TRA2 - User Manual

TRA2 – The Revenge User’s Manual Introduction
A little word from Doug…

Thanks for purchasing TRA2 – The Revenge! This manual will help you get started with your
actions, and offers a wealth of knowledge on how to get the most out of your product. If you
want to just dive right in, then check out the Quick Start section, and you’ll be set up in just a few
minutes.
We also recommend you check out the section on Layers and Layer Masks. Layers are
fundamental to the operation of the Totally Rad Actions, and knowing a thing or two about them
will ensure you get the most out of your purchase. Be sure to check out the video tutorials on
our site as well – most of the concepts you need to know are already outlined in a series of short,
moderately entertaining video tutorials.
Finally, if you really want the nitty-gritty on each action, check out the final section of this
manual, which breaks down each action in the set, and offers a lot of suggestions on when to use
them, and how to tweak them. The samples section of the website is also a great place to browse
the possibilities and learn about what each action will do.
So have fun, and we hope these actions can help you take your images to the next level. If you
ever need a hand with things, we’re here for you, so don’t hesitate to email or call!
-Doug Boutwell
www.gettotallyrad.com
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TRA2 – The Revenge User’s Manual Table Of Contents
Contents
Installing Your Actions ..................................................................................................................... 3
Using The Actions .............................................................................................................................. 4
Layer Opacity...................................................................................................................................................................................... 4
Layer Masks......................................................................................................................................................................................... 5
Combining Actions ............................................................................................................................................................................ 5
Action Breakdown .............................................................................................................................. 7
Detroit (B&W)..................................................................................................................................................................................... 8
Lith-E-Yum! ......................................................................................................................................................................................... 9
In-Faux-Red ...................................................................................................................................................................................... 10
Brooklyn (B&W) ............................................................................................................................................................................... 11
Homestead (B&W) .......................................................................................................................................................................... 12
Milk and Cookies (B&W) ............................................................................................................................................................... 13
B.A.M.F. (B&W)................................................................................................................................................................................ 14
Bullet Tooth ....................................................................................................................................................................................... 15
Sparta.................................................................................................................................................................................................. 16
Troy ...................................................................................................................................................................................................... 17
Grandma’s Tap Shoes.................................................................................................................................................................... 18
Pool Party ........................................................................................................................................................................................... 19
Acid Washed...................................................................................................................................................................................... 20
Lux (soft)............................................................................................................................................................................................ 21
Lux (hard) .......................................................................................................................................................................................... 22
Flare-Up (golden)............................................................................................................................................................................ 23
Flare-Up (faded) .............................................................................................................................................................................. 24
Get Faded........................................................................................................................................................................................... 25
Can-O-Whoopass............................................................................................................................................................................. 26
Burn-Out............................................................................................................................................................................................. 27
P.O.S. Lens ........................................................................................................................................................................................ 28
Orange You Glad I Didn’t Say Banana? .................................................................................................................................. 29
Go With The Grain .......................................................................................................................................................................... 30
A Better Web Sharpen................................................................................................................................................................... 31
Highlight Separator & Shadow Separator .............................................................................................................................. 32
Punch-Out!!! ..................................................................................................................................................................................... 33
Claire-ify ............................................................................................................................................................................................. 34
Greetings From Paradise & Wish You Were Here…............................................................................................................. 35
f/zero ................................................................................................................................................................................................... 36
Beer Goggles..................................................................................................................................................................................... 37
The Dirt Family................................................................................................................................................................................. 38
Sharpening Actions......................................................................................................................................................................... 39
Misc Actions....................................................................................................................................................................................... 40
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TRA2 – The Revenge User’s Manual Installing Your Actions
Installing Your Actions

If you’re reading this, then you’ve already successfully downloaded your actions, and opened the
.zip archive. Congrats! The next step, before you do anything else, is to BURN A BACKUP OF
THAT FILE! That’s right, the one you just downloaded. Burn it to a CD NOW! Computers crash
every day, and you don’t want to be the unfortunate one that’s left without their favorite actions.
I get at least a couple emails a week from people who thought it wouldn’t happen to them. Guess
what? It DID. Take the 5 minutes and do it. You’ll sleep better for it.
After doing that, the next part is so easy, it’ll seem like magic. The .zip archive you downloaded
and opened has two files. This one, and the other one. Double-click the other one (the one
ending in .atn that says TRA2 – The Revenge). You’re done. That’s it.
If you don’t see the actions, first make sure your actions palette is visible by opening Photoshop
(which should have been opened when you double-clicked the aforementioned file), and then click
Window -> Actions. Your actions palette should now be visible, and you can scroll down to the
bottom, where your new actions currently reside.
If for whatever reason double-clicking the .atn file doesn’t open Photoshop and install the actions,
then we’ll have to do things the hard way. Check out the video tutorial at www.gettotallyrad.com
for info on how to do things the hard way.
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TRA2 – The Revenge User’s Manual Using The Actions
Using The Actions

Once you’ve got the actions installed, we recommend putting the actions palette into button
mode. To do this, make sure your actions palette is visible, and then click on the actions palette
menu button, in the top-right of the palette. It’ll look a little different from the illustration in CS2,
but it’s in the same place.
Click “Button Mode” from that menu.

You should now have a very pretty,
color-coded list of actions. To run one
of the actions, just click on it. Let it run
through to its completion, since
stopping an action in the middle of
running will cause it to run weird the
next time, too.
Layer Opacity
Nearly every action in TRA2 – The Revenge will create a new layer or layer set as a result. One of
the most powerful features of the Totally Rad Actions is their tweakability, and the layers palette
is the key to that power. For more on how layers work, in general, check out the video tutorial at
www.gettotallyrad.com. What follows is a brief description of what you need to know to get the
most out of your actions.
With only a few exceptions, the actions in TRA2 – The Revenge don’t require much use of layer
masks. Most of the actions can be tweaked to your heart’s content using just the opacity slider.
The opacity slider can be used to control the strength of each layer, and it’s located in the Layers
Palette. If you can’t see the Layers Palette, click on Window -> Layers. You should now see
something that looks like this:
Acid Washed is a layer set (represented by a folder

icon), and is what you’ll get when you run the action
Acid Washed. It is the currently active selection in
the layers palette, and is therefore highlighted in
blue. Changing the value in the Opacity box (pointed
to by the red arrow) will change the strength of the
action, from 100%, all the way down to zero. You
can also click the arrow to the right of the Opacity
box to use a slider to control opacity.
If you wanted to control the opacity/strength of a different layer, you’d simply select it by clicking
on its thumbnail in the Layers Palette, and then use the Opacity slider.
You can also use the number keys to quickly dial in an opacity setting. Select the layer you want
to modify, and then select the Marquee tool (press “m”). Now simply pressing a number on the
keyboard will set the opacity to 10x that number. So pressing “6” will set 60% opacity for the
selected layer. Pressing “2” will give you 20%. If you press two keys in rapid succession, you
can get even finer control. For instance, “4” then “8” will give you 48% opacity.
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Layer Masks
Some of the more difficult actions (signified with a 4 or 5 star difficulty rating in the TRA2 Action
Breakdown), require the use of layer masks in order to work properly. Layer Masks are a way for
Photoshop to know where to apply a layer in a photo. They allow you to have a layer that affects
only the specific parts of the photo that you choose, rather than the whole image. Layer masks
are like lightbulbs – where they’re light, you’ll be able to see the layer, and where they’re dark,
you won’t be able to see the layer. You can use many of the tools available in Photoshop to paint
into layer masks, but we recommend using the brush or the gradient.
If a layer has a layer mask attached, then you’ll see a thumbnail of the layer mask to the right of
the layer icon in the layers palette. It looks like this:
In this case, the layer mask is all

black, which means that it actually
isn’t applying to anything, and the
layer it’s attached to is completely
transparent. To make the layer
visible in certain parts of the photo,
just click the thumbnail of the layer
mask to select it, and paint onto
the photo using the brush tool,
with white as the foreground color.
There are only a few actions in
TRA2 – The Revenge that use this
technique, but it’s a very powerful
way to control the effect of an action in the photo. Alternately, if a layer has a white mask, you
can use a black brush to subtract the effect from certain areas of a photo.
Check out the video tutorial at www.gettotallyrad.com for more on how layer masks work.
Combining Actions
Most of the actions in TRA2 – The Revenge can be combined together to create unique recipes for
your images. By blending several actions together in a single image, you have nearly limitless
possible combinations, and can create a unique look for your images.
Most of the actions in the set will create a new layer or layer set when the action completes. In a
sense, the result of the action is stored in that layer or layer set, and you can then use layers or
layer masks to control what parts of a photo the action effects, and how strong that effect is.
Additionally, whenever it’s possible, we’ve created layers that are “transparent,” meaning that
changes to the layers below it in the layer stack will still affect the whole image. This gives you
great flexibility in how you combine your actions. Actions that create non-transparent (or
“opaque”) layers are noted in the Action Breakdown section.
There is no right or wrong way to combine your actions together, so run a few and see what
happens! If you don’t like the effect of a particular action, you can drag the whole layer to the
trash icon in the layers palette. Alternately, you can click the eyeball icon to the left of the layer
icon to turn the visibility of that layer on and off. This is a great way to see just what that action
is contributing to the overall look of the image. You can also use layer opacity to interactively
blend different actions together.
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Also note that when you run an action, the new layer / layer set will be placed immediately above
the selected layer in the layers palette. If you have a layer set expanded, the new layer will end
up within that layer set. A few of the actions will expand the layer set when they’re done running
so you can tweak the action. Click the little arrow between the layer set icon (the folder) and the
eyeball icon to expand / collapse a layer set.
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TRA2 – The Revenge User’s Manual Detailed Action Breakdown
Action Breakdown
In the next section, you’ll find detailed information on each action in the set, along with a few tips
on how to use them and combine them. For most of the actions, you’ll find the following
information:
• Intensity – We’ve rated the intensity of each action on a five-point scale.

You wouldn’t even know an action had been run if no one had told you
Subtle effect, but still very normal-looking
Noticeable, but “tame” effect
Looks Processed.
Anyone would know it’s been tweaked.
• Difficulty – This rating is for how hard the action is to use, based on how much work is
required after you run the action.
Run it and forget it
Action has optional tweaks by using layer opacity
Action comes with optional layer masks to refine
Mandatory layer masks: action does nothing until the layer mask has
been manipulated
Mandatory layer masks + additional tweaking
• CPU Torture – We tested every action in the set for speed, and rated them for how long
they’ll take to run. These numbers will, of course, vary greatly with the size of the file
you’re running the action on, the amount of memory you have installed, and the relative
speed of your machine. Our baseline system is my PC – a 2.4GHz Core 2 Duo with 3GB
ram under Windows XP and CS3.
< 1 second
< 5 seconds
< 10 seconds
< 20 seconds
Over 20 seconds
You’ll also find before / after images for each action – you can see more variations in the Samples
section of the website at www.gettotallyrad.com.
The Usage Notes will give some great hints on how to get the most out of the actions, and the
Description will provide some insight into what we were thinking when we created the action.
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Legend
Detroit (B&W) Intensity
Difficulty
CPU Torture
Layer Masks? No
Opaque? No
Description
A steely, muted, cool-toned B&W action with compressed
highlights.
before
Usage Notes
If you’re not fond of the toning, run De-Toner afterward to get
a neutral gray.
You can adjust the level of highlight compression by varying

the opacity of the Highlight Pinch layer. Less opacity will
yield a brighter image.
after
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Legend
Lith-E-Yum! Intensity
Difficulty
CPU Torture
Layer Masks? Optional
Opaque? No
Description
Emulates the look of a lith print from an infared negative.
Similar to In-Faux-Red, but with a less prominent darkening
of skies, and a pink-ish tone.
before
Usage Notes
Comes with two tweaks that you can use – both are meant to
be implemented solely by using opacity. Increase the opacity
of the Lith Reducer layer to bring back the highlights and
tone down the intensity of the action overall. Increase the
opacity of the Shadow Dodge layer to bring back shadow
detail.
Using both tweak layers together will reduce the overall

after
contrast, but can look really cool. You can also use the layer
masks to be more selective, if you’re good with that kinda
stuff.
The more saturated the sky / blues, the more deep the color
and dramatic the result. Try running Greetings From
Paradise and Wish You Were Here first if you want a
stronger result.
If you see banding or other blotchy nastiness in the sky, run

Red Channel Fix first, this should minimize, if not entirely
eliminate the issue.
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Legend
In-Faux-Red Intensity
Difficulty
CPU Torture
Layer Masks? Recommended
Opaque? No
Description
Pseudo infared. Meant to look like the classic Kodak HIE film,
shot through an opaque infared filter. Luminous skintones,
deep skies, high contrast, with grain and some highlight and
shadow bleeding. Soft details overall.
before
Usage Notes
Comes with two optional layers that you can use to control
highlights and shadows. Intensity Reducer controls the
highlights, while Shadow Control controls the shadows. Paint
over the areas that you want to lighten / darken with those
layers to bring clipped tones back into range (use a white
brush). Or just let it be uber-contrasty. Your call. But most
after
images benefit from some tweaking of the HL’s and shadows.
The more saturated the sky / blues, the more deep the color
and dramatic the result. Try running Greetings From
Paradise and Wish You Were Here first if you want a
stronger result.
If you see banding or other blotchy nastiness in the sky, run

Red Channel Fix first, this should minimize, if not entirely
eliminate the issue.
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Legend
Brooklyn (B&W) Intensity
Difficulty
CPU Torture
Layer Masks? No
Opaque? No
Description
Gritty, punchy B&W conversion that's great for a street /
reportage look. Rich grays, contrasty skintones, and good
detail retention overall.
before
Usage Notes
Meant to generally mimic the tonal response of traditional
panchromatic B&W film. More blue-heavy than our other B&W
actions, which means more contrast in the skintones, deeper
skintones overall, and lighter skies. Also means that photos
with a cool-ish white balance will be rendered slightly lighter.
after
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Legend
Homestead (B&W) Intensity
Difficulty
CPU Torture
Layer Masks? No
Opaque? Yes
Description
Warm, antique-y black and white conversion, with a
compressed tonal scale, and soft shadows and highlights. Lots
of gritty local detail. Warm tone. Dirty, inverse-vignette
around the edges, simulating the gradual bleaching of the
silver in the edges of a print.
before
Usage Notes
If you don’t like the toning, run De-Toner afterwards.
Alternately, just turn off the Toning layer.
If you’re not fond of the inverse-vignette, then you can turn off
the Edge Fade layer.
after
You can reduce the opacity of the Range Compression layer

to control the degree to which the overall contrast gets
reduced.
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Legend
Milk and Cookies Intensity
Difficulty
(B&W) CPU Torture
Layer Masks?
Opaque?
Description
Contrasty B&W with soft, luminous, milky highlights. Great for
portraits in soft, even, frontal light.
before
Usage Notes
Specifically tweaked to give that porcelain skin, hot highlights
look. Will clip highlights and shadows a bit on images that
already have a very full tonal range. The right kind of light is
essential to the look, but when it’s right, it’s SO right.
Optionally, increase the opacity of the HL softener layer to

after
compress the tonal range a bit. If the highlights are too hot,
this’ll fix it.
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Legend
B.A.M.F. (B&W) Intensity
Difficulty
CPU Torture
Opaque? Yes
Description
Bad-Ass-Mother-F&*#%@. Soft tonal scale, prominent details,
and exceptional retention of highlight and shadow details. A
truly unique B&W conversion method, that can work miracles
for difficult photos. Nothing else even comes close.
before
Usage Notes
16-bit version will work on 8-bit photos, and is actually faster
than the 8-bit version, but will also introduce banding in about
50% of situations (skies, especially). The 8-bit version fixes
that (ironically, by converting to 16-bit and then back).
Can muddy up the shadows more than you might like. Run
after
Crush afterward to deepen the shadows more.
Can introduce halos around high-contrast edges, If this is

objectionable for your application, then either mask off or
reduce the opacity of the Mid-Details layer, which is the layer
that causes the haloing.
Very similar to Can-O-Whoopass in its concept and execution.
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Legend
Bullet Tooth Intensity
Difficulty
CPU Torture
Layer Masks? No
Opaque? No
Description
Cool, desaturated color with hot highlights and crushed
shadows. Contrasty. Similar to the bleach bypass technique
used in many recent movies.
before
Usage Notes
Works great in hard light. Has a tendency to bleach highlights
out and lose highlight detail… that’s part of the look. after
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Legend
Sparta Intensity
Difficulty
CPU Torture
Opaque? Yes
Description
Warm, rich tones with desaturated greens and blues, crisp
midtone details, and a slight glow / boost to the highlights.
Inspired by the recent Hollywood blockbuster about the

Mediterranean city-state of the same name.
before
Usage Notes
You can use a black brush to withhold the Glowiness & Grain
layer from areas that either have goofy highlight transitions, or
else are just blown / too hot. Or if you just don’t like the
grain. This layer is an essential part of the look, though, so go
easy if you start removing it.
after
If you REALLY want to get closer to “the look”, then you’ll have
to really burn that sky down. Greetings From Paradise will
help with that, as will Big Blue or Yin / Yang from TRA1.
Deep, contrasty skies will really give that dramatic, epic look.
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Legend
Troy Intensity
Difficulty
CPU Torture
Layer Masks? No
Opaque? No
Description
Golden, desaturated colors with crushed shadows and soft
highlights. Cool-cyan shadows. Similar to Sparta.
before
Usage Notes
after
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Legend
Grandma’s Tap Shoes Intensity
Difficulty
CPU Torture
Layer Masks? No
Opaque? No
Description
Very warm color palette with extra midtone detail, and a soft
overall tonal scale.
before
Usage Notes
Works really well with the textures from the Dirt family.
Use layer set opacity to adjust the strength of the effect.
Also works great as a toner over B&W images.

after
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Legend
Pool Party Intensity
Difficulty
CPU Torture
Layer Masks? No
Opaque? No
Description
Warm highlights, cool shadows, and a slight boost in contrast.
Vintage-y, soft cross-processed feel.
before
Usage Notes
Works really well with the textures from the Dirt family.

after
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Legend
Acid Washed Intensity
Difficulty
CPU Torture
Layer Masks? No
Opaque? No
Description
Slightly pink highlights, and cyan midtones / shadows. Slight
boost in contrast. Vintage-y, soft cross-processed feel.
before
Usage Notes
after
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Legend
Lux (soft) Intensity
Difficulty
CPU Torture
Layer Masks? No
Opaque? No
Description
Warm, luminous highlights and cyan shadows, with a soft color
palette and tonal scale.
before
Usage Notes

after
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Legend
Lux (hard) Intensity
Difficulty
CPU Torture
Layer Masks? No
Opaque? No
Description
Warm highlights and cool cyan shaows, with a bit of kick and
contrast.
before
Usage Notes

after
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Legend
Flare-Up (golden) Intensity
Difficulty
CPU Torture
Layer Masks? No
Opaque? No
Description
Creates the impression of warm backlighting by allowing the
highlights to spill over into the other tones. Lightens the
image overall, and reduces saturation. Warms up an image
significantly.
before
Usage Notes
Only areas that are close to pure white will end up “flaring” – if
an image doesn’t have a pure white, then this will basically just
end up warming the image up.
Works best on images that have blown highlights around light

sources – i.e. images shot into strong backlighting, or images
after
with a blown-out sky.
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Legend
Flare-Up (faded) Intensity
Difficulty
CPU Torture
Layer Masks? No
Opaque? No
Description
Creates the impression of warm backlighting by allowing the
highlights to spill over into the other tones. Lightens the
image overall, and reduces saturation.
before
Usage Notes
Only areas that are close to pure white will end up “flaring” – if
an image doesn’t have a pure white, then this will basically just
end up warming the image up.
The “faded” variation will yellow up the highlights, so that

there is no pure white in the resulting image.
after
Works best on images that have blown highlights around light

sources – i.e. images shot into strong backlighting, or images
with a blown-out sky.
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Legend
Get Faded Intensity
Difficulty
CPU Torture
Layer Masks? No
Opaque? No
Description
Fades and tweaks the colors in an image to create a vintage, faded photo color palette. An excellent companion to one of
the texture actions, and can also be combined / mixed together to create new faded tones.
Adjust opacity to season to taste.
Works very well with POS Lens and Burn Out.

original image
neutral
summer
spring
autumn
winter
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Legend
Can-O-Whoopass Intensity
Difficulty
CPU Torture
Layer Masks? Mandatory
Opaque? No
Description
Simultaneously dodges shadows, burns highlights, and
increases local contrast over the whole photo. The closest
thing to magic that we've ever written. If the image is lacking
something, try opening up a Can-O-Whoopass on it.
before
Usage Notes
Use a white brush on the layer mask to paint it into areas you
want to increase the presence of. You can also just hit ctrl-I
(command-I on the mac) to flip the mask around so it applies
to the whole image. On some photos this looks great, on some
it looks less than ideal.
after
Similar philosophy behind this action as BAMF.
If the shadows become too light / muddy after running this, try
running Crush afterward. This will restore some depth to the
blacks. The before / after shown here has Crush run on it at
full strength.
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Legend
Burn-Out Intensity
Difficulty
CPU Torture
Layer Masks? No
Opaque? No
Description
Auto-Vignette that moderately darkens the edges of the frame,
and creates a slight vignette from center to edge. Great as a
subtle device to draw the eye into the frame, as well as for
creating a vintage look.
before
Usage Notes
You can select the layer mask for either of the two layers in the
set and hit CTRL-T (command-T) to transform the mask. This
allows you to move the vignette even farther to the outside (by
enlarging the layer mask so the darkest edges are outside the
frame). You can also transform in any other combination of
ways to restrict the vignette to a certain part of the photo.
after
If you duplicate the whole resulting layer set, you’ll get a

double-intensity vignette.
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Legend
P.O.S. Lens Intensity
Difficulty
CPU Torture
Layer Masks? No
Opaque? Yes
Description
Emulates the look of a toy camera or old brass lens. A piece of
s#!& lens, in other words. Softens and burns the edges, as
well as introducing minor flare in the highlights. Slight
increase in overall contrast, and reduction in local contrast.
before
Usage Notes
You can open up the resulting layer and individually tweak the
blur, vignette, highlight flare, and midtone gain. Just use the
opacity sliders to back them off to taste if you’d like.
after
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Legend
Orange You Glad I Intensity
Difficulty
Didn’t Say Banana? CPU Torture
Layer Masks? No
Opaque? No
Description
Reduces saturation of the reds and oranges in a photo. Great
for correcting over-red skintones, or strong tungsten-light color
casts, without destroying the warmth of a photo.
before
Usage Notes
Changes the overall color balance of the photo a tiny bit, but
it’s often a worthwhile tradeoff. If 100% accurate color is
super-important, then think about using something else. On
the other hand, if accurate color is a concern, you wouldn’t
need this action anyway…
after
If there’s an area of the photo that you DON’T like the effect of
the action on, you can add a layer mask to the whole group
and use a black brush to withhold it from that area.
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Legend
Go With The Grain Intensity
Difficulty
CPU Torture
Layer Masks? No
Opaque? No
Description
Emulates a heavy, film-like grain. Uses a two-stage noise
algorithm, as well as scattering the edges of objects, to give a
very realistic film-grain look. Will cause minor softening of an
image's prominent details.
before
Usage Notes
You can individually tweak the overall noise and the scattering
of edges by playing with the opacity of the two layers in the
set.
Reducing the scatter will reduce the softening effect, but also
provide a less film-y result.
after
Reducing the overall noise too much without reducing the

scatter will look weird.
You can also use the opacity of the whole layer set to control
the strength of the effect.
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Legend
A Better Web Sharpen Intensity
Difficulty
CPU Torture
Layer Masks? No
Opaque? No
Description
Pretty self-explanatory. Better than whatever other web
sharpening routine you’ve been using. Honest. Your old
method is embarrassed right now because it just got served.
Gives a great overall impression of sharpness without
oversharpening edges or introducing halos
before
Usage Notes
Run this on flattened images after resizing, as a last step
before saving the image for the web.
If you’re using the bicubic sharper resampling method to

downsize your images, they may appear over-sharpened. Use
plain old bicubic or bicubic smoother as the resampling method
after
for best results.
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Legend
Highlight Separator & Intensity
Difficulty
Shadow Separator CPU Torture
Layer Masks? No
Opaque? No
Description
Increases separation between the details in the highlights /
shadows of an image. Doesn't alter the fundamental tonal
relationships of a photo, but makes the details in the extreme
ends of the tonal scale more prominent. Basically sharpens
detail at the extreme ends of the tonal scale, without causing
before
any additional clipping the HLs or shadows.
Usage Notes
You can use layer opacity to control the strength of the effect.
If the occasional haloing effect is objectionable, you can add a

mask to the layer and use a black brush to withhold it from
specific areas of the photo.
after
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Legend
Punch-Out!!! Intensity
Difficulty
CPU Torture
Layer Masks? No
Opaque? No
Description
Quick and simple contrast boost, with gentle highlight and
shadow transitions.
before
Usage Notes
Use layer opacity to control the strength of the effect.
after
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Legend
Claire-ify Intensity
Difficulty
CPU Torture
Layer Masks? No
Opaque? No
Description
Adds a bump in contrast and a lightening of the midtones.
Great for flattering portraits while maintaining snap to the
image.
before
Usage Notes
The layers inside the set give you finer control over the balance
between lightening and contrast.
after
Page 34
Legend
Greetings From Intensity
Difficulty
Paradise & Wish You CPU Torture
Layer Masks? No
Were Here… Opaque? Yes (Wish You Were…)
Description
Wish You Were Here saturates just the blues and greens in a
photo. Excellent for landscape images. Uses a somewhat
novel L.a.b. – based method, which has a different look than
other tools.
before
Greetings From Paradise deepens the blues in a photo. Use
it on skies. Will have a stronger effect the more saturated the
sky is, so running this on top of Wish You Were Here will
increase the strength of the effect. Doesn’t touch any of the
other tones.
(The example at right has both actions run – Wish You Were
Here first, followed by Greetings From Paradise)
Usage Notes
after
Page 35
Legend
f/zero Intensity
Difficulty
CPU Torture 2 - 5
Opaque? Yes
Description
Used to selectively soften / sharpen the image. Sharpens the
areas that aren’t blurred.
This action can be used to simulate optical focus effects with

more precision and less time than Photoshop’s built-in method
before
(the lens blur filter). Simulating tilts and swings is very easy
to do with this action.
f/zero is meant to be a quick way to create the mask you

want. Without one of the three conversions, it looks pretty
bad. You’ll want to use one of the three conversions afterward
to make it look pretty (see notes below).
(the Super HQ version was used for the example at right)
Usage Notes
You can paint black into the image to select the areas you want
to bring back into focus (action selects black for you at the
end). Alternately, use the gradient tool to create a black ->
white gradient leading from the interesting area to simulate the
look of a tilt/shift.
Once you’ve created the mask you want, run one of the three
after
conversion actions, and the blur will be refined, creating a

more gradual transition from in focus to out of focus
• High Quality is the fastest, and does a decent job.

• Super HQ is the best tradeoff between speed and
quality. It takes only a couple seconds more than HQ,
and this is the method I recommend using.
• Insane Quality looks great, but takes about 20 times
longer. On the order of several minutes vs several
seconds.
Page 36
Legend
Beer Goggles Intensity
Difficulty
CPU Torture
Opaque? Yes
Description
Selectively sharpen and soften areas in a photo, allowing you
to see only what you want to see. Works well as a subtle
device to draw attention to the important details, and
downplay the non-important ones, somewhat like dodging and
burning, but with focus instead of tones. Basically f/zero with
before
a smaller radius.
Usage Notes
Use a black brush to paint back areas you want sharp.
(already selected for you at the end of the action).
The effect is very subtle, and is meant to be very subtle. Used

right, you barely even know it’s there, but it helps to subdue
busy, distracting details.
after
Page 37
Legend
The Dirt Family Intensity
Difficulty
CPU Torture 3 - 5
Layer Masks? Recommended
Opaque? No
Description
All the actions with Dirt in the name are grunge textures,
meant to help create a worn, faded, distressed look. They all
have a similar feel, but differ subtly.
These actions create the texture on the fly, and automatically
before
align it to the photo. This saves the work of resizing, cropping,
filtering, etc a photo-based texture.
(The example at right uses Dirty Diana at 50% opacity, Burn-

Out, and Get Faded (summer) )
Usage Notes
Use a black brush to paint back areas you don’t want the
texture to cover (faces, etc).
Use layer opacity to reduce the overall effect to taste.
For best results, use this over one of the Get Faded actions, or
after
over something else that compresses the output tonal range.
Also plays very well with Burn-Out and POS Lens.
Page 38
Legend
Sharpening Actions Intensity
Difficulty
CPU Torture
Layer Masks? No
Opaque? Yes
Straight Edge Slice Like A Ninja

The most aggressive sharpening action in the set. Good Most versatile sharpening action in the set. Two-pass High-
for photos that were a little soft to begin with (jpegs shot Pass sharpening, once for local contrast, once for fine
with low sharpening, or wide-open lenses). details. Works well on just about everything.
Defaults to 50% strength, and you can turn it up or down

to taste.
Uses a two-pass, edge-masked USM with low radius.
Cut Like A Razor Blade J-Sharp

Simple, two-pass USM. Great as an alternative to Slice Aggressive edge-sharpening action. Great for in-camera
Like A Ninja (they were two lyrics from the same verse, jpegs or wide-open lenses.
after all).
Withholds sharpening from shadows and highlights to

avoid clipping and increased noise.
Page 39
Legend
Misc Actions Intensity Varies
Difficulty Varies
CPU Torture Varies
Layer Masks? Varies
Opaque? Varies
Select-O-Sharp Select-O-Pop
Used to selectively sharpen areas of a photo. Uses a Similar to Select-O-Sharp. Lightens a bit, and will clip
two-pass USM for local contrast and fine detail. highlights that are already close to the edge.
Paint white into the mask to selectively sharpen areas of Great for eyes, jewelry, shiny things, etc.
a photo.
Smooth-O-Matic De-Toner
Simple noise-reduction routine. Vary the strength of the If you don’t like the toning added by one of the B&W
effect with the resulting layer’s opacity. actions, run this afterward to get back to neutral grays.
Simply desaturates an image. Useful, but not very fancy.
Red Channel Fix Crush

Corrects blotchy colors and/or skies that can appear in Darkens the shadows of an image, basically “crushing” the
certain red-channel-heavy actions. If you run an action, blacks. Great for optionally restoring over-lightened
and the skies look blotchy and nasty afterward, start shadows resulting from BAMF, Can-O-Whoopass, or any
over, and then run this first. other action.
Very useful for Lith-E-Yum and In-Faux-Red.
This action is opaque
Page 40

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TRA2 – The Revenge User’s Manual Introduction

A little word from Doug…

Installing Your Actions

Using The Actions

Click “Button Mode” from that menu.

Acid Washed is a layer set (represented by a folder

In this case, the layer mask is all

• Intensity – We’ve rated the intensity of each action on a five-point scale.

You can adjust the level of highlight compression by varying

Using both tweak layers together will reduce the overall

If you see banding or other blotchy nastiness in the sky, run

images benefit from some tweaking of the HL’s and shadows.

If you see banding or other blotchy nastiness in the sky, run

You can reduce the opacity of the Range Compression layer

Optionally, increase the opacity of the HL softener layer to

Crush afterward to deepen the shadows more.

Can introduce halos around high-contrast edges, If this is

Very similar to Can-O-Whoopass in its concept and execution.

Inspired by the recent Hollywood blockbuster about the

Use layer set opacity to adjust the strength of the effect.

Also works great as a toner over B&W images.

Use layer set opacity to adjust the strength of the effect.

Also works great as a toner over B&W images.

Also works great as a toner over B&W images.

Also works great as a toner over B&W images.

Works best on images that have blown highlights around light

with a blown-out sky.

The “faded” variation will yellow up the highlights, so that

Works best on images that have blown highlights around light

Adjust opacity to season to taste.

Works very well with POS Lens and Burn Out.

Similar philosophy behind this action as BAMF.

If you duplicate the whole resulting layer set, you’ll get a

Reducing the overall noise too much without reducing the

If you’re using the bicubic sharper resampling method to

for best results.

If the occasional haloing effect is objectionable, you can add a

This action can be used to simulate optical focus effects with

f/zero is meant to be a quick way to create the mask you

(the Super HQ version was used for the example at right)

conversion actions, and the blur will be refined, creating a

• High Quality is the fastest, and does a decent job.

The effect is very subtle, and is meant to be very subtle. Used

These actions create the texture on the fly, and automatically

(The example at right uses Dirty Diana at 50% opacity, Burn-

Use layer opacity to reduce the overall effect to taste.

over something else that compresses the output tonal range.

Also plays very well with Burn-Out and POS Lens.

Straight Edge Slice Like A Ninja

Defaults to 50% strength, and you can turn it up or down

Uses a two-pass, edge-masked USM with low radius.

Cut Like A Razor Blade J-Sharp

Withholds sharpening from shadows and highlights to

Simply desaturates an image. Useful, but not very fancy.

Red Channel Fix Crush

Very useful for Lith-E-Yum and In-Faux-Red.

This action is opaque

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