Académique Documents
Professionnel Documents
Culture Documents
modjaji.books@gmail.com
Cell: +27 (0) 72 774 3546 IN NORTH AMERICA
Tel: +27 (0) 21 696 5503 Michigan State University Press, 1405 South Harrison Road
25 Manly Miles Building, East Lansing, MI 48823-5245
Fax: +27 (0) 86 517 9066 Tel: +1-517-355-9543
Fax: +1-517-432-2611
blog: http://modjaji.book.co.za USA: 800-678-2120
Email: msupress@msu.edu
www.modjajibooks.co.za www.msupress.msu.edu
catalogue 2011
Difficult Gifts Woman Unfolding
Hemispheres Book of African Names
Conduit Small Publishers' Catalogue 2010
Reclaiming the L-Word Burnt Offering
Go Tell the Sun Please, Take Photographs
Got No Secrets Strange Fruit
A Suitable Girl Oleander
These are the Lies I told you Invisible Earthquake
Piece Work Whiplash
Missing Hester se Brood
removing Undisciplined Heart
Swimming with Cobras The Bed Book of Short Stories
Words and Flesh This Place I Call Home
Bom Boy The Everyday Wife
Lambat Street The Thin Line
I'll Tell the Judge Life in Translation
Beyond the Delivery Room Fourth Child
Dawn Garisch
Most of the poems in this collection had earlier lives in New Coin, New Contrast,
Scrutiny2, Carapace, Fidelities, Green Dragon and Ons Klytlie.
There is a balance of emotion and craft in Dawn Garisch’s poetry, a seamless
welding of raw experience and self-observation, of music and thought. She writes
the most personal spaces, always lit by her wry, focused understanding. – Ken
Barris
Dawn’s poems reveal a warm, keen eye for the intricacies, delicacies and
difficulties of language and love. – Tania van Schalkwyk
The motif of the body is central to Garisch’s work; it changes – it can leave. It is also
a place of sustenance, and offers the possibility of transcending grief. The images
stay with me: the pungent eroticism in the poem ‘The Proper Use of Flowers’, or
love encountered as a “trout that breathes polluted water”. – Alan Finlay
56 pp
ISBN 978-1-920397-32-6
new release
Karen Lazar
"Home is as old as one’s skin but as elusive as an object seen through the wrong
end of a telescope.” It is this sense of a view, skewed, intangible, which echoes
throughout Karen Lazar’s Hemispheres. Waking in hospital after a post-operative
stroke, she finds one side of her body paralysed and her world knocked out of
kilter. Spatial, perceptual and subjective changes force her to view her new life in
facets. The fragmented view is made apparent by means of a triptych of clusters
which charts Karen's experience from Metamorphosis, through Rehabilitation
and Adaptation. Quietly reflective, deeply lyrical, Hemispheres is concerned with
returning separated parts into a whole and coming home to the self.
“A filigree of finely-crafted pieces, Hemispheres narrates the journey of re-
composing life, joy and love from a body made alien through stroke. Wry, ironic,
comic, joyous, desolate, celebratory, surreal, the mosaic of text reconfigures love
from loss; each subtle fragment a tessera against time. A book of desolation and
consolation, I will return to it often.” Prof. Isabel Hofmeyr, African Literature, Wits
“A collection of rare/nuanced and tender insights. Lazar takes us into the gyre of
re-orientation post-stroke, sharing what is lost and what is claimed when what
you’ve always been and known changes. A book that pulses with quiet courage
88 pp
ISBN 978-1-920397-24-1
and celebrates it in others.”Joanne Fedler
new release
Conduit
completed an MA in English
Literature, and also a module
on Creative Writing, UKZN.
She has been published in
various SA journals, and also
some in the US.
Sarah Frost
Conduit is a book of pared-down poems, graphically tracking a young woman's
journey from the lonely spaces of childhood to the creative, powerful realm of
womanhood. Restrained and earnest, these poems grapple with the experiences
of being a daughter, a mother, and a lover. In ‘Bellwood’ the poet details her
struggle for clarity: ‘She scrawls in her notebook as a swimmer, fearful, under
water/ might search the opacity for a handhold, the roughness of rock./ She
writes tentatively, as one standing up, walking to shore/ might feel mud and
soft lake moss beneath her feet, yielding’. Sarah Frost’s is a new, but refreshingly
mature poetic voice.
"These are poems of drowning and coming up again. Of surviving with lungs that
breathe water and sunlight. These are poems of longing and loss. Of searching
for a foothold in a world where all slides and changes. Sarah Frost is a new voice
in South African poetry. A clear and strong and exciting voice. Read her." Kobus
Moolman
64 pp
ISBN 978-1-920397-27-2
new release
"Moving lesbianism away from spectacle and the exotic, the collection emerges
from the wellsprings of lived experience. It tells flesh and blood stories – stories
of the values, loves, struggles and challenges of living in a society that continues
to perpetuate many myths, mythologies and misconceptions about lesbians."
Dr Devarakshanam (Betty) Govinden
224 pp
ISBN 978-1-920397-28-9
new release
Wame Molefhe
“Wame Molefhe’s stories have a gentle, unassuming yet intimate and captivating
feel to them. Set in Botswana, the stories trace the lives of characters whose
paths cross and re-cross each others’, some times in and through love, at other
times through tragedy. And through them the author brings to bear a woman’s
perspective on the societal mores in which sexual abuse, homophobia and AIDS,
among others, flourish and spread. The social content and views are never
proclaimed as a loud agenda; instead, it forms a ‘natural’ backdrop to the lives
of the characters, something that may raise a wry comment or thought in one
character, while eliciting a mere shrug from another. Molefhe’s voice is, to some
extent, a world-weary voice, weary of all she has seen of society’s failures, but
never without the gentleness often absent and much needed in broken societies,
and never without the hope and redemption that can be found in love and the
imagination.” Rustum Kozain
128 pp
ISBN 978-1-920397-03-6
new release
Danila Botha
A startling and original new voice that owes as much to Black Flag and Bikini
Kill as it does to J.D. Salinger and Heather O’Neill. A South African copywriter is
transplanted to the urban jungle of Manhattan. A recovering rape victim tries to
resume a normal life. A Toronto nurse cuts herself to fill her emptiness. In Got No
Secrets, Danila Botha takes us into the private lives of twelve different women,
with only one question in mind: What if these women were you? From addiction
to abuse, from childhood to suicide, from Hillbrow, Johannesburg, to downtown
Toronto, Botha’s prose is compassionate, provocative, often funny, and always
fearless.
"These stories grab you by the throat and don't let you go, bearing witness to lives
in which self-destruction and hope are like symbions, each feeding the other."
Nino Ricci
"Dark, relentless, and unflinching. Danila Botha's is a bold new voice." Julia Tausch
ISBN 978-1-920397-41-8
new release
Michelle McGrane
“Every poem in The Suitable Girl grabs the reader immediately and then proceeds
to take her, by a surprising route, to its strange conclusion, taking in much wit,
irony, lyricism and sensual detail on the way. These are trips well worth the
taking.” Joanne Limburg
“Michelle McGrane’s The Suitable Girl shows a sophisticated range of reference
together with a powerful and moving emotional address. There is great technical
range here which includes prose poems alongside sinewy lyrics; elegy jostles with
imaginative sci-fi, humour with horror in language which is often as gorgeous as
it is precise.” Ian Duhig
“Michelle McGrane uncovers that which is transitory and ephemeral and lays
it before us in a poetry that is as assured as it is tentative, confident as it is
exploratory. Images flash brightly, voices overlap and the world as we experience
it is transformed by language into ‘something rich and strange’. Here is a poet
who is sensitive to the thin membrane that separates us from each other and from
the past. These remarkable poems act as a touchstone, a way of reassessing and
remaking our perceptions of the world.” Ian Parks
50 pp
ISBN 978-1-920397-26-5
new release
Kerry Hammerton
“Hammerton’s poetry tells stories we never tire of living and reliving especially
when told new. Her light, sometimes witty, understated control of words, make
this telling deliciously new.” Moira Richards, Cape Times
“Kerry Hammerton is an anatomist of romantic love, from the rumpled hotel
sheets of lust to the shared tattoos of intimacy. With its roller-coaster ride of
erotica, sensuality, heartbreak and laugh out loud hilarity, These are the lies I told
you is a debut volume destined to break sales records in this country. The Marian
Keyes of poetry has arrived.” Finuala Dowling
76 pp
ISBN 978-1-920397-22-7
new release
Ingrid Andersen
“Andersen’s poems fuse the best of Imagism with a heartfelt compassion; with
a few well-chosen words, she can turn the rawness and imprecision of emotion
into poems that reach simultaneously for clarity and for the reader’s heart. She
is generous, careful, passionate – all these qualities make her work profound and
accessible. Each poem is a self-contained loveliness.” Fiona Zerbst
“Ingrid Andersen writes poems for an ‘age of loneliness’. With words of powerful
simplicity, this book cuts open the heart and mind of the reader, stitches and
sometimes mends. Darting lightly in and out of life’s small and lonely spaces and
places, her quiet truths offer respite from the world’s noise.” Tania van Schalkwyk
“Meditations on love, loss, family and faith, the poems in Ingrid Andersen’s
second collection gleam with humanity and insight. Like bevelled and burnished
tesserae, each poem in Piece Work combines the vision and precision of dedicated
craftsmanship, contributing to this mosaic of an attentive life.” Michelle McGrane
72 pp
ISBN 978-1-920397-07-4
new release
Beverly Rycroft
“From the first poem, I was drawn in and found myself devouring these poems
hungrily. Rycroft takes the intimate nature of her life and shapes the experience
into deeply-crafted works…Rycroft’s poetry is very accessible, vital and necessary:
a fine debut.” Arja Salafranca, Tonight Online
“This astonishingly moving debut collection reads compellingly as one complete
story. Missing covers the archetypal journey from sickness and near-death
transformation and hope. Rycroft wears her exquisite poetic technique lightly -
though rich in deftly-crafted images, the poems are profoundly inviting, readable,
memorable. I could not put it down.” Finuala Dowling
80 pp
ISBN 978-1-920397-06-7
new release
Melissa Butler
“In these poems Melissa Butler has the unique ability to take almost anything that
happens to catch her eye or to figure in her mind’s eye—these can range from a
bowl to a hadeda, from the concept of edges to the cusp of a silence—and make
it speak volumes not only about itself, but about us in our human lives. Such are
her poetic gifts; and such is the quality of this remarkable debut.” Stephen Watson
“The experience of reading the poems in removing is, wonderfully, one of a
late-night conversation with a warm, imaginative, thoughtful, observant and
compassionate friend. In pellucid language and deeply satisfying images of the
real, Melissa Butler manages to talk about the great questions of humanity as
lightly and easily as if she were tossing out a picnic blanket.” Finuala Dowling
48 pp
ISBN 978-1-920397-19-7
forthcoming
MEMOIR
MEMOIR FICTION
Yewande Omotoso was born in Barbados and grew up in Nigeria with her Nigerian
Dawn Garisch is a doctor who writes, a poet who walks, a researcher who dances. father, West Indian mother and two older brothers. She and her family moved to
She lives in Cape Town near the mountain and the sea and has two grown sons. South Africa in 1992 and have lived there ever since. She is an architect; space
Her last novel, Trespass, was nominated for the Commonwealth Prize in Africa. and buildings being a passion of hers second only to words and literature. She cur-
rently lives in Cape Town working as a designer, freelance writer and novelist.
FICTION FICTION
POETRY POETRY
NON-FICTION
ISBN 978-1-920397-34-0
in print
Joan Metelerkamp
The Small Publishers’ Catalogue (Africa) is an initiative that Burnt Offering is Joan Metelerkamp’s seventh collection
grew out of a meeting held in August 2009 where a number of poems. Like all of Metelerkamp’s work, these generous
of Small Publishers met for two days in Johannesburg at poems draw on the details of family and rural life, dreams,
Museum Africa as part of Khanya College’s Winter School. landscapes and journeys and weave together, with her
The Catalogue is intended to showcase the variety and distinctive energy and passion.
extent of small publishing in Africa. Because the project
was run on a shoe-string budget with no external funding “Burnt Offering is compelling reading, it sweeps one away
like a riptide does.“ Moira Richards, poet and reviewer
apart from the advertising in the catalogue (for which we
are very grateful) it is seen as a first step in developing “I loved Joan’s collection which I found at once immediately
an African Small Publishers’ initiative and will hopefully readable, dazzling, fragile, and formidable. Beautiful
generate an online catalogue and further editions which journeys into the need to love, to speak, to understand
and simultaneously to travel beyond the boundaries that
will include more of the small publishers that surely must constrain language.” Stacy Hardy, poet and journalist
exist and thrive in Africa.
96 pp ISBN: 978-1-920397-01-2 96 pp ISBN 978-0-9802729-4-9
in print
From the languid innocence of the poems about her village, Strange Fruit is a courageous debut with a remarkable
to her shattering images of Africa at war, Magona leads range in theme and tone, from the nostalgic to the comedic
you headlong into her fireside circle where archetypes and the bawdy, from the angry, the melancholic, the
flicker like shadows on a face that has seen, and been. steadfast and the comforting. It will delight, shock, anger,
Please, Take Photographs is defiant and tender, horrific induce laughter, shock more, delight more. And make you
and homely, at once irreverent, outspoken and beautiful. blush. It’s a full range. There are poems of brutally honest
self-scrutiny – the heart of the collection being a series of
“Sindiwe Magona has published everything but poetry poems on the ageing body, loss of love and infertility – and
– great novels, memoirs, essays, educational books for
children. Now, at the peak of her form, she has unveiled
there are poems that capture landscapes with imagist skill
her poems – the most difficult art form of all to get right, and the botanist’s detail.
but like an arrow to the heart when they succeed.” Jane
Raphaely “Your voice sparkles with humour and passion and is
blessed with intelligence, incredible clarity and verve.”
Yaba Badoe, writer and documentary film-maker, UK
80 pp ISBN 978-0-9802729-5-6 56 pp ISBN 978-0-9802729-6-3
in print
Oleander explores life’s complexities, both beautiful This book breaks the silence around stillbirth, often seen
and poisonous – love, death, art, the aftermath of war as a non-event, something women are expected to “get
and genocide, travel, religion, revelation. More wide- over” as soon as possible. Invisible Earthquake is placed
ranging than Zerbst’s previous volumes, Oleander charts in the wider South African context by Sue Fawcus, who
experiences through which the self may be transformed. writes tenderly and expertly about stillbirth from the point
of view of an obstetrician, and by Zubeida Bassadien and
“In Oleander, Fiona Zerbst’s lyrical voice reveals itself – not Muriel Johnstone, social workers who accompany women
for the first time, she has long been evident as an interpreter going through this shattering experience.
of her private and public worlds — but yet again strongly,
freshly. Her continual reinvention of the self – and self- “Malika has created a piece of work that gives grief a
consciousness about the frame and objects of the invention voice. I know this will bring solace to all those who read it,
– is perhaps more fully present than in any other young anyone who has lost any loved one will see themselves in
contemporary poet in South Africa.” Peter Wilhelm her words.” Joy McPherson, Founder Midwives Inc.
Tracey Farren
An unputdownable, gripping debut novel, a ‘Cinderella’ story about a Muizenberg
(Cape Town) prostitute, Tess, who while being addicted to painkillers and selling
her body on the street finds redemption in unexpected places. Her quirky humour,
honesty and love of beauty save her when she faces tough choices. The book
has heart and a feel-good factor in spite of its gritty and sometimes traumatic
subject matter.
Shortlisted for
Every review so far has praised Whiplash, from describing it as “one of the best
novels to come out of South Africa in several years” to “having the makings of a best
seller” in The Weekender on 19/07/08. Farren is an important new voice, who has
already completed her second novel.
“Brave novel, well worth reading” Janet van Eeden in The Witness
“Ground-breaking novel” Arja Salafranca in The Star, Tonight
ISBN 978-0-9802729-2-5
320 pp
in print
Na ‘n loopbaan in
verpleegkunde en
gesondheidsnavorsing vestig
Hester van der Walt haar in
McGregor waar sy deesdae
brood bak vir die plaaslike
mark. Sy skryf graag poësie
Hester se Brood
en kortverhale. In 2009 het
Hester se Brood verskyn.
’n Fyn sin vir humor, praktiese wenke en smul-lekker resepte, maak hierdie boek
net so onweerstaanbaar soos die reuk van brood, kraakvars uit die oond.
ISBN 978-0-9802729-8-7
192 pp
in print
Jane Katjavivi
When Jane Katjavivi becomes involved in London in support of change in
Southern Africa, she meets and marries a Namibian activist in exile. Moving
with him to Namibia at the time of Independence in 1990, she faces a new life
in a starkly beautiful country. Her husband is made Ambassador to the Benelux
countries and the European Union, and later Berlin, causing Jane to build a
new identity as the wife of an ambassador, and come to terms with her own ill-
health without her friends around her to support her. Set against the backdrop
of the historical, political and social development of newly independent Namibia,
Undisciplined Heart tells the story of Jane’s love for her family, friends and her
adopted country.
“Jane Katjavivi’s frank and intimate memoir of love and politics, of survival and
finding a way to make a home, shows that history is also what heals when it is
filtered through a loving heart and an open mind.” Margie Orford
“Undisciplined Heart is an uplifting and fascinating read. And while it is a detailed
memoir of the birth of a nation on one hand, it is also a tender exploration of one
woman’s personal journey towards enlightenment and wisdom.” Janet van Eeden,
ISBN 978-1-920397-04-3 Litnet
320 pp
in print
Joanne Hichens
Lauri Kubuitsile
Sponsored by the
Lauri Kubuitsile is a full time writer who lives in Botswana. She has published
children’s and youth books, as well as many short stories. She has won prizes
for her adult short fiction and her youth books.
ISBN 978-1-920397-31-9 Joanne Hichens is a crime fiction writer, editor and journalist. Her books have
312 pp been published locally and abroad. She has an MA in Creative Writing from UCT.
in print
Meg Vandermerwe
In this thought-provoking collection we are drawn into the lives of others; ten
diverse perspectives of what home has meant to South Africans during our
country’s challenging history. From an old widower who feels that his world is
unravelling in the new South Africa, to an immigrant who has fled persecution
in 1930s Europe and now finds himself on a barren sheep farm in the Karoo, to
a Polokwane teacher confronted with the moral dilemma of xenophobia, This
Place I Call Home leaves the reader deeply aware of local realities.
“These brave imaginings take us into the heart-places of South Africans. Through
Vandermerwe’s fine writing we are enabled to talk about home, come home and
perhaps feel at home with(in) one another. ”Antjie Krog
“This slim collection of stories packs a punch well above its weight. Humane,
compassionate and uncompromising, glinting with spirit and beauty, and written
with a rare combination of discipline and vivacity, it marks the debut of a gifted
writer.”Ali Smith
“It is rare when a writer accurately captures the hopes and anxieties of an entire
nation but everything is here in This Place I Call Home … Besides her obvious
ISBN 978-1-920397-02-9 versatility as a writer, Vandermerwe’s prose is deeply felt, compassionate and
148 pp sincere.” Hannah Rappleye, Mail and Guardian
in print
ISBN 978-1-920397-05-0
92 pp
in print
Arja Salafranca
The stories in The Thin Line hook the reader from the first one, and reel you
in on that thin line. You will be haunted by the carefully drawn characters:
by Corinna trapped in her huge teenage body, by Cleo in love with a married
man after all these years, and poor skinny Mark, as he sees his love teeter
away from him. Salafranca is an accomplished, award-winning writer, this long-
awaited collection is a box of jewels.
“Salafranca’s style in this collection is best described as cinematic. Each story
plays out like a camera lingering on minutiae which, brought together, tell the
reader a great deal about the characters and situations which form the subject
matter… The most striking - and refreshing - aspect of this collection is that it
bears no trace of the albatross that many South African writers find tethered to
their neck: the burden of our past, the issue of “representation”, and the pitfalls of
stereotyping and political correctness.” Tanya Farber, Tonight
“The author tells the reader much about the human condition, about loneliness
and the desperate search for fulfilment in relationships, about “body loneliness”,
about how community dictates how we must look and love… For me the biggest
bonus was that there is a strong consciousness of the structure of the short
ISBN 978-1-920397-08-1 story and an implicit reaction to the tradition of the short story.” Joan Hambidge,
220 pp Die Burger
in print
Azila Talit Reisenberger is a Bible scholar, a rabbi, a The poems in Megan Hall's debut collection combine
mother, a wife, and a poet. In all these selves she grapples a dark humour and terrible grief with a lightness and
with translating her life from Hebrew to English and back restrained sensuality. Her language has the qualities of
again. Life in Translation is full of wry humour, longing, dance: uninhibited and polished, accomplished and vivid.
bitterness, sweetness, playfulness, and subversions of Fourth Child shows a poet courageously facing deep
traditional meanings and texts – a delightful book that feelings while being committed to accurate writing, making
charms and surprises anew with each reading. beautiful and living things out of the fabric of loss, grief,
and emptiness.
“Not to be heard. Not to be understood. Azila Reisenberger’s
poetry makes us overwhelmingly aware how often we “The tone of Fourth Child is cautious, carefully muted,
have to translate ourselves in order to matter.” Antjie Krog but freighted with much emotion. A concealed sensitivity
is unpeeled, poem by poem, until the reader is left with
a knowledge not held before.” Fiona Zerbst in The Sunday
Independent