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Commissioned by The United States Army Band (Col.

Thomas Rotondi, Conductor)


Mallets 2 to Commemorate the 150th Anniversary of the American Civil War
(Vibraphone, Xylophone)
Symphonic Requiem
(Seventh Symphony)
James Barnes, opus 135
Adagio
q = 66-69

   
10 15 20 Vibr.- soft yarns,
  
Vibraphone

     
   
medium fan

          

mf f mf
25
           
      
    
  
         
23
  
            
f mf
f mf

28                               
      


32
32 poco accelerando
                

         
 
f

35  
     
     
  39
          
      
ff to Xylophone
50 Subito Allegro ( q = 132-138 )
41
accelerando
 44    
 Xylo.
   
 
ff
54
    
54   63        
   
     
 
mf f to Vibr.

 
73
          
Vibr.
 
 
73 77
        
  
f

,         
  
84

         
ff
mf
2 Mallets 2

87
                     
87
        
                           
         
 
f

                  


        
93

93
 
   

 
       
  
ff  
101 106
  
101               
     
      
mp

sim. 

107                   
     
      
sim. to Xylo.

122
115  
                                    
Xylo.
115


f

126 135

126         
Vibr.

                
   
to Vibr. ff sempre con pedale mp

137          


              
     

142          


               
    
to Xylo.
Mallets 2 3

Più mosso
147
  
( q = 138 )
147  Xylo.
                   
          
        
mf f

155 Meno mosso ( q = 92-96 )


                        

L

  
155
       
ff

158                        
                       

mf

161
161                        
                      
 

166 accelerando-affrettando
164                    
                   
 

173 Adagio ( q = 76-80 )



                
molto allargando

                   
171


f ff to Vibr.

178 a tempo
178 ritard.
   
       
Vibr.
           
     
mf mp
Mallets 2
(Vibraphone)
II. Marye's Heights
(Fredericksburg, December 1862)
Drammatico
( h. = 56 )

       


 5  15 con licenza med. fan arpeggiato
 Vibr.
 





mp

26
     
(q=q)

molto rubato a tempo

        
19


sim. soft yarn mallets (no fan)
        
  

 

p sempre con ped.

29 32
              
sim.
     
         

34 36
                    
         

39

          

 

 
 
 

                 
44 49
 
                    
 
44
 
  
mf ff

                                   
                               
51

 

             
57
     
            
55

     

2 Mallets 2

65
65         70
      
   
              
   
   

 
ff sempre con pedale mf

 
             
72

 
      
             
        

 
 
Più mosso
molto ritenuto
   
( h. = 66-69 )
  
76
       
             
  ff

79 ( q = q )
   molto rall. 84 
a tempo 90  
 
79

      
    
  

98
98

                
     
p sempre con pedale

in 6
103 trattenuto 
3

  
102 solo

     
3
    
     attacca
p
Mallets 2
(Vibraphone, Marching
Machine) III. Longstreet's Assault
( The Third Day at Gettysburg- July, 1863 )
Part I: A
Adagio Free Time (Senza Mizura)
 
Vibr. (from Movt. II)
  
(Clars. chord, offstage Tpt. 3)
  
  






     
to Marching Machine
(Harp)


10 4 I: B

 
(Offstage Tpt. 2)

I: C

12 5

 
(Offstage Tpt. 1)


6 I: D

 
(Offstage Cnt. 3)

Part II: A
7

 
(Horns, Tubas, offstage Field Drum)


16 8 Part II: B

 
(Another offstage F. Dr.)


16 9 Part III: A

 
(Saxs., Low Clars., Timpani, onstage Cnts.)

Part III:B

14 10

 
 
(Harp re-enters)
2 Mallets 2

11 Adagio- ma non troppo ( q = 60 )


11 14
Marching Machine

                           
ff mf

18
18

                            

25 27
                            

32 34 
            
to Vibraphone

42
                            
Più mosso ( q = 76 )

  
42 Vibr.

 
f 3 3
mf

                              
               
47


3 3

50     
                           
    
      
         
50

 

54  
  

54
                           
 
    
Mallets 2 3

59
      
           
59

3
  
              

f 3 3 3 3 3 3 3 3 3
3 3 3 3

62
                         rallentando
       
62
           
 


65 accel. molto rallentando

                 
                  
 
Meno mosso
69 ( q = 60 )  rallent.

a tempo 75  79  

      
 
Mallets 2
(Vibraphone)
IV. Apotheosis
( Appomattix-1865)

Moderato
( q = 88 )
26
   
Più mosso
13 19

Vibr.

(Ob., E.H., Bsn.) (+Saxs.) (Clars., Hns.)

34 49 Andante
  44  
stringendo
34 40

(Euphs.) (Brass)

 55              
       
53 Vibr.
            
   
f

61
      
               
61
   
     

                          
   

 tenuto

 
 
67
  
   
ff


72 accelerando 76

         
          
Più mosso
72         
   
   

f espressivo


84       
   

82
    
       

  92
            

88
  
    

   


2 Mallets 2

98 102 Placido accelerando


         

ritenuto
   
98

     
     


 
   
mp mf mp

   


Ancora placido più mosso- agitato
108
        
    
107 rallentando

     
    
 
mp mf p

114 stringendo
117 più mosso
114   molto rallentando

 

121 Meno Mosso



121   
          
 

                      
    
ff f

132  
molto ritenuto
  
        
  

accelerando

   

127
         
 
 ff

138 Maestoso
138   148             
  
         
 
mf mp

154
   
 
154 rallent.

     
 
p
Mallets 2 3

162 166 Con moto


    
a tempo rallent.
        169

162

       
        
accel.

 
(solo Bsn.) mf mp

            
           
    
170

 
mf

176 Adagio maestoso


     
             
174 molto ritard.
   
 
ff

a tempo
   
     
   
tremolo
 
ritenuto
 
180
 
  
 
      
 

186 molto trattenuto


    
      
  
  tremolo
    secco
186
   
  
 
    
 
 
 

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