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• [I]t is not just the possible reconstitutions of social life and culture which
interest us […], it is the impact of these changes on the body, too. It is here
that developments in technology point towards the possibilities of post-
bodied and post-human forms of existence. If the development of
technology has entailed a process of the extension of the body and bodily
functions to enable us to control the environment more efficiently, it offers
the ultimate possibility of the displacement of the material body from the
confines of its immediate lived space. Hence it is not just the range of
technological-human fusions which make possible a new range of
embodied forms which is an interesting source of speculation, it is the
production and control of new information-generated environments and
the range of body simulations and other entities which will inhabit them
which for many is the most exciting prospect. It is not just the making and
remaking of bodies, but the making and remaking of worlds which is
crucial here.
• The posthuman does not really mean the end of humanity. It signals
instead the end of a certain conception of the human, a conception that
may have applied, at best, to that fraction of humanity who had wealth,
power, and leisure to conceptualize themselves as autonomous beings
exercising their will through individual agency and choice. (p. XXX)
Hayles, N. Katherine (1999). How We Became Posthuman: Virtual Bodies in Cybernetics,
Literature, and Informatics. Chicago, University of Chicago Press.
• Bridging these gaps and connecting these discontinuities is the task taken
on by the three Virtual Reality artworks discussed here: "Traces," by
Simon Penny and his collaborators; "Einstein's Brain," by Alan Dunning,
Paul Woodrow, and their collaborators; and "nØtime," by Victoria Vesna
and her collaborators. If art not only teaches us to understand our
experiences in new ways but actually changes experience itself, these
artworks engage us in ways that make vividly real the emergence of ideas
of the body and experiences of embodiment from our interactions with
increasingly information-rich environments. They teach us what it means
to be posthuman in the best sense, in which the mindbody is experienced
as an emergent phenomenon created in dynamic interaction with the
ungraspable flux from which also emerge the cognitive agents we call
intelligent machines. Central to all three artworks is the commitment to
understanding the body and embodiment in relational terms, as processes
emerging from complex recursive interactions rather than as preexisting
entities. (p. 303)
Hayles, N. Katherine (2002). “Flesh and Metal: Reconfiguring the Mindbody in Virtual
Environments,” Configurations: A Journal of Literature , Science and Technology, vol. 10, iss. 2,
p. 297-320 (special issue).
• How to tell the story of the posthuman? One way is to trace a linear
trajectory from the regime of the human to the posthuman, as Hans
Moravec does in anticipating a postbiological future of humanity or Ray
Kurzweil in seeing intelligent machines as our evolutionary descendents.
The essays in this special issue take another route, complicating linearity
by enfolding binary distinctions into more complex topographies. In the
process, they show with clarity and insight that the posthuman should not
be depicted as an apocalyptic break with the past. Rather, it exists in a
relation of overlapping innovation and replication, a pattern that in How
We Became Posthuman I called seriation, borrowing the term from
archaeological anthropology.
Hayles, N. Katherine (2003). “The Human in the Posthuman,” Cultural Critique, iss. 53, p.
134-137.
• […] Taken as a group, the essays [on posthumanism] point not so much to
consensus as to common sites where contestations to determine the future
of humanity are especially intense. These include issues of globalization as
disparate cultures race toward informational convergence; performativities
that re-define the human through mimetic imitation of intelligent
machines; and virtual embodiments that discipline human users to
coordinate their perceptions with algorithmic procedures. It is too soon to
say where these engagements will end. Perhaps the only clear conclusions
are that the future of humans will increasingly be entangled with
intelligent machines, and that embodiments will still matter in some sense,
however virtual or cyborgian they become. The posthuman, these essays
suggest, cannot and will not mean only one thing. Posthumans are likely to
be as complex and diverse, as historically and culturally diverse as humans
have been. Whatever the future, we can be sure it will not be simple.
Hayles, N. Katherine (ed. and introd.) (2004). “Refiguring the Posthuman,” Comparative
Literature Studies, vol. 41, iss. 3, p. 311-449 (special issue).
Lenoir, Timothy (ed. and introd.) (2002). “Makeover: Writing the Body into the Posthuman
Technoscape: Part One: Embracing the Posthuman,” Configurations: A Journal of Literature ,
Science and Technology, vol. 10, iss. 2, p. 203-372
Nanotechnology Now
http://www.nanotech-now.com/extropian-sites.htm
• I. General statements
1. It is now clear that humans are no longer the most important things in
the universe. This is something the humanists have yet to accept.
2. All technological progress of human society is geared towards the
transformation of the human species as we currently know it.
3. In the posthuman era many beliefs become redundant — not least the
belief in human beings.
4. Human beings, like gods, only exist inasmuch as we believe them to
exist.
5. The future never arrives.
6. All humans are not born equal, but it is too dangerous not to pretend
that they are.
7. In the posthuman era, machines will no longer be machines. […]
[…]
7. Human bodies have no boundaries.
8. No finite division can be drawn between the environment, the body
and the brain. The human is identifiable, but not definable.
[…]
10. There is nothing external to a human, because the extent of a human
cannot be fixed.
[…]
12. First we had God, humans and nature. The rationalists dispensed
with God, leaving humans in perpetual conflict with nature. The
posthumanists dispense with humans leaving only nature. The
distinctions between God, nature and humanity do not represent any
eternal truth about the human condition. It merely reflects the prejudices
of the societies that maintained the distinctions.
Pepperell, Robert (2005). “The Posthuman Manifesto,” Kritikos: Journal of Postmodern Cultural
Sound, Text and Image, vol. 2. http://garnet.acns.fsu.edu/~nr03/The%20Posthuman
%20Manifesto.htm
Poster, Mark (2004). “The Information Empire,” Comparative Literature Studies, vol. 41, iss. 3,
p. 317-334 (special issue).
• [T]here has been unproductive confusion between what one might call a
popular and a more critical posthumanism. […]
• […] The term posthuman derives from the myriad other "post" positions
including postindustrialism, poststructuralism, postcolonialism, and -- that
catch-all of contemporary Occidental societies -- postmodernism, to name
a significant few. In each case the prefix indicates a shift from a dominant,
culturally defined position (or paradigm) into a new, as yet undefined
position. There is certainly no agreement as to what, exactly, constitutes
posthumanism or a posthumanist position beyond the premise that what
previously seemed to constitute the subject position of a "human being"
has been threatened, infiltrated, deconstructed, or denatured.
• FAQ 1: http://www.transhumanism.org/index.php/WTA/faq21/46/ :
“What is transhumanism?”
Transhumanism is a way of thinking about the future that is based on the
premise that the human species in its current form does not represent the
end of our development but rather a comparatively early phase. We
formally define it as follows:
(1) The intellectual and cultural movement that affirms the possibility
and desirability of fundamentally improving the human condition
through applied reason, especially by developing and making widely
available technologies to eliminate aging and to greatly enhance human
intellectual, physical, and psychological capacities.
(2) The study of the ramifications, promises, and potential dangers of
technologies that will enable us to overcome fundamental human
limitations, and the related study of the ethical matters involved in
developing and using such technologies.
• FAQ 2: http://www.transhumanism.org/index.php/WTA/faq21/56/ :
“What is a posthuman?”
It is sometimes useful to talk about possible future beings whose basic
capacities so radically exceed those of present humans as to be no longer
unambiguously human by our current standards. The standard word for
such beings is “posthuman”. (Care must be taken to avoid
misinterpretation. “Posthuman” does not denote just anything that
happens to come after the human era, nor does it have anything to do
with the “posthumous”. In particular, it does not imply that there are no
humans anymore.)
Many transhumanists wish to follow life paths which would, sooner or
later, require growing into posthuman persons: they yearn to reach
intellectual heights as far above any current human genius as humans are
above other primates; to be resistant to disease and impervious to aging;
to have unlimited youth and vigor; to exercise control over their own
desires, moods, and mental states; to be able to avoid feeling tired,
hateful, or irritated about petty things; to have an increased capacity for
pleasure, love, artistic appreciation, and serenity; to experience novel
states of consciousness that current human brains cannot access. It
seems likely that the simple fact of living an indefinitely long, healthy,
active life would take anyone to posthumanity if they went on
accumulating memories, skills, and intelligence.
Posthumans could be completely synthetic artificial intelligences, or
they could be enhanced uploads [see “What is uploading?”], or they
could be the result of making many smaller but cumulatively profound
augmentations to a biological human. The latter alternative would
probably require either the redesign of the human organism using
advanced nanotechnology or its radical enhancement using some
combination of technologies such as genetic engineering,
psychopharmacology, anti-aging therapies, neural interfaces, advanced
information management tools, memory enhancing drugs, wearable
computers, and cognitive techniques.
• FAQ 3: http://www.transhumanism.org/index.php/WTA/faq21/57/ :
“What is a transhuman”?
In its contemporary usage, “transhuman” refers to an intermediary form
between the human and the posthuman [see “What is a posthuman?”].
One might ask, given that our current use of e.g. medicine and
information technology enable us to routinely do many things that would
have astonished humans living in ancient times, whether we are not
already transhuman? The question is a provocative one, but ultimately
not very meaningful; the concept of the transhuman is too vague for
there to be a definite answer.
A transhumanist is simply someone who advocates transhumanism [see
“What is transhumanism?”]. It is a common error for reporters and other
writers to say that transhumanists “claim to be transhuman” or “call
themselves transhuman”. To adopt a philosophy which says that
someday everyone ought to have the chance to grow beyond present
human limits is clearly not to say that one is better or somehow currently
“more advanced” than one’s fellow humans.