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Introduction
During the late 18th and the 19th century, the British came to
colonize Malaya as part of their expansion plans to gather valuable
resource for their economy and war efforts, as to compete with the
world powers. In order to colonize Malaya, they held good relations
with the sultan - or at least only in the beginning phase of colonization,
they controlled the administration, built impressive buildings, and
introduced new technologies such as the railways. As a result, the
British not only exploited Malaya’s resources, but also left traces in
terms of politics, architecture, and socio-cultural in the society.
Kuala Lumpur: Divided and Ruled
The map of Kuala Lumpur, the Klang river seperates the British to the west and the
Malay, Chinese and Indian community to the east (Gullick, J.M. 2000)
“On 4th January 1881, an overturned oil lamp in an opium den spread quickly
and in no time had engulfed the town. The settlement of about 500 houses was rebuilt
with bricks and tiles instead of timber ply, mud walls and palm thatch roof. The cost of
rebuilding the town was borne by Yap Ah Loy. This may have been the beginning of town
planning in Kuala Lumpur.” (Kuala Lumpur's Colonial Influences, 2001)
The Map of Kuala lumpur, showing the location of the British buildings, Masjid Jamek,
and the timber bridge that connects the west bank the east bank area. (Gullick, J.M.
2000)
The British selected the west bank of the Klang river for their
colonial quarters and residency, since the river provided a natural
barrier between the Malay and the Chinese towns, with the only means
of crossing the river being a wooden bridge. Small width of the timber
bridge would mean that capacity of the people crossing the river at
once would be limited, and therefore the British can easily deal with
any riot threats from the east bank. Also, by separating the Malay and
Chinese communities from the British area on the west, the British
creates an exclusive area for themselves. The Malay and Chinese
communities on the east bank are left to admire their exclusivity and
to marvel at their grand architecture, especially the Sultan Abdul
Samad building facing right into the east bank.
The image of the timber bridge that connects the colonial’s area, to the eastern side
of the Chinese and Indian community. (Gullick, J.M. 2000)
The image of The Carcosa, the residence of Sir Frank Sweettenham, situated on top
of the hill, with scenic view of the Lake Gardens as well of the town of Kuala Lumpur.
(Gullick, J.M. 2000)
The image of the Jamek mosque built in between the Klang river and Gombak river
(Gullick, J.M. 2000)
Architecture
During the 19th and the 20th century, the British built many buildings in
Malaya, these buildings were of a different architecture style, they built
buildings to adapt with the local climate while incorporating many
European style of architecture, along with Indian-Islamic architecture
into Kuala Lumpur. “In every way, then, this is a true hybrid: An alien building type
rises in Malaya, to house the importers apparatus of a colonial administration” (Abel
1985).
The image shows the entire length of Sultan Abdul Samad building, as the picture
was taken from the vast open space of the ‘Padang’. (Sultan Abdul Samad 2009)
The Sultan Abdul Samad building is one of the most prolific buildings built by the
British. The architecture of the building is a hybrid of classical style with Islamic-
moorish architecture elements. Its many openings are also an attribute that adapts to the
local climate by maximizing natural ventilation against the humid-hot climate of Kuala
Lumpur. “The building is clearly meant to be seen and admired from the outside,
especially from across that vast open space, which still provides a splendid view of the
entire length of the building as well as three neighboring building of the same group”
(Abel 1985). By responding to the major public space, this building certainly makes a
statement into the landscape of Kuala Lumpur.
The image of Kuala Lumpur Railway Station featuring Moorish architecture and Neo-classical architecture.
(Kuala Lumpur Railway Station 2001)
The image of St. Mary’s church featuring Neo-gothic architectural style with a touch of Mock Tudor
architectural style. (Mafia, S. 2008)
The image of the Royal Selangor Club building with Mock Tudor architectural style. (Mafia, S. 2008)
The image of the Carcosa Seri Negara, former residency of Sir Frank Swettenham, featuring Neo-classical
and Mock Tudor architectural style. (Steiner, R. 2006)
As a result of the many British buildings built during the colonial era, even the
rich businessman Loke Chow Kit built his mansion in accordance with the Neo-classical
architectural style. In building his mansion with the European architectural style, it is an
acknowledgement that the colonial architectural style is a style that promotes prestige and
power over the ordinary locals.
The image of the Loke Chow Kit mansion, featuring Neo-classical architectural style. (Kamal, K. S. 2008)
Summary
Ever since the British came into Kuala Lumpur in aide of Tengku
Kudin to maintain order, they have indirectly gained control over the
population thus enabling them to exploit the mining economy of the
town. The British system of colonialism was based on their years of
experience in colonizing India.
Abidin ,W. B. Malaysian Architecture Some Questions in The Makin of Its History.
Majalah Arkitek, March.
Gullick, J. M. 2000. A History of Kuala Lumpur. Academe Art & Printing Services Sdn.
Bhd. Selangor.
Konig, A. The town and Country Planning act (1976): Learning From German
Experience. Majalah Arkitek, March.
Mills, L.A. 1960. British Malaya 1824-67, MBRAS. Vol XXXXIII, part 1. Selangor.
Yeang, K. 1992. The Architecture of Malaysia. The Peppin Press. Kuala Lumpur.
Image Credits
Gullick, J.M. 2000. The 1895 map [Image]. Academe Art & Printing Services Sdn. Bhd.
Selangor.
Gullick, J.M. 2000. The 1895 map [Image]. Academe Art & Printing Services Sdn. Bhd.
Selangor.
Gullick, J.M. 2000. Timber bridge across the Klang River in 1889 [Image]. Academe
Art & Printing Services Sdn. Bhd. Selangor.
Gullick, J.M. 2000. Carcosa, completed in 1898. The Official residence of the Resident
– General (later Chief Secretary) FMS. [Image]. Academe Art & Printing Services Sdn.
Bhd. Selangor.
Gullick, J.M. 2000. The river junction (kuala) from which the town takes its name, with
the Jamek Mosque (1909) designed by A B Hubback [Image]. Academe Art & Printing
Services Sdn. Bhd. Selangor.
Kamal, K. S. 2008. Sejarah Bangunan Loke Chow Kit (Kini Bangunan PAM), JPG,
http://buildingconservation.blogspot.com/2009/09/sejarah-bangunan-loke-chow-kit-kini.html (accessed
August 8, 2010)