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Commissioned by The United States Army Band (Col.

Thomas Rotondi, Conductor)


Clarinet 1 in Bb to Commemorate the 150th Anniversary of the American Civil War

Symphonic Requiem
(Seventh Symphony)
James Barnes, opus 135
Adagio


10

15

20
 
    
q = 66-69

 
mf

25 
       
             
         
25

 
f mf

   
32 poco accelerando
            
   
31
   
       
 f

 
  
,

39
  
35
         
   
ff
f

      
44

   
accelerando
     
div.
41
      

         
mp ff mp

50 Subito Allegro
 ( q = 132-138 )    
54 63
50   
    

         
ff mp mf

            
73
66
      
          
f
mf
2 Clarinet 1 in Bb


77
  
      
                      
77
 
,
 
mf f f
mf

  
87 93
                 
             
    
86

  
    
f

                        


div.

            
94

    


   
ff sfz ff

                       
101 106
                      
101

 
mf


                      
113 115 unis.

        
mf
122 126
  
 
 
                                          unis.
122         
div.

   
mf

127
             
             
             
ff

135
          
     
 
134

                  
  mp          

           


                     
140

      V. S.
Clarinet 1 in Bb 3

147 Più mosso ( q = 138 )

    
147

                               
mp

     
                               
150


mf

155 Meno mosso ( q = 92-96 )


     

   
                 
            
153

 
f ff

161
 
                               
157 3
3 3 3 3 3 3 3


mf

166 accelerando-affrettando
                           
162 3 3 3 3 3 3 3 3

  

molto allargando 173 Adagio ( q = 76-80 )


               
        
168 3 3 3 3


f ff

178
  
175 ritard. a tempo
           
   
f mp

182  
  
   
div.
  
   
p
Clarinet 1 in Bb
II. Marye's Heights
(Fredericksburg, December 1862)

Drammatico

      
 
( h. = 56 )
5 15 con licenza 2 players div.

   
(Harp) (Ob. solo) mp calore

     
26 (q=q)

       

 

19 molto rubato a tempo ( two players)
   

niente p pp

         
32
29
   
        

36 44

all 1st Clars.- stagger breathe
36
  3
    
3 3 3 3 3 3 3
   
                        
pp

46


3

3

3

3

3

3 3 3 3 3 3 3

                                  

49 
 
48

  
3

3 3

       
3 3

            ff
3
57
57  65
       
      
         
mp

67                             
    
      

ff

70 Breathe whenever necessary


           
                       
70

   
mf
2 Clarinet 1 in Bb

           
                       
73

   

molto ritenuto Più mosso


        ( h. = 66-69 )
                    
  
76

      
   
ff
f

79 ( q = q )
        
molto rallentando
               
79 ,

     

84 a tempo
84 
         
 
90
 
       
  
f ff mf

         
all players: div a3
98 2 players 103

trattenuto in 6
 
98
        
,
    
p
 attacca
pp niente
Clarinet 1 in Bb
III. Longstreet's Assault
( The Third Day at Gettysburg- July, 1863 )
Part I: A
Free Time (Senza Mizura)

div.
 
Adagio
  Hold until cut-off at I: B

  
(Harp) p
6

4 cut-off I: B

 
(Offstage Tpt. 2)

I: C
12 5

 
(Offstage Tpt. 1)


6 I: D

 
(Offstage Cnt. 3)


7 Part II: A

 
(Hns., Tubas, offstage Field Drum)


16 8 Part II: B

 
(Another offstage F. Dr.)


16 9 Part III: A

 
(Saxs., Low Clars., onstage Cnts. 1,2)
Part III:B
14 10
 
  
(Harp re-enters)
Adagio- ma non troppo
11
11 ( q = 60 )
 14  18 
 
(Tbns.)
2 Clarinet 1 in Bb

27
                        
27
       
 
mf

                 

         
30
 
  

                
34
34
             


f f mp

38                    
 ,            

f mp f mp f

Più mosso
42
            
( q = 76 )
        ,      
   
42

   
f f 3
mf

               
      
 
46


3

50
                            

48 
    
3 3
Clarinet 1 in Bb 3

54   
  


54  
                  
 
   

                                
     
57
 

3 3 3 3 3 3 3 3 3 3 3 3

59 
  ,
                        
59

        
   
3 3 3 3 3 3 3 3
3 3 3 3 3 3

62
62  
    ,                    
rallentando
,         
        

65

accel.
 molto rallentando
                 
,
 

              
 

Meno mosso
69 ( q = 60 )
  ,    75 
                 
a tempo
  
, , rallent.
   
   
fff p

79
79  rubato a tempo ritardando 
   
Clarinet 1 in Bb

IV. Apotheosis
( Appomattix-1865)
Moderato
( q = 88 ) 26 Più mosso ( q = 92 )
 13  19  

 
    
      

(Ob., E.H., Bsn.) (+Saxs.) mf espressivo

            
34   
31
        
   

      
40
        
44 stringendo
    
40

  

mp

              49
Andante ( q = 96-100 )
           
48
 

f mp f

55 
53
                            
 
     
mp mp f
f

    
61
        
               
59

      
     
ff f

                        
   
65
          
  
 

       tenuto
 72 accelerando
            
    

70

     
ff f mf
76 Più mosso ( q = 100-104 )
76
 
    
f
2 Clarinet 1 in Bb

84
84  92    
        
      
mp mf mp p mp mf

98
98
     ritenuto 102 Placido accelerando

  
mp p
Ancora placido
  
108
   
div.
  div.   
107 più mosso- agitato
    
unis.
  
rallentando
      
mp mf p mp

114
113   
mosso ( q = 108 )
117 più
           
stringendo
            
unis.

   

    

mf f

molto rall.  121 Meno Mosso ( q = 92 )


           
      
div.
120
  unis.

      
ff f


accelerando
       
132 molto ritenuto
127         
     
ff sub. p

138 Maestoso ( q = 92-96 )


      
div.

                  
135 unis.
  
  
f

,
           
142

              
,

148
148 154 
       
div.
   
mf mp
p mp p
Clarinet 1 in Bb 3

    
        
160 162 
a tempo rallent. 166 Con moto ( q = 88 )
rallent.
    
mp
169 accelerando ( q = 92 )
169 
                      
                
f
mp

176 Adagio maestoso ( q = 84 )




174
               ,             
  
ff


                     
molto ritard. a tempo ( q = 84 )
 
     
,
178
   

     
186 molto trattenuto
      
       

ritenuto
 
183

                       

                                
188

    

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