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  • Dirait On Satb

    Transféré par

    PARAMADAYA Fakultas Ilmu Budaya UGM
    145 vues11 pages
    Dirait on

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    DIRAIT ON SATB

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    Dirait on

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    © All Rights Reserved
    Téléchargez comme PDF ou lisez en ligne sur Scribd
    Signaler comme contenu inapproprié
    145 vues11 pages

    Dirait On Satb

    Transféré par

    PARAMADAYA Fakultas Ilmu Budaya UGM
    Dirait on

    Droits d'auteur :

    © All Rights Reserved
    Téléchargez comme PDF ou lisez en ligne sur Scribd
    Signaler comme contenu inapproprié
    sur 11
    DIRAIT-ON SATB, Secular Morten Lauridsen $1.90 3. De Son Reve Srgp Leen ¢. Fx Roose Complete °5. Dirait-on D@SPTMLISIC New York # Hamburg Abandon entouré d’abandon, tendresse touchant aux tendresses... C’est ton intérieur qui sans cesse se caresse, dirait-on; se caress en soi-méme, par son proper reflet éclairé. Ainsi tu inventes le theme Dirait-on Abandon surrounding abandon, tenderness touching tenderness... Your oneness endlessly caresses itself, so they say; self-caressing through its own clear reflection. Thus you invent the theme du Narcisse exaucé. of Narcissus fulfilled. Rainer Maria Rilke, from Les Roses English translation by Barbara and Erica Muhl In addition to his vast output of German poetry, Rilke (1875-1926) wrote nearly 400 poems in French. His poems on roses struck me as especially charming, filled with gorgeous lyricism, deftly crafted and elegant in their imagery. These exquisite poems are primarily light, joyous and playful, and the musical settings are designed to enhance these characteristics and capture their delicate beauty and sensuousness. Distinct melodic and harmonic materials recur throughout the cycle, especially between Rilke’s poignant Contre Qui, Rose (set as a wistful nocturne) and his moving La Rose Compléze. The final piece, Dirait-on, is composed as a tuneful chanson populaire, or folksong, that weaves together two melodic ideas first heard in fragmentary form in preceding movements, Les Chansons des Roses was composed for Portland, Oregon's superb professional chamber chorus, Choral Cross-Ties, conducted by Bruce Browne, who gave the premicre on April 23, 1993. Dirait-on is published in versions for mixed chorus (SATB), men’s chorus (TTBB) and treble chorus (SSAA). It also exists as a song for high or medium voice and piano, high voice and guitar, and as a duet for mixed high or medium voices and piano. —Morten Lauridsen Los Angeles The music of Morten Lauridsen, Distinguished Professor of Composition at the University of Southern California Thornton School of Music, occupies a permanent place in the standard vocal repertoire of the Twenty-First Century. His works, including eight vocal cycles, art songs, instrumental works and a series of sacred motets, are regularly performed throughout the world and have been recorded on over 200 CDs, several of which have received Grammy nominations. ‘An award-winning documentary by filmmaker Michael Stillwater, Shining Night: A Portrait of Composer Morten Lauridsen, was released in 2012, Named an “American Choral Master” by the National Endowment for the Arts in 2005, Morten Lauridsen received the 2007 National Medal of Arts, the highest artistic award in the United States, by the President in a White House ceremony “for his composition of radiant choral works combining musical beauty, power, and spiritual depth.” For more about Morten Lauridsen: www.mortenlauridsen.net and www.peermusicClassical.com Dirait-on Rainer Maria Rilke Morten Johannes Lauridsen (1993) ‘Tempo rubato ( 4 = ca. 108) rn (unis.) pp rit py__atempo rit. ip a tempo Soprano Alto A+ ban- don en- tou-ré d's @ tempo Tenor ‘Tempo rubato ( 4 = ca. 108) Treely, caressingly PP. Tanga. SS , (Note: if “Dirst-on” is not immediately preceded by “La Rose Complite”, the chorus will begin in measure 4.) = bandon, ten-dresse tourchant aux ten-dres - ses. ©Copyright 1998 by Southern Music Publishing Co., Inc. All Rights Reserved” International Copyright Secured Printed in U.S.A. Warning: Any reproduction or arrangement of this composition without the permission of the publisher Is an infringement of copyright. atempo (S.A) yi, ‘molto rit. =p se ~_ dir- ait; dir ait - on, dir ait- on, @ tempo —— molto rit. a) a" poco rit. , atempo poco rit. _ dir- ait, dir- ait, dir ait- on, dir ait, dir ait, dir- ait - rrr for poco rit. TB. (unis) TB] «tem 29 @ tempo rit. "mp steno _—— mp «tempo mé - me, parson pro - pre re-flet___é-clai-ré. Ain - si_—tu_in-ventes le as mp x rit, a tempo du Nar-cisse ex - au -cé Dir-ait, dir-ait - on, — dir-ait- on, mp rit. el du Nar-cisse ex - au-cé&_ —_Diir-ait, dir-ait- on, dir -ait- on, a tempo rit, the - me du Nar-cisse ex - au - c&.___—_Dir-ait, dir-ait - on, — dir-ait - on, rit, 3 atempo the - me du Nar-cisse ex = au ~ of Dir- ait, dir - ait - on, poco rit. a tempo di Poco rit. a tempo ait, dir-ait, dir-ait-on,____dir-ait, dirait, dir-ait - irait, dirait, dirait -on, dirt, dir-ait, di Poco rit. a tempo ait - on, dirait, dir-ait, dir-ait- on, Poco rit. a tempo dirait, dir-ait, dir- ait - ait - on, dirait, dirait, dirait-on,____dirait, dirait, dir-ait - a tempo Poco rit. LP == dir-ait, dir-ait - on, dir-ait - on, dir-ait, dir-ait - on, dir-ait - on, dir-ait, dir-ait - on, dir-ait - on, dir-ait, dir-ait - on, — dir-ait- on, on, dir-ait, dirait- on, dirait-on, dirait, dirait -on, dir-ait, dir-ait - on, dir-ait - on, dir-ait, dir-ait-on, ir-ait, dir-ait, dir-ait - som molto rit... . . . atempo 0 =" dir-ait, dir-ait, dir - ait - on. —_____ molto rit. a tempo ee gir = ait, + on ‘molto rit, a tempo dir molto rit. a tempo a molto rit. a tempo rit om rit. rit. C] a tempo don en-tou-ré d’a__ bandon, ten-dresse tou-chant aux terdres ~ mp a tempo

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