5
0 X 3 3 X X 5 X X X
0 0 X 1 1 1 X X 3 X 4 X X 5

13
CE F G A7

0
1 1 1 3 5 5 5
0 2 2 X 4 4 5 5 5
0 X X 3 3 X X 5 5 X X 5 5 X
X X 3 3 X X 5 X X X 0
0 X X 1 1 1 X X 3 X X 5 5 5 X X

CE F F 7 G G 7 A7
15

0
1 1 1 5 5 5
0 2 2 2 X 4 X 4 5 5 5
X 3 3 3 X X 5 X 3 X X 5 5 X X
0 X 0 3 3 3 X X 5 X X X X X
0 X X 1 1 X X 3 X 4 X X 5 5 5 X X

C E F 7
17

P
P sl. P H
0 3 0 0 0 0 3 0
1 1 0 4 3 1 1 1 1 1
0 0 0 0 2 2
2 2 0 2 3 3 3 0
3 2
0 0 1 1
3

C E F 7
19

P sl. P P P
H H
0 3 0 0 0 0 0 0 3 0 0
1 1 1 0 0 0 4 3 1 1 1 3 1 1
0 0 0 0 0 0 0 2 2 2 0
0 2 2 0 2 2 3 3 3 3
3 3 2 2
1 1

C E F 7
21

P
H
sl. P
H
0 3 0 0 0 0 0 0
1 1 1 0 0 4 3 1 1 1 1 1
0 0 0 0 0 2 2 0 2 0
0 2 2 0 2 3 3 3 0
3 3 2
0 0 1 1

C E F
23

P
H sl. P
3 0 0 0
1 1 1 0 4 3 1 1 1
0 0 0 0 0 2 2
0 2 2 0 2 2 3 3
3 3 2
0 0 1 1
Music Theory:
Secondary
Dominants &
Diminished
Chords
10 Techniques in 10 Days

Day 7
Secondary Dominants and Diminished Chords

by Nicholas Veinoglou
1. Music theory basics Transcription: Jan Jakut
a) Diatonic dominant: V - I b) Tension - resolution example

G7 C G7 C
4 œœ œœ œ
V 4 ˙˙˙˙ ˙
˙˙˙ œœ œœ
œ œœ
œœ
˙ œœ œœ
V7 I
1 1 0
3 1 3 3 3 1
4 0 0 0 0
3 2 0 0 2
5 3 2 2 3
3 3 3
"Primary dominant"

2. Secondary dominants
a) Dominant function for the Vi chord I -[ III7 = V7 / Vi ] - Vi

E7 A- 7 C E7 A-
# ˙˙ ˙˙ œœ œ œ œ ww
V ˙˙ ˙˙ œœ # œœœ ww
˙ œœ
build 7th chord from
+ 5th above or
- 4th below target chord
0 0
9 5 1 0 3 1
7 5 0 1 2
9 5 2 0 2
7 7 3 2 0
5 0

b) Dominant function for the ii chord I -[ VI7 = V7 / ii ] - ii

A7 D- 7 C A7 D-
œ œ
˙
V # ˙˙˙ n ˙˙˙ œœ
œœ
œ # œœœ ww
ww
˙ œœ
˙
5
5 6 5 5 5 8 6
6 5 5 6 7
7 7 5 5 7
7 5 3 7 5
5 5
2

3. Diminished chords
a) Diminished chord voicings b) Application: a half-step below the target chord

A°7 D °7 G
#°7 = E7b9 / G# #
A- 7 C °7 = A7b9 / C# D- 7
˙ b ˙˙˙ ˙˙
V # ˙˙ ˙˙
[V-i] [V-i]

# ˙˙˙ ˙˙ ˙
˙
˙ #˙ ˙ #˙

6 5 6
5 4 4 5 3 5
4 6 3 5 5 7
5 4 5
5 4 5

c) Application in context

C
#°7 A- 7 #
G C °7
˙ ˙˙ b ˙˙˙
V ˙˙˙ ˙˙
#˙ ˙ #˙

5 5
5 4 5 3
5 3 5 5
3 4
4 5

D- 7
˙˙
˙˙

6
5
7
5
10 Techniques in 10 Days

Day 7
Songsquad by Nicholas Veinoglou
Transcription: Lawson Kennard

= 77
C 7 A7

H
5
5 5 3 5 3 5 5 5 5
4 4 X 4 4 4 X 5 5 X 5 5
5 5 X 5 5 5 X 5 5 X 5 5
3 3 3 3
5 5 5 5 5

F 7 G7
3

H
1 1 1 1 3 3 3
2 2 2 2 4 4 4
2 2 X 2 2 3 3 3
X 5 5 5 3
1 1 1 1 1 3 3 3 3 3 5

C 7 E7 A7 C7 F 7
5

5 5 5 5 5 5 5 1
4 4 X 7 7 5 5 5 X X 3 3 2
5 5 X 6 6 5 5 5 X X 5 5 2
3 3 7 7 3 3 3
0 0 5 5 5 5 1

7 CE D7 G7

H
1 1 8 8 6 6 6 3
2 2 5 5 5 5 5 X X 4
2 2 7 7 7 X X 3
7 7 5 5 5 5 5 5 3
1 1 1 3 3 5
2

C 7 B 75 E7 A7 G7 C7 F 7

5 5 5
5 6 5 5 5 3 5 1
4 X 7 7 5 5 5 3 3 2
5 X 7 6 5 5 5 X 3 5 2
3 3 3 7 X 3
7 5 5 5 5 3 1

CE D7 G7
11

H
3
1 1 8 8 6 6 6 3 X
2 2 X 5 5 5 5 5 4 X
2 2 X 7 7 7 X 3 X
7 7 5 5 5 5 X 5 X 3
1 1 1 3 3 5

C 7 B 75 E7 9 A7 G7 C7 F 7
13

H H
5 6 6 8 5 5 5 5 4 3 3 5 1
4 X X 7 7 5 5 5 5 4 3 3 2
5 X X 7 6 5 5 5 5 4 3 5 2
3 3 3 7 3
7 5 5 5 5 5 4 3 1

CE D7 G7 C 7

15

H
3 3
1 1 8 8 6 6 6 3 3 5
2 2 X X 5 5 5 5 5 4 X 4
2 2 X X 7 7 7 X 3 X 5
7 7 5 5 5 5 X 5 X 3 3
1 1 1 3 3 5
Supercharge
Your Playing
With Open
Strings
10 Techniques in 10 Days

Day 8
Songsquad by Nicholas Veinoglou
Transcription: Lawson Kennard

= 115
A B

2 4
2 4
2 4
0 2

3 C E

5
6 1
6 2
4 2
0

5 A add9 Badd11

0 0
0
6 6 8 8
7 9 9
5 7

C 7 E
7

0 0
0 0
9 9 13 13
9 14
9 0

9 A add9 Badd11

0 0
0 0
6 8 8
7 9
7
5 7
2 Day 8

C 7 F 11
11

0 0
0 0 0
9 9 2 0
9 2
9 2

13
A add9 Badd11

0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
6 6 6 6 6 6 6 8 8 8 8 8 8 0 0
7 7 7 7 7 7 7 9 9 9 9 9 9 0 0
7 7 7 7 7 7 7 9 9 9 9 9 9 0 0
5 5 5 5 5 5 5 7 7 7 7 7 7

C 7 F 11
15

0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0
9 9 9 9 9 9 9 2 2 2 2 2 2 0
9 9 9 9 9 9 9 2 2 2 2 2 2 0
9 9 9 9 9 9 9 2 2 2 2 2 2

17
A add9 Badd11

0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
6 6 6 6 6 6 6 6 8 8 8 8 8 8 0 0
7 7 7 7 7 7 7 7 9 9 9 9 9 9 0 0
7 7 7 7 7 7 7 7 9 9 9 9 9 9 0 0
5 5 5 5 5 5 5 5 7 7 7 7 7 7

C 7 F 11 A add9
19

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
9 9 9 9 9 9 9 9 14 14 14 14 14 14 14 6
9 9 9 9 9 9 9 9 14 14 14 14 14 14 14 7
7
9 9 9 9 9 9 9 9 14 14 14 14 14 14 14 5
Introduction
to Hybrid
Picking
10 Techniques in 10 Days

Day 9
Songsquad by Nicholas Veinoglou
Transcription: Lawson Kennard

= 90
D7 C 7 E7 D7

5 5 4 4 7 7 5 5
3 3 2 2 5 5 3 3
5 5 3 3 7 7 5 5

F 7 E7 B7 C 7
3

9 9 7 7 2 4
7 7 5 5 1 2
8 8 7 7 2 3

5 D7 C 7 E7 D7

5 5 4 4 7 7 5 5
3 3 2 2 5 5 3 3
5 5 3 3 7 7 5 5 5

F 7 E7 B7 C 7
7

9 9 7 7 2 4 4
7 7 5 5 1 2 2
8 8 7 7 2 3 3 3
2 Day 9

F 7 E7 A7 F 7
9

9 7 12 9
7 5 10 7
8 7 12 8

F 7 C 7 A7 E7
11

9 4 12 7
7 2 10 10 5
8 3 12 7

F 7 C 7 B7 C 7
13

9 4 14 16
7 7 2 13 14
8 3 14 15

15
D7 C 7 E7 D7

5 5 4 4 7 7 5 5
3 3 2 2 5 5 3 3
5 5 3 3 7 7 5 5

F 7 E7 B7 C 7
17

9 9 7 7 2 4
7 7 5 5 1 2
8 8 7 7 2 3
Introduction
to Voice
Leading
10 Techniques in 10 Days

Day 10
Introduction to voice leading

a) Minimal movement and common tones

C F/C
4 ˙˙˙ ˙˙
˙
+ 1 whole step

V4
+ 1/2 step

3 5
5 6
5 5

Move each voice in the chord to the next


with as minimal movement as possible.
10 Techniques in 10 Days

Day 10
Songsquad by Nicholas Veinoglou
Transcription: Lawson Kennard

= 92
C F C F C

0 0 2 2 0 0 0 5 5 5
2 2 3 3 2 2 2 7 7 5
3 3 3 3 3 3 3 3 8 8 7

3
F C F C

5 5 10 10 9 9 9 14 14 12
5 5 10 10 10 10 10 15 15 14
7 7 12 12 10 10 10 15 15 15

5 F C F C

1 1 1 1 1 6 6 5
12 12 2 2 0 0 0 5 5 5
14 14 3 3 2 2 2 7 7 5
15 15

F C F C
7

5 5 10 10 8 8 8 13 13 13
5 5 10 10 9 9 9 14 14 12
5 5 10 10 10 10 10 15 15 14
2

9
F C F C

1 1 0 0 0 5 5 3
13 13 1 1 1 1 1 6 6 5
12 12 2 2 0 0 0 5 5 5
14 14

F C F C
11

3 3 8 8 8 8 8 13 13 12
5 5 10 10 8 8 8 13 13 13
5 5 10 10 9 9 9 14 14 12

F C F C D C
13

12 12 17 17 15 13 12 10 8 8
13 13 18 18 17 13 13 10 8 8
12 12 17 17 17 14 12 10 9 9

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